Oh Heavens, How Ever Will ‘Downton Abbey’ Enter a ‘New Era’?

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Downton Abbey: A New Era (CREDIT: Ben Blackall/Focus Features)

Starring: Nathalie Baye, Hugh Bonneville, Samantha Bond, Laura Carmichael, Jim Carter, Raquel Cassidy, Paul Copley, Jonathan Coy, Brendan Coyle, Hugh Dancy, Michelle Dockery, Kevin Doyle, Michael Fox, Joanne Froggatt, Robert James-Collier, Harry Hadden-Paton, Laura Haddock, Sue Johnston, Allen Leech, Phyllis Logan, Alex MacQueen, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Lesly Nicol, Douglas Reith, David Robb, Maggie Smith, Imelda Staunton, Charlie Watson, Dominic West, Penelope Wilton, Jonathan Zaccaï

Director: Simon Curtis

Running Time: 125 Minutes

Rating: PG for Some Hints of Impropriety

Release Date: May 20, 2022 (Theaters)

In another area of my work outside this Movie Review Rat Race, I was recently working on a list of the Downton Abbey cast’s real-life romantic partners, which resulted in me becoming inexplicably excited for the latest cinematic excursion to the Crawley estate. I say “inexplicably” because I never watched an episode of the original TV series (though I did check in for the first movie). I certainly soaked up the Downton phenomenon through pop culture osmosis, as several of my family members were devoted viewers, and I bore witness to its not insignificant awards show presence. Meanwhile, several of its regulars have popped up in movies and shows that I have seen. Which is all to say, A New Era felt like a cozy trip back home for me, and I imagine that will be even more true for longtime fans.

It’s 1928, and epochal changes are afoot on both sides of the Atlantic. Downton is falling into disrepair, while thousands of miles away Hollywood is marching forward uneasily into the talkie era. These two stories collide when a film crew rents out the mansion to mount a massive silent production. Lady Mary (Michelle Dockery) stays behind and becomes sweet on the director (Hugh Dancy), while the rest of the family heads to the south of France and discovers some potentially life-altering secrets about their matriarch’s past. Each plot twist is reacted to like it’s the end of the world, then there’s a gentle reminder that all this drama isn’t worth overreacting to, the formula repeats, and that’s all part of the charm.

That understated over-the-top approach is most fully embodied in the case of the Dowager Countess, with Maggie Smith still as adorably cutting as ever at 87. Everyone suspects that these may be her last days, and they all make a big to-do about it, while simultaneously insisting not to make a big to-do about it. Meanwhile, the Countess herself is as healthy and mentally sharp as the script needs her to be in one scene, while as unhealthy and close to death’s door in another scene as the dramatic stakes require. Really, though, we should all be so lucky to have such a coherent goodbye from a loved one. Downton Abbey is and always has been light and frothy, but it cares about its people.

Downton Abbey: A New Era is Recommended If You Like: Getting all worked up but then realizing that everything is perfectly fine, more or less

Grade: 3 out of 5 Talkies

‘Amulet’ Joins the Long Line of Creepy Cinematic Abodes

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Amulet (CREDIT: Rob Baker Ashton/Magnet Releasing)

Starring: Carla Juri, Alec Secareanu, Imelda Staunton, Angeliki Papoulia, Anah Ruddin

Director: Romola Garai

Running Time: 99 Minutes

Rating: R for Freaky and Disturbing Images

Release Date: July 24, 2020 (Theaters and On Demand)

It’s nice when people open their houses up to someone who doesn’t have anywhere else to stay. But it’s not so nice when there’s something demonic lurking within that house. Not to mention all the structural problems that often go hand-in-hand with supernatural occupancy. Maybe the guest can summon some exorcism skills, but when the pipes are leaking and the walls are cracking, it can be tough to get in a good night’s sleep. This is the predicament that the homeless Tomaz (Alec Secareanu) finds himself in in Amulet, Romola Garai’s feature directorial debut. He’s given an offer he’s not in much of a place to refuse: to stay at the home of Magda (Carla Juri), a young woman who seems entirely cut off from the rest of the world as she cares for her dying mother.

