SNL Review November 3, 2018: Jonah Hill/Maggie Rogers

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CREDIT: Will Heath/NBC

This post was originally published on News Cult in November 2018.

Love It

Teacher Fell Down – Now here’s a welcome example of SNL being more experimental than usual: starting the scene right after the inciting incident, combined with generally weird (but mildly so) behavior. Then a bunch of confused spectators comment on the strangeness of the situation and try to restore some sanity, but without getting too worked up about it. Honestly, a lot of this is just solid sketch writing, but deployed in a way one would ever think to do.

6-year-old Adam Grossman cracking Catskills-style jokes at the Benihana never fails to be a delight. Giving him a (not actually) Jamaican nanny proves to be a stroke of genius for providing him with fruitful material…Oh man, those Pug Wigs are legendarily adorable.

Keep It

Jonah Hill’s Five-Timers Monologue – I always love a visit to the Five-Timers lounge, and since we’ve seen it multiple times before, subversion is a good idea, too. The basic idea here is that the #MeToo movement has spread to the Five-Timers Club, thus only female members are there to welcome Jonah. This approach doesn’t quite fit, though, as none of the male members are really known for their mistreatment of women (notwithstanding the recently arrested Alec Baldwin’s anger issues and Chevy Chase’s noted difficulty to work alongside). Of course, this could also be a commentary on the relative lack of women in the club and in the history of SNL and in comedy in general. Which is a fine idea, but then a lot of the jokes are just the ladies lightly teasing Jonah. This is all to say, there are several worthwhile avenues present here, but overall it’s a bit scattered. Side note: I gotta give it up to Candice Bergen for being a legend who just stares at her phone during the goodnights.

The Ingraham Angle has some funny gags about FOX News overreaction, though no great overarching point…The Democrat Midterm Ad‘s biggest laugh comes from Mom Aidy Bryant screaming that kidding about voting is NOT FUNNY!…Divided We Stand is fairly amusing self-satisfied theater, but I am most tickled by the fact that it is taking place at 43rd and “Lincoln Tunnel Service Road”…Michael and Colin really have to fight for desk time with all those correspondents, but at least they get a good crack about Gritty in there…I would say making fun of people’s appearances is not political satire, but Pete Davidson does acknowledge that and makes fun of his own looks as well, so he knows what he’s doing…Brittainy, Every Teen Girl Murder Suspect on Law & Order is one of those Update bits that pretty much perfectly captures the trope it’s tackling but doesn’t quite fully integrate itself within the context of Update; so: funny, but a little disorienting…Kenan’s David Ortiz really knows how to be a spokesperson for products and concepts that we never realized needed endorsing…America’s Got Talent: Wait, They’re Good? identifies what I assume is an actual overdone reality competition trope. It’s a good joke, but the execution is a little dragged-out…HuckaPM features some intense falling-over physical comedy; bangin’.

Leave It

KCR News Albany – Hoo boy, this is a mess. The writing is all wrong, what with the tone veering wildly in multiple directions, and the direction isn’t great either, with technical glitches and bad timing. The tragedy is, there are some decent jokes in there, but it is never clear what the base reality is. Thus, I am too confused to laugh. At least the sketch doesn’t end on a bummer, but alas, that happy ending only makes everything more confusing.

Jonah Hill

On a scale of SNL Five Timers, Jonah Hill is steady and effective enough. He has a memorable recurring character in his repertoire, so he hasn’t scaled this height with nothing, though he is still a far cry from the most legendary in this hallowed club. In this outing, it’s clear that he’s happy to play along pleasantly with the cast and that he doesn’t feel any need to go out of his way to make himself the star. It makes for a mostly functional episode.

Maggie Rogers

On a scale of musical guests I’ve hardly heard of before their SNL debut, Maggie Rogers has definitely caught my attention. For someone in her twenties, she sure looks and sounds polished. Plus, there’s always room in the pop scene for more folk music without getting all Mumford & Sons-artisanal about it. And you gotta love that Suspiria-style red dress.

