If You Can Imagine ‘IF,’ the IFs Will Come

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If, if, if, uh… (CREDIT: Paramount Pictures)

Starring: Cailey Fleming, Ryan Reynolds, John Krasinski, Fiona Shaw, Alan Kim, Steve Carell, Phoebe Waller-Bridge, Liza Colón-Zayas, Bobby Moynihan, Louis Gosset Jr., Emily Blunt, Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Awkwafina, Richard Jenkins, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key

Director: John Krasinski

Running Time: 104 Minutes

Rating: PG for Mild Potty Humor and Imaginary Nudity

Release Date: May 17, 2024 (Theaters)

What’s It About?: Ever since her mom died, 12-year-old Bea (Cailey Fleming) has pretty much forgotten how to have fun. It certainly doesn’t help that her dad (John Krasinski) is about to undergo heart surgery, though he tries to maintain her childlike wonder with his constant magic tricks and corny gags. While staying at the NYC apartment of her grandmother (Fiona Shaw), she encounters a couple of cartoon characters, as well as their seemingly human partner named Cal (Ryan Reynolds). As it turns out, they’re imaginary friends (or IFs, as they like to be abbreviated), and it’s highly unusual for someone of Bea’s age to be able to see them. But she could really use the power of imagination right now. Or maybe, these supernatural hypothetical creatures could really use the power of Bea right now.

What Made an Impression?: Tina Turner-ing Back the Clock: Baa eventually meets a whole crew of IFs in their hideaway on the Coney Island boardwalk. The encounter is fueled by IF‘s big set piece: an imagination-fueled dance number set to Tina Turner’s 1984 hit “Better Be Good to Me.” Honestly, it’s quite possibly my favorite cinematic choreography since Napoleon Dynamite let loose to some Jamiroquai 20 years ago. If you told me that IF was really just writer-director Krasinski’s excuse to make an entire movie around his own unique tribute to Turner, I would buy it. Such a film did not have to be about imaginary friends, but as it is, it worked out quite swimmingly.
Imaginary Friends, Real Motivation: I wasn’t expecting to tear up at IF, as all indications pointed to it being a simple sugar rush. But its final act lays its thesis out for the taking. As Bea’s journey would have it, imaginary friends aren’t mere fake companions; instead, they’re representations of our innermost desires. We might not be able to “see” them anymore after we grow up, but remaining in touch with them is essential to accomplish our dreams. In that sense, they’re essentially embodiments of everyone’s unique motivations. So the next time you look at a childhood photo or drawing that makes you suddenly remember a big purple monster or a talking ice cube, roll with it. A satisfying life might just depend on it.

IF is Recommended If You Like: Inside Out, Humorless kid protagonists, Tina Turner

Grade: 3.5 out of 5 IFs

‘Babes’ Review: Ilana Glazer and Michelle Buteau Are a Couple of Babes Raising Some Babes

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Hey, Babe. (CREDIT: Gwen Capistran/NEON)

Starring: Ilana Glazer, Michelle Buteau, Hasan Minhaj, John Carroll Lynch, Stephan James, Sandra Bernhard, Oliver Platt

Director: Pamela Adlon

Running Time: 104 Minutes

Rating: R for Filterless Conversations

Release Date: May 17, 2024 (Theaters)

What’s It About?: Eden (Ilana Glazer) and Dawn (Michelle Buteau) are at that stage of life when maintaining annual traditions necessitates taking four different subway lines and futilely attempting to have one last great restaurant feast before going into labor. They’re the titular Babes, insofar as that’s a term of endearment for platonic life partners. But “Babes” also refers to actual children, who make quite an impression on this story. There’s Dawn’s toddler son, who’s quite the handful when he starts regressing after his new baby sister arrives. And then there’s the bun growing in Eden’s oven after a life-changing one-night stand. When she decides to keep the baby, Dawn is right there to support her along the whole journey, but this could just be the ultimate test of their friendship.

