Where Did All These Strange Movies From?: An Early 2026 Review Roundup

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CREDIT: Oscilloscope Laboratories/Screenshot

OBEX

Starring: Albert Birney, Callie Hernandez, Frank Mosley

Director: Albert Birney

Running Time: 90 Minutes

Rating: Unrated

Release Date: January 9, 2026 (Theaters)

CREDIT: GKIDS/Screenshot

All You Need is Kill

Starring: Ai Mikami, Natsuki Hanae

Director: Kenichiro Akimoto

Running Time: 82 Minutes

Rating: R

Release Date: January 16, 2026 (Theaters)

CREDIT: Screenshot

A Useful Ghost

Starring: Davika Hoorne, Witsarut Himmarat, Apasiri Nitibhon, Wanlop Rungkumjad, Wanlop Rungkumjad, Wisarut Homhuan

Director: Ratchapoom Boonbunchachoke

Running Time: 130 Minutes

Rating: Unrated

Release Date: January 16, 2026 (Theaters)

CREDIT: 1-2 Special/Screenshot

A Poet

Starring: Ubeimar Rios, Rebeca Andrade, Guillermo Cardona, Allison Correa, Margarita Soto, Humberto Restrepo

Director: Simón Mesa Soto

Running Time: 124 Minutes

Rating: Unrated

Release Date: January 30, 2026 (Theaters)

CREDIT: NEON/Screenshot

Arco

Starring (English Dub Cast): Juliano Krue Valdi, Romy Fay, Mark Ruffalo, Natalie Portman, Will Ferrell, Andy Samberg, Flea, Roeg Sutherland, America Ferrera

Director: Ugo Bienvenu

Running Time: 89 Minutes

Rating: PG

Release Date:

In this Movie Review Roundup, I shall be discussing early 2026 releases that I hadn’t heard much about in advance. They all fit in the category of Oddball Surprises, and I’m definitely pleased I had a chance to see them on the big screen.

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Late 2025 Movie Release Catch-Up Review Roundup

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CREDIT: Sarah Shatz/Focus Features

Song Sung Blue

Starring: Hugh Jackman, Kate Hudson, Ella Anderson, Hudson Hensley, Michael Imperioli, Mustafa Shakir, Fisher Stevens, Jim Belushi, King Princess

Director: Craig Brewer

Running Time: 132 Minutes

Rating: PG-13

Release Date: December 25, 2025 (Theaters)

CREDIT: NEON/Screenshot

No Other Choice

Starring: Lee Byung-hun, Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom, Hye-ran, Cha Seung-won, Yoo Yeon-seok

Director: Park Chan-wook

Running Time: 139 Minutes

Rating: R

Release Date: December 25, 2025 (Theaters)

CREDIT: SearchlightPictures/Screenshot

Is This Thing On?

Starring: Will Arnett, Laura Dern, Andra Day, Bradley Cooper, Amy Sedaris, Sean Hayes, Christine Ebersole, Ciarán Hinds, Blake Kane, Calvin Knegten, Scott Icenogle, Chloe Radcliffe, Jordan Jensen, Peyton Manning, Reggie Conquest, James Tom, Gabe Fazio

Director: Bradley Cooper

Running Time: 121 Minutes

Rating: R

Release Date: December 19, 2025 (Theaters)

CREDIT: NEON/Screenshot

The Secret Agent

Starring: Wagner Moura, Carlos Francisco, Tânia Maria, Robério Diógenes, Maria Fernanda Cândido, Gabriel Leone, Roney Villela, Kaiony Venâncio, Alice Carvalho, Hermila Guedes, Isabél Zuaa, Licínio Januário, Laura Lufési, Enzo Nunes, Thomás Aquino, Italo Martins, Igor de Araújo, Udo Kier, João Vitor Silva, Robson Andrade, Geane Albuquerque, Aline Marta Maia, Luciano Chirolli, Gregorio Graziosi, Isadora Ruppert, Buda Lira, Suzy Lopes, Marcelo Valle

Director: Kleber Mendonça Filho

Running Time: 161 Minutes

Rating: R

Release Date: November 26, 2025 (Theaters)

CREDIT: SearchlightPictures/Screenshot

The Testament of Ann Lee

Starring: Amanda Seyfried, Lewis Pullman, Thomasin McKenzie, Stacy Martin, Christopher Abbott, Tim Blake Nelson, Scott Handy, Matthew Beard, Viola Prettejohn, Jamie Bogyo, David Cale

Director: Mona Fastvold

Running Time: 137 Minutes

Rating: R

Release Date: December 25, 2026 (Theaters)

CREDIT: BBP Train Dreams. LLC. © 2025.

