Entertainment To-Do List: Week of 12/26/25

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Imagine if this is in a box for you this holiday season (CREDIT:
Sony Pictures Entertainment/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Anaconda 2025 (Theaters)
The Choral (Theaters) – Starring Ralph Fiennes.
Song Sung Blue (Theaters)
The Testament of Ann Lee (Theaters)

TV
Twilight Zone Christmas and New Year’s Marathons (December 25-26 and December 31-January 2 on Syfy) – A wonderful annual tradition.

Watch And/Or Listen to This: Kyle M’s “Mrs. Claus is Getting Down”

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CREDIT: kyle/Stones Throw/Screenshot

A new seasonal classic:

‘Anaconda’ 2025 Reboot Edition is Just the Right Sort of Silly-Meta

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They want more than none (CREDIT: Matt Grace)

Starring: Jack Black, Paul Rudd, Thandiwe Newton, Steve Zahn, Daniela Melchior, Selton Mello, Ione Skye

Director: Tom Gormican

Running Time: 99 Minutes

Rating: December 25, 2025 (Theaters)

Release Date: PG-13 for Chomping and Squeezing and Some Drug Tripping

What’s It About?: Back in the ’90s, a group of friends were dreaming of a silver screen future. But flash-forward to the 2020s, and they’ve all settled into B-grade (maybe B+) lives. Doug (Jack Black) is a wedding videographer whose cinematic instincts keep getting rebuffed by his clients; Griff (Paul Rudd) is a bit part actor whose big break is nowhere in sight; Kenny (Steve Zahn) is working as Doug’s screwup assistant and trying to get sober; and Claire (Thandiwe Newton) is adrift in her foundering marriage. Upon reuniting, they decide in the thrill of the moment to produce an amateur remake of one of their favorite movies of all time: the notorious 1997 creature feature Anaconda. So then they actually fly down to the Amazon, rent a real live snake, and start shooting an actual goshdang moving picture. But it doesn’t take long for things to become pear-shaped, as the crew gets tightly wrapped within a misadventure that’s starting to resemble the original way more than they bargained for.

What Made an Impression?: How Not to Get Bit By an Excess of Cleverness: I haven’t been closely following the pre-production leading up to 2025’s Anaconda, but this definitely feels like a case of desperately trying to reboot intellectual property by any means possible. Settling on a goofy self-aware version could have been too cute by half, but with Jack Black and Paul Rudd in the leads, you’ve got the exact right stars to thread the needle. And honestly, Tom Gormican and Kevin Etten’s script gets the point across pretty well on its own. As for the rest of the main players, Steve Zahn is absolutely a reliable enough supporting player, while Thandiwe Newton may be a little less practiced in this arena, but she understands the assignment as well as everybody else.
Subheading About What Made an Impression: As an example of how Anaconda makes the meta approach work, characters say the word “themes” as a punch line all by itself multiple times… and it works each time! (It certainly helps that one of the horror themes du jour they’re poking fun at is intergenerational trauma.)
Making It Happen: If Anaconda wants us to teach a lesson alongside all the slithering chaos, there are two opposing pitfalls it could have easily fallen into: telling us that it’s much safer to just give up on our dreams, or stubbornly insisting that we never give up on our dreams no matter what our reality. It’s not cynical enough for the former, and it’s actually thoughtful enough to avoid the latter. The message (as sweetly underscored by Doug’s wife Malie, played by the always-sweet Ione Skye) isn’t that we should just drop all our responsibilities to reclaim our lost passions. But rather, if we don’t give ourselves a chance (or at least an indulgence) every once in a while, our souls will just slowly wither away. And if we’re lucky, our most supportive loved ones will be there to nudge us along (and hopefully serve as our emergency contacts in case anything goes wrong!).

Anaconda (2025) is Recommended If You Like: Scream but wish that it were a creature feature

Grade: 3 out of 5 Themes

Jeff’s Wacky SNL Review: Ariana Grande/Cher

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Cher-ing is caring (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Wow, would you look at that? For the 9th episode of the 51st season of Saturday Night Live, we’ve got Ariana Grande as host and the one and only Cher as musical guest. I appreciate this reality we’re living in. At least this little slice of it.

