It’s a Gay Old Time with the ‘Drive-Away Dolls’!

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What’s in the box?! (CREDIT: Wilson Webb/Working Title/Focus Features)

Starring: Margaret Qualley, Geraldine Viswanathan, Colman Domingo, Beanie Feldstein, Bill Camp, Joey Slotnick, C.J. Wilson, Pedro Pascal, Matt Damon, Miley Cyrus

Director: Ethan Coen

Running Time: 84 Minutes

Rating: R for Unabashed Sexuality and Sucker Punch-Style Violence

Release Date: February 23, 2024 (Theaters)

What’s It About?: It’s 1999, and good friends Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) decide to take an impromptu road trip from Philadelphia to Tallahassee, Florida. Jamie is slipping out of yet another messy relationship, while Marian is too buttoned-up to have ever made a move on anybody. They’re both gay, but they’ve never considered each other as serious prospects. But perhaps that could change over the course of the next few days, as vacationing and stress both tend to make people closer. And this is certainly going to be a stressful ride, as a couple of criminal goons (Joey Slotnick, C.J. Wilson) are hot on their tails when the car rental joint mistakenly loans them a vehicle with a very valuable piece of luggage in its trunk.

What Made an Impression?: Those Old Reliable Yuks: After making some of the most beloved movies of the past few decades, brotherly filmmaking duo Joel and Ethan Coen have taken a creative break from each other. If their first solo directorial efforts are any indication, then it was Joel who specialized in the dark and probing drama, and Ethan who drifted towards their unique brand of wacky yet droll comedy. With Drive-Away Dolls, Ethan has teamed up with his wife Tricia Cooke for screenwriting duties, and the result very much sits on a continuum of Raising Arizona, Fargo, and The Big Lebowski, with a series of Jenga-like misunderstandings leading to comically violent escalation.
Out and Loud: Speaking of continuums, Jamie and Marian are part of the Coen-esque tradition of protagonists who don’t quite realize what type of movie they’re in before it’s too late to do anything about it. That’s mainly because they’re too busy being their unapologetically gay selves. Marian is certainly a lot more reserved than Jamie, but that doesn’t mean she’s ashamed in any way about her sexual orientation. Interestingly enough, though, they never really encounter any homophobia. That’s partly because they spend most of their time in defiantly gay spaces, but also because the straight people they stumble across just couldn’t be bothered to be bigoted. (Will & Grace did premiere in 1998, after all, so maybe those folks have been watching it.)
Secrets But No Shame: I don’t want to give away the truth about the package, partly because it would be rude to be a spoiler, but also because I want my review to be as family-friendly as possible. Let’s just say then that it involves a politician and a very personal form of pleasure. And when you have public ambitions bumping up against private escapades like that, it often leads to over-the-top shenanigans. That’s certainly the case in Drive-Away Dolls, much to our demented delight.

Drive-Away Dolls is Recommended If You Like: The comedy half of the Coens

Grade: 3.5 out of 5 Makeout Sessions

Getting Caught Up in ‘Madame Web’

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The Four Madames (CREDIT: Sony Pictures)

Starring: Dakota Johnson, Sydney Sweeney, Isabel Merced, Celeste O’Connor, Tahar Rahim, Adam Scott, Kerry Bishé, Emma Roberts, Zosia Mamet, Mike Epps, José María Yazpik

Director: S.J. Clarkson

Running Time: 116 Minutes

Rating: PG-13

Release Date: February 14, 2024 (Theaters)

It’s finally here!

Madame Web… what an experience. I can barely believe what I just watched, but I’m so grateful I did.

I can see the future now, but only a thin slice of it, specifically the part in which Madame Web becomes a midnight movie classic.

Half of it is run-of-the-mill meh mediocre. But that other half… It’s like the people who made this movie were half-asleep during all of 2003 and tried to recreate that year through telepathy.

The Amazon is a trip, man. They don’t make realities like this anymore!

Grade: Mike Epps and Emma Roberts Are Weirdly Also in This

Super Bowl LVIII Commercial Roundup

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Great Job! (CREDIT: CeraVe Skincare)

I’ve been ranking or otherwise talking about Super Bowl commercials for years now. But the prospect of ranking them again just feels so daunting. Still, I wanted to share some thoughts, so here I am!

First off, did this year set a record for most celebrities appearing in Super Bowl commercials while simultaneously attending the Big Game (Beyoncé, Post Malone, Usher)? If you were to tell me that the previous record was zero, I’d believe it.

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Entertainment To-Do List: Week of 2/16/24

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A final Batch of new episodes is on the way (CREDIT: Disney+. © 2024 Lucasfilm Ltd. & ™. All Rights Reserved.)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Madame Web (Theaters)
Oscar Nominated Short Films (Theaters)

TV
Last Week Tonight with John Oliver Season 11 Premiere (February 18 on HBO)
Star Wars: The Bad Batch Season 3 Premiere (February 21 on Disney+) – Final Season Alert!

