Robbie Williams Devolves in the Cheeky Rock Biopic ‘Better Man’

1 Comment

Man! I feel like a Better Man (CREDIT: Paramount Pictures)

Starring: Robbie Williams, Jonno Davies, Steve Pemberton, Kate Mulvany, Alison Steadman, Damon Herriman, Raechelle Banno, Jake Simmance, Liam Head, Jesse Hyde, Chase Hollenweider, Tom Budge, Leo Harvey-Elledge

Director: Michael Gracey

Running Time: 135 Minutes

Rating: R for Sex, Drugs, and Pop Rock ‘n’ Roll

Release Date: December 25, 2024 (Limited Theaters)/January 10, 2025 (Wide Theaters)

What’s It About?: Based on my understanding, Robbie Williams is one of those fellows who’s a whole heck of a lot more popular on the other side of the pond than he ever was in the US of A. I know him best for his pre-Y2K hit “Millennium,” which I have plenty of fond memories of, but he never seemed like the kind of superstar who would get swarmed by rabid fans. But apparently he is in his native land of Merry Ol’ England! His career kicked off in the early 90s as a member of the boy band quintet Take That, and then he eventually broke off for a solo career. In the process, he endured all those vices endemic to the rock star lifestyle: addiction, rocky home life, rollercoaster romances. And eventually, he lived a life worthy of a biopic in which he’s portrayed as a chimp-human hybrid.

What Made an Impression?: Going Ape: Better Man is one of those biopics where the subject plays himself, which you might be surprised about considering what I just said in the last paragraph. To be thorough, though, he didn’t do it on his own! He mostly narrates as his future wiser self, while Jonno Davies provides the bulk of the visual performance with a motion capture routine to set up the CG chimpanzee animation. (Carter J. Murphy contributed child Robbie’s vocals, while Adam Tucker is credited with “additional vocals.”) If you enjoyed the recent LEGO-animated Pharrell documentary Piece by Piece, chances are you’ll also find something to appreciate about Better Man. The narrative is undeniably straightforward and maybe even a little bit cliché, but committing to the chimp gimmick the whole way through is nevertheless a simple and effective trick to increase the freshness a thousandfold.
Single Male Chimp Seeking…: While I was grateful to see Chimpanzee Robbie, I guess it also made me a little greedy, because I couldn’t help but wonder: why wasn’t everyone else a primate? While that may have made for a more visually diverse experience, I must accept that that wasn’t the movie that this creative team wanted to make. Instead, we got what we got because Robbie felt adrift as an ape-man in a sea of ostensibly more normal humans. Still, there was plenty of room for even more flights of fancy. One climactic highlight consists of a concert turning into a chimpanzee battle royale in which Robbie vanquishes various parts of his psyche, and there could have been more of that. The overall gimmick didn’t disappoint, but it did get subsumed into a fairly traditional story. It may have been an honest telling of Robbie’s experience (and perhaps even effective therapy for him), but you kind of get the feeling that Better Man wanted to burst through with even more unbound creativity.

Better Man is Recommended If You Like: Behind the Music, Animal Planet, non-London English accents

Grade: 3 out of 5 Chimpanzees

Asif Kapadia Tries to Warn Us About the Looming Apocalypse That’s Due to Arrive by ‘2073’

Leave a comment

Is mankind still alive? (CREDIT: NEON)

Starring: Samantha Morton, Naomi Ackie

Director: Asif Kapadia

Running Time: 85 Minutes

Rating: Unrated (It’s About as Objectionable as the Nightly Network News)

Release Date: December 27, 2024 (Theaters)

What’s It About?: It’s 2073 AD, and a survivor (Samantha Morton) living underground in a 12 Monkeys-esque dystopia is wondering where it all went wrong. Then she somehow stumbles across a documentary about how unfettered climate change and the rise of authoritarianism in the late 20th and early 21st centuries led to the downfall of society. Anyone who remains alive is now subject to the conformism of “re-education,” but maybe there’s a chance to take things back to how they once were? Or maybe, just maybe, if you’re watching this in 2024, you can prevent it from ever happening in the first place.