Letter Grades:

The Ingraham Angle – C+

Jonah Hill’s Five-Timers Monologue – B

Benihana – B+

Democrats Midterm Ad – B

KCR News Albany – C

Divided We Stand – B-

Teacher Fell Down (BEST OF THE NIGHT) – B+

Maggie Rogers performs “Light On” – B+

Weekend Update
The Jokes – B-
Pete Davidson – B
Brittainy, Every Teen Girl Murder Suspect on Law & Order – B-
David Ortiz – B

America’s Got Talent: Wait, They’re Good? – B-

Maggie Rogers performs “Fallingwater” – B

HuckaPM – B-

Pug Wigs – B+

SNL Review October 13, 2018: Seth Meyers/Paul Simon

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CREDIT: Ava Williams/NBC

This post was originally published on News Cult in October 2018.

Love It

New Cellmate – It’s not impossible to make satisfying, even lighthearted, comedy about the most monstrous subject matter. Portraying an imprisoned Bill Cosby as someone who’s lost touch with reality (or is pretending to) and is clinging to his Cliff Huxtable persona is goofy but also weirdly credible. Plus, Seth Meyers’ new cellmate character is so carefully considered in his reaction to this surreal situation that the sketch manages to also be respectful when it could have easily been sordid. That’s a not-insignificant accomplishment.

The South of Mason Screening starts out as weird as you hope these Q&A sketches would be, but then it gets a little prosaic. But man, what a weird beginning…A Frightening Tale combines horror movie tropes and the worst “aspiring filmmaker” excesses in unforgettable fashion.

Keep It

Kanye-Trump Summit – I watched hardly any of the actual Kanye-Trump summit because I just didn’t have the appetite for it. But as far as I can tell, this is the latest example of SNL‘s cold opening being more or less a recreation of the crazy thing that happened this week. There are a few Kanye cuckoo-isms that I imagine the SNL team came up with (like Chicago’s “negative murder rate”) to render this amusing enough. But when this material is going to be covered more in depth later in the show anyway (on Update and in the case of this episode, even in the monologue), why not break the mold in the opener? I mean, you could do even just ask what happened right before or right after the summit.

Seth Meyers’ Monologue is pretty short, but it’s also pretty valuable for reminding of us this sketch from a time when Kanye was somehow both hilarious and self-aware…beta force is a necessary corrective to those suspect testosterone supplements (and right on for calling out the giant black canisters)…If Leslie Jones and Ego Nwodim want to be thirsty, let ’em be Thirsty Cops, I say…Michael and Colin earn my chuckles for that sick RadioShack burn and Che revealing that every container in his apartment “used to be something else”…The Baskin Johns bit is little more than someone nervously saying “Number 1” over and over, but I’ll give it some enthusiasm because it’s Heidi Gardner and she says “Goop my pants”…Really!?! with Colin, Seth, and Michael is a little unwieldy compared to the classic Seth and Amy flavor but still filled with plenty of valid points…Bayou Benny’s Liberal Lagniappe is a little (or a lot) incoherent (though that’s very much the point), so it makes sense to have Seth in there as himself to be confused…The couple coming back from the Cuban Vacation (“Cooba”) are pretty insufferable, but I do enjoy their interpretation of a “rooster competition”…More than half of the Trees music video got cut off during my broadcast. (Was this true for everyone else?) Luckily, it’s 2018, and all the sketches are online the next day. Anyway, Pete Davidson and Chris Redd have some decent back-and-forth in their spit games.

Leave It

Treece Henderson Trio – The “weird band at a low-rent venue” closing sketch is a proud SNL tradition. Even the ones without a strong central thrust usually still have a few disarmingly out-there details, and that is the case with this trio of Kenan, Seth, and Kyle performing at a Marriott, thanks to the electric piccolo and the phrase “panty crickets.” But by keeping the main idea of piccolo player Seth’s medical diagnosis so vague, we are never quite able to jump full-on into the wackiness.

Seth Meyers

On a scale of “Seth Meyers behind a desk” to “Seth Meyers the sketch player,” it is clear that this former longtime Update anchor and current Late Night host is most comfortable talking directly to us, as evident in his monologue and the rendition of “Really!?!” But that doesn’t mean he’s a bad sketch actor! He does some committed character work as a middle-aged testosterone nutjob and a pretentious vacationer, and his performance in A Frightening Tale is so on point. Maybe there’s a bit of a mental block on his part going on, but he’s nonetheless now the kind of guy I’m always happy to see back.

Paul Simon

More musical guests should perform new arrangements of their old hits on SNL. But alas, most of them probably wouldn’t be as masterful as Paul Simon makes them.