As Amulet starts up, it strikes me as a slow-burn horror in the vein of It Comes at Night, where it’s not clear that we’ll ever fully see what’s causing all the commotion. I also detect notes of The Innkeepers, in terms of a general feeling of spookiness instead of any fully present monsters. If anything, it seems for a while that the scariest figure could be a stern nun played by Imelda Staunton. (And by Imelda Staunton standards, she’s actually fairly nice.)

But then a bat shows up in a toilet. I thought it was a pig at first. But no, it’s very much a bloodsucking mammal, and it’s in a foul mood. And that description would also accurately describe Magda’s mom and the whole house itself (not so much the mammal part for the latter). In the final act, Amulet ruthlessly turns macabre and baroque right quick. It’s a little overwhelming and presumably would have been even more so if I had seen it in a theater instead of at my home. Thie go-for-broke set design would almost certainly be more enveloping on a bigger screen, but its boldness is at least still impressive no matter what the scale. And that’s important, because that is pretty much where Amulet pulls all of its eggs in the basket when everything is said and done.

Amulet is Recommended If You Like: Vampire bats

Grade: 3 out of 5 Home Repairs

The ‘Downton Abbey’ Movie Does Right By Its Dozens of Characters

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CREDIT: Jaap Buitendijk/Focus Features

Starring: Hugh Bonneville, Max Brown, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Michelle Dockery, Kevin Doyle, Michael C. Fox, Joanne Froggatt, Matthew Goode, Harry Haden-Paton, David Haig, Geraldine James, Robert James-Collier, Simon Jones, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Stephen Campbell Moore, Lesley Nicol, Kate Phillips, Douglas Reith, Maggie Smith, Phillippe Spall, Imelda Staunton, Penelope Wilton

Director: Michael Engler

Running Time: 122 Minutes

Rating: PG for Some Stolen Kisses and Slightly Scandalous Secrets

Release Date: September 20, 2019

I like to be upfront about the fact that I don’t always consume media straightforwardly. Sometimes I start TV shows five seasons in. Sometimes I watch the fifth sequel in a franchise despite never having any seen any previous entries. And sometimes, as in the case of Downton Abbey, I watch a TV-to-film adaptation without ever having seen a single episode of the series. Thus, I cannot report with any expertise about how the big-screen adventures of the Crawleys and company compare to their small-screen foibles. But I can tell you how it works as a cinematic experience while coming in with (basically) no expectations.

In an era of nerd culture dominance, it seems like there is a new superhero movie every other month that expects its audience to be up-to-date on years of backstory for a multitude of characters. Downton Abbey is often the type of movie that tends to get shoved aside in this current marketplace, but it does share one important quality with your Avengers or your Justice League. And that is its magnificently sprawling cast. I’m sure that keeping track of everyone is easier for fans of the show than it is for me, but even so, properly attending to approximately three dozen characters in only two hours sounds exhausting for both a screenwriter and a viewer.

Luckily, show creator Julian Fellowes, who penned the script, knows how to keep the focus, and Michael Engler offers no-fuss direction that lets the actors do what they do. It all starts with King George V and Queen Mary (Simon Jones and Geraldine James) announcing that they will be making an overnight visit to Downton Abbey as part of a tour of the country. Chaos (or chaos-ish) ensues. Along the way, there are small pleasures all over the place that add up to a full feast of pleasures. An arrogant royal chef makes a fool of himself, conversations about how the future might bring more rights to the underclasses are discussed, and the Dowager Countess drops her devastating quips. It’s admiringly economical comfort food.

Downton Abbey is Recommended If You Like: Downton Abbey the TV show, presumably

Grade: 3.5 out of 5 Royal Visits