‘American Fiction’ is a Relentless Satire, and Quite a Bit More

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A Fictional American Man (CREDIT: Claire Folger/© 2023 Orion Releasing LLC. All Rights Reserved.)

Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Sterling K. Brown, Myra Lucretia Taylor, Raymond Anthony Thomas, Issa Rae, Adam Brody, Keith David

Director: Cord Jefferson

Running Time: 117 Minutes

Rating: R for Angry and Literate Profanity

Release Date: December 15, 2023 (Theaters)

What’s It About?: Thelonius “Monk” Ellison (Jeffrey Wright) just can’t believe the state of the literary industry. Publishers say they want books by Black authors. He’s a Black author, but they don’t want his books! What they really mean is that they want stereotypical stories about economic disparity that performative white liberals will lap up to prove their progressive bona fides. So Monk comes up with a little satirical trick in which he anonymously writes “My Pafology,” the most cliched Black trauma novel possible, while pretending to be a fugitive felon. And of course, it quickly becomes the most in-demand thing he’s ever written. But will he slip too far into his new persona? Meanwhile, he and his sister Lisa (Tracee Ellis Ross) and brother Cliff (Sterling K. Brown) have to care for their widowed mother Agnes (Leslie Uggams) as she slips into dementia.

What Made an Impression?: The Expected & The Unexpected: American Fiction pulls off one of my favorite cinematic tricks: it’s exactly the movie that the trailers sell it as, while also being completely something else. You don’t have to be Black to understand the righteous fury that writer/director Cord Jefferson is smuggling into his characterization of Monk, you just have to be paying attention. From the get-go, the satire is brazen and LOL-worthy. I was hoping for all of that to be true. But I was completely unprepared for how much time we end up spending with Monk’s mom and siblings. And I’m not complaining, because this is also perhaps the most affecting and deeply felt family drama of the year.
A Self-Righteous Struggle: Monk could’ve easily been a blank slate of a personality who just stares in disbelief at every outrageous twist and turn. And if that were the case, the movie he’s in would’ve been just as hilarious. But instead, it’s a little more complicated, and wonderfully so. Instead of laughing off the success of “My Pafology,” he takes every one of its triumphs as a personal affront. His frustrations with performative allyship are well-founded, but he doesn’t account for taste. Perfectly decent people of all races like these books just fine without making a big deal out of the state of the world. But Monk just can’t let things go without a fight. He always leads with his anger to the point that it ruins every relationship with whomever doesn’t have the patience to deal with him.
Remaining Clear-sighted: In keeping with the theme of surprise, the most important lesson of American Fiction is not what I was expecting. Perhaps I shouldn’t be too shocked, since the racial satire, while on-target, wasn’t exactly new. So instead, what really stuck with me was the importance of clear-sightedness. That is to say, the characters who focus on what’s really important are the ones who are also the most satisfied and at peace. In that regard, the Ellisons’ longtime housekeeper Lorraine (Myra Lucretia Taylor) is an absolute angel. She isn’t blind to the strife among the people in her care, but all she has to offer them is unconditional love. And then there’s Adam Brody as a slick movie producer who can’t wait to option the story of an actual real-life felon. At first, he seems just as awful as the patronizing publishers. But when Monk lets him in on the truth a bit more, he pivots to another idea. True, he might be just as opportunistic as ever, but taking advantage of an opportunity isn’t exactly a bad thing when you’re honest and enthusiastic. The Monks of the world would benefit from being tempered by this realization.

American Fiction is Recommended If You Like: Sorry to Bother You, Undercover Brother, Thanksgiving dinner

Grade: 4.5 out of 5 Fake Felons

‘Maestro’ + ‘Godzilla Minus One’ = ???

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CREDIT: Jason McDonald/Netflix; Toho/Screenshot

Maestro

Starring: Bradley Cooper, Carey Mulligan, Matt Bomer, Maya Hawke, Sarah Silverman, Michael Urie, Brian Klugman, Gideon Glick, Sam Nivola, Miriam Shor, Alexa Swinton, Josh Hamilton, June Gable

Director: Bradley Cooper

Running Time: 129 Minutes

Rating: R

Release Date: November 22, 2023 (Theaters)/December 20, 2023 (Theaters)

Godzilla Minus One

Starring: Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando, Kuranosuke Sasaki, Mio Tanaka, Sae Nagatani

