‘New Girl’ Season 7 Review: The Most Epilogue-y Season of TV Ever, From the Show Perfectly Suited for It

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CREDIT: Ray Mickshaw/FOX

This review  was originally posted on News Cult in May 2018.

Network: FOX

Showrunners: Brett Baer, Dave Finkel, Liz Meriwether

Main Cast: Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris, Hannah Simone, Nasim Pedrad, Danielle Rockoff, Rhiannon Rockoff

Notable Guest Stars: Damon Wayans, Jr., Brian Huskey, Rob Reiner, Dermot Mulroney, Gillian Vigman, JB Smoove, Sarah Baker, Jamie Lee Curtis, Ralph Ahn, Robert Smigel

Episode Running Time: 22 Minutes

This review contains spoilers, but this isn’t really a spoil-able type of show.

New Girl Season 7 is one of the most inessential seasons in television history. That is not a criticism, but rather, a description of an unnecessary, but very satisfying batch of episodes. All television, and all storytelling more generally, is inessential, insofar as we could survive without it. Life would be much less enriching without entertainment, certainly, but it would be possible. But once a story begins to be told, there is a sense of necessity that it must be concluded. And it could easily be argued that by the end of Season 6, New Girl had reached that conclusion, with all of its main characters having achieved major milestones in personal and professional fulfillment. But this show, at its best, has been about so much more (or so much less, but in a good way) than checking off the major storytelling checkpoints.

Nick and Jess are one of my favorite TV couples of all time, and if the last we saw of them was their kiss in the elevator at the end of “Five Stars for Beezus,” I would have rested easy in the belief that they had a long and happy union together. But I am usually hungry to see what happens when the tension of a potential couple turns into the comfort of an actual couple, and New Girl has shown itself to be the type of show uniquely suited for making that pivot interesting. With a three-year time jump to kick off the season, it seemed like we would be heading into a new status quo, but then we discover … Jess and Nick still aren’t married yet? There’s no need to panic; they are still together and happy, they have just been busy with other things, like Nick’s book tour for The Pepperwood Chronicles. But still, you would think they could find some time to put a ring on it. It turns out that much of the delay is attributable to Nick ensuring that his proposal is absolutely perfect. That obsession could have caused major strife in the past, but it is a mark of maturity for both the characters and the show that it is ultimately no big deal.

While Jess and Nick remain the last two residents of the loft, and perhaps a little bit stuck in neutral, the rest of the main crew has decidedly moved ahead to the next stages of their lives. Schmidt and Cece’s toddler Ruth Bader (Danielle and Rhiannon Rockoff) is genuinely adorable but also filled with the sort of moxie and traces of anxiety you would expect in a child whose parents are a mix of blunt and high-strung. Winston and Aly are expecting their first child; his strange propensities, and her incredible ability to accept them, are still intact, just transferred to the minutiae of pending parenthood. For the most part, the unique ways that this whole group communicates with each other remains just as intact. They are sometimes applied in fascinating new ways, as when Schmidt and Jess hash out who has the best approach for Ruth auditioning to a prestigious pre-school. But that sameness also results in hijinks that probably should not be happening anymore, as when Cece and then Nick get locked out of Ruth’s school and get mistaken for creepy lurkers, and it is like: okay, guys, we’re getting a little too old for these shenanigans.

Season 7 is not completely allergic to big final season moments, but it presents them in the uniquely askew New Girl manner. There is a one-year anniversary memorial service for a close friend who died during the time jump, and that close friend is … Furguson, of course. Winston insists that everything be performed in the Jewish manner, because he always saw his cat as Jewish, and while that does sound ridiculous, it also sounds perfectly logical when Lamorne Morris explains it with such certainty. We also, rest assured, do get that last anticipated bit of matrimony, but it all goes delightfully sideways, with a scratched cornea, an impromptu service in a hospital, and Tran’s first ever spoken line of dialogue.

Naturally unnaturally enough, there is still one more episode left to go. “Engram Pattersky” does at first appear to fit into a classic series finale box, i.e., the pack-up-and-move conclusion. It really is time for for Nick and Jess to get out of that rickety old loft and start a new chapter in their lives, even it takes an eviction notice to get them to that realization. The final reveal that the eviction angle is actually Winston’s greatest prank ever is perfectly in line with the show’s ethos, but also a little stunning. Winston never suggests that he was just trying to give his friends the motivation they needed to move forward. And that really is the New Girl way. If you want to find meaning in this young adult life, then you have to do so amidst all the chaos and indirect communication, as you scream and hopefully laugh along the way.

Best Episodes: “The Curse of the Pirate Bride,” “Engram Pattersky”

How Does It Compare to Previous Seasons? This is definitely an epilogue season, but for this show, that means it has never been more sure of its identity than at any other time during its run. It does not reach its most classic heights, but that is perfectly okay.

New Girl is Recommended If You Like: Happy Endings, Brooklyn Nine-Nine, How I Met Your Mother, Parks and Recreation, Friends

Where to Watch: Season 7 is currently available on Hulu, while Seasons 1-6 are on Netflix.

