Jmunney’s Very Early Oscar Predictions

Leave a comment

Presently, the 2011 Academy Awards are looking significantly more unpredictable than the 2010 edition.  At this point last year, I could have confidently said that pre-holiday season releases The Social Network, Inception, and Toy Story 3 were locks for Best Picture nominations.  This year, I am not sure if any movie released before November will be nominated; most of the likely nominees are either yet to be released or still in limited release.  Come February, the major categories may prove to be just as easy to call as they were last time, but at the moment, this race could go in any number of directions.  (Predictions are listed in order of most likely to least likely to be nominated.)

Best Picture
The Academy changed the nominating rules for Best Picture again, so this year, anywhere between 5 and 10 films will be nominated.  I’m going to call it in the middle and go with 7.  Entertainment Weekly and other outlets are calling War Horse a sure thing, but I’m not necessarily buying it even as a contender, at least not yet.  The Artist, despite its superficial disadvantages, could emerge the favorite, but I think The Descendants has the best mix of ingredients (previously nominated and really well-respected director, one of the biggest stars in the world, breakthrough young actress).  At least one mainstream, crowd-pleasing box office success from summer or earlier could likely sneak in, probably The Help and maybe even Harry Potter.
The Descendants
The Artist
Midnight in Paris
Moneyball
The Help
War Horse
Hugo

Director
With the Best Picture picture as chaotic as it is, it is theoretically possible that this could be one of those years when the Best Director winner is not the director of the Best Picture winner.  But no one director (except maybe Terrence Malick) seems to be that much more of a contender than his (no directing ladies seem to be in contention this year) film, so Payne and Hazanvicius are necessarily then at the top.
Alexander Payne, The Descendants
Michel Hazanavicius, The Artist
Woody Allen, Midnight in Paris
Bennett Miller, Moneyball
Martin Scorcese, Hugo

Actor
One of the biggest stars of the country is the front-runner, and that country is … France.  Dujardin, veteran of the French spy spoof series OSS 117, is the favorite over Clooney and Pitt.  Ryan Gosling can make it on only if voters feel compelled by his overall great year.
Jean Dujardin, The Artist
George Clooney, The Descendants
Brad Pitt, Moneyball
Leonardo DiCaprio, J. Edgar
Michael Fassbender, Shame

Actress
Who says there are no good roles for women over 40?  There are three ladies who have reached that milestone (Glenn Close, Meryl Streep, Viola Davis) and are defiantly the front-runners in this category, and they might be joined by a fourth (Tilda Swinton in We Need to Talk About Kevin).  Beyond Close/Streep/Davis, this category could go in a number of different directions.  I’m betting on the presence of a young newcomer à la Jennifer Lawrence last year, likely either Elizabeth Olsen or Felicity Jones (Like Crazy).  Kirsten Dunst (Melancholia), Rooney Mara (The Girl with the Dragon Tattoo), and Charlize Theron (Young Adult) must also have their due considerations.
Glenn Close, Albert Nobbs
Meryl Streep, The Iron Lady
Viola Davis, The Help
Michelle Williams, My Week with Marilyn
Elizabeth Olsen, Martha Marcy May Marlene

Supporting Actor
This is the most wide-open I can ever remember this category being.  The favorite may very well be a gay eightysomething, and a motion capture simian performance may actually be nominated.  Don’t bet the house on these predictions, unless you like to live life dangerously.
Christopher Plummer, Beginners
Jonah Hill, Moneyball
Albert Brooks, Drive
Patton Oswalt, Young Adult
Kevin Spacey, Margin Call

Supporting Actress
Spencer and Chastain (in the best of her 6 performances from 2011) are obvious.  Woodley is too, especially considering this category’s reputation as the ingenue category.  McCarthy has a good chance, as comedic roles stand a chance in the supporting field.  And I’ll round it out with Janet McTeer, because I hear things.  But don’t fall asleep on Bérénice Bejo (The Artist).
Octavia Spencer, The Help
Jessica Chastain, The Help
Shailene Woodley, The Descendants
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

Best in Film 2011 Tracker, Part 3

Leave a comment

Since the last Tracker – posted on September 14 – I have seen Our Idiot Brother, Rise of the Planet of the Apes, Drive, Moneyball, Straw Dogs, Contagion, The Ides of March, 50/50, Real Steel, and Paranormal Activity 3 in the theatre and Win Win on DVD.  It has been a mix.  Some of these movies will be a factor here; others, not so much.  There are several movies out in limited release that have so far proven difficult for me to catch – Take Shelter, Margin Call, Martha Marcy May Marlene, Like Crazy.  Hopefully, I will make it out to those as soon as I can, and since it’s November, there should be a notable release coming out just about every day.  Stay tuned.