Train Dreams

Starring: Joel Edgerton, Felicity Jones, Kerry Condon, William H. Macy, Nathaniel Arcand, John Diehl, Paul Schneider, Clifton Collins Jr., Alfred Hsing, Will Patton

Director: Clint Bentley

Running Time: 102 Minutes

Rating: PG-13

Release Date: November 7, 2025 (Theaters)/November 21, 2025 (Netflix)

In this movie review roundup, I’m discussing films that were released in late 2025 but that I didn’t get around to seeing until early 2026. Since they arrived in theaters during the holiday season, I shall declare what Type of Present each of them was to me.

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Did I Take Shelter in ‘Shelter’?

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Pictured: Shelter (CREDIT: Black Bear/Screenshot)

Starring: Jason Statham, Bodhi Rae Breathnach, Bill Nighy, Naomi Ackie, Bryan Agier, Daniel Mays, Harriet Walter

Director: Ric Roman Waugh

Running Time: 107 Minutes

Rating: R

Release Date: January 30, 2026 (Theaters)

Did Shelter make me feel as at home as its title promised? Well, it is a wintry Jason Statham release, and I’ve seen plenty of those in the past decade-plus, so that’s a point in favor of familiarity.

Plus, there are all the Surrogate Father Vibes when the flick quickly establishes itself as a sleek buddy pic between Statham and the gracefully emotional Bodhi Rae Breathnach.

Furthermore, while the word “shelter” does indicate a home, the implication is that that would be a makeshift home. And well, since the main characters are on the run, that is indeed the case.

So this movie delivers exactly what it promises and does in fact feel like home!

Grade: 70% Shelter-rific

‘The Strangers – Chapter 3’ Finally Realizes It’s Time to Wrap Things Up

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People sure are strange (CREDIT: John Armour/Lionsgate)

Starring: Madelaine Petsch, Gabriel Basso, Ema Horvath, Richard Brake

Director: Renny Harlin

Running Time: 91 Minutes

Rating: R for Plenty of Stabbing

Release Date: February 6, 2026 (Theaters)

What’s It About?: After surviving the mask-wearing, knife-wielding serial killers who murdered her boyfriend, and then surviving them even more, Madelaine Petsch’s Maya is still doing her best to survive them for just a little while longer. She has some concerned family members in her corner who are trying to find her within the forests of Venus, Oregon, but they’re being stonewalled by the locals who are deathly afraid of bucking the status quo. Meanwhile, Sheriff Rotter (Richard Brake) is putting his boot down even harder than usual before this spree gets completely out of hand, which might just mean protecting the killers more than the victims. And as we approach the endgame of this trilogy, the Strangers could just become a little more familiar.

What Made an Impression?: Lack of Compression: When I saw The Strangers: Chapter 1 two years ago, I thought it was going to be a prequel to the original Strangers with Liv Tyler and Scott Speedman, only to discover that it was actually the beginning of a wholly new trilogy. So then when I saw Chapter 2 last fall, I knew what I was in for, but I couldn’t help but wonder what was taking so long. So should this all have been just one movie? Well, Chapter 3 is definitely the strongest outing, and the events of the first two chapters could’ve easily been edited down to just a prologue for this finale without losing much. However, while I would argue that these three flicks probably would’ve worked better as a single release, I don’t hate the ambition. But yeah, there was a lot of unnecessary dillying and dallying.
Trying on the Mask of Darkness: When the only way out is through, what compromises do you have to make? As reputedly the only ever survivor of the titular killers’ reign of terror, Maya becomes a bit of an object of fascination. There are some hints of latter-day Hannibal vibes, wherein Maya is invited to wield the knife much the same way that Clarice Starling found herself inexplicably seduced by Dr. Lecter. The Strangers – Chapter 3 team doesn’t quite have the nerve to go fully twisted in this regard, but I appreciate the flirtation with something somewhat transgressive.
A Little Bit of Catharsis: The conclusion of this movie hinges on a reveal that is so obvious that I can’t believe it’s actually meant as a twist ending. But I don’t hate that that moment doesn’t exactly mean much. After all, Maya is finally able to take control and after the hell she’s been through, she deserves a break and a modicum of autonomy. So do we.

