Oh Heavens, How Ever Will ‘Downton Abbey’ Enter a ‘New Era’?

1 Comment

Downton Abbey: A New Era (CREDIT: Ben Blackall/Focus Features)

Starring: Nathalie Baye, Hugh Bonneville, Samantha Bond, Laura Carmichael, Jim Carter, Raquel Cassidy, Paul Copley, Jonathan Coy, Brendan Coyle, Hugh Dancy, Michelle Dockery, Kevin Doyle, Michael Fox, Joanne Froggatt, Robert James-Collier, Harry Hadden-Paton, Laura Haddock, Sue Johnston, Allen Leech, Phyllis Logan, Alex MacQueen, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Lesly Nicol, Douglas Reith, David Robb, Maggie Smith, Imelda Staunton, Charlie Watson, Dominic West, Penelope Wilton, Jonathan Zaccaï

Director: Simon Curtis

Running Time: 125 Minutes

Rating: PG for Some Hints of Impropriety

Release Date: May 20, 2022 (Theaters)

In another area of my work outside this Movie Review Rat Race, I was recently working on a list of the Downton Abbey cast’s real-life romantic partners, which resulted in me becoming inexplicably excited for the latest cinematic excursion to the Crawley estate. I say “inexplicably” because I never watched an episode of the original TV series (though I did check in for the first movie). I certainly soaked up the Downton phenomenon through pop culture osmosis, as several of my family members were devoted viewers, and I bore witness to its not insignificant awards show presence. Meanwhile, several of its regulars have popped up in movies and shows that I have seen. Which is all to say, A New Era felt like a cozy trip back home for me, and I imagine that will be even more true for longtime fans.

It’s 1928, and epochal changes are afoot on both sides of the Atlantic. Downton is falling into disrepair, while thousands of miles away Hollywood is marching forward uneasily into the talkie era. These two stories collide when a film crew rents out the mansion to mount a massive silent production. Lady Mary (Michelle Dockery) stays behind and becomes sweet on the director (Hugh Dancy), while the rest of the family heads to the south of France and discovers some potentially life-altering secrets about their matriarch’s past. Each plot twist is reacted to like it’s the end of the world, then there’s a gentle reminder that all this drama isn’t worth overreacting to, the formula repeats, and that’s all part of the charm.

That understated over-the-top approach is most fully embodied in the case of the Dowager Countess, with Maggie Smith still as adorably cutting as ever at 87. Everyone suspects that these may be her last days, and they all make a big to-do about it, while simultaneously insisting not to make a big to-do about it. Meanwhile, the Countess herself is as healthy and mentally sharp as the script needs her to be in one scene, while as unhealthy and close to death’s door in another scene as the dramatic stakes require. Really, though, we should all be so lucky to have such a coherent goodbye from a loved one. Downton Abbey is and always has been light and frothy, but it cares about its people.

Downton Abbey: A New Era is Recommended If You Like: Getting all worked up but then realizing that everything is perfectly fine, more or less

Grade: 3 out of 5 Talkies

Best TV Performances of the 2010s

Leave a comment

CREDIT: YouTube Screenshots

The extra-special-bonus Best of the 2010s lists keep arriving all this week! Yesterday, it was the Best Film Performances, now we’re moving to the small screen with the top TV Performances. And while the screens were smaller, the roles were arguably bigger, at least in terms of running time.

Regarding eligibility: all Lead and Supporting (but not Guest) performances from any show that aired at least one full season between 2010 and 2019 was eligible. Actors who played multiple characters in the same show were considered one performance. Actors who played the same character across multiple shows were also considered one performance.

More

Movie Review: ‘Late Night’ Brings Some Diverse Casting, But Not Diverse Storytelling Ideas, to the Workplace Comedy Genre

Leave a comment

CREDIT: Emily Aragones/Amazon Studios

Starring: Emma Thompson, Mindy Kaling, John Lithgow Denis O’Hare, Reid Scott, Hugh Dancy, Max Casella, Amy Ryan, Paul Walter Hauser, John Early, Ike Barinholtz

Director: Nisha Ganatra

Running Time: 102 Minutes

Rating: R for Comedy Writers Talking as They Do

Release Date: June 7, 2019 (Limited)/Expands Nationwide June 14, 2019

Late Night stars Mindy Kaling (who also penned the script) as Molly Patel, the new hire at a talk show’s previously all-male, all-white writers’ room. But the real kicker isn’t so much the push for a diversity hire as much as it is Molly’s professional background, or lack thereof. She previously worked as an efficiency expert at a chemical plant and made it into her new gig through the most contrived of circumstances. I could complain about how unlikely Molly’s journey is, but I actually don’t care about the unlikelihood. The most improbable version of this story possible is perfectly fine so long as it is also some combination of funny, unique, and insightful. Alas, it is not really any of those things.

CREDIT: Emily Aragones/Amazon Studios

The setup isn’t the problem. In addition to the Molly angle, there’s also the matter of this show being hosted by a woman, the legendary (i.e., relic) Katherine Newbury (Emma Thompson). Late Night tries to say something meaningful about how even a woman can reinforce the good ol’ boy status quo. But Katherine’s mistreatment of her staff transcends gender and race. And ultimately the social commentary amounts to little more than a red herring. This is mainly the story of the odd couple friendship that develops between Katherine and Molly, which is nice enough, but it struggles to be resonant within a rather scattered, shallow approach.

Late Night is Recommended If You Like: Watching old middle-of-the-road late night talk show clips

Grade: 2.5 out of 5 Monologue Jokes