Best Film
Bridesmaids
Moneyball
Crazy, Stupid, Love.
Rise of the Planet of the Apes
Midnight in Paris

Director
The orders for Film and Director aren’t quite matching up.  Constant re-evaluation will likely be taking place.
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life
Rupert Wyatt, Rise of the Planet of the Apes
Paul Feig, Bridesmaids
Bennett Miller, Moneyball
Glen Ficarra and John Requa, Crazy, Stupid, Love.

Lead Actor
Tom Hardy, Warrior
Brad Pitt, Moneyball
Brad Pitt, The Tree of Life
James McAvoy, X-Men: First Class
Michael Fassbender, X-Men: First Class

Lead Actress
Viola Davis, The Help
Kristen Wiig, Bridesmaids
Emma Stone, The Help
Saoirse Ronan, Hanna

Supporting Actor
Corey Stoll, Midnight in Paris
Jonah Hill, Moneyball
Ryan Gosling, Crazy, Stupid, Love.
Kevin Bacon, X-Men: First Class
Bruno Ganz, Unknown
Peter Sarsgaard, Green Lantern
Nick Nolte, Warrior

Supporting Actress
Melissa McCarthy, Bridesmaids
Jessica Chastain, The Help
Octavia Spencer, The Help
Analeigh Tipton, Crazy, Stupid, Love.
Bryce Dallas Howard, The Help
Jessica Chastain, The Tree of Life
Lin Shaye, Insidious

Adapted Screenplay
Stan Chervin, Aaron Sorkin, and Steven Zaillian, Moneyball

Original Screenplay
Kristen Wiig and Annie Mumolo, Bridesmaids
Woody Allen, Midnight in Paris
Dan Fogelman, Crazy, Stupid, Love.

Editing
The seamless interweaving of the main story, flashbacks, and archival video and audio in Moneyball lead me to include Editing for the first time.
Christopher Tellefsen, Moneyball

Cinematography
I forgot to include cinematography on the first couple of trackers – I guess Tree of Life was just too obvious.
Emmanuel Lubezki, The Tree of Life

Score
Cliff Martinez, Drive
Michael Andrews, Bad Teacher
The Chemical Brothers, Hanna
Cliff Martinez, Contagion

Visual Effects
Rise of the Planet of the Apes

Best in Film 2011 Tracker, Part 2

Leave a comment

Since posting the first Best in Film Tracker, I have seen Final Destination 5, The Debt, Colombiana, Warrior, and Crazy, Stupid, Love.  Jessica Chastain performed another memorable performance in The Debt (but not quite on the level of what she did in The Help or The Tree of Life).  There has been a good deal of buzz building for Nick Nolte, but I was most impressed by Tom Hardy when it comes to the cast of Warrior.  The brooding hero has become a bit cliché lately, but Hardy made sure that Tommy Conlon’s moments of longing and forcefully workmanlike approach to fighting were filled with a clarity as to why he was so brooding.

Crazy, Stupid, Love. has vaulted near the top of my list for best films of the years.  The cast was solid all-around, though I am not sure if any one actor stood out, with the exception of Analeigh Tipton, who had what was surely the trickiest role among tricky roles.  And the more I think about it, the more I realize that Ryan Gosling was rather notable as well for all that he accomplished in a role that could have been one-note (so I guess there actually were some actors who stood out in that cast).  And credit in that regard must surely also go to the screenplay from Dan Fogelman.

Best Film
Bridesmaids
Crazy, Stupid, Love.
Midnight in Paris

Director
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life
Paul Feig, Bridesmaids
Glen Ficarra and John Requa, Crazy, Stupid, Love.

Lead Actor
Tom Hardy, Warrior
Brad Pitt, The Tree of Life
James McAvoy, X-Men: First Class
Michael Fassbender, X-Men: First Class

Lead Actress
Viola Davis, The Help
Kristen Wiig, Bridesmaids
Emma Stone, The Help
Saoirse Ronan, Hanna

Supporting Actor
Corey Stoll, Midnight in Paris
Kevin Bacon, X-Men: First Class
Ryan Gosling, Crazy, Stupid, Love.
Bruno Ganz, Unknown
Peter Sarsgaard, Green Lantern
Nick Nolte, Warrior

Supporting Actress
Melissa McCarthy, Bridesmaids
Jessica Chastain, The Help
Octavia Spencer, The Help
Analeigh Tipton, Crazy, Stupid, Love.
Bryce Dallas Howard, The Help
Jessica Chastain, The Tree of Life
Lin Shaye, Insidious

Original Screenplay
Kristen Wiig and Annie Mumolo, Bridesmaids
Woody Allen, Midnight in Paris
Dan Fogelman, Crazy, Stupid, Love.