Director: Takashi Yamazaki

Running Time: 125 Minutes

Rating: PG-13

Release Date: December 1, 2023 (Theaters)

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‘Poor Things’ Seeks to Break Free

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How POOR are they?! (CREDIT: Atsushi Nishijima/Searchlight Pictures)

Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael, Margaret Qualley, Kathryn Hunter, Suzy Bemba, Hanna Schygulla

Director: Yorgos Lanthimos

Running Time: 141 Minutes

Rating: R for Weird Science and Lots and Lots of Sex

Release Date: December 8, 2023 (Theaters)

What’s It About?: The case of Bella Baxter (Emma Stone) is a strange one. Dr. Godwin Baxter (Willem Dafoe) discovers her body after she attempts suicide and proceeds to bring her back to life via reanimation and a brain transplant. But because the brain he uses is that of a baby, Bella reverts to a rather infant-like mental state upon her resurrection. Her development back to a fully conscious adult happens remarkably quickly, all things considered, perhaps because that brain recognizes that it’s been encased inside an adult body. Nevertheless, Bella also gets to have the profound experience of being able to rediscover all the sensory pleasures of life on Earth.

Dr. Baxter understandably tries to keep her locked away from the outside world, though he does invite into the fold medical student Max McCandles (Ramy Youssef), who soon finds himself proposing marriage to Bella. But before that wedding can happen, she’s decided to see the outside world alongside hedonistic lawyer Duncan Wedderburn (Mark Ruffalo). As in many a hero’s journey, she will eventually return back to her starting point, having changed. But unlike a lot of other hero’s journeys, Poor Things features an unbound number of ecstatic sex scenes.

What Made an Impression?: A Fresh Set of Eyes: If there’s one lesson to be learned from Bella Baxter above all others, it’s the power of childlike wonder. Most of us have been living within our systems and routines too long to ever be able to fully question if there’s a better way. But Bella is a blank slate blessed with a mature body that can take advantage of her pleasures as much as possible. It’s a big reason why she charms everyone she encounters so much, despite her profoundly off-kilter, often juvenile disposition. It’s also, of course, why she enjoys sex (which she dubs “furious jumping”) as much as she does. However, her lack of inhibitions sometimes lead her astray, such as when she threatens to punch a crying baby, or when she tries to upend the carefully tended business practices at a Parisian brothel. But as her mental capacities lock into focus, she eventually devises compromises that she is uniquely qualified to conceptualize.
A World of Experimental Wonders: Bella is not Dr. Baxter’s only test subject, as we also get to meet some hybrid animal creatures wandering around his property that have been formed by head and body swapping among a goose, pig, and bulldog. The obvious antecedent here is Victor Frankenstein, but I also detected some playfulness in Dafoe’s performance, a la Futurama‘s Professor Farnsworth. Dr. Baxter has plenty in common with his hubristic brethren, particularly his tendency to seem like a deity to his creations. (It’s not for nothing that his first name is abbreviated to “God.”) Despite his tendency to control, he’s not as much of a monster as you might suspect. Instead, he’s one of the titular poor things, considering his history of abuse and experimentation at the hands of his own father. His abode is terrifying, but comfortingly so.
Soaking It All Up: If you somehow can’t engage with any of the characters of Poor Things, you can hopefully at least appreciate all the pretty business that director Yorgos Lanthimos and his crew have assembled. He’s certainly developed a unique visual style over the course of his career, and a movie set in an alternate version of the late Victorian era has allowed him plenty of room to be indelible. Fisheye lenses, purple-pink skies, spiral staircases that hover in the sky, and plenty more design choices make an inimitable visual impression. It’s all lived-in, anachronistic, and surreal, which is to say, an ideal environment for the Bella Baxters of the world to thrive in.

Poor Things is Recommended If You Like: American Pie, Socialist feminism, Steampunk

Grade: 4 out of 5 Transplants

Hayao Miyazaki Swoops In Out of Retirement to Deliver ‘The Boy and the Heron’

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Boy? Or Heron? (CREDIT: GKIDS)

Starring: Japanese Cast: Soma Santoki, Masaki Suda, Aimyon, Yoshina Kimura, Takuya Kimura, Shōhei Hino, Ko Shibasaki, Kaoru Kobayashi, Jun Kunimura
English Dubbed Cast: Luca Padovan, Robert Pattinson, Karen Fukuhara, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe, Dave Bautista

