‘Hedda’ Review: DaCosta and Thompson Offer Up Their Own Spin on Ibsen

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A still of 3 women in a movie called Hedda (CREDIT: Parisa Taghizadeh/Amazon Content Services LLC)

Starring: Tessa Thompson, Imogen Poots, Nina Hoss, Tom Bateman, Nicholas Pinnock, Finbar Lynch, Mirren Mack, Jamael Westman, Saffron Hocking, Kathryn Hunter

Director: Nia DaCosta

Running Time: 107 Minutes

Rating: R for The Typical Party Vices, Including a Little Bit of Skin

Release Date: October 22, 2025 (Select Theaters)/October 29, 2025 (Amazon Prime Video)

What’s It About?: By all outward appearances, Hedda Gabler (Tessa Thompson) seems to have a pretty charmed life. She’s got a decent husband (Tom Bateman), she lives in a massive house,  and she gets to host some wild shindigs. But there’s a powder keg just waiting to be lit. And it all goes kaboom over the course of one of those bacchanals. That’s because on that night, a couple of ladies with their own agendas (Nina Hoss and Imogen Poots) return to force Hedda to reap what she’s been sowing. And so, forbidden romance, professional jealousies, and general pettiness all converge for a deadly disaster that none of the guests will soon forget.

What Made an Impression?: The Scandinavia of It All: 2025’s Hedda is just the latest in a long line of adaptations of the 1891 Henrik Ibsen play Hedda Gabler. Before watching this version, I only knew it by name and was totally unfamiliar with the plot. But I have encountered Ibsen’s most famous work (A Doll’s House), so I had some idea of what he’s all about. Writer-director Nia DaCosta has fully queered up the story, although I wouldn’t have been surprised if that element were already present in the original. Which is to say, it’s a natural fit.
We’re All Trapped: If I had to select one word to sum up Hedda, it would be … “claustrophobic.” There’s no escaping this party! Or maybe there is, though it would probably require these characters to totally redefine their perspectives of their current life situations. As the viewer, I felt similarly boxed in. If you find yourself in the same boat as me, you could always walk out of the theater or press stop on your remote. That is, unless you relish anxiety-inducing moviegoing experiences.
She’s So Petty: Tessa Thompson is a pretty dang great actor, and Hedda only reinforces that truth. But her version of the titular scamp (and perhaps most versions) is not a very pleasant person to be around. In fact, I would even go so far as to call her a sociopath. Maybe if I had prepared myself a bit more before going to know what I would be getting into, I might have been entertained by all of her manipulative behavior. But only to a point. Ultimately, this is one of those movies that I found kind of middling, even though I got the sense that the people making it probably did exactly what they wanted to do.

Hedda is Recommended If You Like: Hot messes throughout the decade

Grade: 2.5 out of 5 Secrets

‘Frankie Freako,’ ‘A Different Man,’ and ‘Megalopolis’ Walk Into a Bar (Except That the Bar is Three Different Movie Theaters)

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A Trio of Movie Stars (CREDIT: Shout! Studios/Screenshot; Matt Infante/A24; Lionsgate)

Frankie Freako

Starring: Conor Sweeney, Kristy Wordsworth, Matthew Kennedy, Meredith Sweeney, Adam Brooks, Rich Evans

Director: Steven Kostanski

Running Time: 85 Minutes

Rating: Unrated

Release Date: October 7, 2024 (Theaters)

A Different Man

Starring: Sebastian Stan, Renate Reinsve, Adam Pearson

Director: Aaron Schimberg

Running Time: 112 Minutes

Rating: R

Release Date: September 20, 2024 (Theaters)

Megalopolis

Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Jason Schwartzman, Kathryn Hunter, Dustin Hoffman, Talia Shire, Grace VanDerWaal, Chloe Fineman, James Remar, D.B. Sweeney

Director: Francis Ford Coppola

Running Time: 138 Minutes

Rating: R

Release Date: September 27, 2024 (Theaters)

Hey dudes! I saw a few movies this week that I’m catching up on my thoughts about. Did they have any themes or intellectual concerns in common? Let’s take a closer look and find out.