Score
Michael Andrews, Bad Teacher
The Chemical Brothers, Hanna

Best in Film 2011 Tracker, Part 1

Leave a comment

As the year in cinema is a little more than halfway through, there have been, believe it or not, plenty of great (or at least good) movies, performances, and individual achievements in movies.  So I have decided to start occasionally posting a tracker of the best in film in 2011, which I will continue to do until the end of the year, and then probably for a month or so after as well, as I catch up on the late 2011 films in the early days of 2012.  I will be reposting the tracker whenever I catch a notable movie that will provide me with any notable updates regarding the best of the year.  Now is a good time for me to start with the tracker, as I saw The Help last week, which featured about a dozen memorable performances.  The supporting actress category is already overflowing, and unfortunately, awards shows will not have enough room to recognize all of the ladies of The Help.

In each category, honorees are listed in order of most deserving first.

Best Film
I very much enjoyed X-Men: First Class, The Tree of Life, and The Help, but I’d like some time to re-evaluate them to see if they are truly among the best of the year.
Bridesmaids
Midnight in Paris

Director
Bridesmaids struck me as an accomplishment more of writing and performing than directing, but I’ve got to assume that Paul Feig did something worthwhile.
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life
Paul Feig, Bridesmaids

Lead Actor
Brad Pitt, The Tree of Life
James McAvoy, X-Men: First Class
Michael Fassbender, X-Men: First Class

Lead Actress
Viola Davis, The Help
Kristen Wiig, Bridesmaids
Emma Stone, The Help
Saoirse Ronan, Hanna

Supporting Actor
Corey Stoll, Midnight in Paris
Kevin Bacon, X-Men: First Class
Bruno Ganz, Unknown
Peter Sarsgaard, Green Lantern

Supporting Actress
Isn’t that new It Girl Jessica Chastain just cute as a button?
Melissa McCarthy, Bridesmaids
Jessica Chastain, The Help
Octavia Spencer, The Help
Bryce Dallas Howard, The Help
Jessica Chastain, The Tree of Life
Lin Shaye, Insidious

Original Screenplay
Kristen Wiig and Annie Mumolo, Bridesmaids
Woody Allen, Midnight in Paris

Score
Michael Andrews, Bad Teacher
The Chemical Brothers, Hanna

2011 Mid-Year Report

Leave a comment

2011 is halfway through, and it is time for us to take a breath and get ourselves prepared for what we may very well have to include six months from now in the roundup of the best in entertainment for the whole year.

Best in Movies
The best films I have seen so far this year are Bridesmaids and Midnight in Paris.  I haven’t caught The Tree of Life, so I can’t yet say if it loves up, or down, to the hype.

In Midnight in Paris, Woody Allen pulled out his best directing tricks since those he showed off in Match Point.

Woody’s literacy also earns him accolades for his screenplay, while Kristen Wiig and Annie Mumolo wrote a fascinating look at female friendship with Bridesmaids.

As for acting, the top female leads were Kristen Wiig (Bridesmaids) and Saoirse Ronan (Hanna), while James McAvoy and Michael Fassbender (X-Men: First Class) led the way for the men.  The top supporting ladies were Melissa McCarthy (Bridesmaids) and Lin Shaye (Inisidious).  The Supporting Actor fielded is already crowded, with Kevin Bacon (X-Men: First Class), Bruno Ganz (Unknown), Peter Sarsgaard (Green Lantern), and Corey Stoll as Ernest Hemingway (Midnight in Paris).

Best Trailers
Hanna blew our mind with its wild tonal shifts, X-Men: First Class promised us a visceral period piece, and the wedding invitation in The Twilight Saga: Breaking Dawn: Part 1 marked the ultimate in cheese.

Best in Television
The top shows that I caught that debuted in 2011?  Portlandia, Sports Show with Norm Macdonald, and Bob’s Burgers at number 1.  Honorable mentions go to Perfect Couples and Happy Endings.

