November 8, 2023
jmunney
Cinema, Movie Reviews
Alice Eve, Alison Brie, Christian Slater, Freelance, John Cena, Juan Pablo Raba, Marton Csokas, Molly McCann, Pierre Morel

Free your Lance, and the rest will follow! (CREDIT: Relativity Media/Screenshot)
Starring: John Cena, Alison Brie, Juan Pablo Raba, Alice Eve, Marton Csokas, Christian Slater, Molly McCann
Director: Pierre Morel
Running Time: 109 Minutes
Rating: R
Release Date: October 27, 2023 (Theaters)
As I write this review, Freelance is currently luxuriating with a 0% Tomatometer on Rotten Tomatoes. So I went into this frivolous little action comedy with that benchmark (or lack thereof) in mind. And now that I’ve emerged, my ultimate verdict is: it’s not that historically bad. Rather, it’s just a mere trifle. And since I’m in a speculative mood, it probably wouldn’t have remained at zero if more than 25 critics had bothered to review it.
Anyway, the main reason I went to see it was of course because Alison Brie is second-billed. She plays a journalist angling for a Pulitzer who’s recently been brought low by scandal. There are a few scenes of her having to get by on some random celebrity schmoozefest, and I kinda think there should have been more of that. Alison’s really good at elevating characters in low-culture situations who shouldn’t be underestimated, after all.
Grade: 2 out of 5 Fictional Countries
October 31, 2023
jmunney
Cinema, Movie Reviews
Arliss Howard, Charles Parnell, Da Finchman, David Fincher, Kerry O'Malley, Michael Fassbender, Sala Baker, Sophie Charlotte, The Killer, Tilda Swinton

Ooh, ahh (CREDIT: Netflix)
Starring: Michael Fassbender, Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker, Sophie Charlotte, Tilda Swinton
Director: David Fincher
Running Time: 118 Minutes
Rating: R
Release Date: October 27, 2023 (Theaters)/November 10, 2023 (Netflix)
Sometimes an earworm gets stuck in my head for eternity, and a certain word will henceforth always trigger it without fail. So whenever I hear about a professional life-taker, I can’t help but be transported back to a high school dance routine that included a section set to the Ying Yang Twins’ “Shake,” specifically, its repeated lyric of “This one’s a killa.”
This is all just a windup to asking: could David Fincer directing Michael Fassbender in The Killer live up to my persistent memories of the Ying Yang Twins? Only about 18 years or so will tell for sure, but in the meantime it didn’t quite hit me square in the chest. It moved along nicely enough and got to where it needed to go, but I didn’t really feel like I was getting unforgettably poked memorably until Tilda showed up.
Grade: A Fitting Lack of Empathy
October 26, 2023
jmunney
Cinema, Movie Reviews
Christian Stokes, Elizabeth Lail, Emma Tammi, Five Nights at Freddy's, FNaF, Joseph Poliquin, Josh Hutcherson, Kat Conner Sterling, Lucas Grant, Mary Stuart Masterson, Matthew Lillard, Piper Rubio

5, 5, Freddy’s coming for you (CREDIT: Patti Perret/Universal Pictures)
Starring: Josh Hutcherson, Elizabeth Lail, Piper Rubio, Matthew Lillard, Mary Stuart Masterson, Kat Conner Sterling, Christian Stokes, Joseph Poliquin, Lucas Grant
Director: Emma Tammi
Running Time: 109 Minutes
Rating: PG-13 for Slicing and Dicing
Release Date: October 27, 2023 (Theaters and Peacock)
What’s It About?: Ever since his younger brother was kidnapped when they were kids, Mike Schmidt has been irrevocably haunted to the point that he can’t hold down a job without his barely hidden anger bubbling up to the surface. With his spotty employment record, the only gig that he can find is overnight security at the long-closed children’s entertainment center Freddy Fazbear’s Pizza. He pretty much has to accept it, especially since he’s the legal guardian of his sister Abby (Piper Rubio), and neither of them wants him to give up custody to their awful Aunt Jane (Mary Stuart Masterson). But there are strange things afoot at Freddy’s: a police officer named Vanessa (Elizabeth Lail) randomly arrives to show Mike the ropes, the career counselor who got him the job (Matthew Lillard) sure seems to be hiding something, and oh yeah, the place’s signature animatronic animals apparently come alive on their own.