Director: Hayao Miyazaki

Running Time: 124 Minutes

Rating: PG-13 for Lethal Flames and Freaky-Looking Talking Animals

Release Date: December 8, 2023 (Theaters)

What’s It About?: During the middle of World War II, 12-year-old Mahito’s mother Hisako dies in a hospital fire. One year later, his widowed father Shoichi remarries Hisako’s younger sister, Natsuko, and they all move from Tokyo to the countryside. Everyone at the estate is eager to lavish attention on Mahito, including the gaggle of maids, as well as a strange, persistent grey heron. Soon enough, that bird leads Mahiko into an alternate world where parakeets are the size of humans and Mahito’s missing granduncle is a wizard keeping existence in perfect balance. As the boy and the heron make their way through this parallel plane, the entire fate of his family might just rest upon the success of their journey.

What Made an Impression?: A Thin Line Between Reality and Fantasy: If you had no idea before reading this review that The Boy and the Heron was written and directed by Hayao Miyazaki, chances are you would’ve figured it out immediately upon reading that synopsis. In his decades-long career of helming animated classics like Princess Mononoke, Spirited Away, and Ponyo, Miyazsaki has tapped into eternal childlike wonder by having fantastical realms spring up within the confines of real world settings. Mahito’s trip into the alternate reality is so gradual that it almost feels like this sort of thing could happen to anybody who’s watching. It certainly helps that his situation always remains tethered to his starting point. That’s the sort of magic that Miyazaki is famous for, and it’s just as potent as it’s always been.
Seeking Harmony: Mahito’s world is in flux in pretty much every imaginable way on both grand and intimate scales. He’s been displaced by war, he’s lost a parent, and now animals are talking to him! No wonder the ultimate message of The Boy and the Heron is about putting everything back in balance. Mahito’s granduncle faces a mighty foe in this struggle in the form of the king of the parakeets, which feels a bit like avian slander, but in the context of the story, it works appropriately enough. Anyway, by the end of the movie, it’s kind of questionable whether or not full balance has actually been maintained. But perhaps that’s because the story is not really over. Mahito will be an adult soon enough, and this is exactly the sort of formative experience he could use to make sure that he grows up to be a valuable citizen of the world.
Subs vs. Dubs: And finally, I’ll offer a note about whether you should seek out the subtitled or dubbed version of The Boy and the Heron. I saw the former, which I generally prefer when it comes to foreign-language films, because I like to hear the native tongue, and I usually have the captions on anyway even when I’m watching something in English. But in this case I was a little disappointed that I didn’t get to see the dubbed version, because the English voice cast looks so promising. I’ll probably have to check it out eventually just so that I can hear Dave Bautista as the Parakeet King. If you have a choice between one or the other, I think you’ll be fine either way. And if you have the time and the inclination, then go ahead and give both versions a whirl!

The Boy and the Heron is Recommended If You Like: Miyazaki in general, The Chronicles of Narnia, The Aflac Duck

Grade: 4 out of 5 Parakeets

‘Eileen’ Contains Multitudes

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Come on, Eileen! (CREDIT: NEON)

Starring: Thomasin McKenzie, Anne Hathaway, Shea Wigham, Marin Ireland, Owen Teague

Director: William Oldroyd

Running Time: 98 Minutes

Rating: R for Masshole Behavior and a Sudden Violent Turn

Release Date: December 1, 2023 (Theaters)

What’s It About?: Eileen Dunlop (Thomasin McKenzie) has a real going-nowhere job as a secretary at a juvenile prison in 1960s coastal Massachusetts. She lives with her alcoholic widowed father, Jim (Shea Wigham), who mostly berates her for not measuring up to her married sister. But her world is suddenly opened up by an exponential order of magnitude when she befriends the prison’s new resident psychologist, Rebecca (Anne Hathaway). There’s an undeniable frisson of romance as well, but Eileen is so enthralled by Rebecca mainly because she’s never encountered anyone so cosmopolitan. Their connection is deep and genuine, but a much darker story is lurking in plain sight

