There’s a certain trope that’s kind of popular in TV and movies. And you can tell that it’s popular because the characters are always so enthusiastic when it happens. In fact, it’s kind of defined by its enthusiasm. I’m talking about, you guessed it, the almighty Title Drop! It’s that triumphant moment when movie characters say the name of the movie within the course of the movie itself. If they do it really well, it makes you go, “Hey, that’s the name of the movie!” (Thanks, Arrested Development!) And Onward, as it turns out, has a doozy of a title drop. In fact, I’ve decided I would like to evaluate the entire film based on how strong that title drop is.
But first, I’ll run through some more straightforward thoughts I have. This tale of elf bros Ian (Tom Holland) and Barley (Chris Pratt) attempting to resurrect their dad for one day feels like a pretty straightforward quest adventure, although it does have the added twist of taking place in a world where magic has petered out despite the population of magical creatures. Ultimately a big part of your enjoyment of Onward will likely depend on how much you connect to its message of brotherhood. And as a brother, and someone who has a brother, I must fairly say, I felt the brotherly vibes. If you too are a brother, or have ever imagined what it feels like to be a brother, you might feel similarly.
Now, back to that title drop. As the action is really starting to ramp up, with Ian taking the wheel of Barley’s trusty van Guinevere, Barley commands, “Put it in ‘O’ for ‘Onward’!”
In the latest “Aunt Beth Tells Jeff to Watch…” mini-episode, Aunt Beth insists that Jeff finally get down with the Rose family and head to Schitt’s Creek.
Saturday Night Live Season 45 wasn’t meant to end early, after all. Social distancing restrictions might make a live broadcast a little difficult right now, but they haven’t diminished our capacity to create and consume comedy. Thus, we have our first ever “SNL at Home” episode. It’s all pre-recorded, but so was a significant portion of the 1984-85 season, and that was a great year!
Tom Hanks and Chris Martin are officially announced as the host and musical guest, and I see no reason not to include this episode towards the official all-time ledger. Erg, Hanks has now entered diamond status as a ten-time host!
On to the show, which begins with the cast quickly saying hi via Zoom and then goes into an at-home-ified opening montage. Meanwhile, I prepared for the show by running about 12 miles on Saturday morning, going to bed early, getting plenty of z’s, and then watching the sketches early on Sunday (as per usual). Bananas seem important in this era (and all the time), so I had one with my cereal for breakfast.
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
TV
–SNL at Home (April 11 on NBC) – A remotely produced new episode of Saturday Night Live.
–Insecure Season 4 Premiere (April 12 on HBO)
–Killing Eve Season 3 Premiere (April on AMC and BBC America)
-NBA HORSE Challenge (April 12 on ESPN)
–American Dad! Season 17 Premiere (April 13 on TBS) – Still one of the most consistent shows on the air!
–Mrs. America Series Premiere (April 15 on Hulu) – Starring Cate Blanchett as Phyllis Schlafly.
–What We Do in the Shadows Season 2 Premiere (April 15 on FX)
Music
-The Strokes, The New Abnormal
Podcasts
A couple of great-so-far podcasts have recently launched:
–The Darkest Timeline – Community co-stars Joel McHale and Ken Jeong answer your questions.
–Oh, Hello: the P’dcast – Gil Faizon and George St. Geegland have discovered a new medium in which to deliver their tuna.
In assembling my picks for the best TV episodes of the past decade, I noticed that I was leaning heavily on the comedy side. This was unsurprising, as I tend to watch more sitcoms than dramas. But the difference was even more pronounced than usual. I think that makes sense, because on average, comedies tend to be specifically designed on an episodic basis moreso than dramas.
I should also note that I did not limit shows to any prescribed maximum. You’ll notice that certain programs keep popping up, like Community and Nathan for You. They deserve it, as they’re the types of shows that revolutionized themselves on the regular.
So here are the television morsels from the 2010s that shine within the context of their full works and also stand brilliantly on their own.
Not too long before I watched Velvet Buzzsaw, I discovered that its director, Dan Gilroy, has been married to one of its stars, Rene Russo, for nearly 30 years. I migh have previously known that fact, but I don’t think I knew about it as far back as Gilroy’s last film, 2014’s Nightcrawler, which also featured Russo acting quite excellently. Besides making movies together, they also have a daughter who’s already all grown up. I mention all this because I enjoy thinking about the familial background that can go into making a movie. And also, I find it more satisfying to think about the Gilroy-Russo family than I do to think about Velvet Buzzsaw. That’s not to say that Velvet Buzzsaw is bad, but rather, it’s just to say that I’m the type of person who generally finds it heartening to see even just a snapshot of any family life.
Anyway, it’s particularly interesting to think about this marriage in light of Russo’s death scene in Buzzsaw, which her husband wrote AND directed! Honestly, I think it’s the sign of a good relationship when you can orchestrate your spouse’s death onscreen but not do so in real life. It’s a pretty gnarly moment and probably the best realization of the movie’s concept of “killer art.” I got a real Wes Craven’s New Nightmare “art imitating life” vibe during Velvet Buzzsaw‘s first deadly set piece. It takes us a little while to get to all the moments of the paintings and pieces tearing up human flesh, but when they do happen, they’re impressively, lavishly staged. But I think I would have recommended getting to the gore a little more quickly, because before we get there, we don’t have much to latch on to, other than Jake Gyllenhaal (who, you may recall, was also previously directed by Gilroy in Nightcrawler) as a fellow named “Morf” lounging around naked with only a laptop to cover his naughty bits.
I give Velvet Buzzsaw3 Thick Black Eyeglass Frames out of 5 Wax Families.
It’s time for another edition of “Karaoke Korner!” The artist selections this time have come from Jeff’s sister, Kaity. She would like him to choose the best karaoke songs from Saint Motel, The Bangles, and Queen.
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
TV
–Community on Netflix (Started streaming on April 1) – The greatest show of the 2010s is finally streaming on the biggest streamer around.
–Jeopardy! College Championship (April 6-17, Check local listings)
–The Last O.G. Season 3 Premiere (April 7 on TBS)
–Modern Family Series Finale (April 8 on ABC)
–Who Wants to be a Millionaire? Revival Premiere (April 8 on ABC) – Hosted by Jimmy Kimmel!
–The Good Fight Season 4 Premiere (April 9 on CBS All Access) – I’m still a few seasons behind, though.
One of the big themes about entertainment in the past decade is the incomprehensible explosion of available content in every medium. While this may be a recent development in cinema and television, it’s been the case for music for centuries, or even millennia. Since humans have been banging on rocks and clapping their hands, really. Of course, it was a little more recent than that when recorded music became readily available.
This is all to say, I of course haven’t listened to every album of the past ten years that made its way onto SoundCloud or Spotify, or even all the Billboard chart-toppers. But I did listen to enough of them to be able to assemble a vibrant and varied soundtrack of my life in the 2010s. Here are the musical collections of the era that I just haven’t been able to stop pushing play on.
[4/2/20 2:00 PM UPDATE: This post originally mistakenly included Justice’s †, which came out in 2007.]
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