Letter Grades:

Kanye-Trump Summit – C+

Seth Meyers’ Monologue – B

South of Mason Screening – B+

beta force – B-

Thirsty Cops – B-

A Frightening Tale (BEST OF THE NIGHT) – A-

New Cellmate – B+

Paul Simon and yMusic perform “Can’t Run But” – A-

Weekend Update
The Jokes – B-
Baskin Johns – C+
Really!?! – B

Bayou Benny’s Liberal Lagniappe – B-

Paul Simon performs “Bridge Over Troubled Water” – B+

Cuban Vacation – C+

Trees – B-

Treece Henderson Trio – C

SNL Review October 6, 2018: Awkwafina/Travis Scott

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CREDIT: Will Heath/NBC

This post was originally published on News Cult in October 2018.

Love It

Ted Cruz Rally – This little filmed piece is my pick for best of the episode, primarily by dint of some impressively squishy sound design. The plop of confetti, the thud of a bounceless basketball, the distortion of an unruly microphone: all are delightful auditory punchlines. Beck’s take on Ted Cruz is fairly unique (is the senator’s nose really that pointy?), but his string of bad luck as a live performer definitely captures his noted lack of charisma.

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SNL Review September 29, 2018: Adam Driver/Kanye West

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CREDIT: Rosalind O’Connor/NBC

This post was originally published on News Cult in September 2018.

NewsCult’s Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Kyle’s New Look – Considering who was in the building, it looked like we were about to get a sequel to the landmark Kyle vs. Kanye as the latest short from Mr. Mooney began. But while the behind-the-scenes saga takes a different route this time, it is no less welcome. In an episode all about Pete Davidson’s summer, the high point comes via Kyle’s copycat tactic. Wendy Williams as his choice of celebrity boo is inspired, and small details like the way Heidi Gardner eats a banana fill in the scenery nicely. But I am left to wonder how this sketch might have been different if original musical guest choice Ariana Grande had been around to provide her reaction.

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Every VMA Video of the Year Winner Ranked

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CREDIT: Missy Elliott/YouTube

The 2018 VMA’s were just a couple of weeks, which means I’ve had a hankering to rank every Video of the Year winner from most not-the-best to the very best. And so, here is that ranking?

35. Green Day – “Boulevard of Broken Dreams”
34. Katy Perry – “Firework”
33. Britney Spears – “Piece of Me”
32. Eminem – “Without Me”
31. Aerosmith – “Cryin'”
30. Eminem – “The Real Slim Shady”
29. The Smashing Pumpkins – “Tonight, Tonight”
28. Taylor Swift ft. Kendrick Lamar – “Bad Blood”
27. Christina Aguilera, Lil’ Kim, Mya, and P!nk ft. Missy Elliott – “Lady Marmalade”
26. Miley Cyrus – “Wrecking Ball”
25. Rihanna ft. Calvin Harris – “We Found Love”
24. Madonna – “Ray of Light”
23. Justin Timberlake – “Mirrors”
22. R.E.M. – “Losing My Religion”
21. Don Henley – “The Boys of Summer”
20. OutKast – “Hey Ya!”
19. Lauryn Hill – “Doo Wop (That Thing)”
18. Panic! at the Disco – “I Write Sins Not Tragedies”
17. The Cars – “You Might Think”
16. Camila Cabello ft. Young Thug – “Havana”
15. Beyonce – “Single Ladies (Put a Ring on It)”
14. Kendrick Lamar – “HUMBLE.”
13. Lady Gaga – “Bad Romance”
12. Neil Young – “This Note’s for You”
11. van Halen – “Right Now”
10. Beyonce – “Formation”
9. Rihanna ft. Jay-Z – “Umbrella”
8. TLC – “Waterfalls”
7. INXS – “Need You Tonight/Mediate”
6. Jamiroquai – “Virtual Insanity”
5. Sinead O’Connor – “Nothing Compares 2 U”
4. Dire Straits – “Money for Nothing”
3. Pearl Jam – “Jeremy”
2. Missy Elliott – “Work It”
1. Peter Gabriel – “Sledgehammer”

Agree? Disagree? Confused? Let me know!

Watch And/Or Listen to This: Boliviguay Comic-Con® Is Even Bigger Than San Diego Comic-Con®

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CREDIT: TBS via YouTube

Watch And/Or Listen to This is a semi-occasional column in which I recommend content that I believe is worth watching and/or listening to.

