Each week, I check out FUSE’s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.
Original Version
1. Pitbull ft. Ke$ha – “Timber”
2. A Great Big World and Christina Aguilera – “Say Something”
3. OneRepublic – “Counting Stars”
4. Passenger – “Let Her Go”
5. Rihanna ft. Eminem – “The Monster”
6. One Direction – “Story of My Life”
7. Bastille – “Pompeii”
8. Lorde – “Team”
9. Avicii – “Wake Me Up”
10. Imagine Dragons – “Demons”
11. Ellie Goulding – “Burn”
12. Beyoncé ft. Jay-Z – “Drunk in Love”
13. Miley Cyrus – “Wrecking Ball”
14. The Neighbourhood – “Sweater Weather”
15. Kid Ink ft. Chris Brown – “Show Me”
16. Sara Bareilles – “Brave”
17. Pharrell – “Happy”
18. Zendaya – “Replay”
19. American Authors – “Best Day of My Life”
20. Macklemore and Ryan Lewis ft. ScHoolboy Q and Hollis – “White Walls”
Jmunney’s Revision
1. Wake Me Up
2. Team
3. Happy
4. The Monster
5. Demons
6. Pompeii
7. Wrecking Ball
8. Timber
9. Drunk in Love
10. Burn
11. Sweater Weather
12. Counting Stars
13. Let Her Go
14. Brave
15. White Walls
16. Best Day of My Life
17. Replay
18. Show Me
19. Say Something
20. Story of My Life
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – American Dad! going into full-on apocalyptic mode.
Monday – Rick and Morty is the best new show of 2014 (that actually premiered in late 2013).
Tuesday – Brooklyn Nine-Nine
Wednesday – Suburgatory is still the weirdest show ever, but also still pretty good.
Thursday – Community
Friday – The Neighbors
Saturday – SNL had its second best episode of the season, with That’s So 2 Chainz the highlight.
Interesting fact: That’s So 2 Chainz still holds the record for the Disney show with the most bleeps.
Piers Morgan Live
Opening sketches like these tend to really not quite work out, because there’s no good reason that Chris Christie, A. Rod, and Justin Bieber should all be covered in the same sketch beyond “they would all be covered by a news program.” There’s no flow to it, just a sense of checking items off a list. There were some funny moments (“What I lack in journalistic integrity…,” suing Jackie Robinson), but no cohesive whole. C+
Each week, I check out VH1′s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.
Original Version
1. Eminem ft. Rihanna – “The Monster”
2. Zedd ft. Hayley Williams – “Stay the Night”
3. Pitbull ft. Ke$ha – “Timber”
4. Ellie Goulding – “Burn”
5. OneRepublic – “Counting Stars”
6. A Great Big World and Christina Aguilera – “Say Something”
7. Lorde – “Team”
8. Beyoncé – “XO”
9. Passenger – “Let Her Go”
10. Bastille – “Pompeii”
11. John Newman – “Love Me Again”
12. Imagine Dragons – “Demons”
13. Fall Out Boy – “Alone Together”
14. American Authors – “Best Day of My Life”
15. The Fray – “Love Don’t Die”
16. The Neighbourhood – “Sweater Weather”
17. Goo Goo Dolls – “Come to Me”
18. John Mayer ft. Katy Perry – “Who You Love”
19. Daughtry – “Waiting for Superman”
20. Christina Perri – “Human”
Jmunney’s Revision
1. Team
2. Who You Love
3. The Monster
4. Demons
5. Pompeii
6. XO
7. Love Me Again
8. Timber
9. Burn
10. Sweater Weather
11. Counting Stars
12. Let Her Go
13. Stay the Night
14. Alone Together
15. Love Don’t Die
16. Best Day of My Life
17. Human
18. Say Something
19. Waiting for Superman
20. Come to Me
“Cooperative Polygraphy” is an epic episode of Community, insofar as it is chock full of references to past episodes. Many thanks to other Community fans on the Internet for pointing out the ones I did not pick up on right away. A LOT of people noted that part of the freeze-frame epilogue from “The Art of Discourse” came true, as Britta became the (presumably proud) owner of a used iPod nano. (Others noted that if this means this episode takes place in 2014, then that 3-year-gap that has been cited existing between Seasons 4 and 5 is making less and less sense.) The reveal that Annie drugged the whole group in preparation for the Anthropology final is especially hilarious if that is in reference to the final from “Applied Anthropology and Culinary Arts,” the most farcical moment from a patently farcical class. Going even deeper, Troy’s attempt to inhale Pierce’s life vapor perhaps fulfills his wish to “eat a ghost,” which he made in “The Psychology of Letting Go” – the episode that introduced the post-death rituals of Pierce’s religion.
