Entertainment To-Do List: Week of 9/20/24

Leave a comment

By my accounting, there’s a lot of TV to watch this Fall (CREDIT: Paramount Plus/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
A Different Man (Theaters)
Never Let Go (Theaters)
The Substance (Theaters) – Gimme (Demi) Moore (of Margaret Qualley).

TV
The Masked Singer Season 12 Premiere (September 25 on FOX)
The Floor Season 2 Premiere (September 25 on FOX) – There are even more spaces on the floor this year!
Colin From Accounts Season 2 Premiere (September 26 on Paramount+)

Music
-Bright Eyes, Five Dice, All Threes
-Nelly Furtado, 7
-Joan As Police Woman, Lemons, Limes & Orchids
-Thurston Moore, Flow Control Lucidity
-Neon Trees, Sink Your Teeth
-Katy Perry, 143 – Will I love it?
-Kate Pierson, Radios and Rainbows
-The Voidz, Like All Before You
-Jamie xx, In Waves

‘Never Let Go’ Could Have Had a Firmer Grip

1 Comment

Pictured: The Characters in This Movie Not Letting Go (CREDIT: Lionsgate)

Starring: Halle Berry, Percy Daggs IV, Anthony B. Jenkins

Director: Alexandre Aja

Running Time: 101 Minutes

Rating: R for The Forest at Its Gnarliest and Bloodiest

Release Date: September 20, 2024 (Theaters)

What’s It About?: In a cabin deep in the woods live the last three people on Earth, and their trusty dog. Or at least that’s the story that the mother (Halle Berry) tells her twin sons Nolan (Percy Daggs IV) and Sammul (Anthony B. Jenkins). According to Momma, it’s not that the entire human population has died, but rather that everyone has been possessed by a vague, unrelenting Evil. Momma and the boys are only able to survive because their cabin has been specially blessed. So whenever they venture outside, they tie themselves to a rope tethered to the house, as breaking free would leave them vulnerable to the grasp of the Evil. But when their living supplies run low, they’re forced to resort to desperate measures to survive. And that is NOT a formula for maintaining trust in each other.

What Made an Impression?: Extreme Experiences, Extreme Measures: The most logical explanation about the Evil of Never Let Go is that it’s all in Momma’s head, perhaps due to mental illness or apocalyptic religious beliefs, or some combination thereof. Kevin Coughlin and Ryan Grassby’s script and Alexandre Aja’s direction certainly nudges us in that direction. There are some generally creepy humanoid creatures with slithery forked tongues, but only Momma is able to see them, for the most part. She may have also just constructed a fable to protect her family from the more quotidian evils of the world, as she frequently hints about the bad life she escaped from before The Evil. That sounds like a reference to something like addiction and/or abusive relationships, although the way she tells it, it could just be that she moved to a big city and found it to be too godless for her sensibilities.
Ambiguity Overload: That vagueness within Momma’s backstory is infused throughout the entire movie. While the most logical explanation is never not that the Evil is all just in Momma’s head, this is a horror movie, so there’s no good reason why there couldn’t be a supernatural alternative. But whenever there’s evidence refuting Momma’s version of events, she doesn’t offer any compelling reason to believe beyond “That’s just the Evil playing tricks on you.” The final act muddies things quite a bit, though. Nolan, the more doubtful of the two brothers, is a defiant survivor, whereas Sammul appears to be quite vulnerable to possession, although perhaps that’s because he’s inherited some of his mother’s most catastrophic personality traits. The final moments appear to confirm that the Evil is in fact just a story, only to then linger in a way that says, “Actually maybe it is real.”
Ultimately, Never Let Go is compelling as a portrait of what it’s like to have a parent who insists that you need to escape from society without sufficient empirical evidence for why. And there’s something to be said for horror that keeps things unnervingly vague. But this one might have been a bit too vague. If you’re like me, you’ll hold on to the rope while you’re watching, but you’ll be happy to let go soon thereafter.

Never Let Go is Recommended If You Like: Dusty boots and jackets, Eating tree bark, Holding on to one prized vinyl record

Grade: 2.5 out of 5 Ropes

It Used to Be That I’d Never Seen ‘Beetlejuice Beetlejuice’ Before in My Life. Or Afterlife. But Now That’s Changed!

