This Is a Movie Review: ‘Solo: A Star Wars Story’ Succeeds When it Commits to Its Icons Fully or Creates Something Wholly New

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(c) Lucasfilm Ltd. and TM. All Rights Reserved.

This review was originally published on News Cult in May 2018.

Starring: Alden Ehrenreich, Emilia Clarke, Woody Harrelson, Donald Glover, Joonas Suotamo, Paul Bettany, Thandie Newton, Phoebe Waller-Bridge

Director: Ron Howard

Running Time: 135 Minutes

Rating: PG-13 for Lasers and Space Derring-Do

Release Date: May 25, 2018

Nobody can play Han Solo as iconically as Harrison Ford, or so the conventional wisdom goes. Now that we actually have Alden Ehrenreich’s version to dissect, we can render a more practical verdict about just how successful he is or isn’t. And while indeed young Solo has nothing on classic Solo, the task is not necessarily as impossible as originally advertised, which we know because we do not have to look far to find someone else pulling off that goal, as Donald Glover’s take on Lando Calrissian manages to be just as iconic as, if not more so (time will tell, ultimately), Billy Dee Williams’ version.

To be fair, Glover probably has the easier task, insofar as it is the less restricted one. While Ford is one of the major players in four Star Wars films, Williams only has about 15 minutes of screen time across two episodes. Ergo, Glover has plenty more freedom to fill in the blanks and create new blanks never hinted at previously, while Ehrenreich is locked into coloring necessary backstory, like earning the life debt that Chewie owes him and making the Kessel Run in under 12 parsecs. But the biggest difference is in the quality of preparation. Glover feels like someone who has been auditioning to play Lando his whole life, while Ehrenreich feels like someone who has been training to be an actor, and maybe more specifically a movie star, but not so specifically Han Solo in particular. That specificity and passion is almost certainly necessary to pull off the job of simultaneously paying homage to a famous character and making it one’s own. Maybe there are some folks out there who have been playing Han Solo in front of the mirror their whole lives, but Ehrenreich is probably not one of them. He gets the job done, but he does not take it to the next level.

Solo does not rely entirely on checking off a bunch of backstory checkpoints. Like any well-bred Star Wars movie, it is populated with a menagerie of diverse characters. As far as the new faces go, most prominent are Emilia Clarke as Qi’ra, Han’s childhood friend and partner-in-crime, and Woody Harrelson as Tobias Beckett, Han’s smuggling mentor. They are appropriately cast, but they feel like could be any Emilia Clarke or Woody Harrelson character, as opposed to the roles of a lifetime that add new definition to what a Star War can be. Same goes for crime lord Dryden Vos, who can be easily and unfussily added to Paul Bettany’s murderers’ row of villain roles.

But not-so-quietly revolutionary is Phoebe Waller-Bridge’s motion-capture performance as L3-37, Lando’s feisty, herky-jerky droid companion. Waller-Bridge’s success comes from a starting point totally opposite of Glover’s, as she had never seen a Star Wars film before auditioning. Consequently, her performance is not beholden to any droids that have preceded her. She takes full advantage of the individuality inherent to a set of beings that seem to have plenty of free will despite also being conditioned by their programming. Her relationship with Lando suggests an open-minded (pansexual even) imagination that might as well be explored in a cinematic universe as vast as this one. And therein lies a template for keeping fresh the perhaps infinite number of future Star Wars: anchor them in a deepened spin on the familiar while introducing a high-risk, wholly fresh concoction.

Solo: A Star Wars Story is Recommended If You Like: Community’s Star Wars homages, Watching poker when you have no idea what the rules are, Human-cyborg relations

Grade: 3.5 out of 5 Parsecs

 

SNL Review May 19, 2018: Tina Fey/Nicki Minaj

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CREDIT: Gianny Matias/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Michael and Colin – With a finale consisting of mostly disappointing sketches, I will take this opportunity to take a deeper dive than usual into Weekend Update. It has been a solid year for Misters Jost and Che, as the two have long settled into an undeniably strong rapport. For their final Season 43 outing, the ostensible centerpiece is their set of jokes that had previously been deemed too sensitive to air, but the real highlight (as usual) is their in-between-joke banter, as when Colin notes that Michael’s take on a racial epithet-based story turned out better than when he gave it a go.

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This Is a Movie Review: On Chesil Beach

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CREDIT: Bleecker Street

I give On Chesil Beach 2 out of 5 Past Traumas: https://uinterview.com/reviews/movies/on-chesil-beach-movie-review-saoirse-ronans-talents-can-only-carry-this-romantic-tragedy-so-far/

This Is a Movie Review: First Reformed

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CREDIT: A24

I give First Reformed 4 out of 5 Pepto-Bismols: https://uinterview.com/reviews/movies/first-reformed-movie-review-ethan-hawke-gives-a-career-best-performance-as-a-conflicted-reverend/

Billboard Hot Rock Songs – Week of May 19, 2018

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Each week, I check out the Billboard Hot Rock Songs chart, and then I rearrange the top 25 based on my estimation of their quality. I used to rank all of the top 25, now I just rank the cream of the crop.

