Billboard Hot Rock Songs – Week of November 25, 2017

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Each week, I check out the Billboard Hot Rock Songs chart, and then I rearrange the top 25 based on my estimation of their quality. I used to rank all 25, now I just rank the cream of the crop.

Original Version
1. Imagine Dragons – “Thunder”
2. Portugal. The Man – “Feel It Still”
3. Imagine Dragons – “Believer”
4. Led Zeppelin – “Immigrant Song”
5. Theory of a Deadman – “Rx (Medicate)”
6. The Revivalists – “Wish I Knew You”
7. The Police – “Every Breath You Take”
8. Thirty Seconds to Mars – “Walk on Water”
9. Zach Williams – “Old Church Choir”
10. Linkin Park – “One More Light”
11. The Lumineers – “Angela”
12. Foo Fighters – “The Sky is a Neighborhood”
13. Vance Joy – “Lay It on Me”
14. Tom Petty – “Free Fallin'”
15. U2 – “You’re the Best Thing About Me”
16. Beck – “Up All Night”
17. Alice Merton – “No Roots”
18. The Killers – “The Man”
19. Walk the Moon – “One Foot”
20. Creedence Clearwater Revival – “Bad Moon Rising”
21. Tom Petty and the Heartbreakers – “Mary Jane’s Last Dance”
22. Tom Petty – “I Won’t Back Down”
23. All Time Low – “Good Times”
24. Fall Out Boy – “The Last of the Real Ones”
25. Nothing More – “Go to War”

Jmunney’s Revision
1. Immigrant Song
2. I Won’t Back Down
3. No Roots
4. Up All Night
5. Free Fallin’
6. Feel It Still
7. The Sky is a Neighborhood
8. Mary Jane’s Last Dance
9. The Man
10. You’re the Best Thing About Me
11. Lay It on Me

Billboard Hot 20 – Week of November 25, 2017

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Each week, I check out the Billboard Hot 100, and then I rearrange the top 20 based on my estimation of their quality. I used to rank all 20, now I just rank the cream of the crop.

Original Version
1. Post Malone ft. 21 Savage – “Rockstar”
2. Camila Cabello ft. Young Thug – “Havana”
3. Cardi – “Bodak Yellow (Money Moves)”
4. Sam Smith – “Too Good at Goodbyes”
5. Imagine Dragons – “Thunder”
6. Logic ft. Alessia Cara and Khalid – “1-800-273-8255”
7. Portugal. The Man – “Feel It Still”
8. Ed Sheeran – “Perfect”
9. Maroon 5 ft. SZA – “What Lovers Do”
10. J. Balvin and Willy William ft. Beyoncé – “Mi Gente”
11. Demi Lovato – “Sorry Not Sorry”
12. Lil Pump – “Gucci Gang”
13. G-Eazy ft. A$AP Rocky and Cardi B – “No Limit”
14. Gucci Mane ft. Migos – “I Get the Bag”
15. 21 Savage – “Bank Account”
16. French Montana ft. Swae Lee – “Unforgettable”
17. P!nk – “What About Us”
18. Luis Fonsi and Daddy Yankee ft. Justin Bieber – “Despacito”
19. Charlie Puth – “Attention”
20. Halsey – “Bad at Love”

Jmunney’s Revision
1. Feel It Still
2. Havana
3. Mi Gente
4. Unforgettable

SNL Review November 11, 2017: Tiffany Haddish/Taylor Swift

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in November 2017.

Love It

Get Woke with Tamika – There tend to be a few SNL sketches per season that could manage to be classics if they could just get rid of the messiness. But that is not always a viable solution, as the chaos is what leads to both the problems and the hilarious weirdness. But “Get Woke with Tamika” solves that issue by making the messiness part of the premise. Leslie Jones has a history of flubbing lines? Well, just have her play the host of a talk show who claims to be a lot more knowledgeable than she is and watch her show disintegrate right before her and our eyes.

Beck and Kyle – It’s good to know that Beck and Kyle are still friends, and that scheming does not drive them apart, but instead brings them back even closer, with Kyle and Leslie remaining together, too. And Baby Lorne’s already off to college! Watching Colin getting punched relentlessly is a little rough, considering how sweet this saga has been thus far, but I do enjoy Tiffany and Lorne’s reasons for joining in on the pummeling.

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Nathan for You Season 4 Review

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CREDIT: Comedy Central

This post was originally published on News Cult in November 2017.