Music
-Chromeo, Adult Contemporary
-Granddaddy, Blu Wav – I’ve never heard of this band before, but they sound interesting.
-Paloma Faith, The Glorification of Sadness
-Jennifer Lopez, This Is Me… Now
-Usher, Coming Home

That’s Auntertaiment Mini-Episode: Aunt Beth Tells Jeff to Watch ‘My Favorite Year’

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Jeff watches My Favorite Year; will this be your favorite episode?

‘Bob Marley: One Love’ Attempts to Capture a Singular Superstar

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Get Up, Stand Up, Go See a Movie. (CREDIT: Paramount Pictures)

Starring: Kingsley Ben-Adir, Lashana Lynch, James Norton, Daniel Mellville Jr., Sevana, Hector Lewis, Tosin Cole

Director: Reinaldo Marcus Green

Running Time: 104 Minutes

Rating: PG-13 for Political Violence and Some Herbal Remedies

Release Date: February 14, 2024 (Theaters)

What’s It About?: It’s 1976, and Jamaican reggae musician Bob Marley (Kingsley Ben-Adir) is on the brink of unfathomably massive superstardom. Meanwhile, his native Jamaica is being torn asunder by violence between rival political factions. After an assassination attempt leaves him and his wife Rita (Lashana Lynch) seriously injured, he flees for his safety to England. Meanwhile, he’s also in the midst of a world tour and preparation for a new album that will become the most acclaimed of his career. On top of all that, he’s trying to pretty much unite all of humanity with spiritual enlightenment. Alas, a deadly disease is looming in the way of every single one of his plans.

What Made an Impression?: Savior of the World?: I don’t know if this was intentional on the part of director Reinaldo Marcus Green or his team of screenwriters, but Bob Marley: One Love struck me as a rather messianic story. The parallels with Marley’s life and Jesus Christ are striking: death in their 30s, attempts on their lives, the spread of a new religion, efforts to forgive their enemies. The connection isn’t perfect, as One Love certainly doesn’t portray Bob as immaculate, and his cause of death is cancer, rather than a state-sanctioned execution. But it is notable that the movie’s story begins just a few years before his death, with some flashbacks to his childhood. Rock stars often inspire religious fervor in their legions of fans, and I don’t know if that’s ever been more true than in the case of Bob Marley.
Ya Mon or Not Ya Mon?: I’m no expert on Jamaican patois, and One Love doesn’t make much of an effort to accommodate me or anyone else who lacks that fluency. Even Kingsley Ben-Adir has admitted that he didn’t understand everything the real Bob Marley was saying when he watched videos of him to prepare for the role. And there are scenes within the film when non-Jamaicans struggle to make sense of him. Captions might have helped in this regard, but only to a certain extent. Still, I always got the gist of what was happening, and I ultimately appreciated the decision to keep it authentic this way.
Getting the Story Out There: One Love wisely keeps its narrative focus on a compressed time period, but besides that, it doesn’t distinguish itself with a whole lot of personality among the rock star biopic heap. We don’t get to see much of Ben-Adir performing, and when Bob Marley’s songs do play, it’s usually just a non-diegetic jukebox approach. Then the story stops somewhat abruptly, and we get the typical end titles about what else happened. Quite frankly, some of the events that were left out sound a lot more dramatically compelling than what was left in. So while One Love doesn’t quite reach the loftiest of heights, it at least doesn’t detract from its subject’s legacy. And if it inspires some viewers to dig into his discography and embrace his message of unity, well then it will have brought some good into the world.

Bob Marley: One Love is Recommended If You Want: To Research Everything About Bob Marley That Wasn’t Included in the Movie

Grade: 2.5 out of 5 Dreadlocks

Entertainment To-Do List: Week of 2/9/24

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Final seasons have me like… (CREDIT: CBS/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Lisa Frankenstein (Theaters)
Perfect Days (Theaters)
The Taste of Things (Theaters)
Turning Red (Theatrical Re-Release)

TV
-Puppy Bowl XX (February 11 on Animal Planet)
Resident Alien Season 3 Premiere (February 14 on Syfy)
Ghosts Season 3 Premiere (February 15 on CBS)
Young Sheldon Season 7 Premiere (February 15 on CBS) – Final Season Alert!

Music
-Ducks Ltd., Harm’s Way – I’ve just heard of this band, but now I have to listen to them to find out how they quack.
-Dhani Harrison, Innerstanding
-Brittany Howard, What Now

Sports
-Super Bowl LVIII (February 11 on CBS and Nickelodeon) – Will the Nick version also have memorable commercials?