What Made an Impression?: Breaking Free: In the likes of Leave No Trace, Jojo Rabbit, Last Night in Soho, and well, pretty much everything she’s had a starring role in, Thomasin McKenzie has specialized in playing the most delicate of delicate creatures. And Eileen sure looks like she’s just the latest scarred entrant in this distinguished lineup. But she quickly demonstrates that she’s much more complicated than a standard-issue shrinking violet. Her self-assuredness was actually there all along, or at least it was present by the time that we meet her. She just needed the right spark to be set off.
Sapphic Thrills: What a joy it is to luxuriate in endlessly seductive dialogue! While it’s abundantly clear in their conversations just how smitten Eileen is with Rebecca, there’s also a hint that she’s somewhere in the middle of the Kinsey scale, as we also see her fantasizing about a male co-worker. So her romantic struggles thus far haven’t been for lack of bodies, but for want of wit and philosophy. Rebecca is just the right amount of individualistic and unapologetic to activate the same in Eileen. And the dialogue as a whole is just wonderfully ferocious throughout, coming courtesy of co-writers Luke Goebel and Ottessa Moshfegh (the latter of whom is adapting her own novel).
Here Comes the Twist: On Christmas Eve, Rebecca unexpectedly invites Eileen over for the evening. And she eagerly accepts. After all, her next best option is looking over her dad while his liver wastes away. At this point in the story, I was all ready for the two ladies to just toast to the baby Jesus as the credits roll, or maybe, if they’re feeling dangerous, to drive away together to somewhere that their love will be accepted. But then something much more unpredictable happens. I won’t say anything anymore, and honestly I’m worried I may have already said too much. But this was the moment for me that Eileen went from perfectly satisfying to astoundingly unforgettable. It might have been nice if the running time were 10 or 20 minutes longer to let this swerve breathe a little bit. Still, it’s a bracing and breathtaking conclusion to an unexpected thrill ride.

Eileen is Recommended If You Like: Carol, Lady MacBeth, Gone Girl

Grade: 4 out of 5 Martinis

It’s a ‘Silent Night’ for All the Worst Reasons in John Woo’s Christmas-Set Tale of Vengeance

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Joel Kinnaman and Catalina Sandino Moreno having a Silent Night (CREDIT: Lionsgate)

Starring: Joel Kinnaman, Scott Mescudi, Catalina Sandina Moreno, Harold Torres

Director: John Woo

Running Time: 104 Minutes

Rating: R for Bloody Violence, Mostly Due to Gunfire

Release Date: December 1, 2023 (Theaters)

What’s It About?: Brian Godluck (Joel Kinnaman) has just survived the most terrible tragedy during the holiday season. His young son has been killed by a stray bullet in a gang-related shootout. Fueled by adrenaline in the heat of a moment, he chases after the men who are responsible, a decision that ends with him being shot in the neck. He manages to make it out alive, but in the process he loses the ability to speak. After recovering, vengeance takes over his life, and he circles Christmas Eve on his calendar as the day for payback. And because the movie he’s in is called Silent Night, there’s hardly any audible dialogue throughout.

What Made an Impression?: Poetic Vengeance: It’s quite the challenge for an actor to realize a full characterization without being heard. Scott Cudi (aka the rapper Kid Cudi), for example, can only do so much as the lead detective, although to be fair, he doesn’t have that many scenes, and he’s mostly filling a utilitarian purpose. Kinnaman at least has plenty to do as the main character, with anguish written all over his face even at his most determined. But perhaps the most profound performance is delivered by Catalina Sandina Moreno as Brian’s wife Saya. With her deep eyes and full cheeks, she’s always had a visage that you can get lost in, and director John Woo knows exactly how to frame her. In many ways, Saya is the stereotypical action movie spouse who gets dropped by the wayside before the flashy set pieces arrive. But her eventual absence hits more profoundly than most, as Brian sinks further and further into the underworld.
Unrelenting … and Cathartic?: There are plenty of Christmas-set movies that aren’t exactly holly-jolly, so Silent Night isn’t exactly sacrilegious. But it is among the bleakest ever in this particular subgenre. When all is said and done and Brian has fed his desperation as much as he possibly can, I couldn’t help but feel devastated, even knowing that this is just a movie. But in a way, Silent Night also works as a what-not-to-do guide if the Worst Possible Thing happens to you as a parent, much the same way that the true crime genre is so popular in part because it can help warn us how to be less vulnerable in the face of life-threatening danger. Additionally, I can’t help but be impressed by Woo’s commitment to the gimmick, and breathe a sigh of relief when the tension of the whole mission finally concludes.

Silent Night is Recommended If You Like: Bracing yourself for the absolute worst tragedy

Grade: 3 out of 5 Christmas Sweaters

Am I Thankful for ‘Priscilla,’ ‘May December,’ and ‘The Marvels’?