Network: Comedy Central

Showrunners: Nathan Fielder, Michael Koman

Main Cast: Nathan Fielder

Notable Guest Stars: Anthony Napoli, Brian Wolfe, Salomon Flores, William Heath

Episode Running Time: 22 Minutes (42-Minute Special Episode, 84-Minute Season Finale)

The virality that propelled Nathan for You to such dizzying heights in its first three seasons is a double-edged sword when it comes to longevity. It can help build awareness, but increased visibility makes it difficult to pull off the same tricks again. However, Nathan for You is not stunt-driven in quite the same way as a prank show like The Eric Andre Show or an ambush show like Billy on the Street. Nathan’s methods do not require anonymity, at least not always. (Although it is worth noting that despite how much buzz and journalistic attention NfY has received, its viewership has not correspondingly spiked.) The show can still work even if Nathan is recognizable – his painstakingly fastidious approach to production makes it nearly impossible to stay ahead of him anyway. But it becomes a problem when a show that broke the mold starts to become predictable. And while Nathan for You remained astute and idiosyncratic in Season 4, its patterns became a little overly familiar.

NfY’s signature is its knack for spinning simple (but offbeat) business proposals into complex (but satisfying) narratives. The season premiere, “The Richards Tip,” is a classic example: Nathan’s plan to get a struggling diner business-boosting press is to procure a generous tip from a celebrity. But because he cannot book an actual famous person, he turns to a Michael Richards impressionist. To cover his tracks, he must open a just-legitimate-enough bank account, start publishing a newspaper, get some random guy to legally change his name, and temporarily handcuff himself to that same guy. A similar effort, “Shipping Logistics Company,” covers his attempt to re-brand fire alarms as musical instruments for the sake of cheaper international shipping costs. This leads to him forming a band and staging a fake business scandal at the expense of Shell Oil to prompt a protest. The details within these episodes are impressive, but with Nathan having set such a high standard for himself, they do not have the same punch as previous landmark efforts like “Dumb Starbucks.”

Sidenote: I occasionally worry about the ethics, or lack thereof, on Nathan for You, especially in episodes like “Richards Tip” and “Shipping Logistics Company,” which are driven by deceptions, obfuscations, and outright lies. Nathan Fielder may be playing the character of “Nathan Fielder,” but nobody else on the show is existing within a role (at least not intentionally). “Nathan” (and Nathan) ostensibly take great pains to remain honest, or at least maintain the appearance of honesty. Sometimes the point may be that it is impossible to do so within such schemes, but it is still concerning.

When a show is as frequently ambitious as NfY, it is disconcerting in Season 4 when it has episodes with multiple short segments, which was the norm in Season 1 but only occurs twice this year. Those outings can feel rather disposable, but they are worth it for their memorably awkward moments, as when a computer repair shop owner readily shares with Nathan his masturbation routine, or when Nathan’s assistant Salomon Flores flirts awkwardly (and semi-successfully) while applying makeup for the first time in his life.

A promising way towards the future is present in a couple of sequel outings. “Andy vs. Uber” revisits the titular taxi driver whom Nathan helped in Season 2 by offering a promotion for anyone who gives birth in a taxi. When the pair discover that Uber has had a similar program, they attempt to take down the ride-sharing giant by means of infiltration. Andy’s story ends on an anticlimactic note, which is narratively unpleasant, but still a meaningful comment of the cruelty of the economy in the 21st century (or any era). “A Celebration,” a special one-hour episode that aired a week before the season premiere proper, takes a look back on a variety of Nathan’s previous guests to see if his plans have aided them in the long run. The track record is mixed, but each client has been affected in their own weird way. The most notable is of course private investigator Brian Wolfe, whom Nathan finally forges a genuine connection with after uncovering Wolfe’s past as a Playgirl model.

Avoiding the trappings of Season 4’s repetition, “The Anecdote” is a series high-water mark. At least once a year, Nathan turns the focus on himself, and this time it is especially relevant as he seeks to better his skill set for promoting his own show. You see, appearing as a guest on talk shows is now a necessary part of his career, but it has never come naturally to him the way it seemingly does for so many other famous people. But after studying hours of talk show footage, he cracks the code for the perfect interview anecdote. And because of his one-of-a-kind integrity, he engineers the events of such an anecdote to actually happen in his own life. Brilliant in its powers of deconstruction, “The Anecdote” reveals Nathan Fielder as one of our finest sociologists.