The Strangers – Chapter 3 is Recommended If You: At the very least just want it to be better than Chapters 1 and 2

Grade: 2.5 out of 5 Unmaskings

If You’re in the Mood for a BDSM Love Story This Valentine’s Day, ‘Pillion’ Has You Covered

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They’re one in a Pillion (CREDIT: Chris Harris/A24)

Starring: Harry Melling, Alexander Skarsgård, Douglas Hodge, Lesley Sharp

Director: Harry Lighton

Running Time: 107 Minutes

Rating: Unrated (But It’s Got Enough Sexual Material That It Would’ve Been Flirting with an NC-17)

Release Date: February 6, 2026 (Theaters)

What’s It About?: Colin (Harry Melling) is a nice young lad who doesn’t have much of a romantic life to speak of, but then he suddenly catches the eye of mysterious biker stud Ray (Alexander Skarsgård). They have an encounter in a dark alley, and it seems like that might just be the extent of their rendezvous. But after months with no contact, Colin is suddenly invited to Ray’s home, where he finds himself unwittingly initiated into a BDSM relationship. Henceforth, when he’s not cooking for Ray and sleeping on his floor, he’s hanging out with his biker gang and submitting to all of their leather daddy whims. Colin is thrilled to be desired like this, but you can also tell that he wishes he could have negotiated some of his own terms. Meanwhile, his parents Peggy (Lesley Sharp) and Pete (Douglas Hodge) are his biggest cheerleaders, but they’re not necessarily so keen on the disrespect they detect from this Ray fellow

What Made an Impression?: We All Grow Up Some Time: Harry Melling is of course best known as Dudley Dursey, bullying cousin of the titular wizard in the Harry Potter films. Will Hogwarts devotees follow him to Pillion, and if so, will they know what they’re in for? Whatever the answer to that question, I believe that this film works as a weirdly fitting microcosm of the world that we live in, in which we must put away childish things when we grow up, and then decide how we want to play as adults, or if we want to be the playthings. Your particular journey in that regard might not match Colin’s (or Melling’s) exactly, but it’s important to be prepared.
Breaking Bread: I haven’t seen that many BDSM movies, but the few that I have encountered before Pillion don’t typically feature parents as involved as Colin’s are. And it’s easy to understand why! Peg just wants Colin to bring Ray over for dinner someday, but how exactly are they supposed  to explain the nature of their relationship, even euphemistically? Well, that’s the tension at the heart of one of the movie’s most memorable scenes. Let’s just say, Lesley Sharp has an apt surname!
A Ray of Sunshine?: Being in a submissive sexual relationship isn’t exactly pleasant if you’re not 100% it’s what you want, and watching it happen isn’t a barrel of laughs either. So I was certainly rooting for Colin when he tried to make his preferences get through to Ray. That eventually leads to a surprisingly lovely, sun-flecked sequence. Alas, there’s no avoiding the foreboding sense that that is all is quite fleeting. But I approve of how it leads to Colin’s epiphany about what exactly he wants for his future.

Pillion is Recommended If You Wish: That 50 Shades of Grey had been a lot gayer and much less boring.

Grade: 3.5 out of 5 Collars

‘Send Help’: Yes, Please! But How Much?

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What would you do if this was what you saw when YOU need Help? (CREDIT: 20th Century Studios/Screenshot)

Starring: Rachel McAdams, Dylan O’Brien, Edyll Ismail, Xavier Samuel, Chris Pang, Dennis Haysbert

Director: Sam Raimi

Running Time: 115 Minutes

Rating: R

Release Date: January 30, 2026 (Theaters)

Is it a sign of success for the new Sam Raimi-directed Send Help if none of the viewers feel the need to themselves say “Send help!” while watching? A few days ago, I would have hypothesized that that was indeed the case, but now – having actually seen this movie – I’m not so sure it’s that simple. Because as you might suspect at this point, I actually could use some help. Specifically, I could benefit from some assistance processing the tone. As it turned out, it was quite a bit nastier than I expected. (“Nasty” as in “mean spirited,” not as in “Ms. Jackson if you’re nasty” … although the latter is kinda true also.) I suppose the trailers did hint at this, and Raimi at his most unleashed is certainly not for the faint of heart. But it was still more than I could’ve predicted. Good movie, though!

