‘Spider-Man: Brand New Day’ Review: Always Forget, Always Remember

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…Started up a Brand New Day! (CREDIT: Marvel/Sony Pictures Entertainment)

Starring: Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando, Mark Ruffalo, Florence Pugh, Liza Colón-Zayas, Marvin Jones III, Zabryna Guevara

Director: Destin Daniel Cretton

Running Time: 145 Minutes

Rating: PG-13 for Occasionally Gnarly Action Violence, and a Little Bit of Language

Release Date: July 31, 2026 (Theaters)

What’s It About?: It’s been a lonely life for the Tom Holland version of Peter Parker ever since his last big screen adventure. He’s still Spider-Man, and New Yorkers still love their arachnid guardian, but a spell has been cast that has made everyone forget the entire existence of the human being behind the mask. He’s inching towards re-introducing himself to his former girlfriend MJ (Zendaya) and his best friend Ned (Jacob Batalon), but he’s got to be careful, since there are always new threats lurking around the corner. This time around, the primary threat is a mysterious newcomer (Sadie Sink) with the ability to jump her consciousness into other people who’s trying to expose a secret at the suspiciously friendly Department of Damage Control. Meanwhile, Peter seems to be going through a sort of second adolescence, as he develops new powers and then consults a relatively Hulk-free Dr. Bruce Banner (Mark Ruffalo) to help him get a grip on these emerging abilities.

What Made an Impression?: The Day After When?: To rewatch or not to rewatch? That’s always one of the big questions at the heart of the latest MCU release. With Brand New Day, I wondered if I ought to revisit 2021’s No Way Home to remind myself how we got to the point where nobody remembered Peter Parker anymore. But ultimately, I decided I would prefer not to and instead see how this chapter stands on its own (which is typically my prerogative in general). And I believe I made the right decision. While things started off feeling a little vague, I appreciated that this movie didn’t feel the need to recap itself to death and instead give off at least a hint of mystery.
Criss-Cross: Brand New Day reaches towards the platonic ideal of a true low-key comic book crossover sensibility. We’ve seen Peter team up with all the major Avengers already, but what about the other rando Marvel heroes and villains we’ve yet to see him interact with before? Several of them are in this movie! But not all of them, as that would be too overwhelming. Sometimes superhero flicks have multiple antagonists combined with a whole host of friendly cameos, and it ends up feeling like three or four (or a thousand) different movies smashed together. But in this case, it feels natural enough that all these folks would be interacting with each other in this series of scenarios.
They Had an Effect on Me: My biggest bummer with BND is that the visual effects are too slick in the way that our digitized and sanitized CGI era so often is. There’s just not much tactility as Spidey swings around the Big Apple. Nevertheless, there is a decent amount of emotional heft to the big set pieces. It helps when there are some close-up shots interspersed within those sequences, as Tom Holland’s eternally youthful visage immediately conveys plenty of vulnerability.
Brand New Enough Indeed: Ultimately, I’m pleased to report that I was satisfied by Brand New Day because it didn’t feel like just more of the same once again in the way that so many Marvel movies have. While it didn’t quite blow me away like the most transcendent examples of this genre, I never quite knew where we headed. The reveals are clever, the ideas are sincere, and the enthusiasm is still real.

Spider-Man: Brand New Day is Recommended If You Like: A mix of the old and the new

Grade: 3.5 out of 5 Lattice Quanta

If You Can Imagine ‘IF,’ the IFs Will Come

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If, if, if, uh… (CREDIT: Paramount Pictures)

Starring: Cailey Fleming, Ryan Reynolds, John Krasinski, Fiona Shaw, Alan Kim, Steve Carell, Phoebe Waller-Bridge, Liza Colón-Zayas, Bobby Moynihan, Louis Gosset Jr., Emily Blunt, Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Awkwafina, Richard Jenkins, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key

Director: John Krasinski

Running Time: 104 Minutes

Rating: PG for Mild Potty Humor and Imaginary Nudity

Release Date: May 17, 2024 (Theaters)

What’s It About?: Ever since her mom died, 12-year-old Bea (Cailey Fleming) has pretty much forgotten how to have fun. It certainly doesn’t help that her dad (John Krasinski) is about to undergo heart surgery, though he tries to maintain her childlike wonder with his constant magic tricks and corny gags. While staying at the NYC apartment of her grandmother (Fiona Shaw), she encounters a couple of cartoon characters, as well as their seemingly human partner named Cal (Ryan Reynolds). As it turns out, they’re imaginary friends (or IFs, as they like to be abbreviated), and it’s highly unusual for someone of Bea’s age to be able to see them. But she could really use the power of imagination right now. Or maybe, these supernatural hypothetical creatures could really use the power of Bea right now.

What Made an Impression?: Tina Turner-ing Back the Clock: Baa eventually meets a whole crew of IFs in their hideaway on the Coney Island boardwalk. The encounter is fueled by IF‘s big set piece: an imagination-fueled dance number set to Tina Turner’s 1984 hit “Better Be Good to Me.” Honestly, it’s quite possibly my favorite cinematic choreography since Napoleon Dynamite let loose to some Jamiroquai 20 years ago. If you told me that IF was really just writer-director Krasinski’s excuse to make an entire movie around his own unique tribute to Turner, I would buy it. Such a film did not have to be about imaginary friends, but as it is, it worked out quite swimmingly.
Imaginary Friends, Real Motivation: I wasn’t expecting to tear up at IF, as all indications pointed to it being a simple sugar rush. But its final act lays its thesis out for the taking. As Bea’s journey would have it, imaginary friends aren’t mere fake companions; instead, they’re representations of our innermost desires. We might not be able to “see” them anymore after we grow up, but remaining in touch with them is essential to accomplish our dreams. In that sense, they’re essentially embodiments of everyone’s unique motivations. So the next time you look at a childhood photo or drawing that makes you suddenly remember a big purple monster or a talking ice cube, roll with it. A satisfying life might just depend on it.

IF is Recommended If You Like: Inside Out, Humorless kid protagonists, Tina Turner

Grade: 3.5 out of 5 IFs