‘Springsteen: Deliver Me From Nowhere’ Delivered Me to Somewhere, And I Bet I’m Not the Only One

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Like a Boss, even when you’re not feeling like it (CREDIT: 20th Century Studios/Screenshot)

Starring: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Gaby Hoffman, Odessa Young, Marc Maron, David Krumholtz, Grace Gummer

Director: Scott Cooper

Running Time: 119 Minutes

Rating: PG-13

Release Date: October 24, 2025 (Theaters)

Folks, I feel compelled to say something, and I’m going to be totally honest here: Springsteen: Deliver Me From Nowhere isn’t really a biopic. Well, okay, I guess it does technically fit the definition of a biographical motion picture, insofar as it features actors playing real people (primarily Jeremy Allen White as American singer-songwriter Bruce Springsteen) based on situations that actually happened. But in this case, the question of how closely the portrayals match the real deal feels especially beside the point. Instead, this whole movie is really a feature-long work of advocacy about the importance of mental health services. Bruce was in a dark place in the buildup to his 1982 album Nebraska, and it eventually becomes clear that he needs professional help if he’s going to make it through. That realization sneaks up on you, but it’s also what the story is building up to the entire time, and I hope whoever needs to see it gets to see it.

Grade: Good on You, Bruce and Everyone Looking Out for You

‘Americana’ is One of Those Movies Where It All Comes Together

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This movie used to be called “National Anthem” (CREDIT: Ursula Coyote/Lionsgate)

Starring: Sydney Sweeney, Paul Walter Hauser, Halsey, Eric Dane, Zahn McClarnon, Gavin Maddox Bergman, Simon Rex, Derek Hinkey, Toby Huss

Director: Tony Tost

Running Time: 107 Minutes

Rating: R

Release Date: August 15, 2025 (Theaters)

The August 2025 theatrical release Americana has what must be called – I’m just going to come out and say it – a P-shaped narrative. It’s told in five sections. The first part unfolds, then we curve around a few days to jump into Part 2. Then by Part 3 we catch back up to Part 1, and that’s followed by a mad dash to the conclusion. Part 1 initially feels like it could be a prelude to everything else, but then someone who dies in that section shows back up in subsequent parts, thereby forcing us viewers to adjust our temporal orientation. Anyway, I haven’t really talked about the plot, but that’s only because I wanted to talk about the structure more.

Grade: Not Bad, But I Prefer the Halsey Song “New Americana”

‘Together’ We Can Take Our ‘First Steps’ (And Many More Steps to Come)

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July at the Picture House (CREDIT: Germain McMicking/NEON; Marvel Entertainment/Screenshot)

Together

Starring: Alison Brie, Dave Franco, Damon Herriman

Director: Michael Shanks

Running Time: 102 Minutes

Rating: R

Release Date: July 30, 2025 (Theaters)

The Fantastic Four: First Steps

Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Ralph Ineson, Sarah Niles, Mark Gatiss, Paul Walter Hauser, Natasha Lyonne

Director: Matt Shakman

Running Time: 114 Minutes

Rating: PG-13

Release Date: July 25, 2025 (Theaters)

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It’s Legal for Comedy to be ‘Naked’ Again in 2025

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Have Gun, will Naked (CREDIT: Paramount Pictures)

Starring: Liam Neeson, Pamela Anderson, Paul Walter Hauser, Danny Huston, CCH Pounder, Kevin Durand, Liza Koshy, Cody Rhodes, Eddie Yu

Director: Akiva Schaffer

Running Time: 85 Minutes

Rating: PG-13 for Cartoonish Violence and Pixelated Nudity

Release Date: August 1, 2025 (Theaters)

What’s It About?: Carrying on the inimitable legacy of his late father, Lieutenant Detective Frank Drebin Jr. (Liam Neeson) is the pride of Los Angeles’ Police Squad division. But he and his partner Ed Hocken Jr. (Paul Walter Hauser) – son of Frank Sr.’s old boss – find themselves a bit stymied by their latest case. Or pair of cases, really. Which are really the same case. First there’s a bank robbery in which none of the culprits actually take any money. Then there’s a dead man in an electric car in a ditch in an apparent suicide. But the deceased’s sister (Pamela Anderson) suspects some foul play. And it all leads back to tech mogul Richard Cane (Danny Huston), who’s seeking to electrically revolutionize the world in his image.

