Greetings From Movie Review, N.J.: ‘Blinded by the Light’ Review

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CREDIT: Nick Wall/Warner Bros.

In my review of Yesterday, I took the disappearing-Beatles film to task for failing to answer all the questions it raised. (Yesterday, I don’t mean to bag on you too hard; you’re enjoyable even though you’re so silly.) Now another movie about the power of one classic musical act has come along, and it benefits from a much tighter focus. Instead of imagining what the entire world would be like without Bruce Springsteen, it captures the profound effect the Boss has on one British-Pakistani teenage boy in 1987 small-town England. But that tight focus doesn’t mean there aren’t plenty of questions to be answered.

Javed Khan (Viveik Kalra) is immediately enraptured the first time he encounters the poet laureate of Asbury Park, and despite their (superficial) cultural differences, he sees a model of inspiration to break out of his hometown and make it as a successful writer. But his new favorite music doesn’t change the fact that he’s growing up in a traditional immigrant family beset by financial struggles and prejudice from their neighbors and the National Front party. Javed thinks that Springsteen’s message is pretty simple, and in some ways, it fundamentally is. But the challenge for him is to look outward with that message when he is tempted to remain inward. Luckily, Blinded by the Light is up to the challenge of answering the questions of how one artist with such a personal touch can inspire someone to be a good son, friend, sibling, boyfriend, neighbor, and overall human. The journey it presents is unfailingly earnest and bursting with ebullience

Blinded by the Light is Recommended if You Like: Bend It Like Beckham, Sing Street, Standing up to neo-Nazis

I give Blinded by the Light 90 Death Traps out of 100 Runners in the Night.

This Is A Movie Review: Aardman Kicks It Stone Age-Style with ‘Early Man’

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CREDIT: Lionsgate

This review was originally posted on News Cult in February 2018.

Starring: Eddie Redmayne, Tom Hiddleston, Maisie Williams, Timothy Spall, Richard Ayoade, Selina Griffiths, Johnny Vegas, Mark Williams, Gina Yashere, Simon Greenall, Rob Brydon, Kayvan Novak, Miriam Margoyles, Nick Park

Director: Nick Park

Running Time: 89 Minutes

Rating: PG for Stone/Rock/Boulder-Based Cartoon Physical Humor

Release Date: February 16, 2018

Early Man is the sort of film that delivers exactly what you expect and hope it would deliver. It is the latest stop-motion animated effort from Aardman, and it is just as understated, British, and charming as Wallace and Gromit, Chicken Run, and Shaun the Sheep. There might be a bit more physical humor this time around, though. It does take place in the Stone Age, after all, so it makes sense that it would feature a significant number of conks on the head.

This is one of those movies that presupposes that subsequent historical periods existed side by side against each other as opposing tribes. It may be true that the Bronze Age followed the Stone Age, but I’m pretty sure it didn’t go down with bronze-toting brutes declaring to a tribe of cavemen, “The Stone Age is SO OVER! Bronze is where it’s at now!” Of course, historical accuracy is not the point here, so these are not complaints, just descriptions of goofiness. It is worth noting, though, that ahistorical larks like Early Man like to pretend that they are historically accurate, thus why we get very precise setting-establishing subtitles like “neo-Pleistocene Age, near Manchester, around lunchtime.” It’s all in good fun!

Early Man is essentially an underdog sports movie, as the fight between the Stonies and the Bronzers comes down to a soccer match (or football, since we’re in England). After a Bronze Age army overruns the Stone Age village, caveman Dug (Eddie Redmayne) bumbles his way into the Bronze city and then brokers a deal with Lord Nooth (Tom Hiddleston) in which the two societies will face off on the pitch to determine who gets to retain residence of the village. As the caveman are totally unfamiliar with the sport, this leads to a predictably silly training montage. Also fitting in with the tropes of the genre is Goona (Maisie Williams), a Bronze Age vendor who defects to help the caveman, since she is not a fan of the big bad team winning all the time without emphasizing teamwork or allowing women into its ranks.

The character design would be grotesque if it were live action, but the Aardman style renders it cute, though still weird, but adorably so. The cavemen are all buck teeth and porcine snouts, while the Bronzers sport skinny heads and exaggerated midsections. The biggest fun comes from the puns based in hindsight and the retrofitted modern technology. Noting that their tribe are early risers, Dug reminds his chief (Timothy Spall) “we’re early men,” and for all you hooligans out there, there is indeed a team named “Early Man United.” But bringing me the most joy has got to be the “instant replay,” in which plays are reenacted with crude figures on a board along the sideline. Obviously this is not the actual origin of replay, but it is fun to spend an hour and a half within a world in which it is.

Early Man is Recommended If You Like: Wallace and Gromit, Chicken Run, Shaun the Sheep Movie

Grade: 3.5 out of 5 Buck Teeth