‘Caught Stealing’ and ‘The Roses’ Invite Us to Reflect at the Cinema This Labor Day Weekend

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A Collage of Two Movies Coming Out in Theaters in Late Summer 2025 (CREDIT: Niko Tavernise/Columbia Pictures; Searchlight Pictures/Screenshot)

Caught Stealing

Starring: Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Benito A Martínez Ocasio, Yuri Kolokolnikov, Nikita Kukushkin, Carol Kane, D’Pharaoh Woon-A-Tai

Director: Darren Aronofsky

Running Time: 107 Minutes

Rating: R for Reckless Violence, Some Drunken Debauchery, and a Little Bit of Sex

Release Date: August 29, 2025 (Theaters)

The Roses

Starring: Benedict Cumberbatch, Olivia Colman, Andy Samberg, Kate McKinnon, Sunita Mani, Ncuti Gatwa, Jamie Demetriou, Zoë Chao, Hala Finley, Wells Rapaport, Delaney Quinn, Ollie Robinson, Belinda Bromilow, Allison Janney

Director: Jay Roach

Running Time: 105 Minutes

Rating: R for Rather Colorful Language

Release Date: August 29, 2025 (Theaters)

Labor Day is typically known as the unofficial end of summer in the Northern Hemisphere, even though technically autumn doesn’t really arrive until the final third of September. Either way, it’s a time for altering routines and reflecting upon what you’ve been up to the past few months. In that spirit of looking back, we’ve got a couple of new releases for Labor Day Weekend 2025 that are both throwbacks in their own particular ways.

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August Movie Review Catch-Up: The Heat Dissipates

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CREDIT: Warner Bros. Pictures (CREDIT: Screenshot)

I saw a bunch of movies in August 2024 that I haven’t released my full thoughts about yet, as it’s been too hot to say too much about any one movie. So I waited until September in the hopes that it would cool down at least a little bit and that I wouldn’t overheat from all this film analysis.

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A Family of Ducks Try to Save Their Tails as They Head South in Illumination’s ‘Migration’

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Migration, all I ever wanted! (CREDIT: Illumination Entertainment & Universal Pictures)

Starring: Kumail Nanjiani, Elizabeth Banks, Caspar Jennings, Tresi Gazal, Danny DeVito, Awkwafina, Keegan Michael-Key, David Mithcell, Carol Kane

Director: Benjamin Renner

Running Time: 82 Minutes

Rating: PG for Culinary Cartoon Mayhem

Release Date: December 22, 2023 (Theaters)

What’s It About?: Mack Mallard (Kumail Nanjiani) and Pam Mallard (Elizabeth Banks) are a couple of homebody ducks. Or at least, Mack is definitely happy in their cozy New England pond, whereas Pam has at least a smidge of wanderlust. Their little ducklings Dax (Caspar Jennings) and Gwen (Tresi Gazal), however, are a heck of a lot more restless than their parents. So they eventually follow the rest of the flock and head south to Jamaica for the winter. But they get a little waylaid as they attempt to make their way through the skyscrapers and relentless traffic of New York City. Along the way, they meet a colorful cast of characters, including an eccentric heron (Carol Kane), a street-smart pigeon (Awkwafina), and a homesick Caribbean parrot (Keegan Michael-Key).

What Made an Impression?: Herons Are So Hot Right Now: Erin the heron isn’t in a whole lot of Migration, but she made more of an impression on me than any of the other fowl creatures. Partly that’s thanks to Carol Kane’s indefatigable loopiness, but I think it also has to do with me recently becoming a fan of this particular avian species in the wake of The Boy and the Heron. Migration is nowhere near as challenging as that latest Hayao Miyazaki feature, but it gets close with its own heron section. It’s an admirably dark moment for an animated family flick from Illumination, as the Mallards fret over the possibility that Gwen is going to eat them. The truth is more comforting, though no less freaky.
Vegans Represent?: Like a lot of talking critter movies, Migration ultimately reveals a clear pro-animal rights message, as the Mallards and their new friends must escape the clutches of haute cuisine. I wondered if the filmmakers were imbuing their own vegan/vegetarian convictions, or if this common trope was just being used as a crutch. It’s worth pointing out at this point that the screenplay was written by Mike White (yes, that Mike White), who is in fact vegan, so this was probably more than just a payday gig for him. The story isn’t exactly breaking the mold by foregrounding the animal perspective, but at least it has enough of a takeaway to elevate it from disposable fluff.
Minion Head Count: For me, the most important question when seeing any new Illumination movie is: how much are the Minions in it? When it’s a new Despicable Me feature, the answer is of course “a lot.” But even in non-Despicable movies, they tend to make a cameo, and in the case of Migration, they play the opening Universal Studios fanfare theme on a kazoo. Plus, there’s a new short that plays before the feature called Mooned that stars a quartet of Minions, as well as Jason Segel reprising his villainous role of Vector from the first film. So, my fellow despicable fans, you’ve got a little holiday treat this year.

