Entertainment To-Do List: Week of 3/17/23

Leave a comment

Just look at how lucky Hank is! (CREDIT: Sergei Bachlakov/AMC)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Moving On (Theaters) – The latest from Tomlin and Fonda!
–Shazam! Fury of the Gods (Theaters)

TV
–Lucky Hank Series Premiere (March 19 on AMC) – Bob Odenkirk is stuck in AMC… and I like it.
–Digman! Series Premiere (March 22 on Comedy Central) – Animated show starring Andy Samberg, and it sounds like he’s using his Nicolas Cage voice.

Music
-M83, Forever
-T-Pain, On Top of the Covers
-U2, Songs of Surrender – Re-recorded songs.

Willem Dafoe is Stuck ‘Inside’ – Should You Join Him?

Leave a comment

Knock Knock. Who’s ‘Inside’? Willem Dafoe. Willem Dafoe Who? Willem Dafriend. (CREDIT: Courtesy of Focus Features)

Starring: Willem Dafoe

Director: Vasilis Katsoupis

Running Time: 105 Minutes

Rating: R, Because Weird Things Happen When You’re Stuck All Alone in a Penthouse

Release Date: March 17, 2023 (Theaters)

What’s It About?: Have you ever wanted to be endlessly trapped in a penthouse apartment with Willem Dafoe? Then Inside is the movie for you! Although, that promise of companionship might not be all it’s cracked up to be. Dafoe plays Nemo, an art thief who finds himself in accidental solitary confinement when an attempted heist becomes completely pear-shaped. The penthouse’s security system goes haywire (or maybe this is exactly how it’s supposed to work when an intruder arrives), and Nemo’s associates on the outside immediately abandon him. There’s basically no hope of escape, and any flash of hope that Nemo can signal someone on the outside for help is merely that, just a flash. But at least there’s plenty of expensive art to keep him company!

What Made an Impression?: I know I’m not the only one who thinks of Willem Dafoe as “Willem Da Friend.” What I’m trying to say is, I’m always happy when he’s on my screen. But it turns out that it’s a big ask to watch just about anyone wasting away in such relentless isolation. I’d like to believe that there are interesting ways to keep someone trapped, but Inside struck me as mostly tedious. It has some ideas on its mind, but nothing really tickled my philosophical bone.

At the beginning of the film, Nemo recalls in voiceover a time he was asked as a child what three things he would save if his house were on fire. At the time, he settled upon an AC/DC CD, his cat, and his sketchbook. Looking back on that moment, he now seems less fond of the Australian rockers and the meowing critter, but he firmly believes that “art is for keeps.” Perhaps his current predicament is meant as a test of that theory? If it is, we never really see him grapple with any sort of existential conundrum. Sure, he gradually loses his sanity, but that would probably happen to anybody in his situation, no matter what their feelings about art.

The one element of Inside that I unreservedly enjoyed was the refrigerator that plays the “Macarena” (of 90s dance craze fame) whenever it’s opened. If we had gotten an hour and a half of Dafoe boogieing along with Los Del Rio, instead of just a few minutes, I think I would have bit just a bit harder. If my house were on fire, I would want to ensure that “Macarena” makes it out alive. Luckily, I wouldn’t have to worry, because there’s no way you can burn away the indelible spirit it’s left on all of humanity. Inside doesn’t fully emphasize the power of the Macarena, but it certainly doesn’t dispute it either, and that’s the message I’m choosing to focus on.

Inside is Recommended If You Like: Insisting that everything is art

Grade: 2 out of 5 CCTVs

Ant-Man and the Wasp: Review-a-mania

Leave a comment

Oh my God, Ant-Man admit it! (CREDIT: Marvel Entertainment/Screenshot)

Starring: Paul Rudd, Evangeline Lilly, Kathryn Newton, Jonathan Majors, Michael Douglas, Michelle Pfeiffer, David Dastmalchian, Katy O’Brian, William Jackson Harper, Bill Murray, Corey Stoll

Director: Peyton Reed

Running Time: 124 Minutes

Rating: PG-13

Release Date: February 17, 2023 (Theaters)

I liked the beginning of Ant-Man and the Wasp: Quantumania, because it was bright and sunny, both literally and metaphorically. I also liked the end, because it was once again bright and sunny. But I didn’t like the parts in the Quantum Realm as much, because they were quite dark. I saw it two days after my birthday, and it definitely wasn’t the best birthday movie, so it’s good that I didn’t see it on the exact anniversary of my expulsion from a uterus.

While the credits were unspooling, a youngster of about six told his dad, “I hate this movie,” as he walked past me. I try not to hate, but I kept holding my head at a weird angle while watching, and that wasn’t good for my neck. Both literally and metaphorically.