What Made an Impression?: Showing Their Hand: Five Nights at Freddy’s is based on a series of video games that is just filled to the brim with lore and backstory that’s only hinted at in the actual gameplay. I’m no FNaF expert, though I’ve done some research, so I came in with suspicions about which characters had more going on than initially meets the eye. But even if you’re a total newbie, it shouldn’t be hard to have some sense of what’s going on. Vanessa’s police work seems to exclusively revolve around Freddy’s, and the career counselor is both spooked and excited when he realizes who his new client is. Not to mention that Lillard’s performance is pretty much a redux of his career-making turn as Scream‘s sniveling Stu Macher. So it’s no spoiler to say that these two probably have some idea about why dead bodies keep piling up. Despite that lack of surprise, the explanation is sufficiently twisted to feel the gut punch.
How Supernatural Is It?!: The truth about Freddy and his fellow robot animals is both prosaic and ghastly. The logical side provides the skeletal structure for the story to rest upon, while the supernatural elements are ultimately the main attraction, and how you cotton to them will most likely determine how much you do or don’t appreciate this movie. Every night, Mike dreams about the day his brother was abducted, as his subconscious begins to be invaded by a group of kids who might just be the youngsters who disappeared decades ago at Freddy’s. We never get a full explanation of these supernatural processes, and that’s certainly not necessarily, as a hallmark of the supernatural is that it exists beyond logic. But if those aspects aren’t viscerally grabbing you by the collar, you might feel compelled to let your mind wander to figure out their origins instead, and that was pretty much how it went for me. However, if you’ve been permanently scarred by childhood trips to Chuck E. Cheese (Freddy’s obvious inspiration), then maybe FNaF is exactly the sort of exposure therapy you need to resolve your trauma.
Five Nights at Freddy’s is Recommended If You Like: Whatever the love child of The Shining and Goosebumps would be
Grade: 3 out of 5 Fazbears
October 25, 2023
jmunney
Cinema, Movie Reviews
Aaron Jackson, Allison Janney, Amar Chadha-Patel, Bowen Yang, Dicks: The Musical, Gareth Edwards, Gemma Chan, Godfrey Reggio, John David Washington, Josh Sharp, Ken Watanabe, Larry Charles, Madeleine Yuna Voyles, Megan Mullally, Megan Thee Stallion, Mike Tyson, Nathan Lane, Once Within a Time, Ralph Ineson, Sturgill Simpson, The Creator

CREDIT: Oscilloscope Laboratories/Screenshot
The Creator
Starring: John David Washington, Madeleine Yuna Voyles, Gemma Chan, Allison Janney, Ken Watanabe, Sturgill Simpson, Amar Chadha-Patel, Ralph Ineson
Director: Gareth Edwards
Running Time: 133 Minutes
Rating: PG-13
Release Date: September 29, 2023 (Theaters)
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October 24, 2023
jmunney
Cinema, Movie Reviews
Alexander Payne, Andrew Garman, Brady Hepner, Carrie Preston, Da'Vine Joy Randolph, Dominic Sessa, Gillian Vigman, Ian Dolley, Jim Kaplan, Michael Provost, Naheem Garcia, Paul Giamatti, Tate Donovan, The Holdovers

Hold it! (CREDIT: Seacia Pavao / © 2023 FOCUS FEATURES LLC)
Starring: Paul Giamatti, Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, Andrew Garman, Naheem Garcia, Michael Provost, Brady Hepner, Jim Kaplan, Ian Dolley, Gillian Vigman, Tate Donovan
Director: Alexander Payne
Running Time: 133 Minutes
Rating: R for Cranky Curmudgeonliness and Teenage Boys Being Teenage Boys
Release Date: October 27, 2023 (Theaters)
What’s It About?: Merry Christmas! Why, it’s still merely October, you say? Well, having the holidays thrusted upon you a couple months early is surely a more bearable fate than that borne by Barton Academy prep school student Angus Tully (Dominic Sessa) and his hidebound history teacher Paul Hunham (Paul Giamatti) in the early 1970s. Angus is stuck at school over the winter break because his mom (Gillian Vigman) and stepdad (Tate Donovan) are too busy jet-setting, while Paul pulls the short end of the faculty stick as the guardian for all the kids who don’t have anywhere else to go. This is a formula that’s promising an explosive clash of strong personalities, but maybe head of the cafeteria Mary (Da’Vine Joy Randolph) can help to extinguish the eruptions.
