‘Unhinged’ Doesn’t Let Its Foot Off the Senselessness Pedal

Leave a comment

Unhinged (PHOTO CREDIT: Skip Bolden)

Starring: Russell Crowe, Caren Pistorius, Gabriel Bateman, Jimmi Simpson, Austin P. McKenzie

Director: Derrick Borte

Running Time: 93 Minutes

Rating: R for A Massive Overreaction

Release Date: August 21, 2020

Unhinged is basically the Book of Job but like if Satan’s preferred form of torture were the most outrageous case of road rage ever. Although I must admit that this comparison isn’t perfect, as harried single mom Rachel Hunter (Caren Pistorious) is far from as perfectly righteous as Job was. But the inciting incident that she perpetrates hardly calls for the hell that she endures. While trying to get her son Kyle (Gabriel Bateman) to school on time, she slams on her car horn at the truck stuck in front of her at a green light. The fact that she didn’t instead offer a quick courtesy honk is all the justification that Tom Cooper (Russell Crowe), the driver of that truck, needs to go on a violent spree of making bad things happen to good people.

My biblical reference may sound like a rather high-minded interpretation for such a pulpy film, but I don’t know how else to process this senselessness. Tom says that he’s “been kind of having a hard time lately,” but we never really learn what that is all about. The implication is that he’s finally snapped after being mistreated himself for too long and that he’s now going to take out his anger on whoever’s in his way. But since we learn essentially nothing about his backstory, he registers more as an anonymous agent of evil than an actual person. In that way, Unhinged is like a high-speed, wide-open version of The Strangers, as society is invaded by meaningless destruction disguised as some guy wearing the mask of road rage.

The opening credits feature a montage of traffic accidents, thereby suggesting that Tom’s revenge is the ultimate consequence of a selfish American driving culture. But Tom is too undefined to actually feel like a product of that backstory. He strikes me as more of a piece with the motiveless killers that were in vogue in 70s horror landmarks like Halloween and The Last House on the Left, which The Strangers is a clear descendant of. Nevertheless, I think the viewers who most enjoy Unhinged will be the ones whose blood pumps at one-man-pushed-to-the-brink thrillers like Death Wish or Falling Down. Unlike in those flicks, though, the focus here is on the mom who fights back against that guy and summons the strength to protect her cub. That doesn’t really make the carnage any more palatable, though it does at least make it less likely to linger with a sour aftertaste in your conscience.

Unhinged is Recommended If You Like: Taxi Driver but because you want to fight back and teach the Travis Bickles of the world a lesson

Grade: 2.5 out of 5 Cases of the Mondays

This Is a Movie Review: Gloria Bell

Leave a comment

CREDIT: Hilary Bronwyn Gayle/A24

The message of Gloria Bell seems to be that you’re never too old to be emotionally immature. The Julianne Moore-portrayed title character might be a divorced grandmother, but she is obviously still deserving of love, and writer-director Sebastián Lelio is clearly more than happy to give her the space to go dancing and spread her wings. And the age-appropriate guys in her orbit know that she is quite a catch. The one that she spends most of her time with, John Turturro’s Arnold, is good company, but he also cannot handle the fact that she had love before him and that it is still a part of her life. Whenever he enters into emotionally challenging territory, he whines and moans and hides. Gloria makes an effort to cut him out of her life when he gets to be way too extra, but she has a chronic case of just-can’t-quit-you-itis. In a way, this movie is about Gloria learning to say yes by saying no, and on that score, it earns the exhilaration of playing Laura Branigan over the end credits.

I give Gloria Bell A Few Eye Rolls, a Thumbs Up, and a Bunch of Hugs.