What Made an Impression?: Legacy vs. Independence: In one of the first scenes of this rebooted version of The Naked Gun, Drebin Jr. looks at a portrait of his dad and asks him if he can be both exactly the same as him and also completely his own man. That’s basically the core challenge of any legacy sequel, but it’s especially acute when following in the footsteps of one of the most beloved spoof series of all time. Successful comedy thrives on surprise, but you risk alienation if you stray too far from the established formula. Well, I’m here to happily report that Drebin and Company have achieved their goal. This Naked Gun indeed honors the profoundly silly legacy of its predecessors while also working in a sufficiently altered milieu and blazing its own path.
All the Funny: It certainly helps when the crew behind the scenes has a knack for crafting funny business. Akiva Schafer is the key creative voice here, serving as a director and one of three credited screenwriters (along with Dan Gregor and Doug Mand). Schaffer is best known as one-third of The Lonely Island, the crew responsible for Saturday Night Live‘s Digital Shorts era. Unsurprisingly, he brings an omnivorous and shameless approach to the cavalcade of joke-a-minute gags of display. Vocal puns, text puns, visual puns, background gags, running gags, misdirects, hallucinatory diversions, bizarre character beats: if you hate one joke, don’t worry, because the forecast is like mountainous weather. Which is to say, a new joke is coming in just a minute.
A New Drebin for a New Era: The original Naked Gun movies and the Police Squad! TV show were released in a time when fictional police officials were widely accepted as trustworthy authority figures. But the cultural temperature is a little different in 2025. This Naked Gun is hardly a merciless takedown of copaganda, but it does take some genuinely hard shots at Drebin Jr’s extra-legal behavior. Neeson is just as occasionally oblivious and literal-minded as Leslie Nielsen was before him, but he’s also more feral and clearly deserving of being knocked down a few pegs.
L.A. is Full of Characters: Thus far, I’ve mainly talked about the director and the No. 1 Guy on the Call Sheet, without really spotlighting the supporting cast. So let me say: they’re all great! Pamela Anderson is a natural as the femme fatale, and Hauser is always reliable, while Huston and CCH Pounder also clearly understand the assignment of: “play it straight, and the laughs will follow.” Comedy is alive and naked, baby!

The Naked Gun (2025) is Recommended If You Like: To Laugh, and Laugh Again, and then Laugh Some More

Grade: 4.5 out of 5 Coffee Cups

‘The Luckiest Man in America’ Spreads His Winnings to All of Us

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The Face of Luck (CREDIT: IFC Films)

Starring: Paul Walter Hauser, Walton Goggins, David Straithairn, Brian Geraghty, Patti Harrison, Maisie Williams, Shamier Anderson, Haley Bennett, Damian Young, Lilli Kay, James Wolk, Shaunette Renée Wilson, David Rysdahl, Ricky Russert, Johnny Knoxville

Director: Samir Oliveros

Running Time: 90 Minutes

Rating: R

Release Date: April 4, 2025 (Theaters)

Are ya feeling lucky? Well if you’re watching The Luckiest Man in America, you should be! It tells the story of Michael Larson, the air conditioner repairman and ice cream truck driver who broke the bank when he cracked the pattern on the seemingly random game show Press Your Luck in 1984. In the process, he earned what was at the time the highest single-day winning total on a game show. He’s played by Paul Walter Hauser, who was seemingly made in a lab to bring this sort of huckster to life. Walton Goggins is also pretty damn unforgettable as PYL host Peter Tomarken. The whole cast is unbelievably stacked, in fact. (Even a certain jackass shows up at one point.) By the time the credits roll, you’ll be thinking, “I’m the luckiest person in the movie theater!”

Grade: Absolutely NO Whammies!

‘Inside Out 2,’ Anxiety Boogaloo

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You put the Inside Out, you put the Outside In (CREDIT: Pixar/Screenshot)

Starring: Amy Poehler, Maya Hawke, Phyllis Smith, Kensington Tallman, Tony Hale, Lewis Black, Liza Lapira, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, Diane Lane, Kyle MacLachlan, Sumayyah Nuriddin-Green, Grace Lu, Yong Yea, Yvette Nicole Brown, Ron Funches, James Austin Johnson, Steve Purcell, Dave Goelz, Kirk Thatcher, Frank Oz, Paula Pell, June Squibb, Pete Docter

Director: Kelsey Mann

Running Time: 96 Minutes

Rating: PG

Release Date: June 14, 2024 (Theaters)

I often like to ask if the movies that I watch make me want to be what they are. But of course, what Inside Out and Inside Out 2 posit is that, we are all already inside out. How twisted! Just like Pouchy – what a dynamite addition. Speaking of new characters, I’m already nostalgic for Nostalgia. Damn, that anxiety attack was exhilarating. Don’t spin around with a baseball bat for a dizzy race right before watching this movie!

