Entertainment To-Do List: Week of 6/7/19

June 7, 2019

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CREDIT: Jason Bell/CBS

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–The Last Black Man in San Francisco (Limited Theatrically)

TV
So many game shows!
-73rd Annual Tony Awards (June 9 on CBS)
–Celebrity Family Feud Season Premiere (June 9 on ABC)
–The $100,000 Pyramid Season Premiere (June 9 on ABC)
–Big Little Lies Season 2 Premiere (June 9 on HBO)
–Pose Season 2 Premiere (June 11 on FX)
–Press Your Luck Reboot Series Premiere (June 11 on ABC)
–Card Sharks Reboot Series Premiere (June 12 on ABC)
–Match Game Season Premiere (June 12 on ABC)
–Baskets Season 4 Premiere (June 13 on FX) – Top-notch FX drama and comedy is burning up the summer!

Music
-Silversun Pickups, Widow’s Weeds

Movie Review: ‘The Last Black Man in San Francisco’ Proves That There Are Still New Ways to Make a Movie

June 6, 2019

jmunney Cinema, Movie Reviews , , , , , , , , , 2 Comments

CREDIT: A24

Starring: Jimmie Fails, Jonathan Majors, Danny Glover, Tichina Arnold, Rob Morgan, Mike Epps, Finn Wittrock

Director: Joe Talbot

Running Time: 120 Minutes

Rating: R for A Mild Mix of Profanity, Brief Nudity, and Drug Use

Release Date: June 7, 2019 (Limited)

The Last Black Man in San Francisco has one of the most (if not THE MOST) valuable qualities in cinema, and art in general, insofar as it truly feels unlike anything else that has come before it. It’s about lifelong pals Jimmie (Jimmie Fails) and Montgomery (Jonathan Majors), who have a sort-of-magical journey living in the title city while squatting in the house that Jimmie claims his grandfather built years ago. The story is based on Fails’ own life, and I greatly appreciate the visionary perspective he provides along with director Joe Talbot.

This isn’t a movie I loved right away, but it’s one that I want to keep in mind to see how it sticks with me months, years, or even decades from now. It is one that I can imagine expanding in my mind as I digest more of its unique flavors. I saw it about a month ago, and I haven’t thought about it too much unprompted since then. For now, as I’m purposefully reflecting upon it, I must make sure to note my love of an early scene in which Jimmie and Montgomery skateboard through the city to the tune of a Philip Glass-esque composition, and I must also mention that former Dead Kennedys lead singer Jello Biafra plays a dorky tour guide. So that’s where we are in 2019.

The Last Black Man in San Francisco is Recommended If You Like: San Francisco Geography and Architecture, Discovering a New Voice, Sorry to Bother You, Blindspotting

Grade: 3.5 out of 5 Squatters

Movie Review: ‘Late Night’ Brings Some Diverse Casting, But Not Diverse Storytelling Ideas, to the Workplace Comedy Genre

June 6, 2019

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CREDIT: Emily Aragones/Amazon Studios

Starring: Emma Thompson, Mindy Kaling, John Lithgow Denis O’Hare, Reid Scott, Hugh Dancy, Max Casella, Amy Ryan, Paul Walter Hauser, John Early, Ike Barinholtz

Director: Nisha Ganatra

Running Time: 102 Minutes

Rating: R for Comedy Writers Talking as They Do

Release Date: June 7, 2019 (Limited)/Expands Nationwide June 14, 2019

Late Night stars Mindy Kaling (who also penned the script) as Molly Patel, the new hire at a talk show’s previously all-male, all-white writers’ room. But the real kicker isn’t so much the push for a diversity hire as much as it is Molly’s professional background, or lack thereof. She previously worked as an efficiency expert at a chemical plant and made it into her new gig through the most contrived of circumstances. I could complain about how unlikely Molly’s journey is, but I actually don’t care about the unlikelihood. The most improbable version of this story possible is perfectly fine so long as it is also some combination of funny, unique, and insightful. Alas, it is not really any of those things.

CREDIT: Emily Aragones/Amazon Studios

The setup isn’t the problem. In addition to the Molly angle, there’s also the matter of this show being hosted by a woman, the legendary (i.e., relic) Katherine Newbury (Emma Thompson). Late Night tries to say something meaningful about how even a woman can reinforce the good ol’ boy status quo. But Katherine’s mistreatment of her staff transcends gender and race. And ultimately the social commentary amounts to little more than a red herring. This is mainly the story of the odd couple friendship that develops between Katherine and Molly, which is nice enough, but it struggles to be resonant within a rather scattered, shallow approach.