But the episodes that “Cooperative Polygraphy” responds to the most are “Cooperative Calligraphy,” “Intermediate Documentary Filmmaking,” and “Intro to Felt Surrogacy.” “Calligraphy” is the obvious antecedent here, what with the rhyming titles and shared study room setting. But “Polygraphy” is more low-key (or less high-key, as it were). It doesn’t call attention to itself as a bottle episode, unlike the former “Cooperative” episode. For my money, a pure bottle episode is one that not only takes place in one location, but also one in which the characters are trapped. In “Polygraphy,” the study group was bound by circumstance to remain in the study room, but not to the degree that they were in “Calligraphy” – one character leaves and then comes back, after all. The tensions do run high in “Polygraphy” (as they typically do typical Community), but not to the ripping-off-clothes degree of “Calligraphy,” perhaps the most tension-filled episode of the series.
“Intermediate Documentary Filmmaking” is the closest narrative parallel, as that Season 2 classic also saw Pierce playing head games with the specter of his death hanging over. Between these two, there is a clear progression of significant difference. Pierce’s premature bequeathals were mostly meant to punish his friends. His actual bequeathals were genuine and thoughtful, though preceded by head games that he still could not resist. Pierce never became the kindest friend to any of these people, but he did become a friend whose friendship ultimately could never be in doubt.
The closest thematic parallel is “Intro to Felt Surrogacy,” an episode I enjoyed more than most fans; I even declared it the best of the season – though I have since backed off that opinion. The major problem with “Felt Surrogacy” was its sense of incompleteness. Because the study group’s secrets from that episode were all revealed in the final act, there was no chance to resolve the problems presented by them or come to terms with them in any meaningful way. It feels like Dan Harmon had a similar reaction upon watching this Season 4 episode.
I do not know what Harmon’s exact thought process about Season 4 has been, but I know he has not dismissed it outright, and watching “Cooperative Polygraphy” makes me feel like I kind of do know what he was thinking in this case, because it episode basically directly solves the problem of “Felt Surrogacy.” The revelation of secrets is the whole narrative thrust of “Polygraphy.” Community demonstrates the wisdom of caution by showing friends that even when they are perfectly comfortable in their friendship, it is important to consider that there still might be secrets lurking that could deeply hurt their friends. This is not to say that they might as well end their friendships, but rather, something along the lines of, perfect is the enemy of the good. That is, if you have already accepted your friends with all their imperfections, you should be able to also accept any previously unknown imperfections.
And oh my God, Troy is leaving. The circumstances that are drawing him away are random, but also ultimately perfectly appropriate. Once again, I must extend credit to the rest of the Community fandom for providing examples of how Troy does indeed have the heart of a hero: he was the one who took charge in “For a Few Paintballs More,” and he risked his life by going back among the infected in “Epidemiology.” Troy’s life did not look as bad as everyone else’s in “Repilot,” so he would be spinning his wheels more than anyone else if he were to remain at Greendale. No doubt there will be something missing in the heart of the show after the next episode, but at least there will be a way to check up on him occasionally, now that we know about Abed’s tracking devices.
HAPPY SURPRISES:
-Christian Bale and Leo for Lead Actor. Tom Hanks being left out, though, is an unhappy surprise, but that is mitigated by his past Oscar recognition and this being such a stacked category.
-Jonah Hill for Supporting Actor, for a performance that was … something else.
-I was “happy” to see Pharrell up for Original Song.
UNHAPPY SURPRISES
-No “Please Mr. Kennedy”?!
-No American Hustle for Makeup? I guess too much of it was natural.
[EDITED TO INCLUDE:] NEUTRAL SURPRISES
-No Best Picture (or any major noms) for Inside Llewyn Davis. There could have been one more Best Picture nom, and I thought Llewyn would have filled it. The Coen Bros. seem to have a fanbase in the Academy – after all, the presumably more inaccessible A Serious Man snagged a Best Picture nom.
-No Monsters University for Animated Feature – only the second Pixar film (after Cars 2) not to be nominated since this category’s inception.
-No The Past for Foreign Language Film, despite great reviews and Asghar Farhadi winning here for A Separation two years ago. Apparently it didn’t even make the shortlist.
UNHAPPY NON-SURPRISES
-No Will Forte or James Franco for Supporting Actor.
-Nothing for You’re Next.
-Only 1 nomination for Prisoners.
-Nothing for The World’s End.
-Nothing for Blue is the Warmest Color.
-No sound nominations for Stoker.
-No editing nomination for Spring Breakers.
ALSO OF NOTE
-For the 2nd year in a row, a David O. Russell movie was nominated in all four acting categories. American Hustle is the 15th film to ever have such a distinction, and Russell is the only director to have directed more than one of them.
PREDICTIONS (Obviously these may change after the guild awards.)
–12 Years a Slave and American Hustle should take Screenplay (though there’s always the possibility of a quirky winner here).
-Cuarón might win Director even though Gravity probably won’t win Best Picture, but the Best Picture favorites look too strong, so Steve McQueen will probably take it (or Russell).
-Jared Leto is the biggest acting favorite.
-Cate Blanchett is close to a sure thing.
-Supporting Actress looks like a 2-woman race: J-Law vs. Lupita – slight edge to Jen for now.
-Lead Actor could legitimately go to anybody. I’m still thinking Chiwetel as the ever so slight favorite.
-And it all comes down to 12 Years a Slave vs. American Hustle, with 12 Years looking good (for now).
Each week, I check out FUSE’s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.