Best Songs
At the top is, of course, Adele with “Rolling in the Deep,” while former Tony! Toni! Toné! member Raphael Saadiq brought the funk with “Stone Rollin.'”

Best Music Videos
Guest stars galore has been the name of the game for great music videos for 2011.  First off, two clips from Chris Marrs Piliero: Ke$ha’s “Blow” (featuring James Van Der Beek) and the Black Keys’ faux-trailer in “Howlin’ for You” (featuring Tricia Helfer, Corbin Bernsen, Sean Patrick Flanery, and Todd Bridges).  There were also twisted tales from Katy Perry – “Last Friday Night (T.G.I.F.),” with Darren Criss, Kevin McHale, Rebecca Black, Hanson, Kenny G, Corey Feldman, and Debbie Gibson – and Martin Solveig ft. Dragonette – “Hello,” with tennis stars Novak Djokovic and Gael Monfils and fellow DJ Bob Sinclair.  Meanwhile, sans guest stars, Taylor Swift was at her cutest and wittiest yet in “The Story of Us.”

The 2011 MTV Movie Awards (Excuse Me, Twilight: Eclipse Awards) Preview

2 Comments

The 2011 MTV Movie Awards are happening this upcoming Sunday, June 5th.  (Jason Sudeikis is the host – he can be funny.)  For those of you who haven’t watched the Golden Popcorn-fest in about ten years, you haven’t missed much.  It isn’t quite as cool as it used it to be in the nineties, back when Jim Carrey dressed as a Foghat-obsessed biker and the film parodies were actually clever and not just filled with as many references as possible.  (Remember Armagedd’N Sync?)  But now, thanks to the fact that people can vote as many times as they want, and considering that teenage girls are the only ones inclined to take seriously MTV awards shows and the only ones inclined to vote 100 times a day, the Movie Awards have been commandeered by the Twilight crowd.  The first two Twilight films won Best Movie the past two years, and odds are that Eclipse will make it three in a row.  Chances are also that it will win every other category in which it is nominated, as the only category in which it was nominated the last two years that it did not also win was Best Song 2 years ago (“The Climb” from Hannah Montana beat out Paramore’s “Decode” – the one instance in which Twilight actually deserved to win).  Here are the categories in which Eclipse has at least one nomination, listed in order from safest bet for Twilight to best chance that something else may actually win:

(For those of you despairing over the current all-Twilight, all the time nature of the show, remember that the Lord of the Rings trilogy won Best Movie three years in a row at the beginning of the century.)

Best Movie
If 2 of the 3 highest grossing (domestic) movies of all time (The Dark KnightAvatar) couldn’t beat Twilight, then what chance is there for Inception, merely the 41st-highest grossing (domestic) earner of all time?

Best Male Performance
Four of the nominees are the same as last year.  So we can bank on R Pattz finishing ahead of Taylor, Dan Rad, and Zac again.  So is there anyone out there who thinks that Jesse Eisenberg is so much bigger than Channing Tatum in the eyes of the MTV crowd that he can close the gap on R Pattz?  Anyone?

Breakthrough Performance
Robert Pattinson won here two years, before he was allowed to be nominated in the Male Performance category.  Last year Anna Kendrick won forUp in the Air, but as she is also in the Twilight movies, that was essentially a proxy vote for Twilight.  Xavier Samuel has broken through the least of all of this year’s nominees, but he is also the only one from Twilight, and nobody else really sticks out.  Olivia Wilde could win if teenage and twentysomething men were voting, but that group generally doesn’t vote.  I am 23, and I did vote, but I didn’t vote for her.  Chloë Grace Moretz is deserving and was in a role that is MTV-friendly.  And young girls have won the Golden Popcorn in the past (Daveigh Chase for The Ring, Anna Chlumsky for My Girl), but they weren’t up against Twilight.

Best Female Performance
I find it slightly funny that Kristen Stewart has been winning this award lately because I think that Twihards are  more fans of Robert Pattinson and Taylor Lautner than they are of a girl that some of them are probably jealous of.  But who else are they going to vote for, I guess.  Could they vote for Natalie Portman, though?  She’s won every other award, but that doesn’t really mean anything when it comes to MTV.  (Just for the sake of pointing it out, Tom Hanks, in Philadelphia, is the only person to ever win an Oscar and an MTV Best Male or Female Performance Award for the same role.)

