‘American Utopia’ Doesn’t Lose Any of Its Power in Its Trip From the Stage to HBO

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American Utopia (CREDIT: David Lee)

Starring: David Byrne, Chris Giarmo, Tendayi Kuumba, Bobby Wooten III, Karl Mansfield, Gustavo Di Dalva, Jacquelene Acevedo, Angie Swan, Mauro Refosco, Daniel Freedman, Stephane San Juan

Director: Spike Lee

Running Time: 105 Minutes

Release Date: October 17, 2020 (HBO)

Stop Making Sense is one of the best, if not The Best, concert documentaries ever made. I don’t know anyone who’s seen it who doesn’t share that opinion. Can lightning strike twice? Probably not, but something very similar to (but not exactly the same as) lightning can strike (or do something similar to striking) after that initial lightning strike. And that’s what we have in the case of American Utopia, which features Talking Heads frontman David Byrne with a group of musicians who are not Talking Heads members performing a set that includes some Talking Heads songs as well as other prime selections. It started as an album of originals released in 2018, made its way to Broadway in 2019, and now one of those performances has been recorded for a concert film directed by Spike Lee. If you know Byrne and his singular penchant for showmanship, then it goes without saying there’s no reason to think that that could ever be a formula for dilution.

“Once in a Lifetime” is one of the most iconic songs in rock music history. It was retooled for the stage show, and I first saw that version when Byrne was the musical guest on SNL back in February of this year. Despite my thorough familiarity with the song, I got chills once again while watching the latest filmed performance as if I were witnessing the birth of a new classic. That is the power of what has been assembled here. Byrne and his crew strip everything down to basics and reintroduce to us what we thought we already knew thoroughly. It is as if for an hour and 45 minutes we forget that there was ever any music before American Utopia.

We also get a refresher course on philosophy, as Byrne muses in between songs about the wonders of human perception. At one point, he asks why it is that we find looking at other people inherently more interesting than looking at anything else. If anyone is looking for any evidence as to why that is the case, American Utopia provides plenty of examples.

David Byrne, Spike Lee (CREDIT: David Lee)

If you’re wondering what attracted Spike Lee to direct, there won’t be any confusion once the credits are rolling. I’m not terribly familiar with his musical tastes, but he and Byrne clearly share many concerns over the state of the world, which is most obvious during the performance of “Hell You Talmbout,” a cover of a 2015 Janelle Monáe protest song that invokes the names of people of color who have been killed by police. When Byrne asked Monáe what she would think of a white man of a certain age performing it, she responded that she loved the idea and declared that the song is “for everybody.” This segment takes the fullest advantage of the journey from stage to screen, with relatives holding up memorial images of the deceased. American Utopia is a call to change for a better country and a better world. Can we ever meet the promise of that title? It’s a daunting task, but the wonder that this show inspires can’t hurt.

American Utopia is Recommended If You Like: Stop Making Sense, the Black Lives Matter movement

Grade: 4 out of 5 Gray Suits

We Need Some Candy on October 31. Do We Also Need ‘Hubie Halloween’?

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Hubie Halloween (CREDIT: Netflix)

Starring: Adam Sandler, Julie Bowen, June Squibb, Kevin James, Ray Liotta, Steve Buscemi, Maya Rudolph, Tim Meadows, Kenan Thompson, Rob Schneider, Michael Chiklis, Karan Brar, Noah Schnapp, Paris Berelc, Sadie Sandler, Sunny Sandler, George Wallace, Colin Quinn, Kym Whitley, Mikey Day

Director: Steven Brill

Running Time: 102 Minutes

Release Date: October 7, 2020 (Netflix)

I decided that I simply must have something to say about Hubie Halloween, since I hold so dearly Adam Sandler’s last-minute Halloween costume ideas on Weekend Update from back in the day. So the big question is: did this tale of Salem’s official Halloween monitor give me those same warm, sugary feelings?

The Sandman has busted that old Shabadoo-voice, so that certainly helps. But what’s up with all the kids in town (and some adults) pelting him with candy whatever chance they get? Hubie wants you to have a happy Halloween! It’s hard to do that when you’re sacrificing your own candy! Furthermore, in addition to all the mischief, there’s several attempted felonies, a fair degree of mental instability, and pretty much no attempt to reconcile that darkness with the purely comical tone.

Ultimately, in a weird way this is all in keeping with the spirit of last-minute costume ideas. Hubie Halloween feels like a last-minute movie that was quickly cobbled together from a bunch of silly Halloween-related ideas bouncing around in Sandler’s head. In conclusion, I found myself in a good mood after watching, and I’m happy to declare, once again, “Now give me some candy!”

