jmunney’s Top Cinematic Choices for February 2026

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Keep your ear to the ground for news about great movies (CREDIT: Warner Bros./Screenshot)

They keep making new movies, and some of them are even worth watching. Here’s what’s at the top of the slate for [MONTH YEAR]:

Wuthering Heights: I’ve never read the book, but the idea of Charli XCX soundtracking any classic romantic literary adaptation sounds unimpeachable to me.

Wuthering Heights will be reached in cinemas beginning February 13.

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Entertainment To-Do List: Week of 1/30/26

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I’ve got a case of the Wockas (CREDIT: Disney Plus/ABC/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Moment (Theaters)
A Poet (Theaters)
Send Help (Theaters)
Shelter (Theaters) – The latest Jason Statham January pic.

TV
-Grammys (February 1 on CBS and Paramount+) – Trevor Noah hosts again, reportedly for the last time.
Good Sports (Tuesdays on Amazon Prime) – This premiered back in November, but Amazon failed to remind me in a timely manner. Anyway, Kenan Thompson and Kevin Hart are back at it following their Olympics gig.
The Muppet Show (February 4 on ABC and Disney+) – Hopefully this revival lasts for one more episode.

‘Dead Man’s Wire’ Straps Us In and Doesn’t Let Go

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You’re probably wondering how they got there… (CREDIT: Row K/Screenshot)

Starring: Bill Skarsgård, Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo, Al Pacino, John Robinson, Kelly Lynch

Director: Gus Van Sant

Running Time: 105 Minutes

Rating: R

Release Date: January 16, 2026 (Theaters)

Dead Man’s Wire captures the real-life story of Tony Kiritsis (Bill Skarsgård), who in 1977 stuck a contraption onto his mortgage broker Richard Hall’s (Dacre Montgomery) neck that would set off a point-blank shotgun blast if  Hall tried to escape. It’s one of the most exhilaratingly strange and disturbing kidnappings that I’ve ever witnessed, and now I can’t help but ask: what are our own dead man’s wires? If life is just one long march to death, then what are those seemingly ever-present albatrosses that will wipe everything away if we lean forward a little too much? Personally, I like to think that I’ve got enough equilibrium to not be dealing with anything like that right now. Maybe I’m not being reflective enough, or maybe that’s just a sign of healthy baseline security. Either way, I’m thankful. But to anyone out there who feels like sharing: did this movie metaphorically resonate with you in a way that was a little too close for comfort?

Grade: 0 Safeties out of 1 Mood Board

Does ‘Mercy’ (the Movie) Take Mercy (the Virtue) on Our Souls?

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Is this the face of mercy? (CREDIT: Amazon MGM Studios)

Starring: Chris Pratt, Rebecca Ferguson, Annabelle Wallis, Kylie Rogers, Kali Reis, Chris Sullivan, Kenneth Choi, Rafi Gavron, Jeff Pierre

Director: Timur Bekmambetov

Running Time: 100 Minutes

Rating: PG-13

Release Date: January 23, 2026 (Theaters)

Have Mercy? In the latest Screenlife venture from director Timur Bekmambetov, some dude played by Chris Pratt must prove his innocence vis-à-vis the murder of his wife to an AI judge embodied by Rebecca Ferguson within an hour and a half, or else he will be instantly executed. So now that I’ve seen this movie, I of course must ask the question: did it make me want to be replaced by artificial intelligence? To which I’ll answer: of course not!

But if that replacement hypothetically must happen, would I prefer that it be Rebecca Ferguson-style? Well, when you put it that way, she does at least bring something unique to the occasion. But I’d still be fighting against it, because it’s just not living up to its supposed potential. Anyway, the movie kind of abandons its Screenlife gimmick for the last ten minutes or so as it gives way to a frenetic climax, and it’s overall a pretty rollicking time at the movies.

Grade: 4 out of 5 Acts of Clemency

Lead vs. Supporting Conundrums: 2025 Edition

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CREDIT: Buzzfeed/Screenshot

Every Awards Season, I like to step forward and offer my own take on the dilemma of whether certain acting performances in the conversation should be Lead or Supporting. There are still a few contenders I’ve yet to see, but I haven’t heard any cries of Category Fraud related to those, so here are my assessments:
-Unlike last year’s first part, both Cynthia Erivo and Ariana Grande are Leads in Wicked: For Good (Ariana even more so than Cynthia).
-Though I can see the argument for Lead, Chase Infiniti is Supporting in One Battle After Another.
-Though he carries himself like a Lead, Paul Mescal ultimately settles into a Supporting space in Hamnet.