Leave a comment

Beetlejuice being Beetlejuicy (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Michael Keaton, Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, Monica Bellucci, Willem Dafoe, Arthur Conti, Burn Gorman

Director: Tim Burton

Running Time: 104 Minutes

Rating: PG-13

Release Date: September 6, 2024 (Theaters)

After seeing Beetlejuice Beetlejuice, it made me want to:

  1. Figure out who Tess Parks is.
  2. Go Full Falsetto and perform “Tragedy” at karaoke.
  3. Wonder anew how and why so much of a song can be focused on a soggy cake.

Now, just because you’ve got an inspiring soundtrack, that doesn’t necessarily mean you’ve got a satisfyingly well-rounded movie. But I enjoyed most of the non-musical elements of Beetlejuice Beetlejuice as well! Thank you, 2024.

Grade: I Like-a the ‘juice

SNL Season 50 Host and Musical Guest Predictions

Leave a comment

CREDIT: Screenshot

Many seasons ago, I used to predict the hosts and musical guests for the upcoming batch of new Saturday Night Live episodes. Looking through the archives, it doesn’t look like I ever did it on this blog, but instead on just a (now-defunct) SNL fan forum. So yeah, it’s been a while, but I kinda felt compelled to peek into my Studio 8H-themed crystal ball once more.

So the way it goes with my SNL guest predictions is that I look over the pop culture calendar for the next several upcoming months and attempt to discern who might conceivably have something they’d like to promote at 30 Rockefeller. But I don’t care all that much about accuracy, so this set of predictions will essentially be doubling as a wish list. Which is to say, some of the folks I’ve chosen might not actually be all that likely to appear on Saturday Night Live during Season 50. Or ever, for that matter. But maybe typing them out loud will manifest something special into existence.

Also, before I get to my predictions, I’ve got a quick programming note about my first wacky review of the season. The premiere is scheduled to air on September 28, and I might be going away that weekend, so my review might be posted a little later than usual. But I promise that it will still be as wacky as ever!

Now on with the predictions! (Feel free to share some of your own in the comments section if you’ve got any.)

More

September 2024 Emmy Predictions/Preferences

Leave a comment

I predict… that the Emmy hosts will be funny! (CREDIT: Mark Seliger/Disney)

I’m going to go ahead and offer my predictions and list my preferences for the categories being presented at the 76th Primetime Emmy Awards. This is the second Primetime Emmys ceremony in Calendar Year 2024! They’re happening on September 15 on ABC. Let me know what you think down below.

More

Entertainment To-Do List: Week of 9/13/24

Leave a comment

(CREDIT: Jackbox Games/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Babadook 10th Anniversary Re-Release (September 19 in Theaters)
My Old Ass (Theaters)
Speak No Evil (Theaters)
Will & Harper (September 13 in Limited Theaters, September 27 on Netflix) – Will Ferrell and Harper Steele go on a road trip.

TV
-76th Primetime Creative Arts Emmy Awards (September 14 on FXX)
-76th Primetime Emmy Awards (September 15 on ABC) –  Hosted by the Levy Dad and Son
Dancing with the Stars Season 33 Premiere (September 17 on ABC and Disney+) – I’m gonna check out this season because of curiosity about a certain con artist cast member.
High Potential Series Premiere (September 17 on ABC) – Starring an It’s Always Sunny in Philadelphia cast member on a network show.
Agatha All Along Series Premiere (September 18 on Disney+) – WandaVision spinoff.
Frasier Reboot Season 2 Premiere (September 19 on Paramount+)

Music
-Miranda Lambert, Postcards from Texas

Video Games
Jackbox Naughty Pack (Released September 12 on Steam, PlayStation, Switch, Xbox, Epic Games, Amazon Fire TV, and Apple TV)

Origin Story ‘Transformers One’ Takes It Back to Cybertron

Leave a comment

One is the loneliest Transformer that you’ll ever do! (CREDIT: Paramount Animation/Hasbro)

Starring: Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key,  Steve Buscemi, Laurence Fishburne, Jon Hamm

Director: Josh Cooley

Running Time: 104 Minutes

Rating: PG for Robot Dismemberment

Release Date: September 20, 2024 (Theaters)

What’s It About?: If you’re concerned that most Transformers movies have too many pesky dang humans, then have I got the movie for you! Well, actually, it’s Paramount and Hasbro who have the movie for you, I’m just here to let you know about it. It’s an animated flick called Transformers One, and it takes place entirely on the robots’ home planet of Cybertron, and it doesn’t follow any of the Autobots and Decepticons that we’ve come to know and love over the years… or does it? A couple of bots named Orion Pax (Chris Hemsworth) and D-16 (Bryan Tyree Henry) are stuck underground working the mines day after day, but they have a hankering to discover what’s really happening on the planet’s surface. They eventually make their way up there along with a scamp named B-127 (Keegan-Michael Key) and a steady hand named Elita (Scarlett Johansson), as they uncover a conspiracy and fight to realize a new path forward for Cybertron.

