‘Frankie Freako,’ ‘A Different Man,’ and ‘Megalopolis’ Walk Into a Bar (Except That the Bar is Three Different Movie Theaters)

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A Trio of Movie Stars (CREDIT: Shout! Studios/Screenshot; Matt Infante/A24; Lionsgate)

Frankie Freako

Starring: Conor Sweeney, Kristy Wordsworth, Matthew Kennedy, Meredith Sweeney, Adam Brooks, Rich Evans

Director: Steven Kostanski

Running Time: 85 Minutes

Rating: Unrated

Release Date: October 7, 2024 (Theaters)

A Different Man

Starring: Sebastian Stan, Renate Reinsve, Adam Pearson

Director: Aaron Schimberg

Running Time: 112 Minutes

Rating: R

Release Date: September 20, 2024 (Theaters)

Megalopolis

Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Jason Schwartzman, Kathryn Hunter, Dustin Hoffman, Talia Shire, Grace VanDerWaal, Chloe Fineman, James Remar, D.B. Sweeney

Director: Francis Ford Coppola

Running Time: 138 Minutes

Rating: R

Release Date: September 27, 2024 (Theaters)

Hey dudes! I saw a few movies this week that I’m catching up on my thoughts about. Did they have any themes or intellectual concerns in common? Let’s take a closer look and find out.

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Mini-Movie Review: Aliens Take Over a Very Gray Chicago in the Intermittently Promising ‘Captive State’

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CREDIT: Parrish Lewis/Focus Features

Starring: Ashton Sanders, John Goodman, James Ransone, Jonathan Majors, Machine Gun Kelly, Vera Farmiga, Alan Ruck, Kevin Dunn, David J. Height, Madeline Brewer, Ben Daniels, D.B. Sweeney, Kevin J. O’Connor, KiKi Layne, Marc Grapey

Director: Rupert Wyatt

Running Time: 110 Minutes

Rating: PG-13 for Occasional Explosions and Minorly Disturbing Sci-Fi Flourishes

Release Date: March 15, 2019

Captive State reminds me of 2010’s Skyline, a pretty awful movie that was at least fascinating for how it attempted to craft a genuinely compelling alien invasion with a fairly small budget. Captive State is a little more competent, but it has that same vibe of a director who is burning with a unique vision that he simply must deliver to the world no matter what the handicaps. That director is Rupert Wyatt, and his vision is a version of Chicago enslaved by aliens who want humans to pretend that this is actually an arrangement of unity. There’s clearly some commentary about conformism at play here, which in past instances in this genre has been about the likes of communism and consumerism. But in this case, it is not clear what the target is. (Maybe blind patriotism?) And that really sums up Captive State as a whole. You can feel that there is a plentiful mix of ideas, and even an admirably ambitious combination of genres (chase-filled actioner, paranoid thriller, even a bit of a heist flick), and the surprisingly robust cast is here to give it what they’ve got. But alas, the overall effort never quite coalesces into something with a fully fleshed-out overarching purpose.

Grade: 2.5 out of 5 Implant Trackers