Best Kiss
Thanks to its unapologetically indulgent romance, this should be the the premiere category for Twilight.  So why do I not have this ranked as the safest bet for Eclipse?  Because of the buzzworthiness of its deserving competitor: Natalie and Mila in Black Swan.  MTV voters have a history of awarding same-sex kisses – same-sex kisses that are not merely sensationalistic but that actually have a purpose in the context of the movie.  It’s been four years since the last same-sex winner (Will Ferrell and Sacha Baron Cohen in Talladega Nights) and eleven years since the last girl-on-girl winner (Sarah Michelle Gellar and Selma Blair in Cruel Intentions, not including the three-way winner of Owen Wilson, Amy Smart, and Carmen Electra in Starsky & Hutch).  Since Eclipse is doubly nominated, there could be vote splitting, or Twihards may just vote for both.  But keep in mind that guys won’t be the only ones voting for Black Swan, as the attendance for that ballet pic was driven primarily by women, so ladies slightly older than the Twihard crowd may go the taboo route.

Best Fight
Twilight won here two years ago and then took off last year.  Its primary competition this year is Joseph Gordon-Levitt and the subconscious security’s hotel dance in Inception.  Twilight has already shot down a Christopher Nolan-directed fight (Batman vs. the Joker in The Dark Knight), but this Nolan-directed sequence may just have been the best movie scene of last year.  Again, that may not be enough to overcome the overwhelming nature of Twilight fandom, but awesome action does matter to the MTV crowd, as demonstrated by The Matrix dominating the 2000 MTV Awards.

And believe it or not, there are categories without any Twilight nominees.  Here’s how those might shake down:

Best Villain
Tom Felton
 won for Harry Potter last year, and he’s the favorite to win again, even though he’s not the primary villain and he only appeared in about ten minutes of this chapter.  Based on the fact that Tom was nominated over Ralph Fiennes, the older nominees (Christoph Waltz, Mickey Rourke, and Ned Beatty) may be too far out of the age bracket, but Leighton Meester may have a chance for an upset.

Best Comedic Performance
Easy A was the only one of the movies represented in this category that was a significant hit relative to expectations, so Emma Stone may just be the first ever female comedic winner.

Best Scared-As-S**t Performance
Inception is the only movie here that was actually a hit, but Ellen Page’s wasn’t exactly a primarily “scared” role.  So this will probably go to someone teenager-y like Minka Kelly in The Roommate (unless it goes to someone exorcism-y like Ashley Bell in The Last Exorcism).

Best Jaw Dropping Moment
There is nothing that stands out this year like a naked Ken Jeong last year.  So, inappropriately enough, this will probably go to Justin Bieber for the same reason that Twilight will win every other category.

Biggest Badass Star
I’m assuming that enough voters will agree that Alex Pettyfer has no business being in this category.  And Joseph Gordon-Levitt is not primarily thought of as a badass.  Though Chloë Grace Moretz may have a chance (I’m pulling for her – I mean, badass/Kick-Ass – hello!), this will likely come down to a battle between the star wattage of Smith vs. Downey.  MTV voters have a knack for rewarding sequel performances when they should have awarded – if anything – the initial chapter’s performance (Neve Campbell in Scream 2, Tom Cruise in Mission: Impossible II), so Robert Downey, Jr. is the one to beat.

Best Line from a Movie
I appreciate that Tom Hardy’s quip from Inception was nominated, but it is probably too cheeky for the MTV crowd.  This being a new category, I can’t say for sure how I see it shaking down, but I think – I hope – that the winner will have come from the pen of Aaron Sorkin, and this being MTV, I give the edge to Justin Timberlake (along with Andrew Garfield).

MTV Movie Awards Premature Post

Leave a comment

Some of you may have seen an accidental preview of my post on the 2011 MTV Movie Awards, which I inadvertently published when I meant to merely save the draft.  You may have noticed that it looked a tad incomplete.  The finished version will be up soon.

Melissa McCarthy Oscar Buzz for Bridesmaids

2 Comments

Upon returning home from catching a showing of Bridesmaids, I decided to scour the Internet to see if I could find any movie fans out there calling for Melissa McCarthy to be nominated for an Oscar her role as the feisty, rip-roaring Megan.  Since googling “Melissa McCarthy” and “Oscar buzz” together didn’t lead to any promising hits, I decided that I would go ahead and start the buzz myself.  So, Academy of Motion Picture Arts and Sciences, I hereby suggest Melissa McCarthy for your consideration for Best Actress in a Supporting Role for the 84th Academy Awards.