What Made an Impression?: Vroom Vroom: Before Orion and D-16 emerge onto the surface, they first try to make a name for themselves by sneaking their way into the IACON 5000, which appears to be the most popular racing event in all of Cybertron. Perhaps devoted Transformers fans already know all about the IACON, but for the uninitiated, it’s basically the Indianapolis 500 crossed with the colorful loop-de-loop energy of Mario Kart. I wasn’t expecting this moment out of a Transformers movie, but quite frankly, it was a breath of fresh air compared to the typical metal-on-metal action. After this particular set piece, the plot becomes a fairly typical hero’s journey that’s easy enough to follow despite all the Cybertronic jargon. I would have personally preferred the fish-out-of-water sizzle typical of the live action Transformers flicks, but if we must stick with only the metal creatures the whole way through, then at least the IACON 5000 offers a nice change of pace.
Before They Were Stars: Transformers One plays things a little coy, but if you’ve encountered any major Transformers property in the past few decades, then you should be able to figure out without too much trouble the actual identities of the most iconic main characters. It’s a little disorienting that longtime Optimus Prime voice Peter Cullen is nowhere to be heard, but I appreciate the efforts at differentiation. There’s something to be said about these guys sounding a little different before they became universally renowned heroes and villains, after all. With this throwback approach, T One gave me similar reboot-ish vibes as another recent animated flick about non-human warriors released by Paramount. That earlier release also set up a new TV show, and I wouldn’t be surprised if similar plans are in place for a new Cybertron-set series. I wasn’t quite thrilled enough by T One to be excited about that possibility, though. But I imagine there are enough fans (or potential fans) of this property that there could be something viable there. So in conclusion, Transformers One is most successful as an inoffensive brand extension.

Transformers One is Recommended If You Like: A glitzy voice cast, Macguffin-filled dialogue, The neologism “Badassitron”

Grade: 2.5 out of 5 Matrices

‘Speak No Evil’ Lures You Into Its Trap and Doesn’t Let Go

1 Comment

Three Characters Trying Not to Speak Any Evil (CREDIT: Susie Allnutt/Universal Pictures and Blumhouse)

Starring: James McAvoy, Mackenzie Davis, Aisling Franciosi, Scoot McNairy, Alix West Lefler, Dan Hough

Director: James Watkins

Running Time: 110 Minutes

Rating: R for Violence, Disturbing Behavior, and a Little Bit of Innuendo

Release Date: September 13, 2024 (Theaters)

What’s It About?: Americans Louise and Ben Dalton (Mackenzie Davis and Scoot McNairy) are feeling a little adrift ever since moving to London with their 11-year-old daughter Agnes (Alix West Lefler). While on vacation in Italy, they forge a bit of a connection with British couple Paddy and Ciara (James McAvoy and Aisling Franciosi), whose son Ant (Dan Hough) has trouble speaking because he’s missing part of his tongue. Paddy and Ciara are friendly, if perhaps a smidge too forward. But Louise and Ben are vulnerable enough to be won over by their sway, and it also helps that the chronically anxious Agnes opens up when she’s around Ant. So the Daltons soon find themselves guests at Paddy and Ciara’s remote countryside estate, but this idyllic retreat gradually becomes more and more suspicious. Forgivable faux pas like Paddy feeding the vegetarian Louise the first bite of the prized cooked goose quickly give way to more frightening secrets, like Ant revealing his bruises to Agnes. Louise wants to vamoose at pretty much the first warning sign, and it’s not long before Ben and Agnes are feeling the same.

