I Love Watching All Those Matrixes Get Resurrected!

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CREDIT: Warner Bros. Pictures/Screenshot

Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, Jada Pinkett Smith, Christina Ricci, Chad Stahelski

Director: Lana Wachowski

Running Time: 148 Minutes

Rating: R

Release Date: December 22, 2021 (Theaters and HBO Max)

The Matrix Resurrections is perhaps the most self-referential movie ever made. That’s usually a major turnoff for audiences (give or take a Scream), but we’ve all been living in the Matrix ever since the first came out. I love that fact about our lives! So of course the scenes in Resurrections that I loved the most are the ones that most clearly echo the rest of the franchise and reckon with the creation of the movie that we’re watching right now. (Spaceballs, anyone?) I’m obviously talking about the scene where the video game team is pitching (and re-pitching) their sequel ideas. And I’m also talking about Neo and Trinity’s final encounter with The Analyst, what with it being firmly underscored by a theme of second chances. You might have to squint to see the connections in other scenes, but not that hard. Long live the Catrix!

Grade: A Million Miles in One Matrix

Can the Success of 1999’s Most Phenomenal Movies Be Repeated?

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CREDIT (Clockwise from top left): Artisan, Warner Bros., Lucasfilm, Buena Vista

Can we go back to 1999? It’s not just Charli XCX who’s feeling that way. Pretty much every movie studio would like to turn back the clocks 20 years. That annum deserves its iconic status, and that’s partly thanks to a quartet of box office successes that reached the level of phenomenon. Any film executive would kill to have one hit that fully enraptures the culture the way that The Matrix, Star Wars: Episode I – The Phantom Menace, The Blair Witch Project, and The Sixth Sense did, and somehow we got all four of those in one year (within five months of each other, no less). Their success stories are unique within the industry, and unique from each other. Is there any way that they could possibly be repeated now in a very different theatrical landscape? Let’s investigate!

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