BONUS!: Is This a Comedy?
The following movies have been categorized as comedies by awards bodies that split films into genres, thereby raising the Skepticism Hackles of some awards watchers. So here’s my verdict on whether or not they are in fact comedies:
One Battle After Another: Kind of, but not really
Marty Supreme: Yes!
-Should we stop splitting movies into “Drama” and “Comedy” but also nominate The Naked Gun for everything, regardless of genre?: Yes!

This assessment originally appeared in the Official Jeffrey Malone Newsletter. Subscribe here!

Entertainment To-Do List: Week of 1/23/26

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Arco (Theaters) – Oscar-nominated French animated movie that counts Natalie Portman among its producers.
Mercy (Theaters) – The latest Screenlife effort from director Timur Bekmambetov.

TV
Shrinking Season 3 Premiere (January 28 on Apple TV)

Music
-Megadeth, Megadeth
-Poppy, Empty Hands
-Lucinda Williams, World’s Gone Wrong

Entertainment To-Do List: Week of 1/16/26

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This screenshot features a fine bow tie (CREDIT: Dropout/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
All You Need is Kill (Theaters) – Previously adapted as Edge of Tomorrow.
Night Patrol (Theaters)
28 Years Later: The Bone Temple (Theaters)
A Useful Ghost (Theaters)

TV
The Fall and Rise of Reggie Dinkins Series Premiere (January 18 on NBC) – New sitcom with Tracy Morgan and Daniel Radcliffe premiering right after football; further episodes return in February.
Jeopardy! Tournament of Champions (Begins January 19; check local listings)
Um, Actually Season 11 Premiere (January 20 on Dropout)

Music
-A$AP Rocky, Don’t Be Dumb
-Madison Beer, Locket
-They Might Be Giants, Eyeball

Sports
-Australian Open (January 18-February 1 on the ESPN Family of Networks) – But with the time difference, it’ll still be January 17 in the U.S. when it starts.
-College Football Playoff Final (January 19 on ESPN) – Hoosier daddy, gridiron edition?

‘Night Patrol’ Offers Its Hyperkinetic Spin on Urban Warfare

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Which one’s Night, and which one’s Patrol? (CREDIT: IFC Films/RLJE Films/Shudder)

Starring: Justin Long, Jermaine Fowler, RJ Cyler, Freddie Gibbs, CM Punk, YG,  Flying Lotus, Dermot Mulroney, Jon Oswald, Nicki Micheaux

Director: Ryan Prows

Running Time: 104 Minutes

Rating: R for Intense and Frequently Stylized Violence and Gore

Release Date: January 16, 2026 (Theaters)

What’s It About?: In the world of Night Patrol, it’s pretty much all-out war between the LAPD and the city’s black residents. Now, it’s not exactly a unique insight to claim that the police are disproportionately targeting people of color. But director Ryan Prows’ vision amplifies the conflict to the max with a conspiratorially supernatural bent. The action mostly centers around Ethan (Justin Long), a patrol officer following in his father’s footsteps, and his partner Xavier (Jermaine Fowler), a former Crip member who’s basically been disowned by his family. They get caught in the middle of a conflagration that comes to an over-the-top head when a simple car search quickly escalates into murder. Soon enough, Ethan finds himself lured within the dark underbelly of the titular patrol, while Xavier must decide who he will align himself with as his community rises up and makes its final stand.

What Made an Impression?: What Monsters Be These?: Night Patrol is one of those movies that’s kind of tricky to review, as there’s a reveal about a third of the way through that could be considered the premise, or a surprise twist. (Or both!) Thus, I can’t really get into specifics without severely spoiling the whole shebang. So if you want to be fully unspoiled, stop reading right now and come back later. But for those of you who don’t mind a tease here and there, I’ll say that if you saw Sinners and wished that it had been in modern day SoCal instead of the 1930s American South, then Night Patrol might just be the movie for you. It’s not exactly the movie for me, though, at least not as much as Sinners was, as that period piece approach did quite a bit of the thematic legwork for the bloodsucking reveal. Maybe this sort of genre mix could have worked in Night Patrol‘s milieu as well, and what we’ve got isn’t nothing. But this particular mashup of supernatural and gritty struck me as a minor triumph at best.
Taking It to the Limit: The climax of this wild movie stretches far beyond the horror genre as it takes its battle onward and upward. It cribs quite a bit from superhero flicks, with some iconography in the vein of Superman, Iron Man, and Chronicle (that last reference point rounding it out with a more verite spin). It also gives off some Predator vibes and rambles on about a bunch of creepy folklore. It’s a throw-all-the-spaghetti-at-the-wall strategy that’ll certainly grab your attention, though chances are you’ll be wishing it were a more coherent, cohesive sum of its parts.