If Season 4 finds Nathan returning to some of his old tricks too often, that does not seem so terrible in light of the stunningly ambitious, movie-length finale. Maybe those formulaic episodes are relatively necessary to allow him to pull off what he does with “Finding Frances.” The story follows Bill Heath, a highlight from Season 2 as an amateurish, but strangely earnest Bill Gates impressionist. Since his initial appearances, Heath has taken to randomly popping into the NfY offices and divulging bits of his life story to Nathan. A mention of a long-lost love sparks a trip to Bill’s native Arkansas to track down a woman he almost married but hasn’t been in contact with for decades. The sprawling tale is the most intense example of this show’s guests opening up about themselves in unpredictable, compellingly unguarded fashion. A subplot involving Nathan’s series-long search for companionship presents our host as the sweetest and most openly emotional we have ever seen him. This show has always had a permeable membrane between artifice and reality, and here it snaps away (or at least appears to) right before our eyes. All this time we never realized how much Nathan for You was making us fall in love, or maybe it did it suddenly from out of nowhere.

Best Episodes: “A Celebration,” “The Anecdote,” “Finding Frances”

How Does It Compare to Previous Seasons? The achievements of the first three seasons have set a high standard that Season 4 at its best is still somehow able to top. There may be some (relatively) run-of-the-mill episodes, but they are perfectly acceptable tradeoffs in the grand scheme of things.

Nathan for You Season 4 is Recommended If You Like: The Office, Tim and Eric, Shark Tank (Ironically), HGTV Real Estate Shows (Ironically), Undercover Boss (Ironically)

Where to Watch: Season 4 is currently available on CC.com. Seasons 1-3 are available for purchase on Amazon and YouTube.

Grade: 4.2 out of 5 Really Good Grades

This Is a Movie Review: ‘Daddy’s Home 2’ is Amiably, Almost Transcendently Sweet, Except When Its Nasty Side Mucks Things Up

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CREDIT: Paramount Pictures

This review was originally posted on News Cult in November 2017.

Starring: Will Ferrell, Mark Wahlberg, John Lithgow, Mel Gibson, Linda Cardellini, Alessandra Ambrosio, John Cena

Director: Sean Anders

Running Time: 100 Minutes

Rating: PG-13 for Alarmingly Near-Lethal Accidents and the Budding Birds and Bees

Release Date: November 10, 2017

There is a principle in improv comedy that stresses avoiding introducing conflict too quickly, as arguments can be anathema to the performative harmony required by yes-and’ing. That same advice is not as often applied to a scripted narrative, as conflict is frequently the engine that drives the plot. But for a family-centric hangout comedy like Daddy’s Home 2, which derives its most humorous moments out of character-based foibles, it might actually be best to keep conflict to a minimum. For its first 30 minutes or so, this sequel easily bests its original by allowing its blended families to be mostly harmonious. But it cannot quite quit its nasty, mean-spirited streak. Still, there are enough moments that genuinely convey the magic of the holidays and the power of choosing love over frustration for this to mostly be a success.

When we first check back in on Brad (Will Ferrell) and Dusty (Mark Wahlberg), they’re the perfect picture of co-dadding. Whenever they are told that theirs is a strange arrangement between father and stepfather, they do not care, because they genuinely get along with each other now, despite their significant differences. But all is not 100% well, as the kids are not fans of swinging back and forth between two houses, especially on Christmas. The solution: one big holiday getaway with all the kids and all the parents, with Brad’s dad Don (John Lithgow) and Dusty’s dad Kurt (Mel Gibson) joining to add a few new wrinkles.

The juxtaposition between these two patriarchs is where DH2 derives most of its laughs. Don and Brad are unabashedly close, always greeting each other with a kiss on the lips. Dusty, meanwhile, resents Kurt for rarely showing up to be an adequate father and grandfather. These stark differences could lead to a bunch of cheap gags, but instead the interplay between this quartet remains mostly palatable, thanks to the sweet treatment of Don and Brad’s closeness, Kurt not being as much of a Neanderthal as the previews implied, and the film clearly presenting his absenteeism and macho bullshit as bad things. Plus, Brad and especially Don avoid being bullied by remaining confident in their identities and playfully acknowledging Dusty and Kurt’s different personal styles.

Thus why it is too bad that DH2 cannot trust itself to maintain this bonhomie. Every little disagreement and accident gets blown way out of proportion. Sure, even people who get along get on each other’s nerves every once in a while, but generally they do not turn into completely unrecognizable assholes, as they do in this film. There are plenty of funny moments of folks just goofing off, so there is no comedic need for all the shouting and chaos.

This over-the-top-tendency does not even touch on the moments of (unintentional?) pure horror, when mishaps with heavy machinery and weaponry result in main characters just a few inches away from death. A snow blower gets stuck in Christmas lights and flies around the house! An errant chainsaw nearly impales Brad! Don gets lost and is almost left facedown in the snow overnight! A shotgun accidentally fires, and the bullet grazes Kurt’s arm! Somehow all this madness leads to a genuinely heartwarming conclusion that almost makes all these extremes almost forgivable.