Original Version
1. Imagine Dragons – “Whatever It Takes”
2. Imagine Dragons – “Thunder”
3. Imagine Dragons – “Believer”
4. Portugal. The Man – “Feel It Still”
5. Bad Wolves – “Zombie”
6. Foster the People – “Sit Next to Me”
7. Alice Merton – “No Roots”
8. Panic! at the Disco – “Say Amen (Saturday Night)”
9. Florence + the Machine – “Hunger”
10. lovelytheband – “Broken”
11. Shinedown – “Devil”
12. Five Finger Death Punch – “Gone Away”
13. Godsmack – “Bulletproof”
14. Vance Joy – “Saturday Sun”
15. Muse – “Thought Contagion”
16. Two Feet – “I Feel Like I’m Drowning”
17. Portugal. The Man – “Live in the Moment”
18. Nathaniel Rateliff & the Night Sweats – “You Worry Me”
19. Sir Sly – “&Run”
20. 30 Seconds to Mars – “Dangerous Night”
21. AWOLNATION – “Handyman”
22. Three Days Grace – “The Mountain”
23. Five Finger Death Punch – “Sham Pain”
24. Florence + the Machine – “Sky Full of Song”
25. Guns N’ Roses – “Shadow of Your Love”

Jmunney’s Revision
1. No Roots
2. Feel It Still
3. You Worry Me
4. I Feel Like I’m Drowning
5. Live in the Moment
6. &Run
7. Sky Full of Song
8. Hunger
9. Thought Contagion
10. Handyman

Billboard Hot 20 – Week of May 19, 2018

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Each week, I check out the Billboard Hot 100, and then I rearrange the top 20 based on my estimation of their quality. I used to rank all 20, now I just rank the cream of the crop.

Original Version
1. Childish Gambino – “This Is America”
2. Drake – “Nice for What”
3. Drake – “God’s Plan”
4. Post Malone ft. Ty Dolla $ign – “Pyscho”
5. Bebe Rexha and Florida Georgia Line – “Meant to Be”
6. Zedd, Maren Morris, and Grey – “The Middle”
7. BlocBoy JB ft. Drake – “Look Alive”
8. Camila Cabello – “Never Be the Same”
9. Ed Sheeran – “Perfect”
10. Ariana Grande – “No Tears Left to Cry”
11. Lil Dicky ft. Chris Brown – “Freaky Friday”
12. Imagine Dragons – “Whatever It Takes”
13. Post Malone ft. 21 Savage – “Rockstar”
14. Migos ft. Drake – “Walk It Talk It”
15. Bazzi – “Mine”
16. Travis Scott ft. Lil Uzi Vert and Kanye West – “Watch”
17. Ella Mai – “Boo’d Up”
18. Cardi B, Bad Bunny, and J Balvin – “I Like It”
19. Nicki Minaj – “Chun-Li”
20. Kane Brown – “Heaven”

Jmunney’s Revision
1. No Tears Left to Cry
2. This Is America
3. Boo’d Up
4. Never Be the Same

‘New Girl’ Season 7 Review: The Most Epilogue-y Season of TV Ever, From the Show Perfectly Suited for It

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CREDIT: Ray Mickshaw/FOX

This review  was originally posted on News Cult in May 2018.

Network: FOX

Showrunners: Brett Baer, Dave Finkel, Liz Meriwether

Main Cast: Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris, Hannah Simone, Nasim Pedrad, Danielle Rockoff, Rhiannon Rockoff

Notable Guest Stars: Damon Wayans, Jr., Brian Huskey, Rob Reiner, Dermot Mulroney, Gillian Vigman, JB Smoove, Sarah Baker, Jamie Lee Curtis, Ralph Ahn, Robert Smigel

Episode Running Time: 22 Minutes

This review contains spoilers, but this isn’t really a spoil-able type of show.

New Girl Season 7 is one of the most inessential seasons in television history. That is not a criticism, but rather, a description of an unnecessary, but very satisfying batch of episodes. All television, and all storytelling more generally, is inessential, insofar as we could survive without it. Life would be much less enriching without entertainment, certainly, but it would be possible. But once a story begins to be told, there is a sense of necessity that it must be concluded. And it could easily be argued that by the end of Season 6, New Girl had reached that conclusion, with all of its main characters having achieved major milestones in personal and professional fulfillment. But this show, at its best, has been about so much more (or so much less, but in a good way) than checking off the major storytelling checkpoints.

