Sacha Baron Cohen Can Still Clown Us Like No Other in ‘Borat Subsequent Moviefilm’

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Borat Subsequent Moviefilm (CREDIT: Amazon Studios)

Starring: Sacha Baron Cohen, Maria Bakalova

Director: Jason Woliner

Running Time: 96 Minutes

Rating: R for No-Holds-Barred Outrageousness

Release Date: October 23, 2020 (Amazon Prime Video)

About four and a half minutes into Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan, Kazakhstani reporter Borat Sagdiyev says “My wife,” and when I heard it, all felt right in the world. The first Borat flick came out on November 3, 2006, and on November 4, 2006, the world became overrun with hacky Borat impressions. In the fourteen years hence, his catchphrases have gone through a cycle of sincere to ironic to post-ironic and back again about 14 times (or maybe 1400 times). Somehow, though, Baron Cohen is now able to slide back into his famous creation without suffering one bit under the weight of his legacy. Borat’s reputation is primarily about his ability to hold up a mirror to society, but he’s also a fascinating character in his own right, layered with so many levels of absurd details. Joining that absurd litany is his daughter Tutar, brought to dementedly go-for-broke life by Bulgarian actress Maria Bakalova.

A new Borat film is enough justification for a chaotic imp like myself to pepper all my conversations with outbursts of “wah wah wee wah” and “very nice,” but will everyone else be speaking the same language, as they were back in 2006? My gut says no, because it’s nearly impossible to recreate a phenomenon like that, but also because this sequel won’t have the benefit of huge crowds enjoying it together in packed theaters. Of course, that formula is a bit different in the midst of a pandemic, so there’s a chance that Subsequent Moviefilm actually could hit the zeitgeist pretty hard as a straight-to-streaming release. But ultimately, to my mind anyway, that shouldn’t be the main goal of this endeavor. The most important question to ask ourselves should be (and I cannot reiterate this enough): after watching this film, does saying “my wife!” feel funnier than it did before? In my case, the answer is “absolutely.”

As much of a big deal as I’m making of the “my wife” of it all, it should be noted that that gag is a relatively small portion of the running time. Ostensibly, Baron Cohen’s goal is to once again expose the dark, bigoted underbelly lurking within America. But if you’ve lived in this country for the past few years, you might have noticed that there’s not that much left that needs exposing. But that doesn’t mean there aren’t still revelations to be had. The MAGA types that Borat encounters along the way behave pretty much as you expect them to. But once he tells them stories about the backwards traditions of his fictional Kazakhstan, it starts to get interesting. Some people play along, perhaps just to be polite, while others double down on their prejudiced impulses. But then there are those moments when the most knee-jerk conspiratorial thoughtfully disagree with him, laying bare the sort of pretzel logic that is perhaps quite commonplace in human society.

While the improvised interactions with civilians are frequently poignant, it’s the scripted moments that I found most hilarious. The plot is driven by Borat’s mission to deliver to Vice President Mike Pence (“America’s most famous ladies man”) a gift of Johnny the Monkey, Kazakhstan’s most popular primate porn star. But when that goes awry, the plan changes to him offering the teenage Tutar as a new wife for Pence (or whomever in Donald Trump’s orbit will take her). Baron Cohen is famed for his clown training, and Bakalova matches (and often tops) him in her willingness to transform into the most comical possible version of herself.

As outrageous as their antics mostly are, there’s also a sweet, beating heart at the core of their interactions. He wants her to sleep in the biggest, most comfortable cage in the world, and she loves him for his efforts to do so, but she eventually starts to wonder if maybe the fairy tales she’s heard about women not being able to do pretty much anything aren’t as true as she once thought. (The revolution she endures when confronted with the truth actually reminds me of the fight scene in They Live, with its similar underscoring of the disruption inherent to having your eyes opened.) So while Borat’s cries of “my wife” have been delightfully echoing in our ears for quite some time, maybe now they’ll also be paired with proud proclamations of “my daughter.”

Borat Subsequent Moviefilm is Recommended If You Like: Hearty Belly Laughs, Fractured Fairy Tales, Cultural Icons That Endure Much Longer Than Expected

Grade: 4 out of 5 Hrams

Jeff’s Wacky SNL Review: Issa Rae/Justin Bieber

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SNL: Justin Bieber, Issa Rae (CREDIT: YouTube Screenshot)

SNL Season 46 Log. Episode 3. No major emergencies. Time for some funnies!

Insecure creator-star Issa Rae is making her hosting debut, and I think that’s a commendable booking decision. She has the chops to be goofy, which she doesn’t always have the opportunity to show off in Insecure. But on SNL, there’s plenty of room for her to kick back and be silly. In fact, it’s encouraged.