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An Important Note About the Occupants of ‘The Front Room’

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A scene from The Front Room that doesn’t take place in the front room (CREDIT: Jon Pack/A24)

Starring: Brandy, Kathryn Hunter, Andrew Burnap, Neal Huff

Director: Max and Sam Eggers

Running Time: 95 Minutes

Rating: R

Release Date: September 6, 2024 (Theaters)

I thought I was ready for The Front Room. A pregnant Brandy vs. Kathryn Hunter as her ignorant, zealously religious stepmother-in-law: how could you go wrong with that premise?!

Alas, now that I’ve seen it, I feel compelled to issue a warning to anyone who is excited as I was. This could very well be construed as a spoiler, so stop reading if you must, but that won’t prevent me from fulfilling my civic duty.

Okay, here goes: a good chunk of this movie about incontinence. Like, a BIG chunk. And it’s not shy about it! It’s also a tonal mish-mash, which it actually handles pretty well. But I really don’t think it needed all those stinky bodily fluids.

Grade: 8 Hallucinations out of 17 Unholy Spirits

‘Poor Things’ Seeks to Break Free

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How POOR are they?! (CREDIT: Atsushi Nishijima/Searchlight Pictures)

Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael, Margaret Qualley, Kathryn Hunter, Suzy Bemba, Hanna Schygulla

Director: Yorgos Lanthimos

Running Time: 141 Minutes

Rating: R for Weird Science and Lots and Lots of Sex

Release Date: December 8, 2023 (Theaters)

What’s It About?: The case of Bella Baxter (Emma Stone) is a strange one. Dr. Godwin Baxter (Willem Dafoe) discovers her body after she attempts suicide and proceeds to bring her back to life via reanimation and a brain transplant. But because the brain he uses is that of a baby, Bella reverts to a rather infant-like mental state upon her resurrection. Her development back to a fully conscious adult happens remarkably quickly, all things considered, perhaps because that brain recognizes that it’s been encased inside an adult body. Nevertheless, Bella also gets to have the profound experience of being able to rediscover all the sensory pleasures of life on Earth.

Dr. Baxter understandably tries to keep her locked away from the outside world, though he does invite into the fold medical student Max McCandles (Ramy Youssef), who soon finds himself proposing marriage to Bella. But before that wedding can happen, she’s decided to see the outside world alongside hedonistic lawyer Duncan Wedderburn (Mark Ruffalo). As in many a hero’s journey, she will eventually return back to her starting point, having changed. But unlike a lot of other hero’s journeys, Poor Things features an unbound number of ecstatic sex scenes.

What Made an Impression?: A Fresh Set of Eyes: If there’s one lesson to be learned from Bella Baxter above all others, it’s the power of childlike wonder. Most of us have been living within our systems and routines too long to ever be able to fully question if there’s a better way. But Bella is a blank slate blessed with a mature body that can take advantage of her pleasures as much as possible. It’s a big reason why she charms everyone she encounters so much, despite her profoundly off-kilter, often juvenile disposition. It’s also, of course, why she enjoys sex (which she dubs “furious jumping”) as much as she does. However, her lack of inhibitions sometimes lead her astray, such as when she threatens to punch a crying baby, or when she tries to upend the carefully tended business practices at a Parisian brothel. But as her mental capacities lock into focus, she eventually devises compromises that she is uniquely qualified to conceptualize.
A World of Experimental Wonders: Bella is not Dr. Baxter’s only test subject, as we also get to meet some hybrid animal creatures wandering around his property that have been formed by head and body swapping among a goose, pig, and bulldog. The obvious antecedent here is Victor Frankenstein, but I also detected some playfulness in Dafoe’s performance, a la Futurama‘s Professor Farnsworth. Dr. Baxter has plenty in common with his hubristic brethren, particularly his tendency to seem like a deity to his creations. (It’s not for nothing that his first name is abbreviated to “God.”) Despite his tendency to control, he’s not as much of a monster as you might suspect. Instead, he’s one of the titular poor things, considering his history of abuse and experimentation at the hands of his own father. His abode is terrifying, but comfortingly so.
Soaking It All Up: If you somehow can’t engage with any of the characters of Poor Things, you can hopefully at least appreciate all the pretty business that director Yorgos Lanthimos and his crew have assembled. He’s certainly developed a unique visual style over the course of his career, and a movie set in an alternate version of the late Victorian era has allowed him plenty of room to be indelible. Fisheye lenses, purple-pink skies, spiral staircases that hover in the sky, and plenty more design choices make an inimitable visual impression. It’s all lived-in, anachronistic, and surreal, which is to say, an ideal environment for the Bella Baxters of the world to thrive in.