Grade: 3 out of 5 Crazy Protractor Beards

Jeff’s Wacky SNL Review: Bill Burr/Jack White

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SNL: Bill Burr (CREDIT: YouTube Screenshot)

Bill Burr is a comedian who’s been around for a few decades, but this episode is his first time ever appearing on Saturday Night Live. So what finally got him on the radar of Lorne & Co. enough to land that hosting gig? Is it because he starred in a movie this summer with Pete Davidson? That certainly could’ve helped. Is it because his name is almost the same as current American Attorney General William Barr? Possibly, although no reference was made to that during the episode.

The musical guest was originally supposed to be country singer Morgan Wallen, but he was recently behaving in a way that’s not recommended during a pandemic, so SNL vet Jack White stepped in as a replacement. I’d never heard of Morgan before he was booked; hopefully he does something more commendable at some point in the future so that his reputation isn’t forever based on a lapse in judgment.

I got up early Sunday morning and started watching with my typical bowl of cereal. I also made time to write down the dream I had the night before, which featured Drs. Doug and Carol from County General Hospital (even though I’ve never seen an episode of ER!).

Now let’s get on to the review! And for as long as the pandemic is ongoing, I will continue to space out my thoughts on each sketch.

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That’s Auntertainment! Episode 19: What We Do in the Shadows

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What We Do in the Shadows (CREDIT: John P. Johnson/FX Networks)

Jeff and Aunt Beth have developed a taste for blood recently, so they decided to become friends with the vampire roommates of the mockumentary media franchise What We Do in the Shadows. Guest Patrick Cotnoir (The George Lucas Talk Show) joins them to bite into it all.

 

Entertainment To-Do List: Week of 10/9/20

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The Right Stuff (CREDIT: YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

TV
The Right Stuff Series Premiere (October 9 on Disney+)

It’s a slow week!

Jeff’s Wacky Back-in-Studio SNL Review: Chris Rock/Megan Thee Stallion

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SNL: Megan Thee Stallion, Chris Rock (CREDIT: YouTube Screenshot)

If we’re responsible during a pandemic, we can return to some of our pre-pandemic routines before the pandemic has fully run its course. And Saturday Night Live sure looks like it’s being responsible, which is presumably how we can explain its return to Studio 8H (with a real-live host, musical guest, and studio audience to boot!) after a trio of resourcefully assembled remote episodes back in the spring.

Pretty much every sketch in this Season 46 opener has something to do with the pandemic in one way or another, which is perfectly reasonable, considering that every part of daily life currently has something to do with the pandemic in one way or another. But host Chris Rock and MG Megan Thee Stallion aren’t here because of pandemic reasons; they’re here because, as is usually the case with SNL guests, they’ve got something to promote (Fargo Season 4 and new music, respectively).

As for me and my SNL viewing routine, as per yoozh, I woke up early on Sunday morning and fired up my DVR. I was feeling a little congested, so I popped some phenylephrine and it seemed to hit the spot. Then I ran 10 miles after Update, and it was off to the races!

In deference to pandemic precautions, I have decided to give each sketch its own line in my review so as to visually represent 6 feet apart. Let’s get to it!

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That’s Auntertainment! Mini-Episode: Aunt Beth Tells Jeff to Watch Camelot

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Camelot (CREDIT: YouTube Screenshot)

According to Monty Python and the Holy Grail, Camelot is a silly place. But on second thought, Aunt Beth thought Jeff should watch the 1967 movie musical version of Camelot. What does he think of Lerner and Loewe’s big screen take on the King Arthur legend?

Entertainment To-Do List: Week of 10/2/20

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Hubie Halloween (CREDIT: Scott Yamano/Netflix)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Possessor (Select Theaters) – Body horror from Brandon Cronenberg.
Hubie Halloween (October 7 on Netflix) – Adam Sandler in a Halloween movie. Now give him some candy!

TV
Saturday Night Live Season 46 Premiere (October 3 on NBC) – They’re back in Studio 8H!
black-ish Election Special (October 4 on ABC)
The Good Lord Bird Series Premiere (October 4 on Showtime) – Ethan Hawke as John Brown and Daveed Diggs as Frederick Douglass.
Soulmates Series Premiere (October 5 on AMC)
Doctor Who: The Faceless Ones Premiere (October 7 on BBC America)

Music
-William Shatner, The Blues

Podcasts
With Gourley and Rust (October 2 on Patreon, October 9 on all other platforms) – Matt Gourley and Paul Rust talking horror movies.