What Made an Impression?: Not-So-Hidden Layers: If you’re 18 or younger, then Mr. Hunham will probably strike you as an absolute nightmare. I’m pretty sure everyone had at least one teacher who was so soul-crushingly set in his ways. But older viewers will likely be more willing to extend him if not affection, then certainly understanding. Right from the jump, he reveals that he’s more complicated than the stodgy traditionalist he’s presented as, and obviously a character played by Paul Giamatti and directed by Alexander Payne was always going to be plenty three-dimensional. The specifics of those dimensions mainly have to do with his frustration that’s directed at a world that appears to be falling apart as well as all the young, privileged kids who are blissfully unaware of their inoculation against all that.
Kindred Spirits: When Angus and Paul’s antagonism eventually begins to soften into something resembling mentorship, it’s because of that time-honored tradition of seeing themselves in each other. As it turns out, they’ve both been handicapped by some pretty bum deals in life, and they go about their days with simmering anger shaping pretty much every one of their actions. They’re the kind of people who secretly shoulder burdens all by themselves, only to generate a ton of sympathy when the truths are uncovered. They go through quite a rocky start, but it’s ultimately a blessing that they’ve found each other.
A True Three-Hander: I can imagine a version of The Holdovers that features just Angus and Paul as its only two characters, and that version probably would have been pretty satisfying. But the version we actually get is even more so, thanks to the straight-shooting performance of Da’Vine Joy Randolph. Mary is notably more emotionally open than everyone around her, which allows her to serve as the enzyme to get Paul to open up, at least a little bit. There’s a sweet early scene in which he joins her while she’s watching The Newlywed Game. He’s never watched it before, so he pinpoints the premise as a recipe for disaster, which she assures him is exactly the point. And ultimately this movie demonstrates that being open to even small new experiences like this one can start nudging us towards exactly where we need to go.
The Holdovers is Recommended If You Like: Rushmore, Armageddon Time, The Way Way Back
Grade: 4.5 out of 5 History Exams
October 18, 2023
jmunney
Cinema, Movie Reviews
Brendan Fraser, Cara Jade Myers, JaNae Collins, Jason Isbell, Jesse Plemons, Jillian Dion, John Lithgow, Killers of the Flower Moon, Leonardo DiCaprio, Lily Gladstone, Louis Cancelmi, Martin Scorsese, Robert De Niro, Scott Shepherd, Tantoo Cardinal, William Belleau

Mmm, this one’s a killa (CREDIT: Apple/Paramount Pictures)
Starring: Leonardo DiCaprio, Lily Gladstone, Robert De Niro, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser, Cara Jade Myers, JaNae Collins, Jillian Dion, Jason Isbell, William Belleau, Louis Cancelmi, Scott Shepherd
Director: Martin Scorsese
Running Time: 206 Minutes
Rating: R for Disturbingly Widespread and Remorseless Murder
Release Date: October 20, 2023 (Theaters)
What’s It About?: Here’s an important piece of information that is emphasized right from the get-go in Killers of the Flower Moon: at a certain point in the early 20th century, the Osage were the richest people per capita in the entire world. But where oil flows, bloodshed soon follows. And so it was during the Osage murders that plagued Oklahoma in the 1920s, as detailed in David Grann’s 2017 book Killers of the Flower Moon and now the Martin Scorsese-directed adaptation of the same name. All of the action revolves around William King Hale (Robert De Niro), a white man who’s managed to keep all of Osage County in his iron grip. In the course of the long wealth accumulation game that he’s ruthlessly playing, he directs his nephew Ernest Burkhart (Leonardo DiCaprio) to ingratiate himself with the native people. This takes the form of Ernest marrying and starting a family with a local woman named Mollie (Lily Gladstone). This could all be perfectly wholesome, if only Ernest weren’t involved with his uncle’s schemes to kill pretty much every member of Mollie’s family.
