Jeff’s Wacky SNL Review: Will Ferrell/King Princess

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CREDIT: Rosalind O’Connor/NBC

Hey, you. Yeah, you. Do you want to know a little secret? Will Ferrell is my favorite SNL cast member of all time! He regularly graced the Studio 8H stage from 1995 to 2002, and I don’t think it’s too out of line to say that he appeared in a lot of hilarious sketches that multiple people remember fondly. Since ending his tenure and moving on to other career ventures, he’s also made time to return for some visits, which has led up to him hosting for the FIFTH time on November 23, 2019, thereby becoming only the fourth former cast member to join the Five-Timers Club. Also appearing in an official capacity in this episode is musical guest King Princess. She’s only 20 years old currently, and I think she’s someone we’ll be noticing for a while.

Alec Baldwin-Trump showed up for the White House press conference cold open (Grade: 3/5 Large Pies, Extra Cheese), and somehow it felt somewhat fresh. It helped that it was just a few minutes long, and Will F. imbued some new energy into the proceedings as Gordon Sondland. You can always bank on an excellent Monologue (Grade: 4.5 New Blorks) from Will Ferrell (or as Tracy Morgan says, “Will fuh-RELL!”), thanks to his knack for subverting common monologue tropes. This time was no exception, as he became phantasmagorically puddly-lipped in the presence of surprise guest Ryan Reynolds.

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Entertainment To-Do List: Week of 5/3/19

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CREDIT: Philippe Bossé

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Long Shot (Theatrically Nationwide)

Podcasts
Primetime (Premieres May 9) – Hosted by Vox Cultural Critic Todd VanDerWerff!
The Ron Burgundy Podcast – This premiered back in February, but somehow I’m only realizing just now that it’s available.

SNL Review January 27, 2018: Will Ferrell/Chris Stapleton

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CREDIT: Alison Hale/NBC

This review was originally posted on News Cult in January 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

A Message From the Former President – This is one of the most masterful impressions of all time because it is just bursting with ideas. “The ‘W’ stands “wassup?!,” “Washington, Lincoln, and I want to say, Kensington,” “Shoe me once once, shoe’s on you. Shoe me twice, I’m keeping those shoes” … I could go on forever! And amidst all the goofy bonhomie, there is also a strong clearheadedness about what points are being made, most prominently being: the main reason liberals are now romanticizing the George W. Bush presidency is because at least his disasters were a lot sillier.

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This Is a Movie Review: ‘Daddy’s Home 2’ is Amiably, Almost Transcendently Sweet, Except When Its Nasty Side Mucks Things Up

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CREDIT: Paramount Pictures

This review was originally posted on News Cult in November 2017.

Starring: Will Ferrell, Mark Wahlberg, John Lithgow, Mel Gibson, Linda Cardellini, Alessandra Ambrosio, John Cena

Director: Sean Anders

Running Time: 100 Minutes

Rating: PG-13 for Alarmingly Near-Lethal Accidents and the Budding Birds and Bees

Release Date: November 10, 2017

There is a principle in improv comedy that stresses avoiding introducing conflict too quickly, as arguments can be anathema to the performative harmony required by yes-and’ing. That same advice is not as often applied to a scripted narrative, as conflict is frequently the engine that drives the plot. But for a family-centric hangout comedy like Daddy’s Home 2, which derives its most humorous moments out of character-based foibles, it might actually be best to keep conflict to a minimum. For its first 30 minutes or so, this sequel easily bests its original by allowing its blended families to be mostly harmonious. But it cannot quite quit its nasty, mean-spirited streak. Still, there are enough moments that genuinely convey the magic of the holidays and the power of choosing love over frustration for this to mostly be a success.

When we first check back in on Brad (Will Ferrell) and Dusty (Mark Wahlberg), they’re the perfect picture of co-dadding. Whenever they are told that theirs is a strange arrangement between father and stepfather, they do not care, because they genuinely get along with each other now, despite their significant differences. But all is not 100% well, as the kids are not fans of swinging back and forth between two houses, especially on Christmas. The solution: one big holiday getaway with all the kids and all the parents, with Brad’s dad Don (John Lithgow) and Dusty’s dad Kurt (Mel Gibson) joining to add a few new wrinkles.

