‘The Luckiest Man in America’ Spreads His Winnings to All of Us

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The Face of Luck (CREDIT: IFC Films)

Starring: Paul Walter Hauser, Walton Goggins, David Straithairn, Brian Geraghty, Patti Harrison, Maisie Williams, Shamier Anderson, Haley Bennett, Damian Young, Lilli Kay, James Wolk, Shaunette Renée Wilson, David Rysdahl, Ricky Russert, Johnny Knoxville

Director: Samir Oliveros

Running Time: 90 Minutes

Rating: R

Release Date: April 4, 2025 (Theaters)

Are ya feeling lucky? Well if you’re watching The Luckiest Man in America, you should be! It tells the story of Michael Larson, the air conditioner repairman and ice cream truck driver who broke the bank when he cracked the pattern on the seemingly random game show Press Your Luck in 1984. In the process, he earned what was at the time the highest single-day winning total on a game show. He’s played by Paul Walter Hauser, who was seemingly made in a lab to bring this sort of huckster to life. Walton Goggins is also pretty damn unforgettable as PYL host Peter Tomarken. The whole cast is unbelievably stacked, in fact. (Even a certain jackass shows up at one point.) By the time the credits roll, you’ll be thinking, “I’m the luckiest person in the movie theater!”

Grade: Absolutely NO Whammies!

August Movie Review Catch-Up: The Heat Dissipates

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CREDIT: Warner Bros. Pictures (CREDIT: Screenshot)

I saw a bunch of movies in August 2024 that I haven’t released my full thoughts about yet, as it’s been too hot to say too much about any one movie. So I waited until September in the hopes that it would cool down at least a little bit and that I wouldn’t overheat from all this film analysis.

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Do You Want to See Peter Dinklage Sing About Vicarious Love? Then Maybe Check Out the Latest Version of ‘Cyrano’

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Cyrano (CREDIT: Peter Mountain/Metro-Goldwyn-Mayer Pictures)

Starring: Peter Dinklage, Haley Bennett, Kelvin Harrison Jr., Ben Mendelsohn, Bashir Salahuddin

Director: Joe Wright

Running Time: 124 Minutes

Rating: PG-13 for Some War Violence and Mild Suggestiveness

Release Date: January 28, 2022 (Limited Theaters)/February 11, 2022 (Wide Expansion)

If you’re a fan of classic romances, you’re probably familiar with the story of Cyrano de Bergerac. He’s in love with a woman named Roxanne, but because of his insecurity related to his distractingly large and pointy nose, he struggles to admit his true feelings. Meanwhile, Roxanne falls in love with another man named Christian, and that infatuation is profoundly deepened by Christian wooing her with the words provided to him by Cyrano, who knows Roxanne better than anyone. But in this version, it’s what Cyrano lacks on his body that’s causing the problem, as he’s portrayed by Peter Dinklage, and he fundamentally doesn’t believe that Roxanne (here played by Haley Bennett) could ever truly love someone who’s only four and a half feet tall.

Also unique about this version of Cyrano is that it’s – wait for it – a musical. Much of the vocal duties fall to the title lover, and Dinklage is certainly up for the assignment. He has a rich, soulful baritone that’s perfect for the constant (but incomplete) soul-searching that Cyrano is always up to. You can count on him for talking to himself, which can be good, but not so much when it prevents him from fully and honestly talking to other people.

Dinklage’s singing reminds me of Russell Crowe’s in Les Misérables, and I mean that’s a compliment. Crowe was my favorite singer in that movie! It would be distracting if Dinklage’s Cyrano were more inclined to difficult vocal acrobatics; instead, he’s singing because he just can’t help it, just as he can’t help but miss out on the fullness of himself. As for the rest of the main cast’s crooning abilities, Bennett and Kelvin Harris Jr. as Christian also both acquit themselves admirably.

Overall, if you’re looking for a love story that lives on the knife’s edge of tragedy and consummation, then Cyrano ought to do the trick. Everyone is passionate and ready to go, and if you don’t recognize at least some of their emotions in yourself, I’m not sure you have a fully functioning heart.

Cyrano is Recommended If You Like: Flowy dresses, Stubble, Singing by yourself while standing outside a wall

Grade: 3.5 out of 5 Letters

This Is a Movie Review: The Writer of ‘American Sniper’ Says ‘Thank Your for Your Service’ with a Deep Dive Into PTSD

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CREDIT: Francois Duhamel/DreamWorks Pictures/Universal

This review was originally posted on News Cult in October 2017.

Starring: Miles Teller, Haley Bennett, Beulah Koale, Amy Schumer, Joe Cole, Keisha Castle-Hughes

Director: Jason Hall

Running Time: 108 Minutes

Rating: R for PTSD Hallucinations and the Resultant Anger

Release Date: October 27, 2017

When American Sniper racked up over $300 million at the domestic box office, it wasn’t shocking just because it featured zero comic book superheroes or animated talking animals, but also because of how focused it was on the homefront. Its Iraq-set sequences were generally not very memorable; instead, its main purpose for existing was to bring to the fore the scourge of post-traumatic stress disorder on U.S. soil. I doubt that Thank You for Your Service, written and directed by Sniper screenwriter Jason Hall, will rake in similarly huge bucks, but it has learned the right lessons from its predecessor of where to place its focus.

Thank You is primarily concerned with the perpetually overburdened Department of Veterans Affairs, which is trying to offer psychiatric help for its returning soldiers, but the soonest it can offer appointments is 12 weeks, but sometimes no earlier than nine months. For vets like Adam (Teller), Aieti (Koale), and Will (Cole), that is just as life-threatening as combat in Iraq. This might not sound like the most rousing of cinematic premises, but the way it plays out is quite thrilling. PTSD episodes exist as disorienting hallucinations that are the more surreal for just how minimally they depart from reality. A fallen comrade suddenly appears and seems to be perfectly corporeal but then lets out a blood-curdling scream, inciting a burst of uncontrollable violence. It plays out as horror that will hit too close to home for many.

Anchoring the whole endeavor and preventing it from becoming too overwhelming is Teller, who has developed a knack for playing characters with plenty of hustle who take on much more weight than anyone has asked them to. Adam’s burden is less PTSD and more survivor’s guilt. He struggles to atone for a squadmate he attempted to save but who ended up partially paralyzed, and he can barely face the widow of a fellow sergeant who died after taking his place on one coincidental day. That he ultimately does face his fears provides some hope that maybe this system is not entirely broken. As a narrative machine, Thank You for Your Service is a little creaky, but it pulls through with astutely observed interactions between soldier and soldier or soldier and spouse, and brings it all home with a gentle catharsis.

Thank You for Your Service is Recommended If You Like: American Sniper, Jacob’s Ladder

Grade: 3 out of 5 PTSD Hallucinations