Grade: Infinity Plus 3 out of Infinity Times 2 Kangs

Jeff’s Wacky SNL Review: Jenna Ortega/The 1975

Leave a comment

One Thousand, Nine Hundred, Seventy-Five Musical Guests! How do you measure music in an episode? (CREDIT: NBC/Screenshot)

The fifteenth episode of the forty-eighth season of Saturday Night Live was hosted by Jenna Ortega with musical guest The 1975. This occurred on my post-birthday weekend, which is good, because I enjoy watching new SNL this time of year. Indeed, I love watching new SNL at any time of the year, including around the anniversary of my birth.

Since Jenna Ortega is one of the current stars of the Scream franchise, I will be reviewing each sketch of this episode in ALL CAPS.

More

That’s Auntertaiment Mini-Episode: What’s Jeff Watching? #6

Leave a comment

What do you call it when you throw a bomb into the kitchen? (CREDIT: Shout! Studios)

Some thoughts on an indie movie called Linoleum and the Oscar-nominated shorts.

95th Oscars Predictions/Preferences

Leave a comment

In another universe, I would have loved to win Oscars with you. (CREDIT: Allyson Riggs/A24)

Here’s a right quick rundown of the Oscar race’s likeliest winners on Sunday, March 12, 2023, and whom I would vote for if I had a ballot.

Best Picture
Prediction: Everything Everywhere All at Once
Preference: Everything Everywhere All at Once

Best Director
Prediction: Daniel Kwan and Daniel Scheinert
Preference: Daniel Kwan and Daniel Scheinert

More

The 2022 jmunney Academy Awards

1 Comment

Every Award Everywhere All at Once (CREDIT: Allyson Riggs/A24)

If I were in charge of unilaterally selecting the Oscars, here is who would be selected. Nominees are listed alphabetically, winners in bold.

Best Picture
Beavis and Butt-Head Do the Universe
Everything Everywhere All at Once
Pearl
Petite Maman
Turning Red

More

Entertainment To-Do List: Week of 3/10/23

Leave a comment

Oscar, Oscar, & Oscar (CREDIT: Matt Sayles/ABC)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Champions (Theaters)
–Scream VI (Theaters)

TV
-95th Academy Awards (March 12 on ABC) – Time to give out some Oscars.
–Superman & Lois Season 3 Premiere (March 14 on The CW)
–Ted Lasso Season 3 Premiere (March 15 on Apple TV+)

Music
-Miley Cyrus, Endless Summer Vacation
-Fever Ray, Radical Romantics

Sports
-Men’s March Madness (March 14-April 3 on CBS, TBS, TNT, and truTV) – And Selection Sunday is on March 12.
-Women’s March Madness (March 15-April 2 on ESPN and ABC)

’65’ Shines a Little Less Brightly Than Sixty-Five Stars

Leave a comment

Adam Driver stars in 65. (CREDIT: Patti Perret/Sony Pictures Entertainment)

Starring: Adam Driver, Ariana Greenblatt, Chloe Coleman, Nika King

Directors: Scott Beck and Bryan Woods

Running Time: 93 Minutes

Rating: PG-13 for Dino Chompers and Biting Bugs

Release Date: March 10, 2023 (Theaters)

What’s It About?: They called the movie 65, but it’s worth a lot more than that. Indeed, add several zeros after that title, as it takes place 65 million years ago. A couple of humans lead the cast, but it’s the time of the dinosaurs on Planet Earth. Time travel isn’t on the docket, but intergalactic transport instead, as a pilot named Mills (Adam Driver) is on a mission to find a cure for his sick daughter (Chloe Coleman). But it all goes kablooey when his ship crashes on unfamiliar terra, where he soon finds himself at war with a bunch of rexes and raptors, and more than a couple of hungry insects. And in his care is the only other surviving passenger, a young girl named Koa (Ariana Greenblatt) who doesn’t speak the same language as Mills but is with him all the way.

What Made an Impression?: By major studio sci-fi standards, 65 is fairly low-budget, which you can definitely feel. The lighting is often dim, and we rarely see full shots of the larger dinos. That’s not necessarily a death knell if the human drama is compelling, but alas, there aren’t really any fireworks there either. Driver and Greenblatt have an easy rhythm, but that’s just the thing – it’s too easy. It’s not like there needs to be any major conflict in this sort of guardian-child relationship, but every triumph feels preordained. Mills and Koa are very much in mortal danger the whole time, but you never feel that viscerally.

So what to do with a functionally well-made movie that doesn’t really thrill or inspire? Well, I sat in the theater peacefully for an hour and a half and was grateful that I had an occasion to get out of the house. I was less happy, however, about the skittering and screeching sound effects that disrupted my physiological equilibrium. But that was more of a minor nuisance than anything particularly terrible. To reiterate, 65 didn’t make me feel very strongly in either direction. Maybe if you’re a completist when it comes to sci-fi spacefaring or dino-heavy larks, you can find something worthwhile here, but otherwise, there’s not much to get excited about here.