As for the tunes, Justin Bieber is the musical guest for the fourth time in his career and the second time in this calendar year. To which I say, “Huh.” I’m open to the possibility of liking his songs more now and in the future than I have in the past, but I wouldn’t have pegged him to be such a Studio 8H fixture at this point.

I woke up early Sunday morning. Before 7:00 AM, even! But I stayed in bed a little past 7:00 because I like to rise with the sun. Then I watched this episode and took some notes while I watched.

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That’s Auntertainment! Karaoke Korner 10

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Karaoke Korner is back at it again! The lineup this time comes from Jeff’s cousin Riley, who has assembled the motley crew of the Beatles, Paramore, and Slipknot.

Entertainment To-Do List: Week of 10/16/20

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The Trial of the Chicago 7 (CREDIT: Netflix)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Trial of the Chicago 7 (October 16 on Netflix)
The Witches (October 22 on HBO Max) – Bobby Zemeckis takes on Roald Dahl.

TV
Card Sharks Season Premiere (October 18 on ABC)
Supermarket Sweep Reboot Premiere (October 18 on ABC) – Host Leslie Jones sends the contestants on their grocery hunts.
Who Wants to Be a Millionaire? Season Premiere (October 18 on ABC)
black-ish Season 7 Premiere (October 21 on ABC)
The Conners Season 3 Premiere (October 21 on ABC)
The Goldbergs Season 8 Premiere (October 21 on ABC)

Music on TV
-Miley Cyrus Backyard Sessions (October 16 on MTV)

Music on Stage as a Movie on TV
David Byrne’s American Utopia (October 17 on HBO)

Podcasts
Dead Eyes Season 2 (Premieres October 22) – Connor Ratliff is still wondering why Tom Hanks fired him from Band of Brothers.

‘American Utopia’ Doesn’t Lose Any of Its Power in Its Trip From the Stage to HBO

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American Utopia (CREDIT: David Lee)

Starring: David Byrne, Chris Giarmo, Tendayi Kuumba, Bobby Wooten III, Karl Mansfield, Gustavo Di Dalva, Jacquelene Acevedo, Angie Swan, Mauro Refosco, Daniel Freedman, Stephane San Juan

Director: Spike Lee

Running Time: 105 Minutes

Release Date: October 17, 2020 (HBO)

Stop Making Sense is one of the best, if not The Best, concert documentaries ever made. I don’t know anyone who’s seen it who doesn’t share that opinion. Can lightning strike twice? Probably not, but something very similar to (but not exactly the same as) lightning can strike (or do something similar to striking) after that initial lightning strike. And that’s what we have in the case of American Utopia, which features Talking Heads frontman David Byrne with a group of musicians who are not Talking Heads members performing a set that includes some Talking Heads songs as well as other prime selections. It started as an album of originals released in 2018, made its way to Broadway in 2019, and now one of those performances has been recorded for a concert film directed by Spike Lee. If you know Byrne and his singular penchant for showmanship, then it goes without saying there’s no reason to think that that could ever be a formula for dilution.

“Once in a Lifetime” is one of the most iconic songs in rock music history. It was retooled for the stage show, and I first saw that version when Byrne was the musical guest on SNL back in February of this year. Despite my thorough familiarity with the song, I got chills once again while watching the latest filmed performance as if I were witnessing the birth of a new classic. That is the power of what has been assembled here. Byrne and his crew strip everything down to basics and reintroduce to us what we thought we already knew thoroughly. It is as if for an hour and 45 minutes we forget that there was ever any music before American Utopia.

We also get a refresher course on philosophy, as Byrne muses in between songs about the wonders of human perception. At one point, he asks why it is that we find looking at other people inherently more interesting than looking at anything else. If anyone is looking for any evidence as to why that is the case, American Utopia provides plenty of examples.

David Byrne, Spike Lee (CREDIT: David Lee)

If you’re wondering what attracted Spike Lee to direct, there won’t be any confusion once the credits are rolling. I’m not terribly familiar with his musical tastes, but he and Byrne clearly share many concerns over the state of the world, which is most obvious during the performance of “Hell You Talmbout,” a cover of a 2015 Janelle Monáe protest song that invokes the names of people of color who have been killed by police. When Byrne asked Monáe what she would think of a white man of a certain age performing it, she responded that she loved the idea and declared that the song is “for everybody.” This segment takes the fullest advantage of the journey from stage to screen, with relatives holding up memorial images of the deceased. American Utopia is a call to change for a better country and a better world. Can we ever meet the promise of that title? It’s a daunting task, but the wonder that this show inspires can’t hurt.

American Utopia is Recommended If You Like: Stop Making Sense, the Black Lives Matter movement

Grade: 4 out of 5 Gray Suits

We Need Some Candy on October 31. Do We Also Need ‘Hubie Halloween’?

