Movie Review: Go to the New-ish ‘Lion King’ for the Technical Marvels If You Must, But Stay for the Goofy Sidekicks

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CREDIT: Disney Enterprises

Starring: Donald Glover, JD McCrary, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, James Earl Jones, John Kani, John Oliver, Beyoncé, Shahadi Wright Joseph, Florence Kasumba, Eric Andre, Keegan-Michael Key

Director: Jon Favreau

Running Time: 118 Minutes

Rating: PG for Leonine Fratricide

Release Date: July 19, 2019

I’ve expressed before that Disney’s recent spate of remakes of its animated catalog is not an inherently bad idea. Plenty of stories have been told and then subsequently retold in fresh ways. For a classic example, William Shakespeare’s plays have remained relevant as many different versions have had their say over hundreds of years. But the major difference, and this is especially clear in the case of The Lion King, is the source document. A feature film that has been recorded on and uploaded onto a variety of durable formats sets a more indelible imprint than an initial theatrical performance that was presented before such recording technology existed. If you want to revisit the journey of Simba’s ascendance to the throne, you can always pop in the DVD or find the right streaming channel. Thus, a fresh feature length retelling demands that there be something new on offer.

The Jon Favreau-directed photoreal Lion King remake does in fact offer something new, at least (or if only) on a technical level. Every speck of dirt and strand of fur is rendered in painstaking fashion. But to what end? I’m reminded of Steven Soderbergh’s mashup of Hitchcock’s original Psycho and Gus van Sant’s remake, which is the sort of thing that you do just because you feel like it. And so, as far as I can tell, the team at Disney recreated the “Circle of Life” opening sequence with an updated animation style just because they felt like it. I have a bit of a Pavlovian reaction to that wonder of a kickoff, but this time it was just a secondhand Pavlov to a secondhand routine.

On a positive note, I will admit that I found this viewing experience valuable for making me feel more amenable to the adult perspective of believing that Simba just needs to get around to taking care of his responsibility. But I don’t know if that is a unique feature of this version or just a function of me happening to see this particular version instead of the original on this particular day.

In conclusion, while I have mostly focused on the disappointments, I do ultimately recommend nü-Lion King thanks to the Timon and Pumbaa of it all. As Simba’s meerkat and warthog companions, Billy Eichner and Seth Rogen are given more free rein than anyone else in the cast to find the characterization that suits them. Their performances avoid any inadvisable postmodern Shrek-style smart-aleckry, while also suggesting that they are at least self-aware of the all-franchise-fare-all-the-time pop culture landscape they are operating within. If you’re going to go back to the well, you can’t be too precious about what came before, and thankfully, enough of Timon and Pumbaa’s non-preciousness is on display here for us to get by.

The Lion King is Recommended If You Like: The wonders of animation technology, Perfectly suited yin/yang comedy duos

Grade: 3 out of 5 Circles of Life

Watch And/Or Listen to This: Eric Andre at the RNC

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“Black lives bladder.”

The Eric Andre Show returns August 5!

2015 Emmy Nominations Predictions and Wishlist

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For my detailed thoughts on my predictions and wishlists in the major Drama, Comedy, and Variety categories, check out these links:
Comedy
Drama
Variety

Guest Actor, Comedy
John Hawkes, Inside Amy Schumer
Michael Rapaport, Louie
Chris Gethard, Parks and Recreation
Dwayne Johnson, Saturday Night Live

Guest Actress, Comedy
Susie Essman, Broad City

Guest Actor, Drama
Mel Rodriguez, Better Call Saul

Guest Actress, Drama
Allison Janney, Masters of Sex
Linda Lavin, The Good Wife

Directing, Comedy
Rob Schrab, “Modern Espionage,” Community

Directing, Drama
Adam Arkin, “The Promise,” Justified

Writing, Comedy
Dan Harmon and Chris McKenna, “Emotional Consequences of Broadcast Television,” Community

Writng, Drama
Thomas Schnauz, “Pimento,” Better Call Saul

Animated Program
Bojack Horseman – “Downer Ending”
American Dad! – “Dreaming of a White Porsche Christmas”
The Simpsons – “Treehouse of Horror XXV”

Commercial
Android – “Friends Furever”

Host – Reality/Reality Competition
RuPaul, “RuPaul’s Drag Race”

Interactive Program
Last Week Tonight with John Oliver

Main Title Design
Man Seeking Woman

Single-Camera Picture Editing, Comedy
Bojack Horseman – “Downer Ending”

Short-Format Live-Action Entertainment Program
Too Many Cooks
Billy On The Street With First Lady Michelle Obama, Big Bird And Elena!!!

Stunt Coordination for a Comedy Series or a Variety Program
Community

Special Visual Effects in a Supporting Role
Man Seeking Woman – “Traib”