Poor Things is Recommended If You Like: American Pie, Socialist feminism, Steampunk

Grade: 4 out of 5 Transplants

‘The Tragedy of Macbeth’ Review: Shakespeare in the Dark

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The Tragedy of Macbeth (CREDIT: Alison Cohen Rosa/A24)

Starring: Denzel Washington, Frances McDormand, Corey Hawkins, Brendon Gleeson, Harry Melling, Bertie Carvel, Alex Hassell, Kathryn Hunter, Moses Ingram, Ralph Ineson, Sean Patrick Thomas, Stephen Root, Brian Thompson, Richard Short

Director: Joel Coen

Running Time: 105 Minutes

Rating: R for Bloody Swordplay

Release Date: December 25, 2021 (Theaters)/January 14, 2022 (Apple TV+)

When reviewing a new Shakespeare adaptation, especially one of the Bard’s most popular productions, it makes sense to ask: what makes this version different? So as Joel Coen goes solo to take on The Scottish Play, what uniqueness has he brought to the table? Well, he did cast his wife Frances McDormand as Lady Macbeth, so that could potentially be some fertile ground for psychoanalysis. Or maybe not! She’s already been in plenty of his films, and I’m willing to guess that this isn’t the first time that a director’s wife has been cast in something Shakespearean. Denzel Washington certainly brings some more melanin than usual to the title role, but ultimately that’s neither here nor there. He’s Denzel Washington after all, so why not cast him in one of the most dramatically hefty parts in all of English-language drama?

Overall, one word comes to mind when trying to identify The Tragedy of Macbeth‘s uniqueness, and that word is: surreal. I don’t know if that’s what Coen was specifically aiming for, and I in fact wouldn’t be surprised if it wasn’t a consideration at all. But no matter how it happened, it showed up. One huge reason for that is the dialogue itself; it’s strange to speak in iambic pentameter all the time, after all. On top of that, the geography within the castle walls never quite makes visual sense. Instead, it’s like a maze that the characters are perpetually stuck within. Combine that with Bruno Delbonnel’s stark black-and-white cinematography, and the whole film comes across as a dream that curdles into a nightmare. And as so often happens when I see a movie that lacks bright colors, I nodded off throughout, which only added to the sense that I slipped through some parallel dimension or underworld.

One more element that really stands out is Kathryn Hunter’s performance as the witchy weird sisters. She contorts herself into seemingly inhuman positions, which is a wise acting decision, considering that her characters are meant to be somewhere in between human and supernatural. I didn’t ask to see a huge disembodied toe stuck between someone else’s toes, but now I won’t be able to forget it. Nor will I be able to forget the shot of the one sister standing over a pool that reflects back the other two sisters. This is a striking Shakespearean adaptation, is what I’m saying.

The Tragedy of Macbeth is Recommended If You Like: Claustrophobia, Cruel fate, Maximum weirdness

Grade: 3.5 out of 5 Usurpers