SNL Review January 20, 2018: Jessica Chastain/Troye Sivan

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in January 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

What Even Matters Anymore – Too many SNL game show parodies give away way too much of their premises in their titles, and that can be frustrating. But when it is infused with as much real-world anger as “What Even Matters Anymore” is, that obviousness is understandable, and justified. Then there is the joy of the sketch’s structure itself breaking down, as the performative mask (minimal as it is to begin with) starts to fade away, with Jessica, Cecily, and Kate all ultimately playing themselves. But Kenan still gets to play Bernard, and thank God for that.

Chris Redd must have been waiting a lifetime to debut his dark Fresh Prince of Bel-Air parody, huh? And well, the (Method Man-featuring) result is thrillingly confident…The scene at the Jalapeños restaurant is full of laughs not just because of the idiocy on display but also because of all the complicated details that force you to engage so many brain cells…15 seasons in, and Kenan Thompson is still giving showcase performances, as he really examines the wonders of mugging on the Justice for Anne movie set.

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SNL Review January 13, 2018: Sam Rockwell/Halsey

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CREDIT: Saturday Night Live via YouTube

This review was originally posted on News Cult in January 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

The Science Room – The theme of reckoning with inappropriateness is heavy throughout this episode, even in this seemingly innocuous educational show. But mostly “The Science Room” is about the intellectual lapses borne out by nervousness and the frustration they cause. This is no mold-breaker, but it is so well-timed and the details are bizarrely unique (“The oil is…” “False?”). Also, Sam Rockwell drops an F-bomb … whoops!

The Look represents sensitivity run amok, but in a charmingly confused fashion instead of worrisome backlash…Michael and Colin are at the top of their games, with the hottest of their burning asides and the swerving of expected topics into unexpected directions…Okay, so the “dog person” concept at the Next Gene Labs is obviously very silly, but the commitment is just so delightful. Somehow hearing that this good boy is ready to start wearing shoes is the greatest news ever.

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Best TV Shows of 2017

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CREDIT (Clockwise from Top Left): Michael Gibson/FXX; Showtime; AMC; Kelsey McNeal/ABC

This ranking was originally posted on News Cult in December 2017.

In recent past best-of-year lists, I have pointed out the impossibility of watching every single program that airs on television. The medium is now saturated to the point that not only could one average viewer be watching a completely different set of shows than another average viewer, but so could one professional critic be similarly disconnected to another critic. It naturally follows then that no best-of is any more “correct” than any other. But this has been the case all along. The value of such year-end curating is not a matter of accuracy, but of insight and personal style. Thus, I encourage readers to seek out as many best-of lists as they find edifying, from as diverse a group of critics as possible. Think of each as the best according to a particular palette. Here is my contribution to that cornucopia.

(Shows that were top 10-worthy this year that I didn’t have enough room for include Baskets, BoJack Horseman, The Carmichael Show, Legion, Rick and Morty, Riverdale, Silicon Valley, Speechless, Unbreakable Kimmy Schmidt, The Young Pope, and You’re the Worst.)

10. Review (Comedy Central)
If this list were determined by density of entertainment value alone, the three-episode final season of Review would easily take the top spot. Andy Daly’s career-defining work as “life reviewer” Forrest MacNeil brought his combination of explosive hilarity and existential despair to its logical eternally continuous endpoint. Great series finales tend to be either ambiguous or definitive; Review’s is somehow both open-ended and forcefully conclusive.

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SNL Review December 16, 2017: Kevin Hart/Foo Fighters

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CREDIT: Will Heath/NBC

My letter grades for each sketch and segment is below. My in-depth review is on NewsCult: http://newscult.com/snl-love-itkeep-itleave-kevin-hartfoo-fighters/

A Christmas Message From the White House – C

Kevin Hart’s Monologue – B-

Pandora – B

Office Phone Call (BEST OF THE NIGHT) – B+

Captain Shadow and the Cardinal – C+

Inside the NBA – C+

Foo Fighters perform “The Sky is a Neighborhood” – B+

Weekend Update
The Jokes – B
Guy Who Just Bought a Boat – C+

Nativity Play – C-

Christmas Party – C-

Active Jack – C+

Foo Fighters perform “Everlong”/”Christmas (Baby Please Come Home)”/”Linus and Lucy” – B+

 

SNL Review December 9, 2017: James Franco/SZA

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CREDIT: Will Heath/NBC

My letter grades for each sketch and segment is below. My in-depth review is on NewsCult: http://newscult.com/snl-love-itkeep-itleave-james-francosza/

Mall Santa – B-

James Franco’s Monologue – C-

Office Sexual Harassment Apologies – C+

Gift Wrapping – C

Scrudge – B

Iowa City All-District Spelling Bee – B

SZA performs “The Weekend” – B

Weekend Update
The Jokes – B-
Cathy Anne – B+
A White Woman Named Gretchen – B

Courtroom aka ‘Za (BEST OF THE NIGHT) – B+

Christmas Charity – B

SZA performs “Love Galore” – B

Franco Family Reunion – B-

SNL Review December 2, 2017: Saoirse Ronan/U2

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CREDIT: Alison Hale/NBC

This post was originally published on News Cult in December 2017.

