This Is a Movie Review: Creed II

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CREDIT: Barry Wetcher/Metro Goldwyn Mayer Pictures/Warner Bros. Pictures

I give Creed II 3.5 out of 5 Title Belts: http://newscult.com/movie-review-creed-ii-draws-rocky-franchises-past-predictable-resonant-results/

Best Film Ensembles of 2015

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When the folks who say the words and act out the movements flocked together, these were the groups who made the most thunder.

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Best Films of 2015, 11-20

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FuriosaScream

I already posted my top 10 list on Starpulse, but wouldn’t you know it, there were plenty of other great movies. Here are three less than a baker’s dozen worth:

11. Mad Max: Fury Road – Charlize barks at the moon, giving us our most iconic image of 2015.
12. Krampus – The tricks are a treat, as is the teamwork among a dysfunctional family.
13. Creed – Adonis unapologetically forges ahead to be true to his identity and establish his family.
14. Sleeping with Other People – The question this time isn’t, “Can men and women be friends without wanting to sleep with each other?” but “Why wouldn’t they if they like each other enough?”
15. The Visit – Right at home on the corner of creepy and hilarious.
16. Brooklyn – Even when Eilis Lacey’s life is hard, there is so much love in her world.
17. Unfriended – The most formally ingenious movie in years, perhaps decades even.
18. The Peanuts Movie – Charlie Brown is preternaturally neurotic; ergo, this one’s a thinker.
19. Room – Tight corners promote empathy.
20. Furious 7 – The first F&F movie in which I actually remembered some of the plot aftewards.

This Is a Movie Review: Creed

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CREED

“Rocky, Apollo Creed’s son looks at you and says, ‘family.’ What does that mean to you?” “It means I’m a lucky guy, what can I say.”

Creed is a rather formulaic movie, that formula being “Rocky movie.” To be clear, “Rocky movie” is a genre unto itself. It is a dialect within the language of underdog movies within the family of languages of sports movies. This latest entry fulfills the promise of that dialect.

Following in the footsteps of the recent Fast and Furious sequels, Creed incorporates all of the most ridiculous elements of the previous sequels in the series and turns them into something beautiful. But whereas those car movies have become increasingly over-the-top, this latest boxing tale scales back to the intimate size of the original. It is essentially the same story as Rocky, but Creed utilizes this framework to key into the heritage and possible futures of its main characters. Adonis Creed’s biggest accomplishment is not going the distance but instead, living up to his personal identity while nourishing his place in his family (birth, makeshift, or otherwise).