Grade: 4001 Insides out of 5000 Outs

Memorial Day Weekend 2021 at the Movies Report: Nobody Puts ‘Cruella’ in ‘A Quiet Place Part II’

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(CREDIT: Jonny Cournoyer/Paramount Pictures; Disney/YouTube Screenshot)

A Quiet Place Part II:

Starring: Emily Blunt, Millicent Simmonds, Noah Jupe, Cillian Murphy, Djimon Hounsou, John Krasinski

Director: John Krasinski

Running Time: 97 Minutes

Rating: PG-13

Release Date: May 28, 2021 (Theaters)

Cruella:

Starring: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Mark Strong, Emily Beecham, Kirby Howell-Baptiste, Kayvan Novak, Tipper Seifert-Cleveland

Director: Craig Gillespie

Running Time: 134 Minutes

Rating: PG-13

Release Date: May 28, 2021 (Theaters and Disney+ Premier Access)

A Quiet Place Part II is pretty much more of the same. It’s not exactly the same, as we do get a flashback to right before the aliens arrive, and the Abbott family makes their way to a couple of new locations. But the vibe is very much a continuation, and the feelings it produced in me are pretty much exactly the same as they were the first go-round. Ergo, I will be giving it the exact same grade as I gave the first one.

Meanwhile, Cruella gave me pretty dang different reactions to every previous version of Ms. de Vil. A mashup of 101 Dalmatians, The Devil Wears Prada, and the Flight of the Conchords song “Fashion is Danger,” this is a triumph of getting down with your own bad self. Emma Stone … has got It. Emma Thompson … has got It. Costume designer Jenny Beavan … has outdone herself. That classic rock soundtrack is perhaps a little too dang relentless, though. But that’s the energy of the Cruella vs. Baroness Fashion War! It demands your attention, and more often than not, it earns it.

GRADES:
A Quiet Place Part II: 3.5 out of 5 Shushes (3 Years Old Version)
Cruella: 40 Quick-Changes out of 50 Dresses

I Watched ‘Da 5 Bloods’ and ‘Artemis Fowl’ on the Same Weekend: Here’s What Happened

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CREDIT: David Lee/Netflix; Walt Disney Studios/YouTube Screenshot

Da 5 Bloods

Starring: Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isiah Whitlock Jr., Chadwick Boseman, Johnny Trí Nguyễn, Mélanie Thierry, Paul Walter Hauser, Jasper Pääkkönen, Jean Reno, Victoria Ngo

Director: Spike Lee

Running Time: 156 Minutes
Rating: R for Sometimes Shocking, Sometimes Not-So-Shocking Graphic Violence

Release Date: June 12, 2020 (Netflix)

Artemis Fowl

Starring: Ferdia Shaw, Lara McDonnell, Tamara Smart, Nonso Anozie, Josh Gad, Colin Farrell, Judi Dench

Director: Kenneth Branagh

Running Time: 95 Minutes

Rating: PG for Goofy Fantasy Action

Release Date: June 12, 2020 (Disney+)

I was so worried that I was going to spend so much of my time watching Da 5 Bloods bemoaning its lack of a theatrical release. For one thing, the event status of a Spike Lee joint is unavoidably diminished by an at-home debut, and furthermore, I was concerned that even if I was really feeling it, there would be too many distractions fighting for my attention. Regarding the former, I just had to make peace with that fact. As for the latter, I can’t tell you the last time a Netflix release pulled me in with such a firm grip and refused to let go. A prologue swoops in hard and fast with real-world contextualizing footage from the Vietnam War era: Man goes to the moon! Muhammad Ali refuses to serve! Riots at the DNC! Nguyễn Ngọc Loan is executed! If you look away for even a second, you’re going to miss something essential.

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‘Richard Jewell’ Fits the Profile of a Classic Clint Eastwood Biopic

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CREDIT: Claire Folger/Warner Bros.

