
What’s going to Fall? (CREDIT: Lionsgate)
Fall:
Starring: Grace Caroline Currey, Virginia Gardner, Mason Gooding, Jeffrey Dean Morgan
Director: Thomas Mann
Running Time: 107 Minutes
Rating: PG-13
Release Date: August 12, 2022 (Theaters)
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
August 31, 2022
Cinema, Movie Reviews Alessandro Nivola, Alison Brie, Aubrey Plaza, Ayden Mayeri, Ben Sinclair, Debby Ryan, Ego Nwodim, Fall, Fred Armisen, Grace Caroline Currey, Hiro Kanagawa, Isabelle Fuhrman, Jeff Baena, Jeffrey Dean Morgan, Julia Stiles, Lil Rel Howery, Mason Gooding, Matthew Finlan, Molly Shannon, Orphan, Orphan: First Kill, Rossif Sutherland, Spin Me Round, Thomas Mann, Tim Heidecker, Tricia Helfer, Virginia Gardner, William Brent Bell, Zach Woods 1 Comment
What’s going to Fall? (CREDIT: Lionsgate)
Starring: Grace Caroline Currey, Virginia Gardner, Mason Gooding, Jeffrey Dean Morgan
Director: Thomas Mann
Running Time: 107 Minutes
Rating: PG-13
Release Date: August 12, 2022 (Theaters)
March 23, 2020
Cinema, Movie Reviews Alison Brie, Debby Ryan, Dylan Gelula, Horse Girl, Jake Picking, Jay Duplass, Jeff Baena, John Ortiz, John Reynolds, Meredith Hagner, Molly Shannon, Paul Reiser, Toby Huss Leave a comment
CREDIT: Katrina Marcinowski/Netflix
With so many movie theaters closed for the foreseeable future, I decided to finally watch and review some straight-to-streaming flicks I haven’t had a chance to get around to yet. And in the spirit of things being not-so-normal, these reviews will maybe be a little more, uh, shall we say, offbeat, than usual.
First up on the docket is Horse Girl, a seemingly quirky indie comedy, but actually no, it’s a psychological study of emergent mental illness, but with some trappings of low-budg sci-fi. We can use the catchall term “drama.” It stars and is co-written by Alison Brie. The other person handling scripting duties is Jeff Baena, who also sat in the directing chair. I know and love Jeff from The Little Hours, in which he previously directed Alison. It played at Sundance in January 2020 and landed on Netflix on February 7, 2020. Thanks to Alison’s presence, I knew I was going to definitely watch it eventually, as I’ve been a superfan of hers since her days on Community (which I’m legally obligated to acknowledge is my favorite show of all time whenever I mention it).
Alison plays Sarah, an introverted lass who works at an arts and crafts store and enjoys horses. Also, her stepdad is played by Paul Reiser! (That’s got to be a good sign, right?) Things seem to be going okay for her, especially when she strikes up a potential new romantic relationship on her birthday. But then, as she begins to experience lost time and unexplained visions, it appears that the mental struggles that run in her family are finally making themselves at home in her brain. Or is she actually a clone who is also dealing with flippin’ alien abductions, jeez?
If you’re forcing me to say one or the other, Sarah probably actually is indeed experiencing mental illness. But Horse Girl makes me think: isn’t the idea of alien abduction intoxicating? What if it could be the basis of a religion? You could believe in them, though not literally, just have faith in them in some sort of way. That’s just a kernel of an idea, we’ll see if it becomes anything more. Anyway, Alison is terrific, but y’all knew that already! (Dint ya?)