As this is the last new episode before the 25th, and I’ve been in a particularly festive mood this holiday season, my reviewing gimmick for this episode will consist of saying “Merry Christmas” to whatever aspect of each sketch most deserves it.

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That’s Auntertaiment: What’s Jeff Watching? #20 & 2025 Holiday Special

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20

A quick word from J&B before 2025 is through!

Entertainment To-Do List: Week of 12/19/25

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Merry Christmas, Merry Christmas! (CREDIT: Fearless Records)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Avatar: Fire and Ash (Theaters)
The Housemaid (Theaters)
Is This Thing On? (Theaters)
Marty Supreme (Theaters)
The SpongeBob Movie: Search for SquarePants (Theaters)

Music
-Peter Criss, Peter Criss
-The Pretty Reckless, Taylor Momsen’s Pretty Reckless Christmas – Cindy Lou Who grew up, but she still loves Christmas.
-Ben Hosley and Various Artists, Slow XMas 5 – A holiday tradition.

‘Marty Supreme’ is Firing on All Cylinders

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He’s Supreme-ing all over the place! (CREDIT: A24)

Starring: Timothée Chalamet, Gwyneth Paltrow, Odessa, A’zion, Kevin O’Leary, Tyler Okonma, Abel Ferrara, Fran Drescher, Koto Kawaguchi, Sandra Bernhard, Spenser Granese, Luke Manley, John Catsimatidis, Isaac Mizrahi, George Gervin, Ted Williams, Emory Cohen, Géza Röhrig, Larry “Ratso” Sloman, Ralph Colucci, Penn Jillette

Director: Josh Safdie

Running Time: 150 Minutes

Rating: R for Plenty of Language, Inescapable Violence, and Some Embarrassing Nudity

Release Date: December 19, 2025 (Limited Theaters)/December 25, 2025 (Expands Nationwide)

What’s It About?: Marty Mauser (Timothée Chalamet) could just be the biggest deal in the world of 1950s global athletics. That’s how transcendent his table tennis skills are. Now you may be thinking, “Table tennis? Measly old ping pong? What are you getting on about?” Well, Marty doesn’t have any patience for your skepticism. In fact, he doesn’t have patience for much of anything. On the rare occasions when he loses, he throws a fit about how his opponents aren’t playing the game properly. And when he’s back home in New York City in between tournaments, he’s getting up to all sorts of trouble, much of it of his own making. He’s being pulled in a million different directions, by a colorful cast of characters who are equally charmed and enervated by him. They include his very pregnant childhood friend (Odessa A’zion) who’s married to someone else but claims that the baby is his; a faded movie star (Gwyneth Paltrow) he’s trying to mack on; her control freak husband (Kevin O’Leary, aka Shark Tank‘s “Mr. Wonderful”) who could also be his sponsor; his uncle (Larry “Ratso” Sloman) who tries to get him arrested to teach him a lesson; some random criminal (Abel Ferrara) who puts Marty in charge of his beloved dog; and his taxi driver friend (Tyler Okonma, aka Tyler, the Creator) who gets strung along for the ride. Meanwhile, his mother (Fran Drescher) is caught in the background looking incredulous.

What Made an Impression?: I Probably Would’ve Fallen Asleep: There are some movies that I’m afraid to talk about too in depth when reviewing them because I don’t want to spoil anything. Marty Supreme is similar but profoundly different: I don’t want to say too much because I could easily end up just listing all the plot details without providing any analysis. This is a dense flick that also manages to whiz by despite its two-and-a-half-hour running time. Ostensibly a sports drama, it’s also just as much a crime caper, screwball comedy, and lovingly realized period piece. And each slice of the pie delivers.
That Boy Can Ball: But let’s be clear, even though the plot isn’t all ping pong all the time, Chalamet came to play. There are no half-measures with this thespian. He’s expressed his desire to be one of the all-time greats, and he’s clearly compelled to impress his audience. But this isn’t joyless Method acting, instead it only makes us hungry for more. Just as he served as a musical guest on SNL after playing Bob Dylan, I wouldn’t put it past him to show up paddle in hand for the 2028 Los Angeles Summer Games.
A Champion for the Ages: To sum it all up, Marty Supreme is one of the most unmissable cinematic experiences of the year, a runaway train that careens off the tracks all the way to Jupiter. And a bang-up entertainer like this delivers an appropriately propulsive soundtrack, with Oneohtrix Point Never delivering one of his typical mind-melting scores, while some needle drops from the ’80s offer temporal displacement that somehow doesn’t feel anachronistic. Give yourself time and space to breathe after this one, you’re gonna need it.