Late Night is Recommended If You Like: Watching old middle-of-the-road late night talk show clips

Grade: 2.5 out of 5 Monologue Jokes

Movie Review: ‘Dark Phoenix’ Plays It Way Too Safe by Both X-Men and General Movie Standards

June 5, 2019

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CREDIT: Twentieth Century Fox

Starring: Sophie Turner, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Jessica Chastain, Tye Sheridan, Evan Peters, Alexandra Shipp, Kodi Smit-McPhee, Scott Shepherd, Ato Essandoh

Director: Simon Kinberg

Running Time: 114 Minute

Rating: PG-13 for Getting Suddenly Violently Tossed About by Telekinesis

Release Date: June 7, 2019

I love the X-Men. They’re my favorite superhero team, and still, through it all, my favorite superhero movie franchise. They’ve delivered some dizzying cinematic heights but also some flicks that have driven me batty. So it pains me to say that Dark Phoenix did not make me feel much in the way of any strong emotions.

Some say that the X-Men series is burdened by tangled, contradictory continuity. I say it’s bolstered by it. Whereas other cinematic universes are careful to keep every little thread in line for the health of a sturdy timeline, the Merry Mutants traverse decades willy-nilly, tossing off whatever plotlines just aren’t working and cruising along with whatever’s exciting and vibrant, paradoxes be damned! Dark Phoenix doesn’t reject that approach, but it doesn’t embrace it either. It’s mostly content to tell a straightforward story, while occasionally throwing out some half-baked ideas. It’s a movie unstuck in time, instead of proudly giving the middle finger to any temporal concepts.

Dark Phoenix is clearly a labor of love. It’s the directorial debut of Simon Kinberg, who’s been with the franchise for over a decade, and it’s based on one of the most beloved comics storylines, in which telepathic telekinetic Jean Grey (Sophie Turner) bonds with a super-hot cosmic force to become the most powerful creature on the planet, perhaps the whole universe. It’s a huge climactic big screen culmination that’s been promised to us for quite some time, but after seeing how it’s turned out, I mainly want to say: we would have been okay without this movie. Or maybe now just wasn’t the right time for it. It’s arriving hot on the heels of an X-Men movie whose title literally referred to the end of the world and another that said a fitting goodbye to a pair of iconic X-characters.

But it shouldn’t have been impossible for Dark Phoenix to be another rousing, revolutionary statement so soon after those conclusive paradigm changes. In fact, it would have totally been in keeping with this franchise’s always-moving-forward ethos. But that’s not going to happen when a climactic battle scene takes place in some random New York hotel or when Professor X and Magneto run through the same old rigamarole of bickering and then making a temporary peace. When the stakes are this high, you have to go for broke.

Dark Phoenix is Recommended If You Like: X-Men completism, if you gotta

Grade: 2.5 out of 5 Firebirds

Jmunney’s 2019 Summer TV Preview

June 3, 2019

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CREDIT: Eric McCandless/ABC

I don’t normally write up a Summer TV Preview, but after looking over what’s set to premiere these coming hot (and sexy) months, I felt compelled to say something.

First off, it really feels like we’re living in a new Golden Era of Game Shows, particularly thanks to ABC, which is enthusiastically committed to its Summer Fun & Games lineup. In addition to returning favorites like Pyramid and Celebrity Family Feud, 2019 is bringing us reboots of Card Sharks (hosted by Joel McHale) and Press Your Luck (hosted by Elizabeth Banks), and on top of that, there’s the premiere of the new “extreme” mini-golf show Holey Moley.

Scanning over what else we’ve got, it seems like there are more scripted series that I watch than ever airing in the summer months. Don’t the networks know I like to get some fresh air? TV gods, please have mercy on me if I can’t keep up-to-date with everything.

And finally, mention must be made of FOX’s What Just Happened??!, an aftershow hosted by Fred Savage. But here’s the catch: it’s an aftershow that consists of discussions of a mothership show that doesn’t actually exist. Sounds perfectly tailor-made for me, and hopefully some of you are intrigued as well.

Listed below are all the shows I am planning on checking out from June through August, along with their premiere dates. For a more complete list of summer shows, click here.