What Made an Impression?: Same City, New Broads: In addition to starring, Glazer co-wrote the screenplay of Babes (alongside Josh Rabinowitz), while Pamela Adlon handled directing duties (in her feature debut). Glazer is best known for the Comedy Central sitcom Broad City, which she co-created and co-starred in along with her good buddy Abbi Jacobson, while Adlon is most recently known for the FX sitcom Better Things. While I’m sure there’s plenty of overlap in the fandom of those shows (myself included), they represent two tonal extremes. Whereas Broad City is whimsical and boisterous, Better Things is much more low-key and sarcastic. Glazer and Adlon’s collaboration unsurprisingly turns out to be a real peanut butter-and-hot sauce situation, with the slang-heavy exaggerated dialogue that is Glazer’s calling card proving to be an odd fit with the more grounded approach of just about everyone else in Babes. But that clashing sensibility might just be the point. One could theorize that Better Things is the mellowed, middle age version of Broad City, with Babes serving as the missing link to motherhood in between.
A Question of Family: One common reason for friendships drifting apart is the onset of parenthood for one friend, while others remain childless. But what Babes presupposes is, maybe that drifting apart can happen even when both friends are having kids. In the case of Eden and Dawn, it’s a matter of evolving values and possibly incompatible expectations of their relationship. The way Eden sees it, she and Dawn are more family than friends, especially because they’ve known each other longer than Dawn has known her husband (Hasan Minhaj) or either of her kids. Alas, her perhaps co-dependent demands to maintain some sort of status quo don’t sufficiently reckon with practical matters of reality. Nevertheless, her desire brings up a fair and urgent crossroads that demands to be answered: when friendship stops being convenient, how do you define the terms in which you show up for each other?
Use Your Head: If you were a regular viewer of The Drew Carey Show in the 90s and early 2000s, and a time-traveling visitor from the 2020s showed up and asked you to guess which cast member of that sitcom would eventually play a gynecologist who tries to please his wife with a series of toupees and other ineffective baldness solutions, do you think you could correctly guess the answer? Of course you could! Who else could it be besides John Carroll Lynch?! As Eden’s OB-GYN, he’s a sadsack clown of a man. But he’s also a fully trustworthy professional. In other words, he’s exactly the sort of medical figure who can manage to sufficiently match wits with an Ilana Glazer character and guide her into the messy miracle that is a vagina yawning wide enough to release a new human into the world. John Carroll Lynch: Total Babe.

Babes is Recommended If You Like: Stretching out your vowels, The messy fluids of life, Character actor dads

Grade: 3.5 out of 5 Breast Pumps

Jeff’s Wacky SNL Review: Maya Rudolph/Vampire Weekend

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A Bloody Good Time (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Hello, mother (Maya Rudolph). Hello, father (Lorne Michaels?). Here I am, reviewing SNL a little later than I usually do, as I was at a destination wedding on Saturday and then traveling by plane, train, and automobile on Sunday. But as of Monday evening, I’ve finally watched the 19th episode of Season 49! It featured showbiz veterans in the form of Ms. Maya Rudolph and Misters Vampire Weekend.

Instead of sticking to a discrete theme for this review, I’m just going to provide quick thoughts for each sketch and segment, but still with my signature wacky style.

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Entertainment To-Do List: Week of 5/10/24

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Oh, Ncut! (CREDIT: Disney+)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Kingdom of the Planet of the Apes (Theaters)

TV
Doctor Who Season 14 Premiere (May 10 on Disney+)
The Simpsons: May the 12 Be With You (May 10 on Disney+)
-TIME100: The World’s Best Influential People (May 12 on ABC)
-Best of The Tonight Show: 10 Years of The Tonight Show Starring Jimmy Fallon (May 14 on NBC) – Retrospective.
Young Sheldon Series Finale (May 16 on CBS) – When does Old Sheldon premiere?

Music
-Sebastian Bach, Child Within the Man
-Kings of Leon, Can We Please Have Fun

Sports
-NCAA Women’s Lacrosse Tournament (May 10-26 on the ESPN family of channels)
-PGA Championship (May 16-19 on ESPN and CBS)

‘Tarot,’ or Tar-no?

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When in Tarot, do as the Tarots do (CREDIT: Screen Gems)

Starring: Harriet Slater, Jacob Batalon, Avantika, Adain Bradley, Humberly González, Wolfgang Novogratz, Larsen Thompson, Olwen Fouéré

Directors: Spenser Cohen and Anna Halberg

Running Time: 92 Minutes

Rating: PG-13

Release Date: May 3, 2024 (Theaters)

Is Tarot (The Movie) pro-divination or anti-divination? Fortunately, when it comes to horror, it doesn’t matter! This most definitely ain’t gonna change any paradigms about those Fool and Death Cards, but it does the trick for a Friday Night PG-13 Doopy Fright Flick. In conclusion, my visit to Make-Believe Tarot Land was perfectly cromulent!