Marty Supreme is Recommended If You: Wish that Uncut Gems had been more like Forrest Gump (or vice versa)

Grade: 4.5 out of 5 Orange Ping Pong Balls

‘The Housemaid’ Delivers on Its Promise of Twisty and Shocking Thrills

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They were maid for this (CREDIT: Daniel McFadden/Lionsgate)

Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Michele Morrone, Elizabeth Perkins, Indiana Elle

Director: Paul Feig

Running Time: 131 Minutes

Rating: R for Sex, Nudity, A Shocking Amount of Violence, and Other Disturbing Behavior (Including Sexual Assault)

Release Date: December 19, 2025 (Theaters)

What’s It About?: Millie Calloway (Sydney Sweeney) is desperate for a job, any job, especially one that’ll guarantee a roof over her head. She’s an ex-con out on parole who’s been living in her car, you see. So it feels like a miracle when she’s hired by Nina Winchester (Amanda Seyfried) as a live-in housemaid for her gated suburban mansion. Nina’s husband Andrew (Brandon Sklenar) and seven-year-old daughter Cecelia (Indiana Elle) are a little puzzled at first by their new roommate, but it’s really Nina that Millie has to watch out for, despite their promising start. Her behavior becomes increasingly unstable as she constantly gaslights Millie. Meanwhile, Andrew is lifesavingly eager to protect his new employee. But as you might suspect, The Housemaid is the type of movie where these characters aren’t exactly who they initially seem to be.

What Made an Impression?: History Repeating Itself: Is Sydney Sweeney basically just Amanda Seyfried but a decade younger? If we thoroughly compare and contrast their personalities and career arcs, it probably won’t be an exact match. But in this movie, their already similar faces and hair are styled about as closely as they possibly can be. And that is surely intentional in pretty much every way you can possibly conceive of.
Can We Be Real?: The Housemaid is a movie that you’ve got to be patient with, and director Paul Feig trusts that his audience will be okay with a two hour-plus runtime despite the breeziness of the trappings. Furthermore, you have to be willing to accept that until the final act, Seyfried is pretty much the only actor who’s not suppressing her emotions. But the payoff is worth it, because the climax is climactic all over the place. And before we get there, it’s not completely devoid of entertainment value, especially thanks to some especially droll line readings, like “Juice is a privilege, not something you drink out of a dirty glass.”
Broke is What They’re Going For: Throughout this review, I’ve been teasing just how twisty and revelatory this movie’s conclusion is. So of course I’m going to conclude by teasing that aspect once again. Obviously, now’s not the time for spoilers, but I will say that The Housemaid spends its last 45 minutes or so earning its R rating, and then some. Covers are dropped, old wounds are revealed, new wounds are poked, and just desserts are delivered forcefully. Folks, if you’re planning on seeing this, you gotta do so in a crowded theater full of stunned ooh’s and ah’s.

The Housemaid is Recommended If You: Wished that Conclave had been more like The Stepford Wives

Grade: 3.5 out of 5 Fake Resumes

‘Search for SquarePants’ is Proof that SpongeBob Belongs on the Big Screen Forever

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Is it Sponge-worthy? (CREDIT: Paramount Pictures)

Starring: Tom Kenny, Bill Fagerbakke, Clancy Brown, Rodger Bumpass, Mark Hamill, Regina Hall, Carolyn Lawrence, Mr. Lawrence, George Lopez, Ice Spice, Arturo Castro, Sherry Cola

Director: Derek Drymon

Running Time: 96 Minutes

Rating: PG for Cheeky Humor Overload

Release Date: December 19, 2025 (Theaters)

