How Does Honey Do in ‘Honey Don’t!’? Let’s Find Out!

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I’ve heard that local Honey can help with allergies (CREDIT: Karen Kuehn / © 2025 FOCUS FEATURES LLC)

Starring: Margaret Qualley, Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Talia Ryder, Gabby Beans, Jacnier, Josh Pafcheck, Billy Eichner, Lera Abova

Director: Ethan Coen

Running Time: 89 Minutes

Rating: R for A Few Hardcore Dalliances and Some Ridiculous Fatal Encounters

Release Date: August 22, 2025 (Theaters)

What’s It About?: Another wacky cast of characters has made its way to the big screen in an off-the-wall crime caper from Ethan Coen and Tricia Cooke! It all goes down in dusty Bakersfield, California and revolves around the mostly no-nonsense private investigator Honey O’Donahue (Margaret Qualley). A trail of death starts to form with the discovery of a woman who’s driven off a cliff. Soon thereafter, Honey is dealing with a desperate guy who fears he’s being cheated on (Billy Eichner), as well as her wayward niece (Talia Ryder) and MG Falcone (Aubrey Plaza), the police officer she’s taken a shine to. Their stories all get mixed up with that of Reverend Drew Devlin (Chris Evans), whose flashy church is really just a front for (very messy) organized crime. Also, there’s a mysterious French woman walking around. If anyone can figure out what all these people are up to before it all blows up, it’s probably Honey.

What Made an Impression?: We Gotta Get Out to Get In: Man, I love a good opening credits sequence. And Honey Don’t! has a doozy of an introduction. From the POV of a car driving through Bakersfield, the names of the cast and crew appear on storefronts, graffiti, and other signage, while “We Gotta Get Out of This Place” by The Animals rocks the place. Or at least I thought it was The Animals, until the end credits informed me it was actually a cover version. (But I’m not going to reveal who it actually was. Sure, it’s not like who sings a song is much of a spoiler, but you might enjoy being surprised the way that I was.)
Day for Q: There’s one really important character I didn’t mention in the synopsis, so I better go ahead and mention him now: Detective Marty Metakawich, played by the adorably agitated Charlie Day. He and Honey have quite the crackling repartee, but don’t expect them to end up together by the end! Marty is pretty easily Honey’s favorite man that she’s ever met, but here’s the thing: she’s just not into dudes. For whatever reason, though, Marty just can’t get rid of the mental block that won’t allow him to process her lesbianism. It’s bizarrely kind of sweet, or at least as sweet as something annoying like that can be.
Tough, But Rough: Thank God Margaret Qualley is so goshdarn likable. Most of this cast is pretty compelling, but she’s the one who’s really been solidifying her superstar status lately. Anyway, it really helps to have such an attention-grabbing lead performance when the screenplay feels so random. If you’re feeling particularly ungenerous Ethan Coen (and his brother/former collaborator Joel) could be dismissed as purveyors of unjustifiable kookiness. But at their best, they have a knack for making a circus feel like Shakespeare (or whatever literary inspiration they’re drawing from). Honey Don’t doesn’t quite harmonize in the same way, though. Or maybe we as a moviegoing society just haven’t gotten used to Ethan’s sensibilities while teaming up his wife Tricia Cooke as co-screenwriters. Although I did find their last effort, Drive-Away Dolls, pretty fun. So maybe in a few years I’ll start saying “Honey, I’ll give you another shot.” In the meantime, we’re at “Honey If You Must.”

Honey Don’t! is Recommended If You Like: Movies Where Two Ladies Get Really Handsy with Each Other in a Bar (If You Know What I Mean), Regardless of What Else Happens

Grade: 2.5 out of 5 Macaronis

‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’

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Bros in the Wild (CREDIT: Nicole Rivelli/Universal Pictures)

Starring: Billy Eichner, Luke Macfarlane, Guy Branum, Ts Madison, Jim Rash, Eve Lindley, Miss Lawrence, Dot-Marie Jones, Monica Raymund, Guillermo Díaz

Director: Nicholas Stoller

Running Time: 115 Minutes

Rating: R

Release Date: September 30, 2022 (Theaters)

The air conditioning wasn’t working properly in the theater when I went to see Bros, so I had to fan myself with the menu a fair bit. I was able to get through mostly unscathed, but there were definitely some sweat spots. Nevertheless, the movie still resonated in my slightly agitated state.

