A ‘Freelance’ Trip to the Theater

November 8, 2023

jmunney Cinema, Movie Reviews , , , , , , , , 1 Comment

Free your Lance, and the rest will follow! (CREDIT: Relativity Media/Screenshot)

Starring: John Cena, Alison Brie, Juan Pablo Raba, Alice Eve, Marton Csokas, Christian Slater, Molly McCann

Director: Pierre Morel

Running Time: 109 Minutes

Rating: R

Release Date: October 27, 2023 (Theaters)

As I write this review, Freelance is currently luxuriating with a 0% Tomatometer on Rotten Tomatoes. So I went into this frivolous little action comedy with that benchmark (or lack thereof) in mind. And now that I’ve emerged, my ultimate verdict is: it’s not that historically bad. Rather, it’s just a mere trifle. And since I’m in a speculative mood, it probably wouldn’t have remained at zero if more than 25 critics had bothered to review it.

Anyway, the main reason I went to see it was of course because Alison Brie is second-billed. She plays a journalist angling for a Pulitzer who’s recently been brought low by scandal. There are a few scenes of her having to get by on some random celebrity schmoozefest, and I kinda think there should have been more of that. Alison’s really good at elevating characters in low-culture situations who shouldn’t be underestimated, after all.

Grade: 2 out of 5 Fictional Countries

This Is a Movie Review: Jennifer Garner is a Little Too Successful as a Vigilante in ‘Peppermint’

September 7, 2018

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CREDIT: Michael Muller/STXfilms

This review was originally posted on News Cult in September 2018.

Starring: Jennifer Garner, John Ortiz, John Gallagher Jr., Juan Pablo Raba, Annie Ilonzeh

Director: Pierre Morel

Running Time: 102 Minutes

Rating: R for Wanton Lethal Violence

Release Date: September 7, 2018

Early on in Peppermint, Riley North (Jennifer Garner) tells her young daughter that she cannot just go around punching everyone who treats her poorly. It sounds like the sort of lesson that will undergird the whole film. But then Riley decides to completely act against her own advice. To be fair, there is a massive difference in scale at play here. Daughter is upset about a territorial dispute involving Girl Scout cookies, whereas Mom is seeking vengeance against the drug cartel that murdered her little girl and husband. As satisfying as it may be to dispatch people who have committed heinous crimes, responding in kind with violence tends to have unintended consequences and perpetuate a cycle of violence. Peppermint even acknowledges this dilemma, at least momentarily, but then opts to just ignore it.

I don’t want to condemn for Peppermint for advocating for righteous vigilante gun violence. Indeed, I think it is a mark of intellectual health to be able to enjoy explicit violence on screen while understanding it is much less frequently (if ever) justified in real life. But Peppermint makes that reckoning a little difficult by being so slavishly in thrall to its avenging angel. I genuinely worry that this film could be dangerously influential. I normally wouldn’t be so concerned, but the apparent rejection of a sound moral lesson makes this an unusual case.

Ultimately, I believe (or at least hope) that most viewers can understand that this is wish fulfillment of the highest order. Therefore, if Peppermint can establish its action bona fides, then it might actually earn a passing grade. Garner is certainly game, perhaps raring to go hard for a role like this ever since Alias ended 12 years ago. Director Pierre Morel (basically gender-flipping his most famous credit, Taken) keeps the pacing propulsive, but the overall arc is too by-the-numbers, while Riley is too invincible. It’s the kind of affair designed to get you cheering in the moment and not to get you thinking at all afterward.

Peppermint is Recommended If You Like: Death Wish, Taken, Zero consequences

Grade: 2 out of 5 Shotgun Blasts