This review was originally posted on News Cult in January 2018.
NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.
Love It
A Message From the Former President – This is one of the most masterful impressions of all time because it is just bursting with ideas. “The ‘W’ stands “wassup?!,” “Washington, Lincoln, and I want to say, Kensington,” “Shoe me once once, shoe’s on you. Shoe me twice, I’m keeping those shoes” … I could go on forever! And amidst all the goofy bonhomie, there is also a strong clearheadedness about what points are being made, most prominently being: the main reason liberals are now romanticizing the George W. Bush presidency is because at least his disasters were a lot sillier.
This review was originally posted on News Cult in January 2018.
NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.
Love It
What Even Matters Anymore – Too many SNL game show parodies give away way too much of their premises in their titles, and that can be frustrating. But when it is infused with as much real-world anger as “What Even Matters Anymore” is, that obviousness is understandable, and justified. Then there is the joy of the sketch’s structure itself breaking down, as the performative mask (minimal as it is to begin with) starts to fade away, with Jessica, Cecily, and Kate all ultimately playing themselves. But Kenan still gets to play Bernard, and thank God for that.
Chris Redd must have been waiting a lifetime to debut his dark Fresh Prince of Bel-Air parody, huh? And well, the (Method Man-featuring) result is thrillingly confident…The scene at the Jalapeños restaurant is full of laughs not just because of the idiocy on display but also because of all the complicated details that force you to engage so many brain cells…15 seasons in, and Kenan Thompson is still giving showcase performances, as he really examines the wonders of mugging on the Justice for Anne movie set.
This review was originally posted on News Cult in January 2018.
NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.
Love It
The Science Room – The theme of reckoning with inappropriateness is heavy throughout this episode, even in this seemingly innocuous educational show. But mostly “The Science Room” is about the intellectual lapses borne out by nervousness and the frustration they cause. This is no mold-breaker, but it is so well-timed and the details are bizarrely unique (“The oil is…” “False?”). Also, Sam Rockwell drops an F-bomb … whoops!
The Look represents sensitivity run amok, but in a charmingly confused fashion instead of worrisome backlash…Michael and Colin are at the top of their games, with the hottest of their burning asides and the swerving of expected topics into unexpected directions…Okay, so the “dog person” concept at the Next Gene Labs is obviously very silly, but the commitment is just so delightful. Somehow hearing that this good boy is ready to start wearing shoes is the greatest news ever.
This post was originally published on News Cult in December 2017.
Love It
The Race – Office culture really does turn on the most insignificant of dimes that look completely nonsensical from the outside. So why not ramp that up to 11? An eighties-by-way-of-algorithm aesthetic, confident jerkoffs running off together in unison, traumatic holes in pants – it’s all just so left of pastiche that it hits that surreal sweet spot that is Beck and Kyle’s forte so sweetly. A few touches that could be going overboard with the weird – Lindsay (Ronan) being a ghost (and its matter-of-fact acknowledgement), Mac from Mac and Me, a cameoing Greta Gerwig doing the old elevator gag – somehow work when in unison.
This post was originally published on News Cult in November 2017.
News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.
Love It
The Mueller Files – You can take the Update guests out from behind the desk, but you can’t take the desk out of the Update guests. But sometimes that transition is a good thing. A new context can be enlightening. And so we have the Trump sons off on their own adventure, free from the confines of the middle of the show. And the result might be just be SNL’s most confident political satire of this era.
Pete Davidson mercilessly skewers his native Staten Island and the borough’s golden boy Colin Jost in one of his best Update appearances.
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