Game Shows
Beat Shazam (Premiered May 20 on FOX)
Celebrity Family Feud (June 9 on ABC)
The $100,000 Pyramid (June 9 on ABC)
Big Little Lies (June 9 on HBO)
Press Your Luck (June 11 on ABC)
Card Sharks (June 12 on ABC)
Match Game (June 12 on ABC)
Holey Moley (June 20 on ABC)
Family Food Fight (June 20 on ABC)
Hollywood Game Night (July 11 on NBC)

Straightforward(ish) Sitcoms and Dramas
Marvel’s Agents of S.H.I.E.L.D. (Premiered May 10 on ABC)
Archer: 1999 (Premiered May 29 on FXX)
Black Mirror (June 5 on Netflix)
grown-ish (June 5 on Freeform)
The Handmaid’s Tale (June 5 on Hulu)
Pose (June 11 on FX)
Baskets (June 13 on FX)
The Detour (June 18 on TBS)
Legion (June 24 on FX)
GLOW (August 9 on Netflix)

Oddballs and Outliers
Whose Line is it Anyway? (June 17 on The CW)
Alternatino (June 18 on Comedy Central)
Drunk History (June 18 on Comedy Central)
What Just Happened??! with Fred Savage (June 30 on FOX)

Entertainment To-Do List: Week of 5/31/19

May 31, 2019

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Ma (Theatrically Nationwide)
–Rocketman (Theatrically Nationwide) – One of the best music biopics in quite some time!

TV
–Miranda Sings Live…Your Welcome (June 4 on Netflix)
–Black Mirror Season 5 (June 5 on Netflix) – Miley finally joins the Mirror-verse!
–grown-ish Season 2 Midseason Premiere (June 5 on Freeform)
–The Handmaid’s Tale Season 3 Premiere (June 5 on Hulu)

Movie Review: ‘Godzilla: King of the Monsters’ Delivers What it Promises, But It’s a Huge Mess

May 30, 2019

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CREDIT: Warner Bros./YouTube

Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Ken Watanabe, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Straitharn, Ziyi Zhang

Director: Michael Dougherty

Running Time: 132 Minutes

Rating: PG-13 for Monster-on-Monster Smashing and Even Some Human-on-Human Violence

Release Date: May 31, 2019

As promised, there are plenty of massive beasts in Godzilla: King of the Monsters, but there are also a lot of human beings, and they’ve got plenty on their to-do list. They debate which monsters are friends and which are foe, and they retrieve some objects that may or may not be MacGuffins, and honestly I could not make heads or tails of what they’re trying to do. This is a murderer’s row of heavy hitters wading through incomprehensibility. That’s not necessarily a dealbreaker, though, because when you come to see a Godzilla movie, you’re there for the monsters.

But here’s the thing: the fight scenes are just as incoherent! They’re distressingly dark, and edited way too quickly to make sense of what is going on. Every once in a while, there’s a really satisfying chomp or smackdown, but for the most part the splendor of the kaiju is obscured by too much visual clutter. King of the Monsters put me most in mind of the third Transformers flick, Dark of the Moon, a good chunk of which was an interminable clash of metal on metal. King of the Monsters is marred by sound design that is just as off-putting. In theory, I can understand why people would enjoy Godzilla getting into a battle royale with Mothra, Rodan, and the like a lot more than I can understand the appeal of robots clanging against each other. But this numbing onslaught is far from the best that this genre can offer.

Godzilla: King of the Monsters is Recommended If You Like: Non-stop giant monster battles

Grade: 2 out of 5 Roars

Movie Review: Teenagers Who Just Want to Have Fun Get Caught Up in a Generation-Spanning Revenge Plot in ‘Ma,’ a Tonally Wild and Ambitious Horror Mash-Up

May 29, 2019

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CREDIT: Universal Pictures

Starring: Octavia Spencer, Diana Silvers, Juliette Lewis, McKaley Miller, Corey Fogelmanis, Luke Evans, Gianni Paolo, Dante Brown, Missi Pyle, Allison Janney, Kyanna Simone Simpson

Director: Tate Taylor

Running Time: 99 Minutes

Rating: R for A Multitude of Torturous Weapons, Sloppy Teen Partying, and Deeply Disturbing Secrets

Release Date: May 31, 2019

In terms of how closely its advertising matches the actual product, Ma fits in one of the most satisfying of cinematic molds. It is very much the movie that the trailers have promised you, but it is also oh so much more. I am reluctant to go into any more detail because of how satisfied I was to discover everything as it was revealed to me. Even my “Recommended If You Like” section below is a bit of a land mine, as the mere mention of predecessors that Ma resembles could constitute a spoiler. But suffice it to say that in this stew of theoretically clashing flavors, Octavia Spencer is more than able to handle all the tones and motivations she is required to convey.

