‘The Blackening’ is Happening

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Oh, by the way, which one’s Black? (CREDIT: Glen Wilson/Lionsgate)

Starring: Grace Byers, Jermaine Fowler, Melvin Gregg, X Mayo, Dewayne Perkins, Antoinette Robertson, Sinqua Walls, Jay Pharoah, Yvonne Orji, Diedrich Bader, James Preston Rogers

Director: Tim Story

Running Time: 97 Minutes

Rating: R for Language, Molly, and Bows and Arrows

Release Date: June 16, 2023 (Theaters)

What’s It About?: Based on a comedy sketch from 2018 of the same name, The Blackening follows a group of friends converging at a nice little cabin in the woods for a Juneteenth getaway. Alas, there are some bad vibes suggesting that not everybody is going to survive the vacation. At first, it’s just little things, like a creepy cashier staring one of them down in a convenience store, or a park ranger asking to see everyone’s IDs before they enter their rental. But then it quickly becomes a lot more explicitly brutal and racist, with blood on the floor and a creepy board game with a Black Sambo face right in the middle of the board. With a Ghostface-style voice, an unseen gamemaster subjects the friends to a series of ludicrous and sadistic challenges to prove their Blackness (or lack thereof). In these types of movies, it’s usually the Black character who dies first, but when they’ve all got plenty of melanin, it makes for a formula of reckless, satirical shenanigans amidst the mayhem.

What Made an Impression?: See It with a Dang Crowd: I caught The Blackening at its New York Premiere at Harlem’s Apollo Theater, which is pretty much the Platonic ideal for experiencing this type of movie. If it’s been forever since you’ve seen a comedy with a raucous, no-holds-barred crowd, then this is the perfect opportunity to reacquaint yourself with the magic of cinematic social bonding. Watching The Blackening is not the time to be self-conscious. So bring along your whole crew, and then laugh, hoot, and holler to your heart’s content! These characters were written knowing that they would be received that way, and they’re ready for it.
Black History on Juneteenth: The Blackening scene destined to become the most iconic puts everyone’s Blackness to the test with a series of questions about Black history and popular culture. The queries cover such important, wide-ranging topics as Sojourner Truth, the NAACP, and the two Aunt Vivs on Fresh Prince of Bel-Air. But then the gauntlet is truly thrown when the players must identify some Black person – ANY Black person! – who ever appeared on Friends. Bona fides will be tested, so feel free to play along … if you dare.
Blunt AND Clever: Parodies and satire of horror are as old as the genre itself, ranging from the silliness of Abbott and Costello and Scary Movie, to the self-awareness of Scream and Cabin in the Woods. The Blackening manages to lie somewhere in the middle, while capturing the best of both approaches. This is the sort of movie where the most prominent white character is called none other than “Ranger White.” But it’s also the type of movie where the villain is genuinely terrifying, with grievances that are taken deeply and seriously. And it’s also also the type of movie featuring telepathic communication that makes you go, “Yeah, that’s pretty realistic.”

The Blackening is Recommended If You Like: Scream, Undercover Brother, Cabin in the Woods, A Black Lady Sketch Show, Black Jeopardy!

Grade: 3.5 out of 5 Rap Snacks

Movie Review: The Newest ‘Shaft’ is Not the Baddest Mother. Shut Your Eyes.

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CREDIT: Warner Bros./YouTube

Starring: Jessie T. Usher, Samuel L. Jackson, Richard Roundtree, Alexandra Shipp, Regina Hall, Avan Jogia, Titus Welliver, Method Man, Matt Lauria, Robbie Jones, Luna Lauren Vélez

Director: Tim Story

Running Time: 111 Minutes

Rating: R for Shameless Ladies Man Behavior and a Fair Amount of Gunfire

Release Date: June 14, 2019

Private investigator John Shaft has been the epitome of cinematic cool ever since his debut nearly fifty years ago. In the 2000 reboot, Samuel L. Jackson was an obvious choice to continue Richard Roundtree’s legacy as John II, the original Shaft’s nephew. But in the latest iteration, Jessie T. Usher is about as far from badass as he can possibly be as John II’s estranged son JJ. That is meant as both objective fact and damning criticism. He’s supposed to be out of step with the men in his family. He’s working for The Man as an FBI data analyst, and while he’s got some sweet chemistry with a longtime friend (Alexandra Shipp), he’s hardly a sex machine to all the chicks. The idea is that when JJ teams up with his dad to solve a case of wide-ranging corruption, he’ll finally be able to live up to the Shaft legacy, but the concept of cool on display here is too outrageous and unchill to actually be cool.

If you’re expecting a blaxploitation throwback, you’ll need to recalibrate right quickly. This is much more of a culture clash buddy comedy, solidly in the vein of director Tim Story’s work in the Ride Along series. The central conflict is between Sam Jackson Shaft pushing a toxic form of big dog masculinity and Jessie Usher Shaft being a reasonable human being. It’s nice that JJ pushes back against his dad’s bullheaded ideas of how to be a man, but it doesn’t help that every Jackson delivery of emotional immaturity and gay panic is meant to be a laugh line. Overall, this Shaft is confused and vastly out of touch, as exemplified by a stunning moment of gun fetishization in which JJ shows off his firearms skills to the tune of a classic Phil Spector Wall of Sound needle drop and then immediately afterward reiterates his distaste of guns. Adding to the confusion is John Sr. and John II acting like they’re now father and son instead of uncle and nephew. Perhaps that’s an effort to distance the original from a potentially legacy-killing sequel, which is an understandable decision.

Shaft is Recommended If You Like: Stomping all over the classics

Grade: 1.5 out of 5 Trench Coats