What Made an Impression?: Shameless Didacticism: In case my synopsis didn’t make it clear, 2073 is a straight-up documentary with a fictional futuristic framing device. If you’re looking for a narrative arc for Morton’s survivor character, you won’t find that here. Instead, you’ll mostly be treated to interviews with journalists like Maria Ressa imploring us to pay attention to what is actually happening in the world. If you already follow the news closely, none of the footage or insights will come as a surprise, nor will the corresponding doomerism. Director Asif Kapadia has found success before with documentaries about singular human beings like champion motor racer champ Ayrton Senna and pop star Amy Winehouse, but it’s harder to be insightful about the ENTIRE world.
Searching for Signs of Bravery in This New World: Sometimes when I see a movie, I have a very clear idea about what type of movie it is, and other times, the opposite is true, whether because of confusing marketing or lack of research on my part, or some combination thereof. I don’t think either approach is inherently better than the other, but it can be frustrating when you’re expecting one thing and something else entirely unfolds on the screen. Such was the case for me with 2073. It was kind of interesting as I gradually realized that the documentary portions were the entire point, as opposed to a quick diversion. Now that you’ve read this review, you won’t have the same misconception and will surely have a different experience than I did. I’d be interested in hearing what sort of impact that had.

2073 is Recommended If You Like: Explainer Videos

Grade: 2.5 out of 5 Events

Merry Christmas from Rock Stars, Vampires, and Boxers, Oh My!

3 Comments

Merry Christmas from the Movies! (CREDIT [Clockwise from Top Left]: Aidan Monaghan/Focus Features; Sabrina Lantos/Amazon MGM; A24; Macall Polay/Searchlight Pictures)

A Complete Unknown

Starring: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, P.J. Byrne, Will Harrison, Charlie Tahan, Ryan Harris Brown, Eli Brown, Michael Chernus

Director: James Mangold

Running Time: 141 Minutes

Rating: R for Arrogant Artist Behavior

Release Date: December 25, 2024 (Theaters)

Nosferatu

Starring: Bill Skarsgård, Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Ralph Ineson, Simon McBurney

Director: Robert Eggers

Running Time: 132 Minutes

Rating: R for Ecstatic Sex and Bloodsucking

Release Date: December 25, 2024 (Theaters)

The Fire Inside

Starring: Ryan Destiny, Brian Tyree Henry, Oluniké Adeliyi, De’Adre Aziza, Sarah Allen

Director: Rachel Morrison

Running Time: 109 Minutes

Rating: PG-13 for Language, Jabs, and Hooks

Release Date: December 25, 2024 (Theaters)

The cinematic landscape at Christmas is typically dominated by franchise blockbusters and family-friendly flicks, with awards hopefuls also trying to make their way into the mix. But then there are also always some oddballs of various genres for anyone who prefers a more aggro or otherwise offbeat holiday. What’s interesting about December 25 this year is that all four of the wide releases arriving alongside Santa could be categorized in the alternative section. So which one of them should be your chaser after opening up all your presents? Or should you down some nog in preparation of a double feature? Here’s my take on the polar landscape.

More

‘Sonic the Hedgehog 3’ Review: Sonic vs. Anti-Sonic

1 Comment

This is not Sonic, even though it kind of looks like him (CREDIT: Paramount Pictures and Sega of America, Inc.)

Starring: Ben Schwartz, Colleen O’Shaughnessey, Idris Elba, Keanu Reeves, Jim Carrey, James Marsden, Tika Sumpter, Krysten Ritter, Natasha Rothwell, Shemar Moore, Lee Majdoub, Tom Butler, Alyla Browne, James Wolk, Sofia Pernas, Cristo Fernández, Adam Pally, Jorma Taccone

Director: Jeff Fowler

Running Time: 110 Minutes

Rating: PG for All the Silly Cartoony Action Nonsense

Release Date: December 20, 2024 (Theaters)

What’s It About?: Our true-blue, Ben Schwartz-voiced shiny speedster is enjoying his happy family life with his adoptive parents and his fox and echidna friends. But some secrets in the halls of power threaten to get in the way of that blissful domesticity. You see, back in the 1970s, a clandestine government program created Shadow the Hedgehog (voiced by Keanu Reeves), who is basically, naturally enough, a shadow version of Sonic. He’s on the loose now, and that of course threatens the stability of the entire world. So Sonic, Tails, and Knuckles form an uneasy alliance with their archnemesis Dr. Robotnik (Jim Carrey) and Robotnik’s long-lost grandfather (also Carrey) to get Shadow back into the shadows.