Grade: One Wild Boar out of One Wild Rat

‘Dead Man’s Wire’ Straps Us In and Doesn’t Let Go

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You’re probably wondering how they got there… (CREDIT: Row K/Screenshot)

Starring: Bill Skarsgård, Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo, Al Pacino, John Robinson, Kelly Lynch

Director: Gus Van Sant

Running Time: 105 Minutes

Rating: R

Release Date: January 16, 2026 (Theaters)

Dead Man’s Wire captures the real-life story of Tony Kiritsis (Bill Skarsgård), who in 1977 stuck a contraption onto his mortgage broker Richard Hall’s (Dacre Montgomery) neck that would set off a point-blank shotgun blast if  Hall tried to escape. It’s one of the most exhilaratingly strange and disturbing kidnappings that I’ve ever witnessed, and now I can’t help but ask: what are our own dead man’s wires? If life is just one long march to death, then what are those seemingly ever-present albatrosses that will wipe everything away if we lean forward a little too much? Personally, I like to think that I’ve got enough equilibrium to not be dealing with anything like that right now. Maybe I’m not being reflective enough, or maybe that’s just a sign of healthy baseline security. Either way, I’m thankful. But to anyone out there who feels like sharing: did this movie metaphorically resonate with you in a way that was a little too close for comfort?

Grade: 0 Safeties out of 1 Mood Board

Does ‘Mercy’ (the Movie) Take Mercy (the Virtue) on Our Souls?

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Is this the face of mercy? (CREDIT: Amazon MGM Studios)

Starring: Chris Pratt, Rebecca Ferguson, Annabelle Wallis, Kylie Rogers, Kali Reis, Chris Sullivan, Kenneth Choi, Rafi Gavron, Jeff Pierre

Director: Timur Bekmambetov

Running Time: 100 Minutes

Rating: PG-13

Release Date: January 23, 2026 (Theaters)

Have Mercy? In the latest Screenlife venture from director Timur Bekmambetov, some dude played by Chris Pratt must prove his innocence vis-à-vis the murder of his wife to an AI judge embodied by Rebecca Ferguson within an hour and a half, or else he will be instantly executed. So now that I’ve seen this movie, I of course must ask the question: did it make me want to be replaced by artificial intelligence? To which I’ll answer: of course not!

But if that replacement hypothetically must happen, would I prefer that it be Rebecca Ferguson-style? Well, when you put it that way, she does at least bring something unique to the occasion. But I’d still be fighting against it, because it’s just not living up to its supposed potential. Anyway, the movie kind of abandons its Screenlife gimmick for the last ten minutes or so as it gives way to a frenetic climax, and it’s overall a pretty rollicking time at the movies.

Grade: 4 out of 5 Acts of Clemency

‘Night Patrol’ Offers Its Hyperkinetic Spin on Urban Warfare

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Which one’s Night, and which one’s Patrol? (CREDIT: IFC Films/RLJE Films/Shudder)

Starring: Justin Long, Jermaine Fowler, RJ Cyler, Freddie Gibbs, CM Punk, YG,  Flying Lotus, Dermot Mulroney, Jon Oswald, Nicki Micheaux

Director: Ryan Prows

Running Time: 104 Minutes

Rating: R for Intense and Frequently Stylized Violence and Gore

Release Date: January 16, 2026 (Theaters)

What’s It About?: In the world of Night Patrol, it’s pretty much all-out war between the LAPD and the city’s black residents. Now, it’s not exactly a unique insight to claim that the police are disproportionately targeting people of color. But director Ryan Prows’ vision amplifies the conflict to the max with a conspiratorially supernatural bent. The action mostly centers around Ethan (Justin Long), a patrol officer following in his father’s footsteps, and his partner Xavier (Jermaine Fowler), a former Crip member who’s basically been disowned by his family. They get caught in the middle of a conflagration that comes to an over-the-top head when a simple car search quickly escalates into murder. Soon enough, Ethan finds himself lured within the dark underbelly of the titular patrol, while Xavier must decide who he will align himself with as his community rises up and makes its final stand.