Grade: 3.8 out of 5 Messarounds

SNL Review May 12, 2018: Amy Schumer/Kacey Musgraves

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

James Madison High School Graduation – In a spiritual successor to the St. Joseph’s Christmas Mass Spectacular, Beck Bennett gets into the intense voice-over detailing the foibles and high points of a common American ritual. There are the typical goofs: butchering names, falling off the stage, microphone troubles. And then it goes to another, all-time level with the lasers shooting out of the eyes of the kids looking at different cameras.

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SNL Review May 5, 2018: Donald Glover/Childish Gambino

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Jurassic Park Courtroom – Is this the first time a Jurassic Park parody has ever centered around the titular land of amusement being sued for wrongful death liability? It seems unlikely that it should take this long, but whatever, I’m not complaining. Maybe a lesser-known previous example exists, but the one we have now is simply incredible. I didn’t used to know that Donald Glover needed to adopt a ridiculously over-the-top Southern affectation to play JP’s lawyer, but now I have seen the light. This is the goofy, nerdy Glover so many of us fell in love with during his Community days, and thank heavens he is still willing to deploy it.

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SNL Review April 14, 2018: John Mulaney/Jack White

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in April 2018.

News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Hollywood Update – Mulaney finds brilliant inspiration from his very own “Family Flix” (aka “Rocket Dog”), one of the greatest sketches he ever wrote during his SNL tenure. This time around, the objectionable material for supposedly family-friendly entertainment is squarely present both in front of and behind the camera. Simply mentioning the uncomfortable sexual ramifications of a parent-child body switch premise would have been enough to make this sketch a winner, but the disturbing details just keep on coming.

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SNL Review April 7, 2018: Chadwick Boseman/Cardi B

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in April 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Black Jeopardy – SNL’s most resilient current recurring sketch is its ghetto take on the answers-and-questions game show, as it just keeps on discovering new spins on the same formula. This time around, the odd man out is Chadwick Boseman as T’Challa, the Black Panther himself. As the formula dictates, his answers are way off from what the judges are looking for, but it is hard to outright say no to the utopian world of respecting your elders and police always living up to the requirements of their job. And on top of that, it is a hoot to hear T’Challa give his own erudite spin on zinging a white woman who does not adequately season her potato salad.

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SNL Review March 17, 2018: Bill Hader/Arcade Fire

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CREDIT: Kailey Fellows/NBC

This review was originally posted on News Cult in March 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Stefon – It is rare that an SNL recurring character gets as satisfying a “final” appearance as Stefon did, which would seem to render any subsequent City Correspondent segments sacrosanct. But when Bill Hader returns to host, are you going to not have him revive one of the greatest bits in comedy history? Stefon just continues to epitomize excellent humor writing, doling out new, fascinating information in perfectly timed, rhythmic fashion.

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SNL Review March 10, 2018: Sterling K. Brown/James Bay

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in March 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Dying Mrs. Gomez – So Nickelback was and remains a punchline for many people as the height of 2000s rock music mediocrity. But while they were the most disproportionately successful of their ilk, they weren’t the worst. They actually have a few decent sing-along stompers, and “How You Remind Me” is the best of the bunch. And thanks to this episode, we now know that is the perfect tune to build a sketch about a dying unlikely superfan around.

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SNL Review March 3, 2018: Charles Barkley/Migos

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in March 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

The Champions – Given all the research available on head trauma, it is no profound observation to note that former professional football players have some cognitive difficulties. But Kenan’s performance as DC Timmons, an NFL veteran of 9 games (over 7 seasons), is so imaginative and so silly in how it renders the full ravages of his career. And it avoids bad taste by anchoring itself with a genuine sense of poignancy.

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Best TV Episodes of 2017

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CREDIT: Suzanne Tenner/SHOWTIME

These episodes of television all originally aired in North America between January 1, 2017 and December 31, 2017. I watched them, and I enjoyed doing so. I bet you will feel the same while watching them … if you haven’t already.

1. Twin Peaks: The Return – “Part 8”
2. Nathan for You – “The Anecdote”
3. Halt and Catch Fire – “Who Needs a Guy”
4. Nathan for You – “Finding Frances”
5. Rick and Morty – “Morty’s Mind Blowers”
6. Better Call Saul – “Chicanery”
7. Halt and Catch Fire – “Ten of Swords”
8. Black Mirror – “Hang the DJ”
9. Twin Peaks: The Return – “Part 17”
10. Halt and Catch Fire – “Goodwill”
11. Twin Peaks: The Return – “Part 18”
12. Mr. Robot – “eps3.4_runtime-error.r00”
13. Review – “Cryogenics; Lightning; Last Review”
14. The Good Place – “Dance Dance Resolution”
15. Great News – “Honeypot!”
16. Big Mouth – “Requiem for a Wet Dream”
17. Rick and Morty – “The Ricklantis Mixup”
18. Mr. Robot – “eps3.7_dont-delete-me.ko”
19. BoJack Horseman – “Time’s Arrow”
20. Tim and Eric’s Bedtime Stories – “Angel Man”

SNL Review February 3, 2018: Natalie Portman/Dua Lipa

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in February 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

No “Love It” sketches this week, although there are a few with elements that I love. Most everything is decent and/or perfectly fine, with a few flashes of brilliance. More

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