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Priscilla being all Priscilla-like (CREDIT: Philippe Le Sourd/A24)

Priscilla

Starring: Cailee Spaeny, Jacob Elordi, Ari Cohen, Dagmara Domińczyk, Lynne Griffin, Dan Beirne

Director: Sofia Coppola

Running Time: 113 Minutes

Rating: R

Release Date: October 27, 2023 (Theaters)

May December

Starring: Natalie Portman, Julianne Moore, Charles Melton

Director: Todd Haynes

Running Time: 117 Minutes

Rating: R

Release Date: November 17, 2023 (Theaters)/December 1, 2023 (Netflix)

The Marvels

Starring: Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Samuel L. Jackson, Gary Lewis, Park Seo-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh

Director: Nia DaCosta

Running Time: 105 Minutes

Rating: PG-13

Release Date: November 10, 2023 (Theaters)

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Napoleon’ Review: Raucous Romance, Straightforward Warfare

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Napoleon just does whatever he wants, gosh! (CREDIT: Aidan Monaghan/Apple)

Starring: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim, Ben Miles, Ludivine Sagnier, Matthew Needham, Youssef Kerkour, Phil Cornwell, Édouard Philipponnat, Ian McNeice, Rupert Everett, Paul Rhys, Catherine Walker, Gavin Spokes, John Hollingworth, Mark Bonnar, Anna Mawn, Davide Tucci, Sam Crane, Scott Handy

Director: Ridley Scott

Running Time: 157 Minutes

Rating: R for Horny Napoleon and Grisly Injured Horses

Release Date: November 22, 2023 (Theaters)

What’s It About?: If you paid attention at all during history class, then surely you remember Napoleon Bonaparte, the opportunistic general who rose all the way up to emperor and nearly conquered all of Europe. But ambition and ego got the better of him, as he lived out the end of his life in exile and inspired one of ABBA’s most popular songs. His story has similarly stymied filmmakers over the years, but now director Ridley Scott and screenwriter David Scarpa have finally managed to bring it to the big screen, with Joaquin Phoenix diving shamelessly into the title role. The movie mostly alternates back and forth between his military campaigns and his courtship with his first wife Josephine (Vanessa Kirby), and there’s certainly plenty to cover on those fronts. (Although I gotta be honest, whenever I read this movie’s title, I can’t help but reflexively hear Aaron Ruell’s immortally nasally delivery of a certain other “Napoleon.”)

What Made an Impression?: Making a Mockery Out of History: I’m no Napoleon scholar, so I can’t say with 100% certainty how accurate any of this movie is. But I can say that his interactions with Josephine sure feel accurate. Mr. Bonaparte strikes me as one of the most impetuous world leaders of the past few hundred years, and that is abundantly clear when he decides that he must find himself a wife. Their relationship is childish, raunchy, and profoundly id-driven. This is all to say: I wish that the entire movie had been a Napoleon/Josephine romantic comedy! They throw insults and food at each other, and then kiss and boink like rabbits in between all the cacophony. You gotta love it when costume dramas dress down.
A Bunch of Explosions, Too: In its efforts to be thorough, the movie also features seemingly every single one of Napoleon’s major battles. They’re all competently staged by Scott and his crew, but during those sequences, I was mostly waiting to return to the intimate humanity of it all. There’s just not much personality to all the mayhem. Although, at least at Waterloo, we get a clear sense of his enemies cattily boxing him in.

In conclusion, I don’t really have much to say about the battle scenes, as they didn’t get much of a reaction out of me. But the Josephine business is enough to make Napoleon worth recommending.

Napoleon is Recommended If You Like: Reading Wikipedia, The naughtiest bits of Amadeus

Grade: 3.5 out of 5 Coronations

How Dreamworthy is ‘Dream Scenario’?