Grade: Final Destination for Dummies

Jeff’s Wacky SNL Review: Dua Lipa/Dua Lipa

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Do a Lipa Day (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

I enjoy Dua Lipa, and apparently Saturday Night Live does too. Because after serving as musical guest for a couple of episodes, she’s now reached that rarefied territory of being host and musical guest on the very same show. It’s an interesting choice, because while she’s not exactly known for comedy and she hasn’t done a ton of acting, she is pretty sharp. She strikes me as the kind of a person who can read a comedy script and immediately recognize what is funny about it and then go ahead and emphasize the exact right words.

For my review of this episode, I’m going to go ahead and utilize that old standby strategy of mine and transcribe the notes I took while watching.

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Entertainment To-Do List: Week of 5/3/24

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Darkness on the Edge of Matter and on the Edgerton (CREDIT: Apple TV+)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Evil Does Not Exist (Theaters)
The Fall Guy (Theaters)
I Saw the TV Glow (Theaters)
The Phantom Menace 25th Anniversary Re-Release (Theaters) – I probably won’t have enough time to see this, but I wanted to alert everyone else.
Tarot (Theaters)
Unfrosted (May 3 on Netflix) – Pop-Tarts. Seinfeld.

TV
-John Mulaney Presents: Everybody’s in L.A. (May 3 and May 6-10 on Netflix)
Dark Matter Series Premiere (May 8 on Apple TV+) – I really liked the book that this is based on.
Reginald the Vampire Season 2 Premiere (May 8 on Syfy)

Music
-John Carpenter, Lost Themes IV: Noir
-Dua Lipa, Radical Optimism
-Sia, Reasonable Woman

Sports
-Kentucky Derby (May 4 on NBC)
-NCAA Men’s Lacrosse Tournament (May 8-27 on the ESPN family of channels)

‘I Saw the TV Glow,’ and You Probably Should, Too

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Look at them, they’re glowing! (CREDIT: A24)

Starring: Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Danielle Deadwyler, Fred Durst, Lindsey Jordan, Amber Benson, Connor O’Malley, Emma Portner

Director: Jane Schoenbrun

Running Time: 100 Minutes

Rating: PG-13 for Creepy Images and Psychic Distress

Release Date: May 3, 2024 (Theaters)

What’s It About?: Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) are a couple of teenage misfits in 90s suburbia who bond over their love of the fantasy horror series The Pink Opaque, which airs on the fictional Young Adult Network. (Think Are You Afraid of the Dark? on Nickelodeon’s Saturday night SNICK block of programming, but also with some Buffy the Vampire Slayer and Twin Peaks flourishes.) For Owen, the show is an escape from his depressing home life, with a cancer-stricken mother (Danielle Deadwyler) and a quietly menacing father (Fred Durst). For Maddy, it’s even more than that, as her memories of The Pink Opaque soon become cross-wired with her perception of reality. Or were she and Owen actually the show’s main characters all along? Regardless of what’s fact or fiction, the show proves to be an inexplicable part of Owen’s journey of self-actualization.

What Made an Impression?: Coming Out of the TV: I had the good fortune of my screening of I Saw the TV Glow being followed by a Q&A with writer-director Jane Schoenbrun, a trans and non-binary person who uses they/them pronouns. I recognized some queer themes on my own, but Schoenbrun’s explanations let me in on them further. That is to say, Owen is trans but just doesn’t realize it yet. A key moment pointing towards this (Very Big) subtext is a conversation between Maddy and Owen in which she informs him that she likes girls, and when she asks him if he also likes girls, or boys, he responds, “I think that I like TV shows.” Before the Q&A, I had interpreted this to mean that Owen is probably asexual, and I still think that may be true, but the whole psychedelic swirl that is I Saw the TV Glow makes it clear that it’s a bit more complicated than that.
Turning Ourselves On: As a cisgender straight man, my personal story is in many ways quite different from those of Owen, Maddy, and Schoenbrun. But I Saw the TV Glow still resonated with me profoundly. After all, it wasn’t just queer people who were obsessed with Nickelodeon and creepy genre TV back in the 90s. This movie is already being hailed as a landmark in trans cinema, and understandably so. But anyone who’s ever felt alienated from life and found solace in a show that seems like it was made just for you (only to eventually connect with a like-minded community) should find plenty of resonance here.
Oh, Fudge!: I Saw the TV Glow also has plenty of fun from an aesthetic standpoint, with The Pink Opaque serving up some delicious nightmare fuel. The show-within-the-movie is about two psychically connected friends fighting off the moon-dwelling Mr. Melancholy and his monster-of-the-week cronies. The best of these baddies is surely the ice cream man, a ruthless beast in a melting rubber suit who seems to be awakened by the annual end-of-summer lament that frozen treats can no longer be enjoyed the rest of the year. As someone who loves a perfect banana split on a sweltering dog day, I felt truly seen. If you’re reading this, Jane Schoenbrun, let’s hang out at your favorite soft serve joint the next time you’re in town.