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Hubie Halloween (CREDIT: Netflix)

Starring: Adam Sandler, Julie Bowen, June Squibb, Kevin James, Ray Liotta, Steve Buscemi, Maya Rudolph, Tim Meadows, Kenan Thompson, Rob Schneider, Michael Chiklis, Karan Brar, Noah Schnapp, Paris Berelc, Sadie Sandler, Sunny Sandler, George Wallace, Colin Quinn, Kym Whitley, Mikey Day

Director: Steven Brill

Running Time: 102 Minutes

Release Date: October 7, 2020 (Netflix)

I decided that I simply must have something to say about Hubie Halloween, since I hold so dearly Adam Sandler’s last-minute Halloween costume ideas on Weekend Update from back in the day. So the big question is: did this tale of Salem’s official Halloween monitor give me those same warm, sugary feelings?

The Sandman has busted that old Shabadoo-voice, so that certainly helps. But what’s up with all the kids in town (and some adults) pelting him with candy whatever chance they get? Hubie wants you to have a happy Halloween! It’s hard to do that when you’re sacrificing your own candy! Furthermore, in addition to all the mischief, there’s several attempted felonies, a fair degree of mental instability, and pretty much no attempt to reconcile that darkness with the purely comical tone.

Ultimately, in a weird way this is all in keeping with the spirit of last-minute costume ideas. Hubie Halloween feels like a last-minute movie that was quickly cobbled together from a bunch of silly Halloween-related ideas bouncing around in Sandler’s head. In conclusion, I found myself in a good mood after watching, and I’m happy to declare, once again, “Now give me some candy!”

Grade: 3 out of 5 Crazy Protractor Beards

Jeff’s Wacky SNL Review: Bill Burr/Jack White

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SNL: Bill Burr (CREDIT: YouTube Screenshot)

Bill Burr is a comedian who’s been around for a few decades, but this episode is his first time ever appearing on Saturday Night Live. So what finally got him on the radar of Lorne & Co. enough to land that hosting gig? Is it because he starred in a movie this summer with Pete Davidson? That certainly could’ve helped. Is it because his name is almost the same as current American Attorney General William Barr? Possibly, although no reference was made to that during the episode.

The musical guest was originally supposed to be country singer Morgan Wallen, but he was recently behaving in a way that’s not recommended during a pandemic, so SNL vet Jack White stepped in as a replacement. I’d never heard of Morgan before he was booked; hopefully he does something more commendable at some point in the future so that his reputation isn’t forever based on a lapse in judgment.

I got up early Sunday morning and started watching with my typical bowl of cereal. I also made time to write down the dream I had the night before, which featured Drs. Doug and Carol from County General Hospital (even though I’ve never seen an episode of ER!).

Now let’s get on to the review! And for as long as the pandemic is ongoing, I will continue to space out my thoughts on each sketch.

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That’s Auntertainment! Episode 19: What We Do in the Shadows

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What We Do in the Shadows (CREDIT: John P. Johnson/FX Networks)

Jeff and Aunt Beth have developed a taste for blood recently, so they decided to become friends with the vampire roommates of the mockumentary media franchise What We Do in the Shadows. Guest Patrick Cotnoir (The George Lucas Talk Show) joins them to bite into it all.

 

Entertainment To-Do List: Week of 10/9/20

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The Right Stuff (CREDIT: YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

TV
The Right Stuff Series Premiere (October 9 on Disney+)

It’s a slow week!

Jeff’s Wacky Back-in-Studio SNL Review: Chris Rock/Megan Thee Stallion

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SNL: Megan Thee Stallion, Chris Rock (CREDIT: YouTube Screenshot)

If we’re responsible during a pandemic, we can return to some of our pre-pandemic routines before the pandemic has fully run its course. And Saturday Night Live sure looks like it’s being responsible, which is presumably how we can explain its return to Studio 8H (with a real-live host, musical guest, and studio audience to boot!) after a trio of resourcefully assembled remote episodes back in the spring.

Pretty much every sketch in this Season 46 opener has something to do with the pandemic in one way or another, which is perfectly reasonable, considering that every part of daily life currently has something to do with the pandemic in one way or another. But host Chris Rock and MG Megan Thee Stallion aren’t here because of pandemic reasons; they’re here because, as is usually the case with SNL guests, they’ve got something to promote (Fargo Season 4 and new music, respectively).

As for me and my SNL viewing routine, as per yoozh, I woke up early on Sunday morning and fired up my DVR. I was feeling a little congested, so I popped some phenylephrine and it seemed to hit the spot. Then I ran 10 miles after Update, and it was off to the races!

In deference to pandemic precautions, I have decided to give each sketch its own line in my review so as to visually represent 6 feet apart. Let’s get to it!

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