Springtime – It’s Not Just for Hitler and Germany, but Also Eighties Nostalgia

Leave a comment

Springtime at the movie theatre has lately been established as the time and the place for eighties nostalgia, what with the three most recent springs seeing the releases of the 1987-set Adventureland (released April 3, 2009), the 1986-set Hot Tube Time Machine (released March 26, 2010), and the 1988-set Take Me Home Tonight (released March 4, 2011 – technically that’s still winter, but let’s not split hairs).  All were disappointments at the box office, undeservingly so.  HTTM managed to be a minor hit, Adventureland was criminally mismarketed and overlooked, and TMHT was all but completely ignored.  But those of us who did see these gems were treated to a very eighties aural feast.  Based on my viewing of these blasts from the past, they each featured one song that stood out singularly – a signature song, if you will – among the rest of a soundtrack filled with synthesizers, hair bands, and other elements from the strangest era ever for pop music.  We are left to wonder, what nostalgic romp coming our way March or April 2012 will make great use of a “Jump” by van Halen, or a “How Soon is Now” by The Smiths, or even a “99 Luftballoons”?  For now, here are the signature songs from the above mentioned films:

Adventureland’s signature song – “Rock Me Amadeus” by Falco
“Jesus Fucking Christ!  They play this song like 20 times a day!”  “Fucking sadists.  Fucking sadists!”
With all due respect to Martin Starr as Joel, Austrian hitmaker Falco’s only American hit is a great song … but it is best listened to with the distance of time and a healthy dose of irony, neither of which is afforded by working at a crappy amusement park in the summer of 1987.  Adventureland perfectly demonstrates the principle of using setting to establish the mood, and the constant presence of “Rock Me Amadeus” is a major part of that.  It’s bad enough for James Brennan that he is missing out on a summer in Europe for one of the worst jobs ever; the added burden of “Amadeus” on constant repeat would be enough to make anyone wonder, “Who is trying to make me kill myself?”

Hot Tub Time Machine’s signature song – “Let’s Get It Started” as performed by Craig Robinson
Hot Tub Time Machine follows the nostalgic lead of Back to the Future in a lot of ways – time travel, sports betting as a sure thing, Crispin Glover, and a “song from the future.”  Back to the Future did feature some songs that would have been around by 1955 (“Mr. Sandman,” for one), but its most memorable music originated from later in the decade, with Marty McFly putting his spin on Chuck Berry’s 1958 class “Johnny B. Goode” (sure, Huey Lewis’ theme song and Alan Silvestri’s score are memorable, too, but they are not tied so closely to one scene the way that “Johnny” is).  Similarly, Hot Tub Time Machine features songs from the eighties, but its most memorable musical moment is not part of that decade at all.  HTTM is not particularly realistic or sweet or cheesy in its nostalgia, so it makes sense that it would ignore the era’s music when suitable.  And it is suitable when you have a secret weapon like the vocal talents of funnyman Craig Robinson.

Take Me Home Tonight’s signature song – “What You Need” by INXS
One might think that the Eddie Money power ballad namesake of Take Me Home Tonight would be this film’s signature song, but it actually never appears.  This may be partly due to the fact that this was not the original title, but that may not be the best theory when you consider that the namesake songs of the previous titles – “Young Americans” and “Kids in America” – also never appear in the film.  Of these three recent eighties nostalgia blasts, TMHT has the least polished soundtrack.  Thus, its signature song is the rare one that is incorporated smoothly into a memorable scene: the dance off between Barry and the Ralph Macchio wannabe.  I did not know that dance offs existed in the eighties, but I did know that INXS can lead to some great dancing, and thankfully someone else did, too.

Jmunney’s 2010 Oscar Prediction Contest Results

Leave a comment

Thank you to everyone who entered my blog’s inaugural Oscar contest. To my blog readers whom I do not know personally, you certainly made it interesting. This year’s winner was Joel Steven, one of those entrants whom I do not know personally. Joel correctly predicted 19 out of 24 categories. Congratulations Joel!
The toughest category proved to be Animated Short, which nobody got right, with everybody making the same wrong selection (Day & Night). Lead Actor, Adapted Screenplay, Animated Feature, and Sound Editing proved easier, with everyone correctly picking Colin Firth, Aaron Sorkin, Toy Story 3, and Inception, respectively.
Detailed results are below:

1. Joel Steven – 19

2. Greg Hernandez – 17

3. Walter Wojcik – 16

T4. Brenton Andreasik – 15

T4. Joe Ball – 15

T4. Dave Coyle – 15

7. Rob Malone – 14

8. Jason Tkach – 11

Older Entries Newer Entries