Love It

The Race – Office culture really does turn on the most insignificant of dimes that look completely nonsensical from the outside. So why not ramp that up to 11? An eighties-by-way-of-algorithm aesthetic, confident jerkoffs running off together in unison, traumatic holes in pants – it’s all just so left of pastiche that it hits that surreal sweet spot that is Beck and Kyle’s forte so sweetly. A few touches that could be going overboard with the weird – Lindsay (Ronan) being a ghost (and its matter-of-fact acknowledgement), Mac from Mac and Me, a cameoing Greta Gerwig doing the old elevator gag – somehow work when in unison.

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SNL Review November 18, 2017: Chance the Rapper/Eminem

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CREDIT: Samantha Lichtenstein/NBC

This post was originally published on News Cult in November 2017.

News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

The Mueller Files – You can take the Update guests out from behind the desk, but you can’t take the desk out of the Update guests. But sometimes that transition is a good thing. A new context can be enlightening. And so we have the Trump sons off on their own adventure, free from the confines of the middle of the show. And the result might be just be SNL’s most confident political satire of this era.

Pete Davidson mercilessly skewers his native Staten Island and the borough’s golden boy Colin Jost in one of his best Update appearances.

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SNL Review November 11, 2017: Tiffany Haddish/Taylor Swift

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in November 2017.

Love It

Get Woke with Tamika – There tend to be a few SNL sketches per season that could manage to be classics if they could just get rid of the messiness. But that is not always a viable solution, as the chaos is what leads to both the problems and the hilarious weirdness. But “Get Woke with Tamika” solves that issue by making the messiness part of the premise. Leslie Jones has a history of flubbing lines? Well, just have her play the host of a talk show who claims to be a lot more knowledgeable than she is and watch her show disintegrate right before her and our eyes.

Beck and Kyle – It’s good to know that Beck and Kyle are still friends, and that scheming does not drive them apart, but instead brings them back even closer, with Kyle and Leslie remaining together, too. And Baby Lorne’s already off to college! Watching Colin getting punched relentlessly is a little rough, considering how sweet this saga has been thus far, but I do enjoy Tiffany and Lorne’s reasons for joining in on the pummeling.

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Nathan for You Season 4 Review

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CREDIT: Comedy Central

This post was originally published on News Cult in November 2017.

Network: Comedy Central

Showrunners: Nathan Fielder, Michael Koman

Main Cast: Nathan Fielder

Notable Guest Stars: Anthony Napoli, Brian Wolfe, Salomon Flores, William Heath

Episode Running Time: 22 Minutes (42-Minute Special Episode, 84-Minute Season Finale)

The virality that propelled Nathan for You to such dizzying heights in its first three seasons is a double-edged sword when it comes to longevity. It can help build awareness, but increased visibility makes it difficult to pull off the same tricks again. However, Nathan for You is not stunt-driven in quite the same way as a prank show like The Eric Andre Show or an ambush show like Billy on the Street. Nathan’s methods do not require anonymity, at least not always. (Although it is worth noting that despite how much buzz and journalistic attention NfY has received, its viewership has not correspondingly spiked.) The show can still work even if Nathan is recognizable – his painstakingly fastidious approach to production makes it nearly impossible to stay ahead of him anyway. But it becomes a problem when a show that broke the mold starts to become predictable. And while Nathan for You remained astute and idiosyncratic in Season 4, its patterns became a little overly familiar.

NfY’s signature is its knack for spinning simple (but offbeat) business proposals into complex (but satisfying) narratives. The season premiere, “The Richards Tip,” is a classic example: Nathan’s plan to get a struggling diner business-boosting press is to procure a generous tip from a celebrity. But because he cannot book an actual famous person, he turns to a Michael Richards impressionist. To cover his tracks, he must open a just-legitimate-enough bank account, start publishing a newspaper, get some random guy to legally change his name, and temporarily handcuff himself to that same guy. A similar effort, “Shipping Logistics Company,” covers his attempt to re-brand fire alarms as musical instruments for the sake of cheaper international shipping costs. This leads to him forming a band and staging a fake business scandal at the expense of Shell Oil to prompt a protest. The details within these episodes are impressive, but with Nathan having set such a high standard for himself, they do not have the same punch as previous landmark efforts like “Dumb Starbucks.”

Sidenote: I occasionally worry about the ethics, or lack thereof, on Nathan for You, especially in episodes like “Richards Tip” and “Shipping Logistics Company,” which are driven by deceptions, obfuscations, and outright lies. Nathan Fielder may be playing the character of “Nathan Fielder,” but nobody else on the show is existing within a role (at least not intentionally). “Nathan” (and Nathan) ostensibly take great pains to remain honest, or at least maintain the appearance of honesty. Sometimes the point may be that it is impossible to do so within such schemes, but it is still concerning.

When a show is as frequently ambitious as NfY, it is disconcerting in Season 4 when it has episodes with multiple short segments, which was the norm in Season 1 but only occurs twice this year. Those outings can feel rather disposable, but they are worth it for their memorably awkward moments, as when a computer repair shop owner readily shares with Nathan his masturbation routine, or when Nathan’s assistant Salomon Flores flirts awkwardly (and semi-successfully) while applying makeup for the first time in his life.