One particularly insightful scene represents what Daddy’s Home 2 is at its best and for a few minutes, places it among the upper tier of 2017’s cinematic offerings. It is telling that this film understands certain improv principles, as an outing at an improv show demonstrates the danger and revelations that can happen at a live comedy performance. Don has been taking improv classes, so Brad has volunteered him as an audience participant. A prompt for the scene hits a little close to home, exposing the secrets cracking away at his endlessly chipper façade. The wrenching agony on Lithgow’s face presents an actor at the top of his game, always giving his all no matter how silly or sentimental the material.

Daddy’s Home 2 is Recommended If You Like: National Lampoon’s Christmas Vacation, The Other Guys, Anything with John Lithgow

Grade: 3 out of 5 Loaded Guns (Literal and Metaphorical)

This Is a Movie Review: Thelma

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CREDIT: The Orchard

After catching the whoosh of horror newness that is Joachim Trier’s Thelma, I find myself wondering how this flick might be franchise-able. After all, that’s the way it goes with horror. The sequels come and the formula gets repeated, twisted, maybe even subverted – a whole stew of mythology enhancement. Thelma at first glance might seem too icy, and you know, too Scandinavian, for follow-ups. But maybe Norwegians are also into the sequels. I’d love to see how a foreign sensibility matches up (or doesn’t) with a business-driven trend that often enough accidentally produces some creative results. But for now, we’ve got one lean, mean psychosexual machine.

I give Thelma 3 Disappearances out of 4 Personal Lightning Bolts.

Watch And/Or Listen to This: Jain’s “Makeba”

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I’m here to identify songs from recent commercials that really strike my fancy. You might recognize this one from a certain Levi’s ad.

This Is a Movie Review: Seeking Justice for a Cold Rape/Murder Case, ‘Three Billboards Outside Ebbing, Missouri’ is the Timeliest Dark Comedy of 2017

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CREDIT: Merrick Morton/Twentieth Century Fox

This review was originally posted on News Cult in November 2017.

Starring: Frances McDormand, Woody Harrelson, Sam Rockwell, Lucas Hedges, John Hawkes, Caleb Landry Jones, Peter Dinklage, Abbie Cornish, Željko Ivanek, Kathryn Newton

Director: Martin McDonagh

Running Time: 115 Minutes

Rating: R for Constant Cussing, Police Abuse, and Arson

Release Date: November 10, 2017 (Limited)

The release of Three Billboards Outside Ebbing, Missouri could not be any more timely. We are currently living in a moment unprecedented in terms of the rate at which prominent sexual harassers and abusers are being exposed. By putting up the titular billboard triptych calling out local law enforcement for its inability to solve the case of her daughter’s rape and murder, Mildred Hayes (Frances McDormand) is instantly a symbol of this age. Unsurprisingly, she butts up against a fair deal of racism within the Ebbing police department. But that discrimination isn’t coming from Sheriff Bill Willoughby (Woody Harrelson), who, though he may be a bit hard-edged, is absolutely well-meaning; he so wishes he had physical evidence in the Hayes case. And the racist officer in question might actually have some good detective in him and maybe even some decent humanity.

Based on his track record, writer/director Martin McDonagh is not an obvious choice to stick the sensitive landing that Three Billboards pulls off. With In Bruges and Seven Psychopaths, he demonstrated his knack for understanding the foibles of humanity, especially when it comes to souls existentially cast adrift by the whims of fate. Such an approach would not be impossible for a film about an unsolved rape case, but it would be depressing. While McDonagh can be cutting, he is so for the laughs. It is not his bag to make his audience endlessly despair. Thus, while Three Billboards does feature plenty of his signature jabs, he ultimately re-calibrates his typical tone enough to make this effort truly uplifting.