How to Become ‘Scrambled’ at the Movies

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How Scrambled are they?! (CREDIT: Lionsgate/Roadside Attractions)

Starring: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Cerón

Director: Leah McKendrick

Running Time: 97 Minutes

Rating: R

Release Date: February 2, 2024 (Theaters)

Scrambled is about a single 34-year-old woman named Nellie (Leah McKendrick, who also wrote and directed) who decides to freeze her eggs in case she doesn’t get pregnant the usual way anytime soon. So of course, I now have to ask: would I like to become scrambled myself?

Obviously, I can’t go on the same exact journey as Nellie, seeing as I don’t have a body that ovulates. But I certainly could one day undergo some medical procedure that requires me to poke needles into my body in preparation. That begs the question: could I actually stomach such a regimen? Perhaps my experience watching Scrambled could provide some hints.

It didn’t start off so great, as I kept holding my hands over my eyes whenever Nellie injected herself. But then I remembered that back in 2005, I had no trouble remaining focused during the infamous syringe pit scene in Saw II. So as Nellie made her final injection, I took Alejandro Amenábar’s advice and opened my eyes. And well, I’m still standing, and just a little bit scrambled.

Grade: Enough Eggs to Be Viable

Life Sure is Grave in the World of ‘Lisa Frankenstein’

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Frankly, my Lisa, I don’t give a Stein (CREDIT: Michele K. Short / © 2024 FOCUS FEATURES LLC)

Starring: Kathryn Newton, Cole Sprouse, Liza Soberano, Joe Chrest, Carla Gugino

Director: Zelda Williams

Running Time: 101 Minutes

Rating: PG-13 for Some Violence and Sexuality That Could Easily Have Been R-Rated If the Most Intense Parts Didn’t Happen Off Screen

Release Date: February 9, 2024 (Theaters)

What’s It About?: It’s not easy being Lisa Swallows in 1989. For one thing, her mother was recently killed during a home invasion, and she appears to be the only one who’s actually been traumatized by that tragedy. Meanwhile, there are the more quotidian, but no less dramatic, struggles of being a teenage girl. Her dad Dale (Joe Chrest) has remarried a high-strung nightmare named Janet (Carla Gugino), which has forced Lisa to finish her senior year at a new high school. And since she’s an extremely mousy wallflower, she’s either ignored, insulted, or taken advantage of by her classmates. Her stepsister Taffy (Liza Soberano) tries to look out for her, but there’s a vague sense of manipulation beneath the bonhomie. So Lisa spends much of her time at the local grave of a young man (Cole Sprouse) who died a bachelor long ago. And wouldn’t you know it, the power to reanimate the dead is in the air.

What Made an Impression?: Silence and Isolation: One of the most striking things about Lisa Frankenstein is its rather quiet sound mix, to the point that I wondered if there were any technical snafus while I was watching. But things are usually on the up-and-up at the screening room where I caught it, so I’m left to believe that this was in fact a creative choice. It’s at least thematically resonant, as Lisa never quite behaves the way that you would expect someone in her situation to. She’s lost in a suburban nowheresville in which nobody knows quite how to communicate with her, save for the resurrected creature hiding out in her closet. As for Sprouse’s turn as the monster, he’s clearly studied the likes of Boris Karloff and Peter Boyle, as he adapts their grunts and staggering gaits into an improbable heartthrob.
What Stays Buried: When I saw the trailer and read the premise for Lisa Frankenstein, I assumed it was going to be an adorably huggable gothic romance spin on Mary Shelley’s classic tale. But as it turns out, the Creature and Lisa have much more of an appetite for violence than I was expecting. Some whimsy tries to make itself felt, but it proves to be an odd match for Diablo Cody’s decidedly dark screenplay. This movie isn’t for the faint of heart, though I can imagine it being embraced by the latest generation of goths. Director Zelda Williams’ touch feels a little less than sure-handed in her feature debut, but the end result is unique enough that I don’t want to dismiss it entirely. There’s a reason why dark hearts like Lisa’s keep beating on the big screen, and while I’m not sure what her story means, I won’t be surprised if it’s embraced by a group of outcasts who locate some real resonance.

Lisa Frankenstein is Recommended If You Like: Edward Scissorhands and Heathers, especially the parts where people die

Grade: 3 out of 5 Graves

Jeff’s Wacky SNL Review: Ayo Edebiri/Jennifer Lopez

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Oh. (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Hello! This is my review of the Ayo Edibiri/Jennifer Lopez episode of Saturday Night Live. And, well, you’ve probably already guessed by now what I’m going to do: because the guest lineup was Ayo and J. Lo, I’m going to review each sketch with one word that ends in “o” (or an “oh” sound)!

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