A promising way towards the future is present in a couple of sequel outings. “Andy vs. Uber” revisits the titular taxi driver whom Nathan helped in Season 2 by offering a promotion for anyone who gives birth in a taxi. When the pair discover that Uber has had a similar program, they attempt to take down the ride-sharing giant by means of infiltration. Andy’s story ends on an anticlimactic note, which is narratively unpleasant, but still a meaningful comment of the cruelty of the economy in the 21st century (or any era). “A Celebration,” a special one-hour episode that aired a week before the season premiere proper, takes a look back on a variety of Nathan’s previous guests to see if his plans have aided them in the long run. The track record is mixed, but each client has been affected in their own weird way. The most notable is of course private investigator Brian Wolfe, whom Nathan finally forges a genuine connection with after uncovering Wolfe’s past as a Playgirl model.

Avoiding the trappings of Season 4’s repetition, “The Anecdote” is a series high-water mark. At least once a year, Nathan turns the focus on himself, and this time it is especially relevant as he seeks to better his skill set for promoting his own show. You see, appearing as a guest on talk shows is now a necessary part of his career, but it has never come naturally to him the way it seemingly does for so many other famous people. But after studying hours of talk show footage, he cracks the code for the perfect interview anecdote. And because of his one-of-a-kind integrity, he engineers the events of such an anecdote to actually happen in his own life. Brilliant in its powers of deconstruction, “The Anecdote” reveals Nathan Fielder as one of our finest sociologists.

If Season 4 finds Nathan returning to some of his old tricks too often, that does not seem so terrible in light of the stunningly ambitious, movie-length finale. Maybe those formulaic episodes are relatively necessary to allow him to pull off what he does with “Finding Frances.” The story follows Bill Heath, a highlight from Season 2 as an amateurish, but strangely earnest Bill Gates impressionist. Since his initial appearances, Heath has taken to randomly popping into the NfY offices and divulging bits of his life story to Nathan. A mention of a long-lost love sparks a trip to Bill’s native Arkansas to track down a woman he almost married but hasn’t been in contact with for decades. The sprawling tale is the most intense example of this show’s guests opening up about themselves in unpredictable, compellingly unguarded fashion. A subplot involving Nathan’s series-long search for companionship presents our host as the sweetest and most openly emotional we have ever seen him. This show has always had a permeable membrane between artifice and reality, and here it snaps away (or at least appears to) right before our eyes. All this time we never realized how much Nathan for You was making us fall in love, or maybe it did it suddenly from out of nowhere.

Best Episodes: “A Celebration,” “The Anecdote,” “Finding Frances”

How Does It Compare to Previous Seasons? The achievements of the first three seasons have set a high standard that Season 4 at its best is still somehow able to top. There may be some (relatively) run-of-the-mill episodes, but they are perfectly acceptable tradeoffs in the grand scheme of things.

Nathan for You Season 4 is Recommended If You Like: The Office, Tim and Eric, Shark Tank (Ironically), HGTV Real Estate Shows (Ironically), Undercover Boss (Ironically)

Where to Watch: Season 4 is currently available on CC.com. Seasons 1-3 are available for purchase on Amazon and YouTube.

Grade: 4.2 out of 5 Really Good Grades

SNL Review November 4, 2017: Larry David/Miley Cyrus

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CREDIT: Kailey Fellows/NBC

This review was originally posted on News Cult in November 2017.

Love It

Ad Council Awards – Anybody can be offensive, but it takes talent to be truly creative with your offensiveness. At first, Larry David’s legendary adman seems like just your run-of-the-mill “things were different back then!” dude with his deployment of “No way. That’s gay” as his version of “Just say no.” But then he flips the script with his take on the disabled and also pulls a most disturbing rabbit out of his hat of tricks when dramatizing alcohol-fueled bad decisions.Tres magnfique.

Beers – Kyle and Beck are profoundly astute when they ramp up the surrealism in their takedowns of ’80s/’90s sitcoms. I worry, though, that they might hit diminishing returns at some point, but that concern may be absolutely unnecessary, as Larry David adds a very different supporting voice than Andrew Garfield, Chris Pratt, and Ryan Gosling. Plus, the dog licking ice cream and dinosaur on the White House lawn interstitials make it clear that this material is endless. But then the coup de grâce of that stabbing – hoo boy, let’s not sleep on these talents.

Heidi Gardner has her first big breakthrough as Angel, Every Boxer’s Girlfriend From Every Boxing Movie Ever. This at first seems like it is going to be a classic case of an Update guest ignoring her prompt, but then she ingeniously incorporates the news into the typical cinematic pugilist framework (“Snoopy, you’re 60 years old!”)…Maybe you need to be a frequenter of New York’s LGBTQ scene (or at least watch RuPaul’s Drag Race) to understand Larry David’s New Wife, but I firmly believe that Cecily Strong’s nonsense-spouting 18-or-55-year-old socialite (?) has wormed her way into all our hearts.

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