Night Patrol is Recommended If You: Want to Smell All the Asphalt in Your Horror Flicks

Grade: 3 out of 5 Generational Secrets

’28 Years Later: The Bone Temple’ Finds a Little Tenderness Amidst the Rage

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Come on, send him your bones! (CREDIT: Miya Mizuno/Columbia Pictures)

Starring: Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman, Chi Lewis-Parry, Emma Laird, Louis Ashbourne Serkis, Maura Bird, Ghazi Al Ruffai, Sam Locke

Director: Nia DaCosta

Running Time: 109 Minutes

Rating: R for Big Ol’ Zombie Nudity Again, Plus Some More Graphic Zombie Violence, But Even More Disturbing Uninfected Human-on-Human Violence

Release Date: January 16, 2026 (Theaters)

What’s It About?: Last we saw of young lad Spike (Alfie Williams) in post-Rage Virus Britain, his mom had died of cancer, while he opted to fend for himself as his dad headed back home. Now he finds himself in the clutches of the Jimmys, a cultish group of scavengers who sport blond wigs in the style of disgraced English DJ Jimmy Savile. Under the leadership of the charismatically cruel Sir Lord Jimmy Crystal (Jack O’Connell), they psychopathically enforce their will over anyone and everyone. It’s a dangerous conscription, though it offers pretty solid protection against the zombified humans infected by the Rage Virus. Speaking of the infected, the most fearsome in the last chapter was the hulking specimen known as Samson (Chi Lewis-Parry), who finds himself forming an unlikely companionship with Dr. Ian Kelson (Ralph Fiennes), who may just have developed some reliable treatments all these years later.

What Made an Impression?: I Think I’m Going to Ralph: 28 Years Later featured Ralph Fiennes being his usually terrific self, but it’s The Bone Temple that really lets him explore entirely new dimensions. He brings tenderness to an unlikely buddy comedy, cavorts with the forces of evil, and delivers a choreographed dance to Iron Maiden. It’s as full and varied a performance as you could possibly ask for.
Consistency is Key: It can be tricky shooting multiple sequels together and releasing them within a year of each other. Making matters even trickier is when you switch up the director, with Nia DaCosta taking over the reins from Danny Boyle this time around. But no need to worry, as the same sensibility manages to sufficiently survive. (I’m sure it helped that Alex Garland stayed on as writer.) Furthermore, DaCosta takes firm ownership over this chapter, and it might be my favorite feature from her yet.
The Man Behind the Wig: At times, the Jimmys are just unbearably ultraviolent, and it doesn’t feel like there’s much of a point to that beyond mere indulgence. Plus, O’Connell is all too willing to be as depraved as possible. Fortunately, we eventually get a peek behind the mask to discover how he became this menace in a way that rounds out the full storytelling picture without being overly pat. If things start out a little too mean for your tastes, just be patient, and everything will eventually be in its right place.
And One More Thing!: If things go well enough at the box office, there will be (at least) one more chapter in the Rage Virus saga, and The Bone Temple‘s final coda tantalizingly teases what that will be. You don’t need to stick around until after the credits to see it, but nevertheless make sure you pay attention all the way to the end.

28 Years Later: The Bone Temple  is Recommended If You: Like being in the middle of a storytelling circle and winding around the corner with the end in sight

Grade: 3.75 out of 5 Jimmys

Entertainment To-Do List: Week of 1/9/26

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When I saw this photo, I was like, “These people are on va-cay!” (CREDIT: Michele K. Short/Netflix © 2025)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Dead Man’s Wire (Theaters)
OBEX (Limited Theaters)
People We Meet on Vacation (January 9 on Netflix) – Based on an Emily Henry novel.
Primate (Theaters)

TV
-Golden Globes (January 11 on CBS) – Hosted by Nikki G. once again.

Music
-The Kid LAROI, Before I Forget

Podcasts
Two Guys, Five Rings – The Las Culturistas boys head to Milano Cortina for the Winter Games.

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