The juxtaposition between these two patriarchs is where DH2 derives most of its laughs. Don and Brad are unabashedly close, always greeting each other with a kiss on the lips. Dusty, meanwhile, resents Kurt for rarely showing up to be an adequate father and grandfather. These stark differences could lead to a bunch of cheap gags, but instead the interplay between this quartet remains mostly palatable, thanks to the sweet treatment of Don and Brad’s closeness, Kurt not being as much of a Neanderthal as the previews implied, and the film clearly presenting his absenteeism and macho bullshit as bad things. Plus, Brad and especially Don avoid being bullied by remaining confident in their identities and playfully acknowledging Dusty and Kurt’s different personal styles.

Thus why it is too bad that DH2 cannot trust itself to maintain this bonhomie. Every little disagreement and accident gets blown way out of proportion. Sure, even people who get along get on each other’s nerves every once in a while, but generally they do not turn into completely unrecognizable assholes, as they do in this film. There are plenty of funny moments of folks just goofing off, so there is no comedic need for all the shouting and chaos.

This over-the-top-tendency does not even touch on the moments of (unintentional?) pure horror, when mishaps with heavy machinery and weaponry result in main characters just a few inches away from death. A snow blower gets stuck in Christmas lights and flies around the house! An errant chainsaw nearly impales Brad! Don gets lost and is almost left facedown in the snow overnight! A shotgun accidentally fires, and the bullet grazes Kurt’s arm! Somehow all this madness leads to a genuinely heartwarming conclusion that almost makes all these extremes almost forgivable.

One particularly insightful scene represents what Daddy’s Home 2 is at its best and for a few minutes, places it among the upper tier of 2017’s cinematic offerings. It is telling that this film understands certain improv principles, as an outing at an improv show demonstrates the danger and revelations that can happen at a live comedy performance. Don has been taking improv classes, so Brad has volunteered him as an audience participant. A prompt for the scene hits a little close to home, exposing the secrets cracking away at his endlessly chipper façade. The wrenching agony on Lithgow’s face presents an actor at the top of his game, always giving his all no matter how silly or sentimental the material.

Daddy’s Home 2 is Recommended If You Like: National Lampoon’s Christmas Vacation, The Other Guys, Anything with John Lithgow

Grade: 3 out of 5 Loaded Guns (Literal and Metaphorical)

SNL Recap December 12, 2015: Chris Hemsworth/Chance the Rapper

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SNL: Chance the Rapper, Chris Hemsworth, Bobby Moynihan

This review was originally posted on Starpulse in December 2015.

When Chris Hemsworth first hosted “SNL,” almost every sketch featured the theme “Let’s Ogle Chris Hemsworth’s Body.” Perhaps because of that prurience, the show could not wait even a year to have him back, and his physique is once again a major part of the material. He does not even bother to plug his current movie, except to obliquely reference it in a way that underscores how huge he looks even when having lost weight for a role. Elsewhere, this episode finds plenty of room to address Donald Trump’s call to ban all Muslims, driving the political material to tip-top shape.

Announcement from George W. Bush – Some time last decade, there was a Doonesbury cartoon recounting how terrible the George H.W. Bush presidency seemed at the time, but now, compared to his son, he looked prudent and reasonable. Somehow, everyone in the current Republican field is either ridiculous or feckless enough to grant W. a similarly favorable reevaluation. Will Ferrell is welcomed back with cheers partly because it is one of the best impressions in “SNL” history, but also because the guy he is playing really would be preferable to this notorious lineup. He certainly provides some perspective. As fodder for comedy, the 2016 candidates may be buffoons, but they are also depressing. None of them are so playfully silly that they could conceivably wonder what happened to all the leprechauns. B+

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SNL Recap May 12, 2012: Will Ferrell/Usher

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Cold Opening – Biden’s Room
Biden’s presence in political sketches the past few seasons has generally worked in SNL‘s favor, as he brings a silly energy that tends to mix up the staid formula that has set in for most recent political sketches.  Biden’s starring role – along with Will’s goofy-at-a-Hall-of-Fame-level Dubya – set the tone for an episode that was at its best when it was seriously silly. B+

Will Ferrell’s Monologue
The cue card gag was on a par with Steve Martin saying, “Line?” at the end of the Not Gonna Phone It In Tonight cold open.  Will Ferrell and Mom = Will Ferrell and emotions, which is always a formula for at least some success. B

One-a-Day Extra Strength Nasaflu
Well, one doesn’t really need any reason to listen to Will Ferrell scream-sneeze, but it would have been nice to have more of a sketch built around it. B

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