65 is Recommended If You Like: Genre Fare and you’re not too demanding

Grade: 2 out of 5 Laser Blasts

‘Scream VI’ Takes as Many Bites Out of The Big Apple as Possible

3 Comments

Scream If You Know What You’re Doing March 10 (CREDIT: Paramount Pictures and Spyglass Media Group)

Starring: Melissa Barrera, Jenna Ortega, Courteney Cox, Jasmin Savoy Brown, Mason Gooding, Hayden Panettiere, Dermot Mulroney, Devyn Nekoda, Liana Liberato, Jack Champion, Josh Segarra, Samara Weaving, Tony Revolori, Henry Czerny, Roger L. Jackson

Directors: Matt Bettinelli-Olpin and Tyler Gillett

Running Time: 123 Minutes

Rating: R for Sharp Weapons and Blunt Profanity

Release Date: March 10, 2023 (Theaters)

What’s It About?: The Ghostface Killer is a virus that simply refuses to die. After 2022’s Scream rebooted the mayhem in Woodsboro with as much wit and fury as ever, the survivors are finally heading out of California and all the way across the country to New York City. Tara (Jenna Ortega), Mindy (Jasmin Savoy Brown), and Chad (Mason Gooding) are in college, while Tara’s big sis Sam (Melissa Barrera) has also settled down in the city to keep an eye on everyone. Yes, horror faithful, it’s true, the new kids have finally inherited the franchise. After taking a scaled-back role in the last outing, Sidney Prescott is finally nowhere to be seen (which is perhaps creatively justifiable, but has more to do with Neve Campbell’s financial dissatisfaction with what she was offered). But there are a couple of legacy characters on hand, with Gail Weathers (Courteney Cox) as indefatigable as ever, and Scream 4 breakout Kirby Reed (Hayden Panettiere) re-emerging as a battle-hardened FBI agent. And those youngsters are going to need all the help they can get, because this might just be the most brutal Ghostface yet.

What Made an Impression?: Scream has always been the most successful self-aware horror franchise, and with the fifth edition, it expanded its scope to reboots and toxic film culture at large. So where does that leave Scream VI to possibly go from here? The short answer: it’s the “sequel to the requel,” which could very well mean a remake of sorts of the first sequel. And like Scream 2, VI has the college setting and the potential for a revenge scheme. Other than that, the plot isn’t exactly repeated, but there’s only so much room to navigate if this series wants to proclaim anything that it hasn’t yet declared.

So with those restrictions in place, VI lives or dies by the strength of its kills and mystery. Regarding the former, it’s stunningly braven. The Ghostface murderers have never been shy about wantonly stabbing their way through the entire run time, but it hits a little differently in a setting as crowded as NYC. When a killer chases Tara and Sam into a bodega and proceeds to mutilate everyone in there, I’m mostly wondering how there aren’t immediately thousands of witnesses. Also, there’s a shotgun behind the counter, which I hope isn’t true of the bodegas I frequent, but now I’m a little concerned. On the other hand, a Ghostface attack on the subway hasn’t changed my mind about that mode of transport – it remains a hellhole that I’ll continue to proudly frequent as often as possible.

And in terms of the mystery, the same cardinal rule still applies: literally anyone could be one of the killers! Sure, the heroes from the previous films are probably exempt from suspicion, although Sam’s backstory as the daughter of O.G. Ghostface Billy Loomis at least teases the possibility that that may not be the case. But other than that, suspicion really is cast on everyone, and I continue to be amazed at this series’ knack for keeping us on our toes. As suspects are eliminated or present seemingly airtight alibis, we’re all left wondering who is possibly left to be the culprit. Without giving anything away, the ultimate reveal is thrilling, stylish, and delightfully choreographed.

But while we’re on the subject of spoilers, I’m happy to give away the fact that Josh Segarra, here introduced as a potential love interest for Sam, is just as much of a sweetie pie as he is on the Comedy Central sitcom The Other Two. (And in the interest of avoiding spoilers, I’ll reiterate that that may or may not have nothing or anything to do with whether or not he could be Ghostface.)

So where does Scream go from here? The floor has thus far proved to be incredibly durable, but can it endure indefinitely? The absence of Sidney is sorely felt, and the dialogue isn’t always as sharp as it’s been in the past, but there’s still plenty to love here. I’m reminded a bit of the Fast and Furious franchise, as Scream is showing off a knack for expansiveness and rebooting beloved characters as needed, although without any room (thus far) for resurrections or redemptions. So maybe Campbell could return some day. Maybe Ghostface will eventually go to space. Maybe there’ll be an avenging protector Ghostface who protects everyone from all the evil Ghostfaces. Whatever direction it goes, I’m pretty sure something interesting will happen.

Scream VI is Recommended If You Like: Taking a chance on a new direction while still maintaining a connection to the past

Grade: 3.5 out of 5 Unmaskings

Older Entries Newer Entries