What Made an Impression?: Keeping Your Heart Afloat?: I had one major persistent question throughout Killers of the Flower Moon: could Ernest and Mollie actually be in love with each other? Of course, you don’t have to be in love to get married or to have kids together. But they do seem quite smitten with each other, despite being aware of the treachery afoot. Mollie knows that white men are just romancing the Osage to get their oil money. And Ernest surely knows that she knows. But she nevertheless still considers him as a pretty decent romantic prospect. Partly that’s because she and her sisters don’t really see many other options available for them. When Ernest eventually becomes fully culpable in William’s most murderous machinations, he’s already committed himself to his wife. And it never seems like an act. DiCaprio plays him like someone who never reckons with the moral implications of his behavior. This isn’t remorseless psychopathy. It’s more like family killing family, or friends killing friends, but with so much twisted rationalizing that it’s impossible to remain sane and/or sympathetic.
Shout, Shout, Let It All Out: Once the FBI takes an interest in all the Osage murders, we’re eventually led into a (somewhat) cathartic final act in which William is actually forced to answer for all his deeds in a court of law. Two towering performances in this section are bound to wake you up if you happen to be nodding off at this point. John Lithgow tries to keep things dignified for the prosecution, while Brendan Fraser casts up some fire and brimstone as Hale’s attorney W.S. Hamilton. I can’t help but chuckle at Lithgow whenever he’s in a courtroom, partly because it reminds me of the delightful short-lived NBC sitcom Trial & Error, and partly because his commanding voice is somehow simultaneously both so silly and so reasonable. Fraser meanwhile threatens to knock the entire proceedings off their axis. He’s just as over-the-top as he was in The Whale, but this time it affects me deeper to my core because everyone else is so modulated. These moments feel like being rumbled from a stupor, as all the crimes up to this point have been presented so matter-of-factly.
A Note on the Length: A different version of Killers of the Flower Moon could’ve been 2 hours or so, and it could’ve also been successful, but in a different way than it is now. At 3 hours and 26 minutes, you feel the full weight that goes along with reckoning with this dark chapter in American history. So if you’re planning on seeing it, get a good night’s sleep the day before and pop in some caffeine if you think it will help (but not too much!). And if you’re downing liquid while you’re watching and you don’t want to have to take a bathroom break, then pair it with something like popcorn or pretzel bites so that it won’t go straight through you.
Killers of the Flower Moon is Recommended If You Like: Dad books and Dad movies
Grade: 4 out of 5 Handsome Devils
October 17, 2023
jmunney
Cinema, Movie Reviews
Jigsaw, John Kramer, Jorge Briseño, Joshua Okamoto, Kevin Greutert, Michael Beach, Octavio Hinojoso, Paulette Herández, Renata Vaca, Saw, Saw X, Shawnee Smith, Steven Brand, Synnøve Macody Lund, Tobin Bell

He Saw you. (CREDIT: Alexandro Bolaños Escamilla)
Starring: Tobin Bell, Shawnee Smith, Synnøve Macody Lund, Steven Brand, Renata Vaca, Joshua Okamoto, Octavio Hinojoso, Paulette Herández, Jorge Briseño, Michael Beach
Director: Kevin Greutert
Running Time: 118 Minutes
Rating: R
Release Date: September 29, 2023 (Theaters)
On the occasion of reflecting upon watching Saw X and what it all means, I have decided to ponder out loud why I haven’t seen every single release in this iconic franchise.
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October 5, 2023
jmunney
Cinema, Movie Reviews
Ann Dowd, David Gordon Green, Ellen Burstyn, Jennifer Nettles, Leslie Odom Jr., Lidya Jewett, Norbert Leo Butz, Okwui Okpokwasili, Olivia Marcum, The Exorcist, The Exorcist: Believer

Will this movie make you a true beLIEVer? (CREDIT: Universal Studios)
Starring: Leslie Odom Jr., Ann Dowd, Jennifer Nettles, Norbert Leo Butz, Lidya Jewett, Olivia Marcum, Ellen Burstyn, Okwui Okpokwasili
Director: David Gordon Green
Running Time: 111 Minutes
Rating: R for Violent Contortions and Devilish Profanity
Release Date: October 6, 2023 (Theaters)
What’s It About?: Thirteen years after Victor Fielding’s (Leslie Odom Jr.) wife dies during childbirth, his daughter Angela (Lidya Jewett) wanders into the woods after school with her friend Katherine (Olivia Marcum). They end up missing but reemerge after three days, although they have barely any memory of what happened, as they believe that just a few hours have passed. It soon becomes clear that something otherworldly has returned with them. Their doctors have no idea how to treat their sudden personality shifts, but of course we know that this is really the latest battle in an eternal war between good and evil. The Catholic priests in this edition are mostly feckless, so instead Victor and Katherine’s parents (Jennifer Nettles and Norbert Leo Butz) turn to a trusty nurse/neighbor (Ann Dowd) and a certain someone else (Ellen Burstyn) who famously has experience in this area.
