Boots Riley Stays On Brand While Trying Pretty Much Everything with ‘I Love Boosters’

May 18, 2026

jmunney Cinema, Movie Reviews , , , , , , , , , , , , , 1 Comment

Give these ladies a Boost! (CREDIT: NEON)

Starring: Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Demi Moore, Don Cheadle, Jason Ritter, Kara Young, Jermaine Fowler

Director: Boots Riley

Running Time: 113 Minutes

Rating: R for Creative Nudity and Language

Release Date: May 22, 2026 (Theaters)

What’s It About?: Corvette (Keke Palmer), Sade (Naomi Ackie), and Mariah (Taylour Paige) are making ends meet in the San Francisco area by shoplifting (aka “boosting”) clothes and reselling them at a discount. But they’re aspiring to quite a bit more than that. Trouble is, though, it’s pretty much impossible to get ahead in fashion when an influential billionaire like Christie Smith (Demi Moore) steals your designs. So the boosters have revenge on their mind, and their tenacity leads them to uncover a patronizing conspiracy and some reality-altering technology. Meanwhile, Corvette might have some romance brewing with a mysterious individual played by LaKeith Stanfield, but that could be much more bizarrely troublesome than it’s worth.

What Made an Impression?: It’s a Surprise: I don’t want to spoil I Love Boosters, but even if I told you everything that happens in precisely minute detail, you still wouldn’t know anything. You must actually witness it to believe it. That’s how Boots Riley lures us in: grounding us in what initially appears to be a fairly accurate recreation of the real world, only to overturn it all with a reveal that makes you cry out, “How did I get here?!” After all, his unapologetic message of expansive workers’ rights goes down easier that way.
There’s a Lot Going On: If my previous paragraph makes it sound like Riley is employing a similar strategy as he did in his directorial debut Sorry to Bother You, that’s because he certainly is. But the key difference is that whereas StBY hinged on one major twist, I Love Boosters offers up a handful of them. The chaotically overwhelming approach of the latter is not quite as successful as the easier-to-map former. But even though the whole of ILB is tricky to handle, pretty much every individual piece sparkles, and I’m glad that it didn’t hold back any of its big swings, despite the messiness.
I’m Warped: If this all sounds way too dizzying, well, rest assured that I actually found I Love Boosters to be kind of gentle. Although maybe that’s just because I enjoy watching reality get bent more than the average comrade. I wouldn’t recommend this freakishly fascinating flick to everybody, but I would absolutely approve of its consumption for anyone with an amicably deranged sensibility. If that doesn’t describe you, it might still be worth the risk, though. After all, it’s splattered with a whole lot more primary colors than eat-the-rich fairy tales typically are.

I Love Boosters is Recommended If You Like: They Live, Skittles, Dialectics

Grade: 4 out of 5 Runways

Getting ‘Toxic’ While ‘Conjuring’ Things Up and Then Having Some Thoughts

September 9, 2025

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Imagine if Toxie met Annabelle, though (CREDIT: Troma Entertainment/Screenshot; Warner Bros./Screenshot)

The Toxic Avenger Unrated

Starring: Peter Dinklage, Jacob Tremblay, Taylour Paige, Kevin Bacon, Elijah Wood, Sarah Niles, Julia Davis

Director: Macon Blair

Running Time: 103 Minutes

Rating: Unrated

Release Date: August 29, 2025 (Theaters)

The Conjuring: Last Rites

Starring: Patrick Wilson, Vera Farmiga, Mia Tomlinson, Ben Hardy, Steve Coulter, Rebecca Calder, Elliot Cowan, Kíla Lord Cassidy, Beau Gadsdon, Molly Cartwright, Tilly Walker, Peter Wright, Kate Fahy

Director: Michael Chaves

Running Time: 135 Minutes

Rating: R

Release Date: September 5, 2025 (Theaters)

I’ve been thinking a lot about legacies lately. Or at least I’ve been thinking a moderate amount about the legacies of the Conjuring and Toxic Avenger franchises, seeing as I recently saw their most recent entries.

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‘Zola’ Has Me Feeling All ‘Abandon Hope, All Ye Who Enter Here’

June 28, 2021

jmunney Cinema, Movie Reviews , , , , , , , 1 Comment

Zola (CREDIT: A24)

Starring: Taylour Paige, Riley Keough, Colman Domingo, Nicholas Braun, Ari’el Stachel, Jason Mitchell

Director: Janicza Bravo

Running Time: 90 Minutes

Rating: R for The Full Array of Language, Nudity, and Violence

Release Date: June 30, 2021 (Theaters)

There’s a lot of balls to Zola, both in the sense of chutzpah and exposed private parts. Check your pulse at the door, this one is not for the faint of heart. It has the verve and vibe of a no-holds-barred good time, but it’s all in the name of pandemonium. The ostensible attraction of this story for moviegoers is that while it’s terrifying for the people it happened to, it’s exhilarating to witness from the comfort and safety of your local multiplex or couch. But by the end, the only thought I was left with was, “I’m glad that didn’t happen to me.” And I suspect that’s exactly the sort of trick that director/co-writer Janicza Bravo was attempting to pull off.

This is definitely a story of something happening to someone, as opposed to that someone taking charge. Aziah “Zola” King (Taylour Paige) would probably like to think of herself as a person who’s in control of her own life, at least as much as anyone can be while getting by in a capitalist society. But when ripped outside your comfort zone, you might suddenly find yourself at the mercy of powerful forces.

Based on a viral tweet thread by the real Zola and a Rolling Stone article inspired by that thread, the movie tracks the quick rise and fall of her friendship with the alluring Stefani (Riley Keough). One day, Zola is Stefani’s waitress; the next, they’re best buds driving hundreds of miles to make it rain at some Florida strip clubs. But what Zola hadn’t bargained for is the annoying presence of Stefani’s hangdog boyfriend Derrek (Nicholas Braun). And what she REALLY hadn’t bargained for was Stefani’s pimp X (Colman Domingo) advertising her adult services without her consent.

Zola presents Stefani as a perpetrator of instant betrayal and someone she never should have trusted with in the first place. One of the most telling moments happens when the movie suddenly switches perspectives, with Stefani offering a much shorter, cleaner, and more unbelievable version of the entire journey. That section might seem to be the closing argument of Stefani as a dangerous siren, but it’s also further evidence to me about how much she is being manipulated by X or anyone else in a position to destroy her whole life. There’s no way out for Stefani, and no indication that she’s even considered the possibility of how to escape. For Zola and the rest of us, it’s a relief that this was just a temporary scrape with the underworld.

Zola is Recommended If You Like: Watching a great time turn into an awful time

Grade: 3.5 out of 5 Backpage Ads