I Saw the TV Glow is Recommended If You Like: SNICK, Videodrome, The Matrix, The X-Files, The AV Club in its heyday

Grade: 4 out of 5 VHS Tapes

jmunney’s Top Cinematic Choices for May 2024

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To frost, or not to frost? That is the popping. (CREDIT: John P. Johnson/Netflix © 2024)

They keep making new movies, and some of them are even worth watching. Here’s what’s at the top of the slate for May 2024:

I Saw the TV Glow: Bonding over a TV show results in distortion between fiction and reality. You know I can’t resist a premise like that!

We will all be able to say I Saw the TV Glow in movie theaters on May 3.

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‘The Fall Guy’ is a Love Letter to Stunt Performers (Emphasis on the Love)

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Fall in May (CREDIT: Universal Pictures)

Starring: Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, Winston Duke, Teresa Palmer, Stephanie Hsu

Director: David Leitch

Running Time: 126 Minutes

Rating: PG-13 for Blank Gunfire, Real Gunfire, Prop Swords, Real Falls

Release Date: May 3, 2024 (Theaters)

What’s It About?: At the beginning of The Fall Guy, stuntman Colt Seavers (Ryan Gosling) takes a great fall. But unlike Humpty Dumpty, the folks around him are ultimately able to put him back together again. Although he’s certainly not without his scars, both physical and emotional. A serious on-set injury has prompted him to disappear from his Hollywood career and his girlfriend Jody Moreno (Emily Blunt). But just when he thinks he’s out for good, his old producer Gail Meyer (Hannah Waddingham) pulls him back in with an offer he can’t refuse: head Down Under to Sydney to become the stunt double once again for major star Tom Ryder (Aaron Taylor-Johnson) in Metalstorm, Jody’s epic sci-fi romance directorial debut. But there’s also a side mission in the offing, as Gail tells Colt that the real reason he’s here is to track down the missing Tom and bring him back to set. So Colt straps in his mouthguard and turns into a special agent as various versions of Kiss’ “I Was Made for Lovin’ You” keeps playing during all of the most pivotal moments.

What Made an Impression?: A Feature-Length Campaign: The Fall Guy is based on a 1980s TV show starring Lee Majors about stunt performers who are bounty hunters on the side, and it’s directed by David Leitch, a former stuntman and stunt coordinator himself. It’s no surprise then that Leitch has honored his brethren by what is essentially a two-hour video editorial arguing in favor of a stunt category at the Academy Awards. The stunt community and plenty of film lovers have been pushing that idea for years, and with the recent announcement of the addition of a Casting Oscar, can stunts be far behind? After watching The Fall Guy, it’s impossible not to appreciate the contributions of stunt workers on both a technical and an artistic level. It’s also impossible not to recognize them as whole human beings with fascinating interior lives who deserve to be recognized as much as anybody else.
A Mature Series of Conversations: Emily Blunt is one of Earth’s most captivating actors, and Ryan Gosling is endlessly charming, so it’s no surprise that Colt and Jody’s love story is filled with wit, honest longing, and karaoke. Furthermore, I was pleased that it reminded me of Blunt and Matt Damon in 2011’s The Adjustment Bureau, but whereas that earlier romance pulled off the sublime feelings of a fateful first encounter, The Fall Guy sparks with the maturity of a shared history. Colt and Jody are thoughtful and caring towards each other, and despite the pain of their separation, neither of them can quite fathom why they spent so much time apart. And neither can we, as they slip so easily into their natural roles of each other’s inspirations. Metalstorm and Tom’s absence are making everything much more stressful than they surely wanted their reunion to be, but it’s often the high-stress episodes that deepen our relationships for the better.

The Fall Guy is Recommended If You Like: Self-aware split-screen, Cars on fire, Hearts on fire

Grade: 3.5 out of 5 Stunts

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