What Made an Impression?: A Healthy Dose of Skepticism: When I hear people who were alive at the time talk about the release of the original Exorcist in 1973, they often emphasize how moviegoers really believed in the presence of the devil on Earth. 2023 America, by contrast, is a more skeptical era, or at least it’s a time when much fewer people belong to organized religions. The Exorcist: Believer leans into that fact, or at least attempts to, by acknowledging the value of skepticism. The scope is further broadened by making it clear that exorcism isn’t strictly a Catholic ritual. Katherine’s family are Baptists, and there’s also a woman (Okwui Okpokwasili) assisting in the rite who appears to be practicing voodoo. It’s an intriguing hodgepodge, but one that could maybe have benefited from a little more rigor to figure out what it’s trying to say.
Here Comes the Exposition: As was the case with director David Gordon Green’s Halloween films, Believer serves as a direct sequel to the original that basically ignores all previous follow-ups. Although I kind of wish that Green instead employed the Fast & Furious technique of somehow incorporating every ridiculous plot twist into the main continuity. But in the case of The Exorcist, that concern doesn’t matter too much, since each entry mostly stands on its own. Still, the return of Burstyn as Chris MacNeil demonstrates both the potentials and the pitfalls of this fresh approach. It’s invigorating to have her impose some wisdom after her own daughter was possessed all those decades ago. But in an effort to explain what she’s been up to in the meantime, we get a huge exposition dump that also pretty much spells out all the themes of this movie. It kind of made me just want to have an Adventures of Chris MacNeil spinoff instead.
Effects vs. Special Effects: There’s something about the look and feel of movies from the past. In our era of digital cinematography and standard post-production VFX cleanup, everything just looks a little too polished. I’m fine with 2023 being 2023 and having its own visual style, but in the case of a possession flick, that means that the devil’s tricks feel like the work of a rather earthbound magician. The illusion is just too illusory.
Believing in Humanity: While a good chunk of Believer represents a missed opportunity, sometimes someone arrives to make you, well, believe. Maybe the cinematic devil isn’t quite as viscerally powerful as he used to be, but if you can’t accept religion, you can still put your faith in people. And with that in mind, thank God for Ann Dowd as the nurse who was almost a nun but might still be the secret weapon to end this possession. When she speaks, she commands the room like nobody else. And when she insists that God put her in these girls’ lives for a reason, it could sound hokey coming from anyone else, but out of her mouth, it’s the most powerful statement I’ve heard in quite some time. I don’t know if a new possession movie can ever be 1/666th the phenomenon that the original Exorcist was, but I can at least have faith that small miracles like Dowd’s performance are still possible.
The Exorcist: Believer is Recommended If: You can cut through the rust and find the devil in the details
Grade: 3 out of 5 Descents Into Hell
October 4, 2023
jmunney
Cinema, Movie Reviews
Aaron Pierre, Foe, Garth Davis, Paul Mescal, Saoirse Ronan

Foe! Foe! Foe! (CREDIT: Amazon Studios)
Starring: Saoirse Ronan, Paul Mescal, Aaron Pierre
Director: Garth Davis
Running Time: 110 Minutes
Rating: R for An Intimate Relationship on Full Display
Release Date: October 6, 2023 (Theaters)
What’s It About?: It’s the future! We’ve already seen plenty of cinematic visions of the years to come, and the version in Foe is of the dystopian variety ravaged by climate change. Henrietta (Saoirse Ronan) and Junior (Paul Mescal) are living in a remote farmhouse in some vague portion of The Midwest in 2065. The whole area looks like a tinderbox that could be swallowed up in flames at any moment. They’re just muddling through, but then one day a stranger (Aaron Pierre) arrives with a mysterious offer. It turns out that Junior has been recruited to launch up into an orbiting space station for some important mission, and in the meantime, Hen will be kept company by a synthetic version of Junior built by artificial intelligence to replicate his consciousness.