I believe Billy Eichner has talked about how he would like Bros to be relatable to audiences beyond the queer community. And he certainly doesn’t have to convince me, because ever since I stumbled upon his comedy a little over a decade ago, I’ve recognized him as a kindred spirit. And that connection is now only deeper thanks to Bros, particularly one scene when Billy’s character Bobby explains why he’s so outwardly confident despite the world constantly telling him that he’s not quite the right person to do what he wants to do. I’m no stranger to inner certainty being met with a skeptical “Are you sure?” Billy’s remedy for this feeling was to write and star in an aggressively self-aware rom-com, and that looks like a healthy decision to me.

Grade: LBGQTIAmen

Original Streaming Movie Catch-Up Christmas in April Edition: ‘Noelle’

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CREDIT: Disney/YouTube Screenshot

I very, very, very, very, very much enjoyed watching Noelle. I watched it for the first time in April of 2020, MONTHS after the most recent Christmas. Maybe part of my enjoyment had to do with the fact that it wasn’t the holiday season, and I didn’t feel enormous pressure to be as festive as possible. My enjoyment also certainly had to do with the charming Anna Kendrick being charming in the lead title role. If you don’t find her charming, then I don’t know what to tell ya. You know what else I enjoyed? The future prospect of making Noelle a Christmas tradition. I love traditions! Especially ones that make me happy.

Okay, now that I’ve gotten all that positivity out there, I want to mention the one big, BIG thing about this movie that made me go, “Da fuhhh?” Every character … in this movie … wants … for Christmas … an iPad! Even the ones who are pointedly not materialistic and primarily want something like more time with Dad or a new job for unemployed Mom, also make sure to request of Noelle, daughter of Santa, “nd an iPad.” It is no great stretch to say that an appropriate alternate title would be Everybody Loves iPad. Did Apple underwrite part of this production? That doesn’t sound very Disney of a Disney+ original movie. Corporate synergy – what are ya gonna do!

I give Noelle 5 Merry Christmases and an iPad in a Pad Tree.

Movie Review: Go to the New-ish ‘Lion King’ for the Technical Marvels If You Must, But Stay for the Goofy Sidekicks

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CREDIT: Disney Enterprises

Starring: Donald Glover, JD McCrary, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, James Earl Jones, John Kani, John Oliver, Beyoncé, Shahadi Wright Joseph, Florence Kasumba, Eric Andre, Keegan-Michael Key

Director: Jon Favreau

Running Time: 118 Minutes

Rating: PG for Leonine Fratricide

Release Date: July 19, 2019

I’ve expressed before that Disney’s recent spate of remakes of its animated catalog is not an inherently bad idea. Plenty of stories have been told and then subsequently retold in fresh ways. For a classic example, William Shakespeare’s plays have remained relevant as many different versions have had their say over hundreds of years. But the major difference, and this is especially clear in the case of The Lion King, is the source document. A feature film that has been recorded on and uploaded onto a variety of durable formats sets a more indelible imprint than an initial theatrical performance that was presented before such recording technology existed. If you want to revisit the journey of Simba’s ascendance to the throne, you can always pop in the DVD or find the right streaming channel. Thus, a fresh feature length retelling demands that there be something new on offer.

The Jon Favreau-directed photoreal Lion King remake does in fact offer something new, at least (or if only) on a technical level. Every speck of dirt and strand of fur is rendered in painstaking fashion. But to what end? I’m reminded of Steven Soderbergh’s mashup of Hitchcock’s original Psycho and Gus van Sant’s remake, which is the sort of thing that you do just because you feel like it. And so, as far as I can tell, the team at Disney recreated the “Circle of Life” opening sequence with an updated animation style just because they felt like it. I have a bit of a Pavlovian reaction to that wonder of a kickoff, but this time it was just a secondhand Pavlov to a secondhand routine.

On a positive note, I will admit that I found this viewing experience valuable for making me feel more amenable to the adult perspective of believing that Simba just needs to get around to taking care of his responsibility. But I don’t know if that is a unique feature of this version or just a function of me happening to see this particular version instead of the original on this particular day.

In conclusion, while I have mostly focused on the disappointments, I do ultimately recommend nü-Lion King thanks to the Timon and Pumbaa of it all. As Simba’s meerkat and warthog companions, Billy Eichner and Seth Rogen are given more free rein than anyone else in the cast to find the characterization that suits them. Their performances avoid any inadvisable postmodern Shrek-style smart-aleckry, while also suggesting that they are at least self-aware of the all-franchise-fare-all-the-time pop culture landscape they are operating within. If you’re going to go back to the well, you can’t be too precious about what came before, and thankfully, enough of Timon and Pumbaa’s non-preciousness is on display here for us to get by.

The Lion King is Recommended If You Like: The wonders of animation technology, Perfectly suited yin/yang comedy duos

Grade: 3 out of 5 Circles of Life