This year’s lineup at Boliviguay Comic-Con includes:

-Lactose Tolerant Girl
-The Flush
-The Incredible Jeff
-The Cast of Chicago Zombie
-Tyrannosaurus Yes
-George R.R.R. Martin

The Best of SNL Season 43

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CREDIT: Mary Ellen Matthews/NBC

Best Sketches
(For my detailed thoughts on the best sketches, click here.)
10. Za
9. Diner Lobster
8. Cookout
7. Undercover Office Potty
6. Hollywood Update
5. The Race
4. Jurassic World Trial
3. Raz P. Berry
2. Beers
1. Barbie Instagram

Most Valuable Cast Member
Cecily Strong
Runners-Up:
Kate McKinnon
Kenan Thompson

Rookie of the Year
Heidi Gardner (Best Debut Season Since Cecily’s)

Best Hosts
1. Donald Glover
2. John Mulaney
3. Will Ferrell

Best Monologues
1. Will Ferrell
2. John Mulaney
3. Kumail Nanjiani

Best Musical Guests
1. Childish Gambino
2. Troye Sivan
3. Jack White

Best Weekend Update Segments
1. Angel, Every Boxer’s Girlfriend From Every Movie Ever
2. Stefon
3. Jacob Silj
4. Kyle Mooney on the Oscars

Best Episodes
1. Donald Glover/Childish Gambino
2. John Mulaney/Jack White
3. Will Ferrell/Chris Stapleton

Best Sketches of SNL Season 43

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CREDIT: NBC

This post was originally published on News Cult in May 2018.

A lot of websites post their lists of the best SNL sketches of the season. What is unique about this particular list is that it is not the same as any of those other lists. If you love SNL, and you love reading about SNL, chances are this is not the only best sketch list you have read and are going to read, because you just love consuming a full range of opinions about a show that always inspires a full range of opinions. So without further ado, here is a thoughtful, passionate, well-researched ranking of the 10 best sketches of SNL Season 43, with honorable mentions of 20-11 as well. (Please note: dress rehearsal cuts that were posted online were considered alongside sketches that made it to air, in consideration of how much online viewing plays a part in this current SNL era.)

20. Family Dinner
19. The Dolphin Who Learned to Speak
18. New Wife
17. Fighter Pilots
16. Dying Mrs. Gomez
15. Ad Council Awards Dinner
14. James Madison High School Graduation
13. Black Jeopardy!
12. Office Break Room
11. The Last Fry

10. Za

A lawyer’s (James Franco) argument rests upon his insistence that nicknames are based on pronunciation, not spelling, and he has never been more convinced of anything in the world. The writing on this one is actually paper-thin, but Franco propels it to classic territory with his ferocious delivery of “lasagna: za, pizza: suh.”

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The Middle Season 9: It’s Been “A Heck of a Ride,” But All Good Thing Must Come to an End

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CREDIT: Michael Ansell/ABC

This review was originally published on News Cult in May 2018.

Network: ABC

Showrunners: DeAnn Heline and Eileen Heisler

Main Cast: Patricia Heaton, Neil Flynn, Charlie McDermott, Eden Sher, Atticus Shaffer

Notable Guest Stars: Daniela Bobadilla, Casey Burke, Jen Ray, Beau Wirick, Brock Ciarlelli, Alphonso McAuley, Sean O’Bryan, Pat Finn, Jackson White, Paul Hipp, Lisa Rinna, Gregory Harrison, French Stewart, Marsha Mason, Brian Doyle-Murray, John Cullum, Norm Macdonald, Corbin Bleu, Brooke Shields, Dave Foley, Jack McBrayer, Katlin Mastandrea

Episode Running Time: 22 Minutes

The Middle is my favorite comfort food show of the past ten years, and possibly of all time. That term may imply lack of ambition, but it nonetheless takes serious skill to be consistently satisfying in the way The Middle has been for nearly a decade. It may not be a treatise on the human condition in the way that a Lost or a Mad Men is, and it may not tackle social issues head-on the way that other sitcoms like black-ish or One Day at a Time do, but it is not as if it ignores any of that. It recognizes the bigger world all around it, but it is focused on drawing meaning from its one particular family and its one particular community. Life goes on all the over the place, while the townfolk of Orson carry on in their own particular pocket. Ergo, the appropriate snugness of the show’s title.