What Made an Impression?: What Monsters Be These?: Night Patrol is one of those movies that’s kind of tricky to review, as there’s a reveal about a third of the way through that could be considered the premise, or a surprise twist. (Or both!) Thus, I can’t really get into specifics without severely spoiling the whole shebang. So if you want to be fully unspoiled, stop reading right now and come back later. But for those of you who don’t mind a tease here and there, I’ll say that if you saw Sinners and wished that it had been in modern day SoCal instead of the 1930s American South, then Night Patrol might just be the movie for you. It’s not exactly the movie for me, though, at least not as much as Sinners was, as that period piece approach did quite a bit of the thematic legwork for the bloodsucking reveal. Maybe this sort of genre mix could have worked in Night Patrol‘s milieu as well, and what we’ve got isn’t nothing. But this particular mashup of supernatural and gritty struck me as a minor triumph at best.
Taking It to the Limit: The climax of this wild movie stretches far beyond the horror genre as it takes its battle onward and upward. It cribs quite a bit from superhero flicks, with some iconography in the vein of Superman, Iron Man, and Chronicle (that last reference point rounding it out with a more verite spin). It also gives off some Predator vibes and rambles on about a bunch of creepy folklore. It’s a throw-all-the-spaghetti-at-the-wall strategy that’ll certainly grab your attention, though chances are you’ll be wishing it were a more coherent, cohesive sum of its parts.

Night Patrol is Recommended If You: Want to Smell All the Asphalt in Your Horror Flicks

Grade: 3 out of 5 Generational Secrets

’28 Years Later: The Bone Temple’ Finds a Little Tenderness Amidst the Rage

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Come on, send him your bones! (CREDIT: Miya Mizuno/Columbia Pictures)

Starring: Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman, Chi Lewis-Parry, Emma Laird, Louis Ashbourne Serkis, Maura Bird, Ghazi Al Ruffai, Sam Locke

Director: Nia DaCosta

Running Time: 109 Minutes

Rating: R for Big Ol’ Zombie Nudity Again, Plus Some More Graphic Zombie Violence, But Even More Disturbing Uninfected Human-on-Human Violence

Release Date: January 16, 2026 (Theaters)

What’s It About?: Last we saw of young lad Spike (Alfie Williams) in post-Rage Virus Britain, his mom had died of cancer, while he opted to fend for himself as his dad headed back home. Now he finds himself in the clutches of the Jimmys, a cultish group of scavengers who sport blond wigs in the style of disgraced English DJ Jimmy Savile. Under the leadership of the charismatically cruel Sir Lord Jimmy Crystal (Jack O’Connell), they psychopathically enforce their will over anyone and everyone. It’s a dangerous conscription, though it offers pretty solid protection against the zombified humans infected by the Rage Virus. Speaking of the infected, the most fearsome in the last chapter was the hulking specimen known as Samson (Chi Lewis-Parry), who finds himself forming an unlikely companionship with Dr. Ian Kelson (Ralph Fiennes), who may just have developed some reliable treatments all these years later.

What Made an Impression?: I Think I’m Going to Ralph: 28 Years Later featured Ralph Fiennes being his usually terrific self, but it’s The Bone Temple that really lets him explore entirely new dimensions. He brings tenderness to an unlikely buddy comedy, cavorts with the forces of evil, and delivers a choreographed dance to Iron Maiden. It’s as full and varied a performance as you could possibly ask for.
Consistency is Key: It can be tricky shooting multiple sequels together and releasing them within a year of each other. Making matters even trickier is when you switch up the director, with Nia DaCosta taking over the reins from Danny Boyle this time around. But no need to worry, as the same sensibility manages to sufficiently survive. (I’m sure it helped that Alex Garland stayed on as writer.) Furthermore, DaCosta takes firm ownership over this chapter, and it might be my favorite feature from her yet.
The Man Behind the Wig: At times, the Jimmys are just unbearably ultraviolent, and it doesn’t feel like there’s much of a point to that beyond mere indulgence. Plus, O’Connell is all too willing to be as depraved as possible. Fortunately, we eventually get a peek behind the mask to discover how he became this menace in a way that rounds out the full storytelling picture without being overly pat. If things start out a little too mean for your tastes, just be patient, and everything will eventually be in its right place.
And One More Thing!: If things go well enough at the box office, there will be (at least) one more chapter in the Rage Virus saga, and The Bone Temple‘s final coda tantalizingly teases what that will be. You don’t need to stick around until after the credits to see it, but nevertheless make sure you pay attention all the way to the end.

28 Years Later: The Bone Temple  is Recommended If You: Like being in the middle of a storytelling circle and winding around the corner with the end in sight

Grade: 3.75 out of 5 Jimmys

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