The most astute trick that McDonagh pulls off involves the constant acknowledgement that individuals contain multitudes and are not easy to pin down, even in a story driven by something so obviously wrong as rape. Mildred’s crusade is righteous, but plenty of townspeople wish she would just go away. While much of that has to do with a tendency to defend the status quo, it is also due to her own prickly personality. But to be fair to her (and the movie certainly is), not many people have figured out how to insist upon justice while remaining kind. Willoughby receives the brunt of Mildred’s ire, and while he can be too heated for his own good, he knows what’s right. And because this movie is so generous to its characters, he has his own terminal cancer-fueled narrative. Also coming in hot is Mildred’s relationship with her ex-husband (John Hawkes), which turns especially nasty when it comes to his new much younger girlfriend (Samara Weaving). But it turns out that he is with her less because she is a pretty young thing and more because she has instilled in him a Zen calm, noting that anger only begets more anger.
The evolution of Officer Jason Dixon illustrates that proposition best of all. On the page, his transformation might read as too transformational to be believed, even with a writer as skilled as McDonagh. But thanks to the chops of Sam Rockwell, his redemptive arc reads as perfectly natural. When we meet him, Dixon is frequently drunk, openly racist, and constantly abusing his power. But when relieved of his badge, he finds room to make amends, ultimately teaming up with Mildred to fulfill his duty as a decent person. In a world where evil acts continue to be perpetrated, it is nice to know that humanity can persist.

Three Billboards Outside Ebbing, Missouri is Recommended If You Like: Fargo, M*A*S*H, Groundhog Day

Grade: 4.5 out of 5 Fat Dentists

Billboard Hot Rock Songs – Week of November 18, 2017

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Each week, I check out the Billboard Hot Rock Songs chart, and then I rearrange the top 25 based on my estimation of their quality. I used to rank all 25, now I just rank the cream of the crop.

Original Version
1. Imagine Dragons – “Thunder”
2. Portugal. The Man – “Feel It Still”
3. Imagine Dragons – “Believer”
4. Theory of a Deadman – “(Rx) Medicate”
5. The Revivalists – “Wish I Knew You”
6. The Police – “Every Breath You Take”
7. Linkin Park – “One More Light”
8. Thirty Seconds to Mars – “Walk on Water”
9. Zach Williams – “Old Church Choir”
10. Five Finger Death Punch – “Trouble”
11. Blue Oyster Cult – “(Don’t Fear) The Reaper”
12. Warren Zevon – “Werewolves of London”
13. Tom Petty – “Free Fallin'”
14. Foo Figthers – “The Sky is a Neighborhood”
15. Vance Joy – “Lay It on Me”
16. The Lumineers – “Angela”
17. Creedence Clearwater Revival – “Bad Moon Rising”
18. U2 – “You’re the Best Thing About Me”
19. The Killers – “The Man”
20. Beck – “Up All Night”
21. Fall Out Boy – “The Last of the Real Ones”
22. Alice Merton – “No Roots”
23. Tom Petty and the Heartbreakers – “Mary Jane’s Last Dance”
24. Tom Petty – “I Won’t Back Down”
25. Marilyn Manson – “This is Halloween”

Jmunney’s Revision
1. (Don’t Fear) the Reaper
2. Every Breath You Take
3. I Won’t Back Down
4. No Roots
5. Up All Night
6. Free Fallin’
7. Feel It Still
8. Werewolves of London
9. The Sky is a Neighborhood
10. Mary Jane’s Last Dance
11. The Man
12. Bad Moon Rising
13. You’re the Best Thing About Me
14. Lay It on Me

Billboard Hot 20 – Week of November 18, 2017

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Each week, I check out the Billboard Hot 100, and then I rearrange the top 20 based on my estimation of their quality. I used to rank all 20, now I just rank the cream of the crop.

Original Version
1. Post Malone ft. 21 Savage – “Rockstar”
2. Camila Cabello ft. Young Thug – “Havana”
3. Cardi B – “Bodak Yellow (Money Moves)”
4. Logic ft. Alessia Cara and Khalid – “1-800-273-8255”
5. Imagine Dragons – “Thunder”
6. Portugal. The Man – “Feel It Still”
7. Lil Pump – “Gucci Gang”
8. Demi Lovato – “Sorry Not Sorry”
9. J. Balvin and Willy William ft. Beyoncé – “Mi Gente”
10. Sam Smith – “Too Good at Goodbyes”
11. Ed Sheeran – “Perfect”
12. Maroon 5 ft. SZA – “What Lovers Do”
13. Yo Gotti ft. Nicki Minaj – “Rake It Up”
14. Migos, Nicki Minaj, and Cardi B – “MotorSport”
15. Gucci Mane ft. Migos – “I Get the Bag”
16. 21 Savage – “Bank Account”
17. French Montana ft. Swae Lee – “Unforgettable”
18. Charlie Puth – “Attention”
19. Taylor Swift – “…Ready For It?”
20. Luis Fonsi and Daddy Yankee ft. Justin Bieber – “Despacito”

Jmunney’s Revision
1. Feel It Still
2. Havana
3. Mi Gente
4. Unforgettable

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