Organ Harvesting in a Hospital Makes for a Black Comedy Caper in ’12 Hour Shift’

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12 Hour Shift (CREDIT: Matt Glass/Magnet Releasing)

Starring: Angela Bettis, Chloe Farnworth, Nikea Gamby-Turner, Kit Williamson, David Arquette, Mick Foley

Director: Brea Grant

Running Time: 86 Minutes

Rating: Unrated (with Some R-Level Gore and Profanity, and a Few Bits of Nudity)

Release Date: October 2, 2020 (Theaters and On Demand)

There’s been plenty of ink spilled over bottle episodes, but what about the bottle movie? Outings of TV that take place in only one location naturally call attention to themselves, as they tend to break the typical mold of any given show. Whereas when a film keeps its setting confined, it doesn’t exactly feel out of the ordinary, since it’s normal for that particular movie. But it’s nevertheless worth examining when it does happen, as in the one-crazy-night black comedy 12 Hour Shift. When people are stuck in one place for an extended period, secrets and extreme parts of people’s personalities tend to be revealed, and oh boy is that the case here.

Besides a quick trip in the beginning, all of 12 Hour Shift takes place in and around a hospital in Arkansas in 1999 (that turn-of-the-millennium setting eventually pays off with a sly little Y2K joke). Mandy (Angela Bettis) is a nurse on probation who’s really pushing her luck by procuring organs from dying patients for a black market scheme. Her ditzy cousin-by-marriage Regina (Chloe Farnworth) bungles a kidney delivery and returns to the facility to harvest a replacement. Trouble is, there’s no obvious candidate to quickly pull off this transaction. So under the threat of possibly having to give up her own kidney, Regina quickly decides that she is willing to do just about anything (and I do mean ANYTHING) to procure some stranger’s organ.

Overnight shift work, particularly in a hospital, strikes me as a formula for hallucination. So when the shenanigans start ramping up, they’re understandably met with little more than shrugs. When patients see a fight breaking out in their room, they’re liable to think “Is this really happening?” and opt to go back to sleep. (That is, unless they’re dragged into the fight.) Meanwhile, the nurses have such a seen-it-all attitude that even the ones taking their duties really seriously are inclined to greet potential disasters with a “let’s just get through the night” response. The trouble is, that doesn’t really work when you have someone like Regina making mess after mess while unleashing her inner monster to cover her own ass. The pressure and farce in this flick heighten gradually, but soon enough, there’s no denying that this is a 12 Hour Shift for the ages.

12 Hour Shift is Recommended If You Like: Raising Arizona, Gory comedies, Imagining that a wacky murder mystery is going to play out while you’re working a graveyard shift

Grade: 3 out of 5 Kidneys

‘Possessor’ Review: The Cronenbergian Energy is Strong with This One

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Possessor (CREDIT: Neon)

Starring: Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Tuppence Middleton, Sean Bean, Rossif Sutherland

Director: Brandon Cronenberg

Running Time: 104 Minutes

Rating: Unrated (with R-Level Gore, Sex, and Disturbia)

Release Date: October 2, 2020 (Select Theaters and Drive-Ins)

Human beings are not meant to house two brains in one head. We’ve seen it attempted in various sci-fi movies, and it never works out peacefully. In Possessor, the result is about as rancorous as it’s ever been. Tasya Vos (Andrea Riseborough) is a brilliant assassin, and like a lot of brilliant assassins, her days are numbered. In her case, that’s because she infiltrates other people’s bodies while committing the deeds and her latest host, corporate drone Colin Tate (Christopher Abbott), is violently resisting her presence. If you’re in the mood for some internal body horror, you’ve come to the right place.

Possessor was written and directed by Brandon Cronenberg, son of body horror master David Cronenberg, and the maxim “like father, like son” certainly applies here. A sex scene is intercut with a stabbing, while a murder sequence features close-ups of an eyeball and teeth getting poked out with a fire poker. You can imagine that this is the kind of movie that the senior Cronenberg would have been making had he come of age during a more digitized era. Which is all to say, Brandon is proudly carrying on the family tradition. With Possessor, he paints us a picture of how violent and blood-splattered it can get when a host fights off a virus. It’s disturbing physically, psychologically, and ethically, but all presented so wonderfully baroquely that you can’t help but be entranced.

Possessor is most satisfying with its aesthetic accomplishments. Various sequences are presented in a monochromatic palette, and a varying monochrome at that. Some mustard yellow here, some blood red there, all contributing to a beautifully distorted sense of reality. One eternally unforgettable image is the mask of Tasya (as seen on the poster) that Colin is attempting to rid himself of, thus conveying a slippery lack of separation between the physical and the mental. The plot is a little harder to parse, but it has enough suspenseful intrigue to keep you engaged. There’s some dialogue that’s difficult to make out, especially from the mumble-prone Abbott, but I imagine that that may be intentional. Possessor feels like exactly the sort of movie that wants you to lean in for you to hear it only to then throw the next highly shocking image right in your face. To which I say, keep leaning in.

Possessor is Recommended If You Like: Devs, Videodrome, The bathhouse fight in Eastern Promises

Grade: 3.5 out of 5 Assassinations

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