Does ‘Ebenezer’ Have Too Much Baggage to Deliver the Christmas Cheer?

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A real Humbug-dinger? (CREDIT: Paramount Pictures)

Starring: Johnny Depp, Rupert Grint, Andrea Riseborough, Tramell Tillman, Robert Strange, Daisy Ridley, Ian McKellen, Sam Claflin, Arthur Conti, Ellie Bamber, Nicholas Day, Charlie Murphy, Henry Lloyd-Hughes

Director: Ti West

Running Time: 116 Minutes

Rating: PG-13 for Spooky Specters

Release Date: November 13, 2026 (Theaters)

What’s It About?: You know that crotchety old businessman Ebenezer? He’s quite the scrooge, isn’t he? In fact, he’s the namesake for a grumpy and stingy person of the anti-Christmas persuasion. He was introduced to us by Charles Dickens in the 1843 novella A Christmas Carol, which has been adapted pretty much endlessly in the 200 years since. In the 2026 movie Ebenezer, Johnny Depp takes up the cane of the title character, as he goes on his usual Christmas Eve adventure of three ghosts showing him the error of his ways, with his late partner Jacob Marley (Ian McKellen), employee Bob Cratchit (Rupert Grint), and nephew Fred (Sam Claflin) also doing their parts to help him see the light.

What Made an Impression?: How Depp is Your Love?: Ebenezer‘s marketing has positioned itself as Johnny Depp’s reintroduction to the highest echelons of movie stardom. In the past decade or so, he’s been more famous for his personal troubles (particularly those related to accusations of spousal abuse) than any character he’s played. He has appeared in other recent movies, but this is definitely the most high-profile one since 2018. I have mixed feelings about Depp trying to make a comeback. He was never my favorite actor, but he’s definitely given some performances I’ve loved. So I can’t really watch this movie without feeling conflicted, although ultimately even if this part were played by an oddball without any baggage, it would still feel tepid. The character design is more garish than most Scrooges, for sure, but emotionally it’s pretty straightforward, especially by Depp’s standards. It’s more than adequate, but not much more.
Where’s the Caroling?: The fact that this flick is named after its main character instead of the book it’s based on might lead you to wonder if this version explores Scrooge’s backstory more than usual. But that origin is already baked into the visit from the Ghost of Christmas Past (a notably spooky Andrea Riseborough). So, yeah, this is more or less the same old Christmas Carol that so many of us revisit this time every year. (If we get any more of any significance from any character, it’s probably Marley.) Ebenezer has always been right at the center of his own story. In conclusion, there’s nothing particularly new here, except maybe the production design.
Hi, Ti: While I felt uneasy about Ebenezer‘s Ebenezer, I was intrigued by its director, as Ti West is the helmer behind the X trilogy, one of my favorite horror series of this century. So I wondered if he might accordingly deliver a more frightening sensibility. The verdict in that regard is that he certainly does, although not overwhelmingly so. There’s a striking body horror approach with the Ghost of Christmas Present (Tramell Tillman), and in the most emotionally intense moments, it feels like the set is going to be overwhelmed by pure blackness. But the gentleness at the core of the story remains resolute. Maybe West just wanted to show us his gooier side. And if that was his goal, it helps that the most memorable characters are the incessantly optimistic Fred and his lovely wife Clara (Daisy Ridley), who don’t always get their fair showcase in Christmas Carol adaptations. But they do here, so don’t ever give up on your family, I guess

Ebenezer is Recommended If You Like: It when the holiday season make you feel conflicted

Grade: 3 out of 5 Humbugs

‘Red, White & Royal Blue’: Straightforward Queer Love Story, or Something Kookier?

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A couple of party dudes (CREDIT: Jonathan Prime/Prime Video)

Starring: Taylor Zakhar Perez, Nicholas Galitzine, Uma Thurman, Clifton Collins Jr., Sarah Shahi, Rachel Hilson, Ellie Bamber, Thomas Flynn, Malcolm Atobrah, Akshay Khanna, Sharon D. Clarke, Aneesh Sheth, Juan Castano, Stephen Fry

Director: Matthew López

Running Time: 118 Minutes

Rating: R for Explicit and Tender Sexuality

Release Date: August 11, 2023 (Prime Video)

What’s It About?: Alex Claremont-Diaz (Taylor Zakhar Perez) is the son of the first female President of the United States (Uma Thurman). Prince Henry (Nicholas Galitzine) is one of the grandsons in the British royal line of succession. (Although, just like a certain real-life prince, he’s a spare, not an heir). They’re forced to interact with each other at various diplomatic functions, but they hate each other’s guts. Do I need to make it any more obvious?

In case I do, it’s a modern-day queer Pride and Prejudice. Or at least that’s the first third of Red, White & Royal Blue. Alex and Henry are actually able to get past their shallow first impressions relatively quickly, and once they accept each other, the bigger question is whether or not everybody else can. The world that we see in the movie generally reflects the most progressive modern attitudes towards queer love stories, but there are a few snags. For one thing, there are worries that Alex’s dalliances could derail his mom’s re-election campaign. And more pressingly, there’s the question of whether or not there’s even a place for a gay prince in the royal family.

What Made an Impression?: Searching for Personality: It’s nice to see a globally released queer rom-com that doesn’t shy away from the most explicit parts. But it would have been even nicer if it didn’t feel so generic. Perez and Galitzine are charming enough, and their chemistry is serviceable, but the paint-by-numbers setting isn’t doing them any favors. A political backdrop certainly doesn’t need to perfectly recreate the real world, but it ought to at least be interesting if it’s going to be so integral to the story. Alas, we never really get a sense of what it’s like to have an America with a female president beyond mere platitudes. There’s at least some more urgency on the other side of the pond, as the presence of a gay prince is something that the crown hasn’t fully grappled with, and the juice of that drama is squeezed enough to feel the tension.
Strange Bursts of Personality: Thankfully, Red, White & Royal Blue isn’t entirely a slog through the most generic story beats possible. It has some sparks of coming to life, particularly a New Year’s Eve party soundtracked by perhaps the dirtiest mainstream hip-hop song of all time. Then when Alex opens up with his parents about what’s really going on, they have conversations that can best be described as “shockingly open-minded.” Thurman and Clifton Collins Jr. (as Alex’s senator dad) absolutely relish these opportunities to wax poetic about the likes of Truvada and gender-neutral bathrooms. I just wish the rest of the movie had been this inspired to let its freak flag fly. It’s what Alex and Henry (and those of watching) deserved.

Red, White & Royal Blue is Recommended If You: Can Handle a Watered-Down Version of Reality

Grade: 2.5 out of 5 Giant Wedding Cakes