SATURDAY NIGHT LIVE — “Kristen Wiig” Episode 1711 — Pictured: (l-r) Kate McKinnon as Napoleon, Pete Davidson, Kristen Wiig, Cecily Strong, Sasheer Zamata, and Leslie Jones during “Kristen Wiig’s Thanksgiving Monologue” on November 19, 2016 — (Photo by: Will Heath/NBC)
This review was originally posted on News Cult in November 2016.
Love It
Kristen Wiig’s Monologue – The world is perpetually in need of good Thanksgiving songs, so “Thanksgiving freak” Kristen Wiig gives us a ditto supposedly about the origins of Turkey Day. But first, she fidgets with her instruments and the placement of props, in a deconstruction of form worthy of Will Ferrell. Dropping by are Steve Martin and Will Forte – big-name cameos that could distract, but since Santa Claus is already there, and Sacajawea is paying for dinner with her own coins, they just add to the wittily written, delightfully rhyming cacophony.
The Bubble is the deceptive utopia we’ve all been waiting for…Anderson Cooper 360° is a whole series of brick jokes mashed together, with a timely twist for the ages.
SATURDAY NIGHT LIVE — “Dave Chappelle” Episode 1710 — Pictured: Host Dave Chappelle during the monologue on November 12, 2016 — (Photo by: Will Heath/NBC)
This review was originally posted on News Cult in November 2016.
Before I get into my Love It/Keep it/Leave It picks, a word on the Hillary “Hallelujah” Cold Opening, which I have chosen not to categorize. Normally when SNL forgoes a proper sketch in favor of a song for the opening, it is in the wake of a national tragedy. So add one more way in which this election is unprecedented. The song selection memorializes the recently departed Leonard Cohen, rendering this moment less depressing and more bittersweet.
Love It
Dave Chappelle’s Monologue – I guess somebody knew that Trump was going to win. That somebody? SNL’s talent booker. How else to explain how we got Dave Chappelle on the exact week that we needed him? This is not the most laugh-out he has ever been (although Bradley Cooper being the only white person at a BET-sponsored White House party is hilarious enough for the whole set), but that is fine, because he is mainly aiming for truth and strength. A lot of disappointed citizens have been struggling to say something positive while also holding on to their legitimate disappointment. By finding hope while passionately defending enfranchisement, Dave Chappelle hits that multilayered note.
This review was originally posted on News Cult in November 2016.
Love It
Over 30 years later, how can we possibly make a relevant parody of perhaps the most iconic commercial of all time? We now have an answer, and it is koohl: The Koohl Toilet. The word “sheeple” gets thrown around a lot today, and it is usually uncalled for. But there is in fact one way in which we all conform, as we are just too busy taking care of business. No more, though! There is another way, and it is not just a ridiculous idea for a comedy sketch, but a real revolution.
SATURDAY NIGHT LIVE — “Tom Hanks” Episode 1708 — Pictured: (l-r) Kenan Thompson, Beck Bennett, Tom Hanks as David Pumpkins, and Kate McKinnon during the “Haunted Elevator” sketch on October 22, 2016 — (Photo by: Will Heath/NBC)
This review was originally posted on News Cult in October 2016.
Love It
Black Jeopardy – If memory serves me correctly, Tom Hanks is the first guest to appear on both Celebrity Jeopardy and Black Jeopardy. I thought this concept had been played out, as it has already explored well-meaning white people who don’t mean to be offensive, and black people who defy easy categorization. But I had not considered a possible appearance from the “Make America Great Again” crowd, which at first seems like an easy target for meanness, but instead there is a pivot towards common ground like conspiracy theories, that one guy who fixes everything, and Tyler Perry. Race and class are both big factors in this country.
100 Floors of Frights – SNL enters a late, compelling entry for the most popular Halloween costume of 2016: David S. Pumpkins. Any questions? At first, Hanks’ Mr. Pumpkins gives off a Paul and Phil vibe of “goofy ruining spooky.” He and his skeleton pals are certainly delightfully out-there, but there is a lingering sense that this sketch may have blown its load too early with a too-soon reveal of the main attraction, but then it takes it to another level by doubling (or 73-ing) down on Pumpkins and saying, “We knew just how to scare you the whole time.”
This review was originally posted on News Cult in October 2016.
Love It
Ann Arbor Short Film Festival – This is the sort of satire that really nails a particular piece of culture. This is not the first time amateur filmmaking has been lampooned, but it feels like it is, because it is so incisive, and so cleanly produced. It effectively uses exaggeration and reversal to make its points. Dozens of people work on a one-minute film featuring only one actor, and that feels oddly plausible. And unlike many screenings, in which the wave of questioners overwhelms the panelist, everyone on stage dwarfs the lone audience member. The Holocaust/makeup/“at the end of the day, it’s also a comedy” explanation is one for the ages.
The Hummer party limo’s visit to the Burger King Drive-Thru could have been random for the sake of randomness, but instead, each outré character is sharply defined.
This review was originally posted on News Cult in October 2016.
Love It Pine Ridge Campground – You know you’ve got something special when the first post-monologue sketch has a nondescript setting. That is a promise of weirdness that you do not see coming. And boy, is that promise fulfilled, as the surprises just keeps piling up. Vanessa Bayer and Kyle Mooney are a pair of incestuous amateur singers with indefinable faux-European accents, and Lin-Manuel Miranda is the captive audience wise enough to stick around and see what happens next.