What Made an Impression?: How Can You Say No to This Guy?: I never played the Sonic video games all that much while growing up, and I only kind of like the first two movies, but whenever there’s a new cinematic adventure with the most famous hedgehog in the world, I find myself getting inexplicably excited. A lot of that has to do with Schwartz’s effervescent, incorrigible vocal performance. And it also probably has something to do with the fact that no matter how convoluted these plots get, it’s clear that everyone is having tons of fun. This franchise is no marvel of storytelling, but it is kind of impressive how wholesome it’s managed to remain amidst all the chaos.
Keep Punching It Up: For the most part, the most complimentary I can be about Sonic 3 is that it’s a pleasant enough diversion for a couple of hours. But occasionally it really comes alive with some especially punchy dialogue, like when one character is mistaken for Detective Pikachu, or when Robotnik describes himself as “undesirable to all possible genders.” Those probably don’t sound as funny typed out as they do in context, but they definitely got some laughs at my screening. Anyway, I most certainly wish that the script had focused on being clever like that more often. The requisite goofiness is certainly there, but it gets distracted by this little thing called saving the world, which isn’t what I’m coming to Sonic movies for. But maybe that’s just me!

Sonic the Hedgehog 3 is Recommended If You Like: The possibility that there could be a new Sonic movie every two years for the foreseeable future

Grade: 2.5 out of 5 Sycophants

All I Want for Christmas is for More People to See ‘The Order’

Leave a comment

Order up! (CREDIT: Vertical/Screenshot)

Starring: Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Alison Oliver, Marc Maron, Odessa Young

Director: Justin Kurzel

Running Time: 116 Minutes

Rating: R

Release Date: December 6, 2024 (Theaters)

The Order came out in theaters on the first weekend of December, aka the dumping ground between the mega-blockbusters of Thanksgiving and the mega-blockbusters of Christmas. So it probably won’t be on the big screen for much longer! But if you’re in the mood for a bleak, based-on-a-true-story crime thriller as the mercury plummets and the wind starts whipping, then you may just want to check out Jude Law as a weary FBI agent hunting down Nicholas Hoult as an ambitious white supremacist terrorist. (Marc Maron also pops up as an outspoken radio host!) It’s a worthwhile watch if you want to reckon with the most portentous corners of society.

To sum it all up, I’d like to paraphrase my own headline: all I want for Christmas is for the world to be cured of neo-Nazism.

Grade: 4.5 Attempts to Contain the Disorder out of 6 Kids Birthday Parties

‘Nickel Boys’ Lets You in on the Action

1 Comment

If I had a Nickel for every Boy… (CREDIT: Courtesy of Orion Pictures)
© 2024 Amazon Content Services LLC. All Rights Reserved.

Starring: Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, Hamish Linklater, Fred Hechinger, Daveed Diggs

Director: RaMell Ross

Running Time: 140 Minutes

Rating: PG-13 for Racism and Authoritarianism

Release Date: December 13, 2024 (New York Theaters)/December 20, 2024 (Los Angeles Theaters)

What’s It About?: Young Elwood Curtis (Ethan Herisse) has a promising future ahead of him in 1962 Florida. He’s excited about heading off to college, but then an unfortunate encounter leads to a false accusation and a stint at the brutal reform school Nickel Academy, where he befriends a fellow student/inmate named Turner (Brandon Wilson). Elwood seems more or less confident that he’ll be able to leave eventually, although the truth soon hits him hard as he realizes that he’ll need to be particularly crafty if he wants to return to a life of freedom anytime soon. Meanwhile, the much more hardened Turner has come to accept that the only way to escape before “graduating” is in a body bag. And as bad as all that sounds, occasional flashes to the future reveal that even darker practices are afoot at this institution.