Starring: Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde, Nina Arianda, Ian Gomez

Director: Clint Eastwood

Running Time: 129 Minutes

Rating: R for Some Language (Including Innuendo) and a Bloody Crime Scene

Release Date: December 13, 2019

The real life stories that Clint Eastwood chooses for his films make me think he wants to say something grand about society at large. But then he tells them in such a way that makes it clear that he is just talking about this one particular story, especially in the case of Richard Jewell. (That statement comes with the caveat that there are several moments that viewers can extrapolate to draw their own broader conclusions.) During the 1996 Summer Olympics, the title fellow discovered a backpack packed with a bomb while working security at a concert at Atlanta’s Centennial Olympic Park. After alerting authorities and helping spectators clear the area, he was initially hailed as a hero in the media. But then the FBI leaked information to The Atlanta Journal-Constitution indicating that Jewell was considered a suspect, leading to him being constantly hounded by an invasive investigation and a phalanx of relentless reporters outside his home.

Jewell fits the profile of a particular type of lone bomber terrorist: white, male, former military or law enforcement, or wannabe law enforcement, and presumably with a hero complex fantasy wherein he plants a deadly weapon so that he can save people by “discovering” it. Paul Walter Hauser plays Jewell with a confidence and sureness of himself that keeps underlining how much he fits that profile. He has a cache of hunting weapons, a hollowed-out grenade from a military surplus store that he uses as a paperweight, and a deep knowledge of terrorism and anti-terrorism techniques that he is perfectly happy to regale his friends and family with. He’s a bit naive, but not so naive that he doesn’t recognize when public opinion has wildly swung against him. He may not be the culprit, but that by no means absolves all people like him. The message of this one movie is that in this one case, this one guy who fits the profile isn’t guilty.

So when considered as just one particular story that doesn’t deign to have broader implications, Richard Jewell is a riveting tale of someone who was forced to stand up for himself in a way he never thought he would need to. The most crucial scene happens when his lawyer (a nimble and righteously angry Sam Rockwell) exhorts him to stop being so meek and get upset. Hauser lets down his armor and reveals that he could hardly be any angrier, but that doesn’t mean he can change who he fundamentally is as a person. And that is someone who has always believed in the virtue of respecting authority and is now coming to grips with how that authority can be weaponized against the wrong person. Richard Jewell is just one guy, and this one big thing just happened to happen to him. Somehow he survived, and Clint Eastwood was happy to let us know how.

Richard Jewell is Recommended If You Like: The Mule, Classic Olympics highlights, Vintage news clips

Grade: 3.5 out of 5 Suspicious Backpacks

Movie Review: ‘Late Night’ Brings Some Diverse Casting, But Not Diverse Storytelling Ideas, to the Workplace Comedy Genre

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CREDIT: Emily Aragones/Amazon Studios

Starring: Emma Thompson, Mindy Kaling, John Lithgow Denis O’Hare, Reid Scott, Hugh Dancy, Max Casella, Amy Ryan, Paul Walter Hauser, John Early, Ike Barinholtz

Director: Nisha Ganatra

Running Time: 102 Minutes

Rating: R for Comedy Writers Talking as They Do

Release Date: June 7, 2019 (Limited)/Expands Nationwide June 14, 2019

Late Night stars Mindy Kaling (who also penned the script) as Molly Patel, the new hire at a talk show’s previously all-male, all-white writers’ room. But the real kicker isn’t so much the push for a diversity hire as much as it is Molly’s professional background, or lack thereof. She previously worked as an efficiency expert at a chemical plant and made it into her new gig through the most contrived of circumstances. I could complain about how unlikely Molly’s journey is, but I actually don’t care about the unlikelihood. The most improbable version of this story possible is perfectly fine so long as it is also some combination of funny, unique, and insightful. Alas, it is not really any of those things.

CREDIT: Emily Aragones/Amazon Studios

The setup isn’t the problem. In addition to the Molly angle, there’s also the matter of this show being hosted by a woman, the legendary (i.e., relic) Katherine Newbury (Emma Thompson). Late Night tries to say something meaningful about how even a woman can reinforce the good ol’ boy status quo. But Katherine’s mistreatment of her staff transcends gender and race. And ultimately the social commentary amounts to little more than a red herring. This is mainly the story of the odd couple friendship that develops between Katherine and Molly, which is nice enough, but it struggles to be resonant within a rather scattered, shallow approach.

Late Night is Recommended If You Like: Watching old middle-of-the-road late night talk show clips

Grade: 2.5 out of 5 Monologue Jokes

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