Do You Want to See Peter Dinklage Sing About Vicarious Love? Then Maybe Check Out the Latest Version of ‘Cyrano’

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Cyrano (CREDIT: Peter Mountain/Metro-Goldwyn-Mayer Pictures)

Starring: Peter Dinklage, Haley Bennett, Kelvin Harrison Jr., Ben Mendelsohn, Bashir Salahuddin

Director: Joe Wright

Running Time: 124 Minutes

Rating: PG-13 for Some War Violence and Mild Suggestiveness

Release Date: January 28, 2022 (Limited Theaters)/February 11, 2022 (Wide Expansion)

If you’re a fan of classic romances, you’re probably familiar with the story of Cyrano de Bergerac. He’s in love with a woman named Roxanne, but because of his insecurity related to his distractingly large and pointy nose, he struggles to admit his true feelings. Meanwhile, Roxanne falls in love with another man named Christian, and that infatuation is profoundly deepened by Christian wooing her with the words provided to him by Cyrano, who knows Roxanne better than anyone. But in this version, it’s what Cyrano lacks on his body that’s causing the problem, as he’s portrayed by Peter Dinklage, and he fundamentally doesn’t believe that Roxanne (here played by Haley Bennett) could ever truly love someone who’s only four and a half feet tall.

Also unique about this version of Cyrano is that it’s – wait for it – a musical. Much of the vocal duties fall to the title lover, and Dinklage is certainly up for the assignment. He has a rich, soulful baritone that’s perfect for the constant (but incomplete) soul-searching that Cyrano is always up to. You can count on him for talking to himself, which can be good, but not so much when it prevents him from fully and honestly talking to other people.

Dinklage’s singing reminds me of Russell Crowe’s in Les Misérables, and I mean that’s a compliment. Crowe was my favorite singer in that movie! It would be distracting if Dinklage’s Cyrano were more inclined to difficult vocal acrobatics; instead, he’s singing because he just can’t help it, just as he can’t help but miss out on the fullness of himself. As for the rest of the main cast’s crooning abilities, Bennett and Kelvin Harris Jr. as Christian also both acquit themselves admirably.

Overall, if you’re looking for a love story that lives on the knife’s edge of tragedy and consummation, then Cyrano ought to do the trick. Everyone is passionate and ready to go, and if you don’t recognize at least some of their emotions in yourself, I’m not sure you have a fully functioning heart.

Cyrano is Recommended If You Like: Flowy dresses, Stubble, Singing by yourself while standing outside a wall

Grade: 3.5 out of 5 Letters

This Is a Movie Review: Seeking Justice for a Cold Rape/Murder Case, ‘Three Billboards Outside Ebbing, Missouri’ is the Timeliest Dark Comedy of 2017

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CREDIT: Merrick Morton/Twentieth Century Fox

This review was originally posted on News Cult in November 2017.

Starring: Frances McDormand, Woody Harrelson, Sam Rockwell, Lucas Hedges, John Hawkes, Caleb Landry Jones, Peter Dinklage, Abbie Cornish, Željko Ivanek, Kathryn Newton

Director: Martin McDonagh

Running Time: 115 Minutes

Rating: R for Constant Cussing, Police Abuse, and Arson

Release Date: November 10, 2017 (Limited)

The release of Three Billboards Outside Ebbing, Missouri could not be any more timely. We are currently living in a moment unprecedented in terms of the rate at which prominent sexual harassers and abusers are being exposed. By putting up the titular billboard triptych calling out local law enforcement for its inability to solve the case of her daughter’s rape and murder, Mildred Hayes (Frances McDormand) is instantly a symbol of this age. Unsurprisingly, she butts up against a fair deal of racism within the Ebbing police department. But that discrimination isn’t coming from Sheriff Bill Willoughby (Woody Harrelson), who, though he may be a bit hard-edged, is absolutely well-meaning; he so wishes he had physical evidence in the Hayes case. And the racist officer in question might actually have some good detective in him and maybe even some decent humanity.

Based on his track record, writer/director Martin McDonagh is not an obvious choice to stick the sensitive landing that Three Billboards pulls off. With In Bruges and Seven Psychopaths, he demonstrated his knack for understanding the foibles of humanity, especially when it comes to souls existentially cast adrift by the whims of fate. Such an approach would not be impossible for a film about an unsolved rape case, but it would be depressing. While McDonagh can be cutting, he is so for the laughs. It is not his bag to make his audience endlessly despair. Thus, while Three Billboards does feature plenty of his signature jabs, he ultimately re-calibrates his typical tone enough to make this effort truly uplifting.