What Made an Impression?: The Power and Limits of POV: If you’re a scholar of filmmaking techniques, you’ll notice something right away that makes Nickel Boys unique. On the other hand, if you’re a complete novice regarding the language of film, you still might notice something, even if you don’t quite have the vocabulary for it. That’s because director/co-writer RaMell Ross and his cinematographer Jomo Fray decided to shoot this whole dang thing from a first-person point of view, as if the camera were strapped to the heads of a couple of the main characters. We mostly follow Elwood’s perspective, but about halfway through, it alternates between his and Turner’s POV. I found this approach more interesting than mesmerizing, although I have noticed that plenty of my colleagues were much more blown away. While it didn’t work on me as well as it could have, it’s definitely not ostentatious; Nickel Boys is essentially about the reconstruction of traumatic memories, so it makes sense to strictly limit the available information in this fashion.
Digging Up the Dirt: So is there any chance that Elwood and/or Turner make it out of Nickel alive? Feel free to skip this paragraph if you want to go in having absolutely no idea, but if you don’t mind being teased a bit more, I will say that the glimpses of what happens decades later are both seamless and tantalizingly detached. They’re focused on a surreptitious investigation into Nickel that has the “trust no one” vibe of classic X-Files. There aren’t any aliens of cryptids, but there’s enough institutional malfeasance to make it feel unnervingly supernatural. The ideas at play in this movie won’t come as a surprise to anyone whose eyes are open, but chances are it will still leave you with a feeling you won’t be able to shake.

Nickel Boys is Recommended If You Like: Big Formal Swings

Grade: 3.5 out of 5 Points of View

Kyle Mooney Takes Us Back to ‘Y2K’ for a Coming-of-Age Apocalypse

1 Comment

Did these guys do it all for the Nookie? (CREDIT: Nicole Rivelli/A24)

Starring: Jaeden Martell, Rachel Zegler, Julian Dennison, Daniel Zolghadri, Lachlan Watson, Eduardo Franco, Fred Durst, Kyle Mooney, Mason Gooding, The Kid Laroi, Miles Robbins, Tim Heidecker, Alicia Silverstone, Lauren Balone, Kevin Mangold

Director: Kyle Mooney

Running Time: 93 Minutes

Rating: R for Stabby Electronics, Potty Humor, and Teenage Party Antics

Release Date: December 6, 2024 (Theaters)

What’s It About?: It’s December 31, 1999, and all Eli (Jaeden Martell) wants to do is finally hook up with his crush Laura (Rachel Zegler). His good buddy Danny (Julian Dennison) has his back, but pretty much everyone else in their high school relentlessly mocks them. But soon enough, that’ll be the least of their worries, because of this little thing called the Y2K virus. The start of the year 2000 was supposed to cause mass confusion among the world’s electronics as they mistakenly interpreted those last two digits as 1900. But in the real world, the new year rolled in with merely a blip. But what if instead the Y2K bug was a signal for all the computers to unite into a singularity and conquer humanity, and what if it all went down in Eli and Danny’s hometown?