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What a dreamboat! (CREDIT: Jan Thijs/A24)

Starring: Nicolas Cage, Julianne Nicholson, Michael Cera, Tim Meadows, Dylan Gelula, Dylan Baker, Kate Berlant, Lily Bird, Jessica Clement, David Klein, Cara Volchoff, Noah Centineo, Nicholas Braun, Amber Midthunder, Lily Gao

Director: Kristoffer Borgli

Running Time: 100 Minutes

Rating: R for Dream Slaughter and Awkward Encounters

Release Date: November 10, 2023 (Limited Theaters)

What’s It About?: Biology professor Paul Matthews (Nicolas Cage) would just like to publish a book about ants one day. But the universe has different plans. A bizarre phenomenon takes hold as hundreds of people start having dreams about him: his daughter, old friends, students of his, and even people he’s never met before. And they all report pretty much the same thing: he doesn’t do much except linger in the background. His story becomes a bit of a media sensation, so he tries to parlay his newfound virality into a publishing opportunity, but his new handlers just aren’t on the same page. Meanwhile, those reveries start turning into nightmares, as Dream Paul becomes sadistically violent and the fallout spills over into his waking life.

What Made an Impression?: For my review of Dream Scenario, I’m going to do things a little differently than I normally do, as the subconscious is a favorite subject of mine. I’ve been keeping a dream journal since I was in high school, and I also keep a running tally of the number of times that people appear in my dreams each year. So my question for Dream Scenario is: is it dream-worthy? Which is to say, do I suspect that it will return to me in my sleep in the years to come? And do I want it to?

To answer all this, I first looked up how often I’ve dreamed of Nicolas Cage. He is one of my favorite actors, after all, and he’s also eminently memeable, so surely he’s an apt fit for the more surreal corners of the brain. But according to my records, he’s only shown up in three of my dreams in the past ten years. Of course, I don’t see Nic Cage while I’m awake as often as I do my immediate family, who show up in my dreams a lot more often.

In general, my dreams are typically related to lingering concerns in my waking life. And a movie certainly could become a lingering concern, if it’s especially unsettling or ambiguous, or if it otherwise just makes some sort of indelible impression. And while Dream Scenario has some fascinating ideas swirling around, it doesn’t strike me as hard-hitting enough that I won’t be able to shake it. (Unless this review becomes an accidental self-fulfilling prophecy. Or anti-prophecy, considering my doubts.)

This is all to say, my concerns about Paul’s story felt mostly wrapped up as the credits rolled. His insecurity made him ill-prepared to handle his sudden fame, but by the end, he seems to have realized who he is. Or at least learned enough about himself that it doesn’t feel like we need to worry. I won’t mind if little nuggets of Dream Scenario ever do return to me in my subconscious, but I also won’t be waiting breathlessly in the meantime.

Dream Scenario is Recommended If You Like: Watching people be misunderstood and then make a fool of themselves

Grade: 3 out of 5 PR Firms

Get Stuffed! with Songbirds, Trolls, and a Bloody Thanksgiving Feast

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Happy Thanksgiving! Happy Thanksgiving! (CREDIT: Pief Weyman/TriStar Pictures and Spyglass Media Group)

The Hunger Games: The Ballad of Songbirds & Snakes

Starring: Tom Blyth, Rachel Zegler, Viola Davis, Peter Dinklage, Josh Andrés Rivera, Hunter Schafer, Jason Schwartzman, Fionnula Flanagan, Burn Gorman, Ashley Liao, Max Raphael, Zoe Renee, Nick Benson, Isobel Jesper Jones, George Somner

Director: Francis Lawrence

Running Time: 157 Minutes

Rating: PG-13 for Kids Killing Kids

Release Date: November 17, 2023 (Theaters)

Thanksgiving

Starring: Nell Verlaque, Patrick Dempsey, Addison Rae, Milo Manheim, Jalen Thomas Brooks, Rick Hoffman, Gabriel Davenport, Gina Gershon, Tim Dillon, Tomaso Sanelli, Jenna Warren, Amanda Barker

Director: Eli Roth

Running Time: 106 Minutes

Rating: R for Having Some Friends Over for Dinner, and a Trampoline Striptease

Release Date: November 17, 2023 (Theaters)

Trolls Band Together

Starring: Justin Timberlake, Anna Kendrick, Camila Cabello, Eric André, Kid Cudi, Troye Sivan, Daveed Diggs, Amy Schumer, Andrew Rannells, Zosia Mamet, Kenan Thompson, RuPaul, Zooey Deschanel, Christopher Mintz-Plasse, Icona Pop, Ron Funches, Anderson .Paak, Kunal Nayyar, David Fynn, Kevin Michael Richardson, Patti Harrison, Walt Dohrn, GloZell

Director: Walt Dohrn

Running Time: 92 Minutes

Rating: PG for Some Mild Worries About Being Eaten Alive

Release Date: November 17, 2023 (Theaters)

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