What’s It About?: The Flying Dutchman wants to break free! But will his scheme to accomplish that goal also result in the downfall of Bikini Bottom’s most famous fry cook? SpongeBob SquarePants (voiced as usual by the indefatigable Tom Kenny) has finally grown just tall enough to ride the local physics-defying rollercoaster. But when he actually lays his peepers on it, he suddenly decides that he’s not ready after all, so instead he and his best pal Patrick Star (Bill Fagerbakke) go on a deep(er)-sea adventure to prove their mettle as swashbucklers. Unfortunately, that puts him in the crosshairs of the aforementioned Dutchman (voiced nearly unrecognizably by Mark Hamill), who sees in Mr. SquarePants the perfect sacrificial lamb to break the curse of his ghostly existence. But have no fear, as Mr. Krabs (Clancy Brown) and a surprisingly not-that-reluctant Squidward (Rodger Bumpass) are in hot pursuit to ensure that the boys have a little help to get back home safely.

What Made an Impression?: How I Learned to Stop Worrying and Love the Sponge: At this point, it’s important to establish some context in my own personal SpongeBob journey. I was 11 when the show premiered on Nickelodeon in 1999, which is to say that I was almost too old to become a fan of a new Nicktoon. But this one had a surreal sensibility that held an ageless appeal to hook me just in time. However, it was never Priority Number One in my TV viewing schedule, and by my college years, it had fallen pretty much completely by the wayside. Fast forward a generation or two later, and I’m stunned to discover that new episodes are still being produced. Apparently, that longevity is the source of significant controversy, as creator Stephen Hillenburg (who passed away in 2018) reportedly wanted the show to end after the release of the first big-screen outing in 2004. Plus, the switch to a more computer-generated animation style has represented the loss of a lot of the original charm for a significant segment of the fandom. But as someone who gradually drifted away from Bikini Bottom with no ill will, I don’t have any declared loyalty in these dilemmas.
Always Ready: So all that background info is a windup to saying that I came to Search for SquarePants with an open mind and an eagerness to rediscover that logic-breaking glee of days gone by. And I must say: I found it. Oh baby, I found it! This movie is an absolute delight that lives up to the very best of SpongeBob. The demented energy and penchant for absurd set pieces that mash up the animation with cheap-looking live-action are just as on point as they’ve ever been. Of course though, as someone who’s been out of the loop, I can’t declare for sure if this is a return to form or rather a continuation of sustained excellence. But I can confidently insist that this outing is a fine addition to a sterling legacy.
They’ve Got a Way with Words: To prove how much I loved this movie, I will enter into evidence my moviegoing notebook, which is absolutely filled to the brim with transcriptions of the most hilarious bits of dialogue. Here are some choice selections, which may or may not be just as gut-busting out of context:
-“But-but-but-” “Butts are for toilets.”
-“We can’t lose in a Winnebago.”
-“I say puh-tay-toh, you say puh-tah-toh.” “No, I don’t.”
I also  lovingly wrote down a bunch of descriptions of visual gags, including a particularly cheeky one involving a brick that’s highlighted in the trailer.
Cool as Ice: Finally, I must heap special praise upon the theme song of SpongeBob’s growth spurt, “Big Guy” by Isis Gaston, aka The Bronx’s own Ice Spice (who also has a small part as an amusement park worker). It’s a total banger that’ll be thumping on my speakers throughout the holiday season. It’s not quite as iconic as Wilco’s “Just a Kid,” but give it a few years, and I might just be ready to declare that it’s on the same level.

The SpongeBob Movie: Search for SquarePants is Recommended If: You loved SpongeBob back in the day and have fond memories you’d like to revisit, or if you never stopped loving this yellow guy and want to spend more time in boisterous movie theaters

Grade: 4 out of 5 Dutchmen

Jeff’s Wacky SNL Review: Josh O’Connor/Lily Allen

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I like Josh’s sweater, but I would never wear it, because I don’t ever wear sweaters (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Thank you for visiting this Saturday Night Live Review Space once again. In this edition, we’re dissecting the eighth episode of the 51st season. It was another British Invasion, as England natives Josh O’Connor and Lily Allen formed the guest lineup.

For my Reviewing Gimmick this time, I’ll be taking inspiration from the upcoming new SpongeBob movie. Thus, my take on each segment will be Bikini Bottom-themed as I utilize Mr. SquarePants’ signature declaration and declare what I’m Ready for from each sketch.

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