Migration is Recommended If You Like: Chicken Run, NYC street food, Caribbean accents from non-Caribbean actors

Grade: 2.5 out of 5 Ducks

Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend: Jmunney Log #1

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CREDIT: Netflix

I’m a little skeptical about choose-your-own adventure stories, but I’m not skeptical about Unbreakable Kimmy Schmidt, so I happily watched the UKS choose-your-own-adventure special Kimmy vs. the Reverend. I am planning on watching it some more times in the future and choosing different story branches. I will then log my selections after each viewing. Here is Log #1

-LK-9
-Fun dress
-Go to the gym
-Plan wedding
-Donna Maria
-Gretchen
-Call Cyndee
-Take Titus
-Get down to beeswax
-Lillian sings
-Walk to town
-The script
-He knows it
-Karate
-Go with Lillian
-Lose it
-Babysit
-Read to the baby
-Woodland banquet
-‘Splode him
-Spare him

Movie Review: ‘The Dead Don’t Die,’ And Neither Does the Droll Energy in Jim Jarmusch’s Zombie Goof-Off

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CREDIT: Abbot Genser/Focus Features

Starring: Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Carol Kane, Selena Gomez, Tom Waits, Austin Butler, Eszter Balint, Luka Sabbat, Larry Fessenden

Director: Jim Jarmusch

Running Time: 103 Minutes

Rating: R for Ironic, But Visceral Zombie Violence

Release Date: June 14, 2019 (Limited)

Sometime around 2010, it was determined that it was every filmmaker’s God-given right to make their very own zombie movie. In the case of Jim Jarmusch, he was divinely matched with The Dead Don’t Die, a droll, occasionally fourth wall-breaking portrait of ravaged-by-the-undead small town life patrolled by Police Officers Bill Murray and Adam Driver. In a post-Shaun of the Dead world, The Dead Don’t Die is far from necessary, but it is sufficiently diverting. It adds an environmental wrinkle to the zombie mythos, as fracking is implied to be the culprit behind the upending of nature. If Jarmusch is crying out for us to protect the Earth, that warning is perhaps a little too late, considering how disastrous climate change has already become. But that’s no big deal (for the movie, that is – the planet is screwed), as he seems to have more goofball ideas on his mind anyway.

The zombie blood and guts are sufficiently hardcore, with the bodily fluids as wet and unleashed as the dialogue is dry and bottled-up. But the main attraction are not the ghouls so much as the characters and their unique ways of being human and/or inhuman. That is to say, while Tilda Swinton has badass sword skills as the town’s new undertaker, it’s more amusing that she gets to lean into a hardcore Scottish persona. This is the type of movie in which Selena Gomez tells Caleb Landry Jones, “Your film knowledge is impressive,” after he mentions some pretty basic info about George Romero, and then Larry Fessenden refers to Gomez and her friends who are passing through town as “hipsters from the city” and “hipsters with their irony” (the odds seem to be that they’re from Cleveland). If that sounds hilarious to you, you know who you are, and you can expect to mostly be satisfied, though you may (or may not) have issues with the shaggy, shambling plot structure.

The Dead Don’t Die is Recommended If You Like: Remaining at an ironic remove, but not being too-cool-for-school about it

Grade: 3.5 out of 5 Diner Coffee Pots