Nick and Jess are one of my favorite TV couples of all time, and if the last we saw of them was their kiss in the elevator at the end of “Five Stars for Beezus,” I would have rested easy in the belief that they had a long and happy union together. But I am usually hungry to see what happens when the tension of a potential couple turns into the comfort of an actual couple, and New Girl has shown itself to be the type of show uniquely suited for making that pivot interesting. With a three-year time jump to kick off the season, it seemed like we would be heading into a new status quo, but then we discover … Jess and Nick still aren’t married yet? There’s no need to panic; they are still together and happy, they have just been busy with other things, like Nick’s book tour for The Pepperwood Chronicles. But still, you would think they could find some time to put a ring on it. It turns out that much of the delay is attributable to Nick ensuring that his proposal is absolutely perfect. That obsession could have caused major strife in the past, but it is a mark of maturity for both the characters and the show that it is ultimately no big deal.

While Jess and Nick remain the last two residents of the loft, and perhaps a little bit stuck in neutral, the rest of the main crew has decidedly moved ahead to the next stages of their lives. Schmidt and Cece’s toddler Ruth Bader (Danielle and Rhiannon Rockoff) is genuinely adorable but also filled with the sort of moxie and traces of anxiety you would expect in a child whose parents are a mix of blunt and high-strung. Winston and Aly are expecting their first child; his strange propensities, and her incredible ability to accept them, are still intact, just transferred to the minutiae of pending parenthood. For the most part, the unique ways that this whole group communicates with each other remains just as intact. They are sometimes applied in fascinating new ways, as when Schmidt and Jess hash out who has the best approach for Ruth auditioning to a prestigious pre-school. But that sameness also results in hijinks that probably should not be happening anymore, as when Cece and then Nick get locked out of Ruth’s school and get mistaken for creepy lurkers, and it is like: okay, guys, we’re getting a little too old for these shenanigans.

Season 7 is not completely allergic to big final season moments, but it presents them in the uniquely askew New Girl manner. There is a one-year anniversary memorial service for a close friend who died during the time jump, and that close friend is … Furguson, of course. Winston insists that everything be performed in the Jewish manner, because he always saw his cat as Jewish, and while that does sound ridiculous, it also sounds perfectly logical when Lamorne Morris explains it with such certainty. We also, rest assured, do get that last anticipated bit of matrimony, but it all goes delightfully sideways, with a scratched cornea, an impromptu service in a hospital, and Tran’s first ever spoken line of dialogue.

Naturally unnaturally enough, there is still one more episode left to go. “Engram Pattersky” does at first appear to fit into a classic series finale box, i.e., the pack-up-and-move conclusion. It really is time for for Nick and Jess to get out of that rickety old loft and start a new chapter in their lives, even it takes an eviction notice to get them to that realization. The final reveal that the eviction angle is actually Winston’s greatest prank ever is perfectly in line with the show’s ethos, but also a little stunning. Winston never suggests that he was just trying to give his friends the motivation they needed to move forward. And that really is the New Girl way. If you want to find meaning in this young adult life, then you have to do so amidst all the chaos and indirect communication, as you scream and hopefully laugh along the way.

Best Episodes: “The Curse of the Pirate Bride,” “Engram Pattersky”

How Does It Compare to Previous Seasons? This is definitely an epilogue season, but for this show, that means it has never been more sure of its identity than at any other time during its run. It does not reach its most classic heights, but that is perfectly okay.

New Girl is Recommended If You Like: Happy Endings, Brooklyn Nine-Nine, How I Met Your Mother, Parks and Recreation, Friends

Where to Watch: Season 7 is currently available on Hulu, while Seasons 1-6 are on Netflix.

Grade: 3.8 out of 5 Messarounds

This Is a Movie Review: Pope Francis – A Man of His Word

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Pope Francis, in Wim Wender’s docuemntary, POPE FRANCIS – A MAN OF HIS WORD, a Focus Features release. (c) 2018 CTV, Célestes, Solares, Neue Road Movies, Decia, PTS ART’s Factory

I give Pope Francis – A Man of His Word 4 out of 5 Franciscan Breezes: https://uinterview.com/reviews/movies/pope-francis-a-man-of-his-word-movie-review-powerful-documentary-delivers-genuine-message-of-hope/

This Is a Movie Review: Deadpool 2

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CREDIT: Twentieth Century Fox

I give Deadpool 2 2.5 out of 5 Baby Legs: https://uinterview.com/reviews/movies/deadpool-2-movie-review-second-time-not-the-charm-for-exhausting-sequel/

SNL Review May 12, 2018: Amy Schumer/Kacey Musgraves

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

James Madison High School Graduation – In a spiritual successor to the St. Joseph’s Christmas Mass Spectacular, Beck Bennett gets into the intense voice-over detailing the foibles and high points of a common American ritual. There are the typical goofs: butchering names, falling off the stage, microphone troubles. And then it goes to another, all-time level with the lasers shooting out of the eyes of the kids looking at different cameras.

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