Michael and Colin just keep glorifying in all the material that Trump wraps up in a bow for them, and they really sell it with asides like Che’s quick take on the tic tac ad with the new Trump-inspired slogan…Netflix: Behind the Scenes reveals the one thing that Stranger Things was missing: racial consciousness! … LMM does a variation of “My Shot” in his monologue, but more importantly his love for SNL shines through in a way that clearly came from the heart as opposed to being written by committee.
SATURDAY NIGHT LIVE — “Margot Robbie” Episode 1705 — Pictured: (l-r) Colin Jost, Michael Che, and Cecily Strong as Cathy Ann during Weekend Update on October 1, 2016 — (Photo by: Will Heath/NBC)
This review was originally posted on News Cult in October 2016.
Love It
Season 42 starts off satisfying enough, but with only occasional moments of sustained hilarity. For the sketch of the night, I am going with Family Feud: Political Edition, on the strength of two of the best SNL impressions of all time. Darrell Hammond’s take on Bill Clinton as the ultimate hedonist will never get old, while Larry David’s Bernie Sanders takes the inanities of the Feud (he passes, because playing seems like a hassle) and SNL parodies of the Feud (the whole thing is just hello’s) to task.
Michael and Colin have weeks’ worth of election news and athletic protests to motivate them for an on-fire Weekend Update…Cecily Strong’s recurring Cathy Anne character benefits from her migration from sketches to Update, as she drops by to present her take as an illuminating but frequently incoherent (“predator of Obamacare”?) undecided voter.
SNL: Courtney Barnett, Fred Armisen, Bobby Moynihan (CREDIT: YouTube Screenshot)
This review was originally posted on Starpulse in May 2016.
It hardly feels like Fred Armisen, one of the longest-tenured “SNL” cast members of all time (11 seasons), has ever left 30 Rockefeller Plaza. He has returned to cameo 7 times in the 3 years since departing, and he regularly collaborates with other “SNL” vets on his current regular gigs, “Late Night” and “Portlandia” (both produced by Lorne Michaels). But he has shown restraint this season, only appearing once before (to memorialize David Bowie). So while his first time as host is in no way long overdue, it is also not overkill. Speaking of cameos, several other alums also stop by, as befitting a season finale. This means that there is some squeezing out of the regular cast, but not of the good ideas. Year 41 ends on a high note.
Bernie and Hillary – “SNL” wraps up one of its wackiest political years with its two all-star impressions: one that broke big exactly as expected and the other a delightful surprise. The dance between Kate McKinnon’s Hillary and Larry David’s Bernie is as testy as the real deal. As they really explore the studio, there is a celebratory air that the show reserves only for times when it knows it has something special to celebrate. But wisely, it is not all just kissing and making up, because there is plenty of tension in this primary that the last call setting brings into focus. This is a summary of the fictionalized version of a slice of this campaign that “SNL” has managed to have its pulse on. B
SNL: Drake, Leslie Jones (CREDIT: YouTube Screenshot)
This review was originally posted on Starpulse in May 2016.
Drake now finds himself in a select crowd of entertainers who have not just pulled “SNL” double duty as both host and musical guest, but done so multiple times. His first double threat gig was a highlight of Season 39, so in terms of potential hosting quality, he is a fine selection. But what about timeliness? He certainly remains big in the music world, but he is not quite as huge in the culture at large the way other repeat double dippers (Justin Timberlake, Miley Cyrus) have been. But he has the acting chops, so when it gets down to it, who cares? As for the material he is given, it represents a whole range of ideas, some of which work quite well, and others that only work sporadically. All in all, the expansive effort is appreciated.
Donald Trump Vice President Selection – There is not much to make fun of Donald Trump this week (at least, not much new), although the “Joey Pepperoni” quip points to a goofy path that could hold up for the future. So instead, the focus is on the mogul’s VP selection, which could offer new targets for humor, save for the fact that most of the candidates floated are casualties of this election cycle and thus have already been mocked. But sneaking George Zimmerman’s name in there is sharp and the right sort of dangerous. Otherwise, this is just putting down Chris Christie for being nakedly opportunistic, which is way too obvious and not pathetic enough to really make an impact. C+
This review was originally posted on Starpulse in May 2016.
“SNL” has a tendency to book recently anointed Oscar winners and nominees as hosts. Last year, it was J.K. Simmons a few weeks before the ceremony, and Michael Keaton a couple months after. This season, it is Brie Larson’s turn, with the holiday serving as a tie-in to her award-winning role. It is a sound strategy, as that Academy recognition generally guarantees that these people can act. They do not necessarily have to be funny, so long as they fulfill their roles just as the writing asks them to. Brie proves herself perfectly capable, and the writing lives up to her level.
Church Chat – As Trump Judgment Day has finally come to pass, the cold opening for this episode would of course be political. But it is not the normal cable news parody. In a fit of inspiration, and a wink to the past, Dana Carvey drops by to revive his most prolific and iconic (solo) character. Church Lady’s tsk-tsking of the Donald makes perfect sense (she’s done it before), but her hectoring of Ted Cruz feels a little like kicking an ally while he’s down. Not that Enid Strict wouldn’t do that – it is just a slightly different mode for her. Anyway, it is nice to see an old favorite, but it is tricky for her to find some really good putdowns, as Trump is too cartoonish and Cruz is too pathetic. Not all is lost, though, as Trump’s mangling of Bible facts is chuckle-worthy (though standard issue) and Cruz’s resurrection as a demon – though it may not hit as hard as it might like – is a worthwhile experiment. B-
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