The most astute trick that McDonagh pulls off involves the constant acknowledgement that individuals contain multitudes and are not easy to pin down, even in a story driven by something so obviously wrong as rape. Mildred’s crusade is righteous, but plenty of townspeople wish she would just go away. While much of that has to do with a tendency to defend the status quo, it is also due to her own prickly personality. But to be fair to her (and the movie certainly is), not many people have figured out how to insist upon justice while remaining kind. Willoughby receives the brunt of Mildred’s ire, and while he can be too heated for his own good, he knows what’s right. And because this movie is so generous to its characters, he has his own terminal cancer-fueled narrative. Also coming in hot is Mildred’s relationship with her ex-husband (John Hawkes), which turns especially nasty when it comes to his new much younger girlfriend (Samara Weaving). But it turns out that he is with her less because she is a pretty young thing and more because she has instilled in him a Zen calm, noting that anger only begets more anger.
The evolution of Officer Jason Dixon illustrates that proposition best of all. On the page, his transformation might read as too transformational to be believed, even with a writer as skilled as McDonagh. But thanks to the chops of Sam Rockwell, his redemptive arc reads as perfectly natural. When we meet him, Dixon is frequently drunk, openly racist, and constantly abusing his power. But when relieved of his badge, he finds room to make amends, ultimately teaming up with Mildred to fulfill his duty as a decent person. In a world where evil acts continue to be perpetrated, it is nice to know that humanity can persist.

Three Billboards Outside Ebbing, Missouri is Recommended If You Like: Fargo, M*A*S*H, Groundhog Day

Grade: 4.5 out of 5 Fat Dentists

“Space Pants” Lyrics

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For your reference purposes.

Begin transmission.
(That’s one small step for man, one giant leap for-)
My pants!

Boys and girls!
I think you’ll find
That my pants
Will blow your mind.

Look at my pants
With the eyes in your face.
My legs are covered
In outer space.

Space pants!
Space pants!
I
Am wearing
Space pants.

Space pants!
Space pants!
My pants are
Space pants.

Do you see my pants?
No wait! You missed them.
My pants are a tour
Of the solar system.

When I say “space,” you say: “pants.”
Space! (What?)
When I say “space pants,” you say:
“are intergalactic space pants.”
Space pants! (Are intergalactic space pants.)

Yes! Yes! Yes! Yes! Yes! Yes! Yes! Yes!

Hey! You there in front!
Stop talking
During my song.
It’s very rude.

Now joining me on stage
for my grand finale
Is my extremely close friend
Gwen Stefani.

Ladies and gentlemen,
I’m happy to report
My friend Gwen Stefani
Is wearing space shorts.

People on Earth.
Hear what I say.
My shorts are from a galaxy
Far, far away.

Asteroids, comets,
Meteors.
My shorts boldly go
Where no shorts have gone before.

Space shorts!
Space pants.
Space pants!
Space shorts.

Space pants!
Space pants.
Space pants!
Space pants!

SNL Recap April 2, 2016: Peter Dinklage/Gwen Stefani

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SNL: Gwen Stefani, Peter Dinklage, Kate McKinnon (CREDIT: YouTube Screenshot)

This review was originally posted on Starpulse in April 2016.

When Peter Dinklage is in a comedy setting, the two most obvious sources of humor are “Game of Thrones” parodies and cracks about his height. There are already plenty of examples of the former, and there is always the risk of being hacky or insulting with the latter. So in his “SNL” debut, the Westeros jokes are rare and have a whiff of exhaustion, while his size is basically only utilized for one visual gag. As for the rest of the episode, he is uniformly competent, but – with a few exceptions – he deserves more memorable roles.

CNN At This Hour – A modern habit of “SNL’s” political material is the variety of its news show parodies. Where 90’s “SNL” featured plenty of “Nightline” sketches, and “Hardball” dominated the early 2000’s, the 2010’s seem intent on taking on every CNN, MSNBC, and FOX News program. It is hard to understand why. “At This Hour” has hardly broken into the zeitgeist, nor is there anything about it that makes it especially fit to elucidate Donald Trump’s foibles. As for this sketch’s actual hook, it points out Trump’s misogyny and tendency to attract violence, but it does not do anything surprising with those qualities. C

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2015 Emmy Nominations Predictions and Wishlist

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For my detailed thoughts on my predictions and wishlists in the major Drama, Comedy, and Variety categories, check out these links:
Comedy
Drama
Variety

Guest Actor, Comedy
John Hawkes, Inside Amy Schumer
Michael Rapaport, Louie
Chris Gethard, Parks and Recreation
Dwayne Johnson, Saturday Night Live

Guest Actress, Comedy
Susie Essman, Broad City

Guest Actor, Drama
Mel Rodriguez, Better Call Saul

Guest Actress, Drama
Allison Janney, Masters of Sex
Linda Lavin, The Good Wife

Directing, Comedy
Rob Schrab, “Modern Espionage,” Community

Directing, Drama
Adam Arkin, “The Promise,” Justified

Writing, Comedy
Dan Harmon and Chris McKenna, “Emotional Consequences of Broadcast Television,” Community

Writng, Drama
Thomas Schnauz, “Pimento,” Better Call Saul

Animated Program
Bojack Horseman – “Downer Ending”
American Dad! – “Dreaming of a White Porsche Christmas”
The Simpsons – “Treehouse of Horror XXV”

Commercial
Android – “Friends Furever”

Host – Reality/Reality Competition
RuPaul, “RuPaul’s Drag Race”

Interactive Program
Last Week Tonight with John Oliver

Main Title Design
Man Seeking Woman

Single-Camera Picture Editing, Comedy
Bojack Horseman – “Downer Ending”

Short-Format Live-Action Entertainment Program
Too Many Cooks
Billy On The Street With First Lady Michelle Obama, Big Bird And Elena!!!

Stunt Coordination for a Comedy Series or a Variety Program
Community

Special Visual Effects in a Supporting Role
Man Seeking Woman – “Traib”