This final season has been the most comfort food-style of The Middle’s run ‒ more than we needed to sustain ourselves, but not so much as to become overstuffed. It could have ended a few years ago and gone out on the highest of high notes. The Season 6 finale was the most valedictory, with a triumphant high school graduation for Sue, the series’ heart and soul. But life continues to go on with its usual rhythms after our big celebrations, and so it goes for the Heck family. With Axl now out of school and Sue a few years into college, their foibles are perhaps less structured than they used to be (Brick’s misadventures have always been unmoored), so even into Season 9, The Middle rarely suffered diminishing returns or shamelessly repeated itself. It did not have to bring out the big spectacles to satisfy us, it just had to keep on being itself, and so that is what it did.

That is not to say that Season 9 was not completely devoid of a few celebrations. When The Middle finds something worth celebrating, it tends to make for some of the best episodes, even if the festivities may look a little silly to outsiders, or even a few insiders. Take for example the 200th episode, aptly titled “The 200th,” which aptly finds everyone in Orson putting together some festivities after finally being named one of the 200 Friendliest Places to Live … in Indiana. Everyone takes it all a bit too seriously, except for the notoriously unsentimental Mike, but he ultimately comes around in one of his rare but always welcome displays of emotion. He delivers a speech that could be a summary of the whole series, about how Orson is a town where people look out for each other, just like how this show has always looked out for its audience.

A major throughline for this season has been each of the Heck children’s romantic relationships. Axl remains happily coupled with Lexie, even though it has been never clear to me exactly where the attraction arose between them in the first place. (I always thought Devin Levin was a much more compatible match.) But now that they are officially together, it is clear that they like and respect each other, and they do in fat work well together, as she has plenty of patience to deal with his lesser qualities. The most fraught relationship is of course that between Sue and Sean, who keep getting crossed up in mixed signals, some that strain credulity a bit much. But ultimately, ridiculous plot twists can be forgiven if the couple itself is worth rooting for, and this is a fine pairing. A mix of neighbor/brother’s best friend/globetrotting doctor is an ideal mix for Sue’s strains of devotion to home and silver-lining-focused ambition. Interestingly enough, Brick has been in the longest active relationship of all of his siblings, and we can only hope that as he continues to mature, he unforgettably realizes what a rare breed he has found in Cindy and does not break up with her again for no good reason.

This is all tied up with how Frankie and Mike have to deal with an imminent empty nest, which they never expected would come so soon. For how could Axl ever give up the amenities of his parents looking after him, how would Sue ever want to move away from home, and Brick, well, can you imagine Brick on his own? So sure, there will not be a complete empty nest anytime soon, but miracle of miracles, Axl has actually gained some life skills the past few years. While the Heck kids have already reached most of the clearly demarcated life checkpoints in previous seasons, new jobs and new homes are perpetually looming, less-than-predictable possibilities in young adulthood. And so a road trip out to Denver to send Axl off on a new journey thousands of miles away proves to be the perfectly bittersweet series finale setup. But if this show wants to remain forever comforting, the ending cannot be too sad. And so we are treated to a flash-forward that assures us that everyone remains close to Orson in the not-too-distant future. It’s almost a little too perfect, but come on, it’s family, and sometimes your family lets you be a little perfect.

Best Episodes: “The 200th,” “Great Heckspecktations,” “Split Decision,” “A Heck of a Ride”

How Does It Compare to Previous Seasons? This is not the best season (that is probably Season 6, capped off by Sue’s high school graduation), nor is it the biggest, but appropriately enough for a show that has always consistently and rewardingly tracked its characters’ maturation, it is the most mature.

The Middle is Recommended If You Like: Roseanne but want something a little sweeter, Fresh Off the Boat, The Goldbergs, Speechless

Where to Watch: Streaming options are unfortunately a little limited. The last five episodes are currently available on Hulu, while individual episodes and seasons are available for purchase on Amazon, Google Play, iTunes, Vudu, and YouTube. And DVD’s still exist!

Grade: 4 out of 5 Family Car Trips

SNL Review May 19, 2018: Tina Fey/Nicki Minaj

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CREDIT: Gianny Matias/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Michael and Colin – With a finale consisting of mostly disappointing sketches, I will take this opportunity to take a deeper dive than usual into Weekend Update. It has been a solid year for Misters Jost and Che, as the two have long settled into an undeniably strong rapport. For their final Season 43 outing, the ostensible centerpiece is their set of jokes that had previously been deemed too sensitive to air, but the real highlight (as usual) is their in-between-joke banter, as when Colin notes that Michael’s take on a racial epithet-based story turned out better than when he gave it a go.

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