What Made an Impression?: We Don’t Know the Half of It: You might think you know exactly what is going to happen in Speak No Evil. It has the sort of trailer that appears to give away the entire plot, plus it’s a remake of a Danish film that came out just a couple years ago. I haven’t seen the original, but I have watched the trailer, and there are some key moments that are remixed this time around. I guessed the major third act reveal based on the previews, and I’m sure I won’t be the only one. But that’s just the tip of the iceberg. Every inch and crevice of McAvoy, Franciosi, and Hough’s performances scream “Something’s not right here!” As the thorough depravity of Paddy and Ciara’s designs are brought into the open, it’s riveting, profoundly alarming, and breathtaking.
Bonding Through Trauma: A shared stressful experience, if handled sufficiently, can deepen the bond of a relationship. And well, Louise and Ben could sure use some relationship strengthening. They’re reeling from a minor case of infidelity, as well as resentment from Louise putting her career on hold for Ben’s sake, plus just general feelings of existential instability. So perhaps it was fated that they would run into Paddy and Ciara, who kind of fancy themselves as amateur therapists. In a more good-natured movie, the Daltons would probably be eternally grateful for their intervention, but in truth, they’re profound manipulators. Nevertheless, the ultimate effect is the same, as Louise and Ben manage to find their way back to each other through this terrifying gauntlet.
Resourcefulness is Key: Isn’t it so satisfying to watch movie characters be resourceful? (I have to tip my hat to Kyle Buchanan for elucidating this observation during a recent guest appearance on the Blank Check podcast.) The Daltons don’t appear to have ever been trapped in a situation as disorienting as this one, but it’s immediately clear that they’ll just have to figure it out if they’re going to survive. I for one couldn’t peel my eyes away from their efforts, as evidenced by the fact that I didn’t write a single thing down in my notebook for the entire 110 minutes. Often when thriller protagonists are captivatingly resourceful, it’s clear what experience they’re drawing from, even if their backstories are merely hinted at. In the case of Speak No Evil, that’s a little less true. In fact, it’s a running theme how ineffective Louise and especially Ben feel in their daily lives. But the experience of raising a child can go a long way. If you’re going to be a decent parent, then you necessarily figure out a lot along the way as the years roll by. So when Louise and Ben start surreptitiously grabbing makeshift weapons and cleverly scoping out their surroundings, we buy that they’re able to pull this off by virtue of their dedication to protecting Agnes. If you want to believe that you’ll similarly always be there for your kids, it’s worth checking out Speak No Evil to see how it tests your mettle.

Speak No Evil is Recommended If You Like: Psycho, You’re Next, Orphan

Grade: 4 out of 5 Scissors

An Important Note About the Occupants of ‘The Front Room’

Leave a comment

A scene from The Front Room that doesn’t take place in the front room (CREDIT: Jon Pack/A24)

Starring: Brandy, Kathryn Hunter, Andrew Burnap, Neal Huff

Director: Max and Sam Eggers

Running Time: 95 Minutes

Rating: R

Release Date: September 6, 2024 (Theaters)

I thought I was ready for The Front Room. A pregnant Brandy vs. Kathryn Hunter as her ignorant, zealously religious stepmother-in-law: how could you go wrong with that premise?!

Alas, now that I’ve seen it, I feel compelled to issue a warning to anyone who is excited as I was. This could very well be construed as a spoiler, so stop reading if you must, but that won’t prevent me from fulfilling my civic duty.

Okay, here goes: a good chunk of this movie about incontinence. Like, a BIG chunk. And it’s not shy about it! It’s also a tonal mish-mash, which it actually handles pretty well. But I really don’t think it needed all those stinky bodily fluids.

Grade: 8 Hallucinations out of 17 Unholy Spirits

I’m Not Afraid to Say That I Have Some Thoughts About ‘AfrAId’

Leave a comment

To Be AfrAID, or to be very AfrAId? (CREDIT: Glen Wilson/Columbia Pictures)

Starring: John Cho, Katherine Waterston, Keith Carradine, Havana Rose Liu, Lukita Maxwell, David Dastmalchian, Ashley Romans, Wyatt Lindner, Isaac Bae, Bennett Curran, Greg Hill, Riki Lindhome, Todd Waring

Director: Chris Weitz

Running Time: 84 Minutes

Rating: PG-13

Release Date: August 30, 2024 (Theaters)

I ain’t afraid of no A.I. And AfrAId didn’t convince me that I should be! First of all, it’s just a movie, so we should really just relax. Second of all, it takes a much-less apocalyptic approach than it could have. Whereas horror movie monsters are typically defeated or merely just escaped from by their story’s end, in AfrAID, AIA the A.I. ultimately brokers a compromise with its human keepers. In that way, it offers a similarly uneasy (but possibly hopeful) solution as that of The Babadook. So yeah, that’s something different than what we usually get from this genre. If that sounds kind of enticing to you, then I would go ahead and encourage you to check out AfrAId!

Grade: A.I. Don’t Love You, But A.I. Do Tolerate You

Older Entries Newer Entries