Best Movie Scenes of 2016

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The Oscars were not that long ago, so I guess I better run down the best scenes of 2016.

A lot of great food scenes: dinners in Elle and 20th Century Women, plus the frobscottle feast in The BFG. Also, The Neon Demon stopped by a bar, but I don’t think they ate much.

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This Is a Movie Review: Arrival

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This post was originally published on News Cult in November 2016.

Starring: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg

Director: Denis Villeneuve

Running Time: 116 Minutes

Rating: Rated PG-13 for Visceral Disorientation

Release Date: November 11, 2016

Arrival takes the novel approach of making translation the focus of an alien invasion movie. Amy Adams plays Dr. Louise Banks, a renowned linguist hired to attempt to communicate with extraterrestrials to understand the purpose of their visit to Earth. This may sound like a formula profoundly devoid of excitement, but if you believe that, then you are vastly underestimating humanity’s potential for paranoia, as well as director Denis Villeneuve’s (PrisonersSicario) proven knack for drawing out intrigue by just lingering on the vastness of his settings. Also, if you can get over the lack of typical sci-fi action, Dr. Banks’ sessions with the two main “heptapod” aliens (dubbed “Abbot and Costello”) are a lot of fun, in a Sesame Street-edutainment sort of way.

Ultimately, Arrival justifies its existence by demonstrating that the question of how to talk to the aliens should pretty much always be one of the most pressing concerns in this genre. More fantastically inclined entries may get away with universal translation devices, but the road to such an invention, as presented here, is a thrilling triumph of human ingenuity and transcendent gumption.

Cracking the code of whether or not the aliens are friend, foe, or something else entirely requires an entirely new way of thinking. Understanding context is always important when it comes to communication, but this is a film about when context does not exist, which is existentially terrifying. In the fight to create context, what emerges is a holistic approach that is simultaneously not at all about cracking any code and entirely about cracking a code that both exists and does not exist. To truly understand Arrival, you must accept that it can never be understood. This is filmmaking at the crossroads of theoretical physics, hope, and the sublime.

Arrival is Recommended If You LikePrimerClose Encounters of the Third Kind, the quieter moments of 2001

Grade: 4.5 Out of 5 Droopy Forest Whitaker Eyelids