What Made an Impression?: Apocalyptic Nostalgia: Y2K was directed and co-written by Kyle Mooney, who was 15 in December 1999. His fondness for the era is abundantly clear, and you get the sense that he was kind of disappointed that the world didn’t explode on January 1. I’m sure he didn’t actually want things to turn quite as violent as his movie does, but this nevertheless feels like a dream come true in a way. Basically, Y2K is what happens if you go, “What if the 1998 teen comedy Can’t Hardly Wait had been about the end of the world?” And that promise certainly sounds invigorating.
The Mooney House Style: In his years as a YouTube creator and Saturday Night Live cast member, Mooney perfected his own unique version of what is often termed “awkward” or “cringe” comedy. And while those descriptors are certainly accurate, they don’t fully capture his arsenal, as his videos also often manage to be quite sweet and weirdly exhilarating. Which is one way of saying, it’s really hard to do what Kyle Mooney does if you’re not Kyle Mooney or one of his longtime collaborators. Martell, Zegler, Dennison and the rest of the young cast all do their best to play believable, well-rounded teenagers. But in attempting to bring Mooney and Evan Winter’s script to life, it’s like they’re speaking in a language they’re not quite fluent in. Mooney himself naturally proves to be much more readily capable as a video store employee, as does fellow iconic weirdo Tim Heidecker as Eli’s dad. Perhaps the now-40-year-old Mooney could’ve pulled a PEN15 and played the lead character himself?
My Bizkit Hasn’t Been This Limp in Years: Finally, we as a moviegoing society in 2024 have to talk about something very important, as this is the second movie this year trading on our collective familiarity with a certain iconic/infamous rock star. Yes indeed, after Limp Bizkit frontman Fred Durst was unrecognizable in I Saw the TV Glow, he shows up in Y2K as himself to save the world with the power of nu metal. Like a lot of teens and preteens in 1999, I was more or less obsessed with Limp Bizkit, but I thought I had grown out of that as I put childish things away. But now we find ourselves at this cultural reckoning where we must ask ourselves: is the bard behind “Nookie” and “Break Stuff” a national treasure? If my limited understanding of a certain famous psychologist and theorist is correct, then there’s something Jungian about how Durst keeps popping up. Mooney certainly has a knack for tapping into the collective unconscious, and Y2K is at its strongest when you can feel him utilizing that skill.

Y2K is Recommended If You Like: Dial-up modems, Cheesy outdated computer graphics, Getting lost among the cliques

Grade: 3 out of 5 Viruses

‘A Real Pain’ is a Real Delight

Leave a comment

No Real Pain, No Real Gain (CREDIT: Searchlight Pictures)

Starring: Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes

Director: Jesse Eisenberg

Running Time: 90 Minutes

Rating: R

Release Date: November 1, 2024 (Theaters)

Before I saw A Real Pain, I read and listened to what other people who had seen it thought about it. (That’s the sort of thing that happens when you’re a big fan of movies and you like to be a part of the conversation.) Some people expressed how they tend to be bothered by extremely neurotic folks like David (Jesse Eisenberg), whereas others expressed how they tend to be bothered by unpredictable wild cards like David’s cousin Benji (Kieran Culkin). Meanwhile, I’m like, “They’re both driving me batty!” Or they would, if I were interacting with them in real life. But instead, I’m watching their movie and declaring, “This is beautiful.” That’s the Power of Cinema!

Grade: Not Painful at All, Instead It Felt Like an Emotional Massage

‘Nightbitch’ is for the Canine Within All of Us

2 Comments

The Nightbitch Cometh (CREDIT: Searchlight Pictures)

Starring: Amy Adams, Scoot McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, Mary Holland, Archana Rajan, Jessica Harper

Director: Marielle Heller

Running Time: 98 Minutes

Rating: R for The Messiness of Family Life While Raising a Toddler

Release Date: December 6, 2024 (Theaters)

What’s It About?: Amy Adams plays a Mother who’s been feeling a little suffocated at home lately. That’s because she’s taking some time off from her art career to raise her toddler Son (played by twins Arleigh Patrick and Emmett James Snowden), while her clueless Husband (Scoot McNairy) goes off each day and does a business. And it’s not just the sleepless nights and the constant messes that are driving her feral. You see, when the moon comes up, she becomes someone, or something, else. During the day, she is a human woman, but when the sun goes down, she is Nightbitch.* Yes indeed, the rumors are true, this Mother regularly transforms into a canine and stalks the neighborhood on all fours. (*I don’t remember her ever actually referring to herself as “Nightbitch” in the movie, it might’ve just been in the trailer. But either way, it is the name of her movie, after all.)