Original Version
1. A Great Big World and Christina Aguilera – “Say Something”
2. Pitbull ft. Ke$ha – “Timber”
3. Eminem ft. Rihanna – “The Monster”
4. OneRepublic – “Counting Stars”
5. Passenger – “Let Her Go”
6. Beyoncé ft. Jay-Z – “Drunk in Love”
7. Imagine Dragons – “Demons”
8. Ellie Goulding – “Burn”
9. Lady GaGa – “Applause”
10. Avicii – “Wake Me Up”
11. Bastille – “Pompeii”
12. Lorde – “Team”
13. The Neighbourhood – “Sweater Weather”
14. Macklemore and Ryan Lewis ft. ScHoolboy Q and Hollis – “White Walls”
15. Miley Cyrus – “Wrecking Ball”
16. Katy Perry – “Unconditionally”
17. Mike WiLL Made It ft. Miley Cyrus, Wiz Khalifa, and Juicy J – “23”
18. Kid Ink ft. Chris Brown – “Show Me”
19. American Authors – “Best Day of My Life”
20. Zedd ft. Hayley Williams – “Stay the Night”
Jmunney’s Revision
1. Wake Me Up
2. Team
3. The Monster
4. Demons
5. Pompeii
6. Wrecking Ball
7. Timber
8. Drunk in Love
9. Burn
10. Sweater Weather
11. Counting Stars
12. Stay the Night
13. Applause
14. Let Her Go
15. White Walls
16. Best Day of My Life
17. 23
18. Show Me
19. Unconditionally
20. Say Something
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – The Simpsons, believe it or not
Monday – Almost Human Tuesday – Justified, and not just for the comedic guest stars
Wednesday – The Middle
Thursday – Community
Friday – The Neighbors
Saturday – Golan the Insatiable, I guess
Best Episodes 1. #109 – “The Beef Off 2” – “The Beef Off 2” holds a special place in my heart because it was the first episode that I brought friends along to. And it was probably the best possible introductory episode, as this celebration of the lathered-up, beefy male form in all its glory had them instantly hooked. I may be a bit biased here, as my brother is the two-time Beef Off champion, but I am also a fan of bizarre physical contests (as long as all the participants are fully committed to the ridiculousness). What was up with Hot Dog’s hesitation at the beginning of the Battle of the Bulge? Oh, the mysteries of Andrew Parrish.
2. #112 – “TCGS Half-Hour and Saddle-Bee Neigh-t Hive” – Comedy that makes fun of comedy is one of the best forms of comedy, even if the comedy being made fun of is already pretty funny. I love SNL, but it can get annoyingly hacky. Interestingly enough, its transformation into full-hacky mode by TCGS looked good.
3. #99 – “Lookin’ at Dicks in the Dark: A New Low” – This episode also holds a special place in my heart as it was the first one I attended live at MNN. A celebration about sexual openness and plowing on through technical difficulties – a couple of Gethard hallmarks.
4. #95 – “The Hour Long Song” – The John Coltrane of TCGS episodes, with perhaps the best “it was all a dream” ending in entertainment history.
5. #115 – “Open for Delivery” – If surprise is the most essential element of comedy, then how about a whole night of surprises? It is all wrapped up with some b-boying, and surprise b-boying is the best form of b-boying.
Best Musical Guests 1. Zs – Described as “post-no wave, death prog” (apparently Zane the music booker was joking, but that is a perfect description), Zs deserved the praise from Gethard having “literally never seen anything like that in [his] entire life.” A wild, but beautifully contained, free jazz fusion, the music of Zs is impossible not to get affected by. No surprise that Rob Malone, the World’s Greatest Dancer, was inspired by them unlike anything else in a while.
What did Bananaman think of them? “Spiritual!”
2. Quitzow – Quitzow’s first song was “Cats Are People Too,” and her brand of synthpop is probably what the cat pictures of the Internet would be if they were to turn into a musician.
What did Bananaman think of her? “Equal rights message!”
3. Ceramic Dog – Perhaps the most lyrically thoughtful of TCGS’ 2013 musical lineup, Ceramic Dog provided a headbanger that got you thinking about copyright law, as well as an instrumental piece perfectly tuned for getting you into a groove.
What did Bananaman think of them? “I’ll admit I haven’t heard them before. They’re amazing, I’m gonna buy all their stuff.”
4. The World/Inferno Friendship Society – Wikipedia genre-izes The World/Inferno Friendship Society as “punk cabaret,” “circus punk,” and “anarcho-punk.” Indeed, their brand of fancy, fiddling rocking is a carnival of the high and the low.
What did Bananaman think of them? “FUCKING AWESOME!!!!!!”
5. Ghost & Goblin – The most elaborate act of 2013, Ghost & Goblin was the first musical guest to die on The Chris Gethard Show.
What did Bananaman think of them? “The shit that Gimghoul will play at their castle, but in a good way.”
6. Crazy & the Brains – The most playfully demanding band of the year, insisting that the audience take a nice nap break in the middle of the song.
What did Bananaman think of them? “The best episode of Saturday Night Live I’m gonna watch!”