What Made an Impression?: Where’s the Technology?: Sometimes dystopian movies feel like they take place in the past, as a catastrophic event has wiped out our most advanced forms of modern technology. That kind of seems to be what’s going on in Foe, which is weird because its premise is about a particularly timely technological breakthrough. A.I. is leaps beyond ChatGPT at this point, and yet TVs, computers, and cell phones are nowhere to be seen. It’s possible, I suppose, that Hen and Junior are choosing to live a life off the grid without modern amenities. But if that were the case, it would presumably be worth emphasizing, but it never is. And because that gap is never remarked upon, Foe is likely to give you a baseline feeling of cognitive dissonance.
Taking a While to Get There: The ending of Foe might make you want to go back and watch the whole thing again … if you have the patience for it. That conclusion assuaged some concerns I had, but it didn’t really make the ride any more thrilling in retrospect. For most of the movie, I lamented how it wasn’t taking full advantage of its premise, or quite frankly taking any advantage of its premise. And this is a story that’s been told more compellingly before, especially in the Black Mirror episode “Be Right Back.” And when you get right down to it, the A.I. element doesn’t add much of anything. Sci-fi has been grappling with the ethics of cloning for decades now, and that aspect goes about how you would expect this time as well. Maybe that’s why this future looks so much like the past!
Foe is Recommended: Only for the pretty people being horny and passionate
Grade: 2 out of 5 Consciousnesses
October 3, 2023
jmunney
Cinema, Movie Reviews
Daniel Henshall, Hugo Weaving, James Frecheville, Jessica Henwick, Julia Garner, Kitty Green, The Royal Hotel, Toby Wallace, Ursula Yovich

Will they ever be Royals? (CREDIT: Neon/Screenshot)
Starring: Julia Garner, Jessica Henwick, Hugo Weaving, Toby Wallace, Ursula Yovich, Daniel Henshall, James Frecheville
Director: Kitty Green
Running Time: 91 Minutes
Rating: R for Maximum Drunken Boorishness
Release Date: October 6, 2023 (Theaters)
What’s It About?: If there’s one major lesson to be learned from The Royal Hotel, it’s that planning ahead is essential. Hanna (Julia Garner) and Liv (Jessica Henwick) would certainly agree after everything they go through. They’re vacationing in Australia, but then the cash runs out and they need to find a job. Alas, the only gig they can land on such short notice is bartending at the titular watering hole, which is located in the remotest part of the Outback. The owner (an unrecognizable Hugo Weaving) is an alcoholic nightmare, while the patrons have a bit too much of a knack for misogyny and violence. The girls do have at least one ally in the form of Carol (Ursula Yovich), the bar’s gruff second-in-command. But it soon becomes clear that they really only have themselves to rely on if they want to make it out of this place alive.
What Made an Impression?: A Descent Into Hell: The realism of The Royal Hotel can lull you into a false sense of security. The joint isn’t exactly inviting, or even really pleasant at all. But if you’re working there, it feels like any old awful job that you just have to survive, and at least Hanna and Liv can count on a preordained end point. But they’re like those proverbial frogs in burning water. Because soon enough, the folks who seemed friendly have revealed their Hyde-like alter egos, while the run-of-the-mill jerks have turned into psychopaths, and everyone genuinely on their side has disappeared. The normal rules of society don’t apply in a place this isolated. Nothing particularly supernatural happens, but it’s like a waking nightmare that feels like it couldn’t possibly be real when you reckon with it after the fact.
Killer Ending: Downbeat thrillers like this one can be a tough sell if you’re someone who likes to have fun when you go to the movies. I was certainly prepared to leave The Royal Hotel with a pit in my stomach, especially since Kitty Green and Julia Garner’s last collaboration didn’t exactly offer much in the way of relief. But this time around, they opt for a much more cathartic conclusion. It’s outrageous in its own way, and fittingly so considering the taste of hell that the leads have to swallow. The last line is one for the ages, and if you check into The Royal Hotel, chances are you’ll be pumping your fist or raising a toast in solidarity on the way out.
The Royal Hotel is Recommended If You Like: Thelma and Louise, That one GIF from Waiting to Exhale, Discovering resilience that you never knew you had
Grade: 4 out of 5 Broken Glasses
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