What Made an Impression?: Don’t Give Up on Yourself: A lot of the pre-release buzz about Nightbitch has dismissed (or celebrated) it as a 30 Rock gag come to life, but what’s most striking about the actual movie (based on Rachel Yoder’s 2021 novel of the same name) is how gentle and almost timid it is with its central metaphor. It’s just a dollop of magical realism rather than a whole course, as the Mother only fully surrenders to her canine side just a couple of nights. Or it’s possible that she transforms every night but doesn’t always remember it. Either way, the final cut is not filled beginning to end with nonstop doggone antics. But that makes sense, because that untamed version of the Mother has been suppressed so deeply ever since she started staying at home. But as the bitch begins to emerge, she mostly keeps it hidden from everyone else, even though it’s one of the most attractive things about her. Her husband, for example, certainly never sees the complete dog version, but what he can sense is a major turn-on. You wouldn’t have expected this sort of performance out of Amy Adams if you’ve only seen her in Junebug and Enchanted, but she has no qualms about getting down and dirty.
Thank You for Being a Friend: While Nightbitch makes its central point viscerally and unmistakably, it’s hardly revelatory. The Mother’s dilemma about losing herself is the same nightmare that pretty much any woman who is thinking about having kids faces. In these kinds of stories, the harried mother protagonist too often finds herself disappointing all womankind. But fortunately in this case, the Mother has a wonderful support system in the form of three lovely, rambunctious friends (Zoë Chao, Mary Holland, and Archana Rajan), as well as a wise, mysterious librarian (Jessica Harper). At a certain point, you have to wonder: are these women also nightbitches? The evidence points to no, but also… maybe? Either way, this is a wonderful story about letting the people in your life in to see the real you, whether or not that includes turning into a dog.

Nightbitch is Recommended If You Like: Admitting the things you’ve been too afraid to say for far too long

Grade: 3.5 out of 5 Magical Women

‘Queer’ Bounces Around 1950s Mexico City and Then Heads Down to the Jungle

Leave a comment

A still from the movie Queer, accompanying a review of the movie Queer (CREDIT: Yannis Drakoulidis/A24)

Starring: Daniel Craig, Drew Starkey, Jason Schwartzman, Lesley Manville, Drew Droege, Henrique Zaga, Omar Apollo, Ariel Schulman, David Lowery

Director: Luca Guadagnino

Running Time: 135 Minutes

Rating: R for Explicit Sex and Explicit Drug Use

Release Date: November 27, 2024 (Theaters)

What’s It About?: Sharp-dressed 1950s man-about-town William Lee is hanging out in Mexico City, since his status as an opioid addict makes him a criminal back in the United States. True to the title of the movie he’s in (and the William S. Burroughs novella it’s based on), he whiles away his days looking for other men to hook up with (when he’s not otherwise occupied by getting high or downing tequila). One strapping young lad named Eugene Allerton (Drew Stareky) particularly catches his attention. He’s a little different than the other guys in the city’s queer community, but soon enough, he and Lee are inseparable, and then they head down to the jungles of South America to find a doctor who can open up their mind to the possibility of telepathy.

What Made an Impression?: Constant Intoxication: Queer is divided into three chapters and an epilogue; the first is easily the most plotless, though it’s not without its charms. It would have you believe that the Mexico City of 70 years ago was made up entirely of bars that exclusively catered to American gay men, alongside the occasional movie theater. This means that we get to see Daniel Craig attempt a few awkward dances of seduction before fully dropping trou on multiple occasions. The sex scenes are much more explicit (and passionate) than the average theatrically released American movie (regardless of the orientation of the characters), so that’s worth noting if you’re worried that cinema has lost its horny edge. But if you’re like me, you might start to wonder if this is what the entire movie is going to be non-stop for two hours and 15 minutes. Fortunately, some other stuff happens eventually as well.
Vipers and Vegetation: As Lee and Allerton knock on the door of the doctor in the jungle (a barely recognizable Lesley Manville), they’re greeted by an angry snake who nearly rips their heads off. And it’s at precisely this moment that reality becomes more or less fully altered. Lee’s dreams of telepathy aren’t exactly realized, but everything does become about a thousand times more psychedelic. The two traveling companions vomit out what appear to be their own hearts, and Lee later encounters a snake that’s crying while eating its own tail. I don’t know what it all means, but I enjoyed digesting the visual feast! (Perhaps someone more well-versed in the oeuvre of Burroughs can explain the symbolism to me.) All in all, Queer is a heartfelt, playful, and adventurous journey that could open up your heart and head a bit if you’re willing to let it in.

Queer is Recommended If You Like: Snazzy eyeglasses, Orpheus (1950), Sweat-stained faces

Grade: 3.5 out of 5 Centipedes

Older Entries Newer Entries