It should go without saying that if you’re a high school student, it’s probably not the best idea to party in the basement of a random woman who you know only because she buys you alcohol. But teenagers are known for making boneheaded decisions, and Sue Ann’s (aka Ma’s) house seems a lot safer than the alternative of drinking in the woods. Also, these kids don’t realize that they are characters in a horror movie and thus being lured into a trap. Furthermore, Sue Ann is remarkably savvy about understanding the way young people communicate, both in person and through social media. Just when you think she is going to go in for the kill right away, you realize that she is actually playing the tangled, multifarious long game. Ultimately, she becomes reckless in ways that threaten her upper hand but that keep the audience satisfyingly stunned and entertained. This is a wild, risk-taking movie that takes inspiration from plenty of classics that have come before it but that also stands on its own as a truly unique and deadly specimen.

Ma is Recommended If You Like: Carrie, Misery, Saw, Sharp Objects

Grade: 4 out of 5 Cases of Booze

Movie Review: ‘Rocketman’ Breathes Fantastical New Life Into Rock Star Biopics

May 28, 2019

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CREDIT: Paramount Pictures

Starring: Taron Egerton, Jamie Bell, Bryce Dallas Howard, Richard Madden

Director: Dexter Fletcher

Running Time: 121 Minutes

Rating: R for Fabulous Rock Star Indulgences

Release Date: May 31, 2019

Have you ever felt so exhilarated by a movie that you thought, “I never knew it was possible to get this high?” Presumably you have, as you care enough about cinema to read reviews by film buffs who are just as passionate as you are.  But you also, like me, might be worried that you will never experience this feeling again. When it comes, it’s often inspired by a really rousing song-and-dance number, and it seems like those are in short supply these days. Too many music biopics are satisfied with just touching on the nuts and bolts of rock stardom. But I don’t think that’s because they don’t want to capture the spirit of their subjects. It requires a tricky sort of alchemy to make a music movie that really sings, but somehow through the magic combination of Elton John’s discography, Taron Egerton’s cheeky and gleeful and tormented performance, and Dexter Fletcher’s go-for-broke direction, Rocketman has found the right formula.

It helps a great deal that it’s an actual musical. Biopics are often categorized by awards groups as musicals, but that’s often a misnomer, because the performance scenes are generally just that: performances. But in Rocketman, they are instead excuses for flights of fancy. As Egerton adroitly digs into the former Reginald Dwight’s oeuvre, he is buoyed along by sudden losses of gravity, stages that turn into whirlwinds, impromptu interpretive dances, and a general sense that anything could happen. This film is also a tale of triumphing over addiction, as it is framed around a group therapy session in which John recounts how he got to this crazy point in his life. You get the sense that while living alongside parents who never quite understood him, a manager who took advantage of him, and at least one loyal friend and partner who stuck beside him for decades, a corresponding world of chaos and ebullience was constantly bouncing around in his head. Rocketman has captured that part of his psyche marvelously, and it is now a decadent treat for the whole world to feast upon.

Rocketman is Recommended If You Like: The Elton John Songbook, All That Jazz

Grade: 4 out of 5 Feathered Outfits

The Best of SNL Season 44

May 26, 2019

jmunney Saturday Night Live, SNL Season Recaps, Television , , , 1 Comment

CREDIT: Mary Ellen Matthews/NBC

Saturday Night Live Season 44 is over, and somehow we survived! I’ve got my rundown below of what I thought was the best in various categories. As for the top sketches, my in-depth ranking can be found here. If you have your own rankings or other SNL-related thoughts and concerns, please let me know!

Most Valuable Cast Member
The longest-tenured cast member of all time felt perhaps the most essential he ever has, and a trio of ladies consistently delivered lived-in character work.
Kenan Thompson
Runners-Up:
Cecily Strong
Heidi Gardner
Kate McKinnon

Best Hosts
What took so long for the Sandman to return? And for Dame Emma to debut for that matter?
1. Adam Sandler
2. Liev Schreiber
3. John Mulaney
4. Kit Harington
5. Emma Thompson

Best Monologues
SNL has almost completely given up on the monologue, so thank the comedy gods that stand-ups still sometimes stop by.
1. John Mulaney
2. Paul Rudd
3. Seth Meyers
4. Jonah Hill

Best Musical Guests
Guitar skills go a long way.
1. Gary Clark Jr.
2. Tame Impala
3. Paul Simon
4. Maggie Rogers

Best Weekend Update Segments
Drug culture never went away at SNL, it just got weirder.
1. Terry Fink
2. Colin and Michael Swap Jokes
3. Elizabeth Warren

Best Episodes
Early May is often a sweet spot.
1. Adam Sandler/Shawn Mendes
2. Kit Harington/Sara Bareilles
3. Liev Schreiber/Lil Wayne
4. John Mulaney/Thomas Rhett

Best Quotes
Both courtesy of Heidi Gardner.
1. “Pikachu can get it.”
2. “I’m so horny I could cry.”

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