Entertainment To-Do List: Week of 9/20/19

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Ad Astra (Theatrically Nationwide) – Dad Astra.
Between Two Ferns: The Movie (Streaming on Netflix)
Loro (Limited Theatrically) – Bunga bunga!

TV
It’s that time of year again!
Disenchantment Season 1, Part 2 (September 20 on Netflix)
-Creative Arts Emmy Awards (September 21 on FXX)
-71st Primetime Emmy Awards (September 22 on FOX)
The Conners Season 2 Premiere (September 24 on ABC)
black-ish Season 6 Premiere (September 24 on ABC)
mixed-ish Series Premiere (September 24 on ABC)
The Masked Singer Season 2 Premiere (September 25 on ABC)
The Goldbergs Season 7 Premiere (September 25 on ABC)
Schooled Season 2 Premiere (September 25 on ABC)
Single Parents Season 2 Premiere (September 25 on ABC)
It’s Always Sunny in Philadelphia Season 14 Premiere (September 25 on FXX)
South Park Season 22 Premiere (September 25 on Comedy Central)
Crank Yankers Season 5 Premiere (September 25 on Comedy Central)
Superstore Season 5 Premiere (September 26 on NBC)
Young Sheldon Season 3 Premiere (September 26 on CBS)
The Good Place Season 4 Premiere (September 26 on NBC)
The Unicorn Series Premiere (September 26 on CBS)
Evil Series Premiere (September 26 on CBS)

Music
-Brittany Howard, Jaime

McLuhan’s Commonsensical Maxim Applied to Nonsensical Media

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This essay was originally written as my final paper for my Media Theory class, taught by Barry Salmon, in Fall 2013 at The New School.

mcluhan

If the “medium is the message,” then what happens if the medium is the medium itself, or the anti-medium? The past few years have seen the rise of the “anti-talk show” in the alternative comedy scene, as typified by the podcast-turned-IFC series Comedy Bang! Bang!, local New York public-access cult sensation The Chris Gethard Show, the Funny or Die webseries Between Two Ferns, and Adult Swim’s The Eric André Show. These shows all consider the artifice and tropes of comedy talk shows and then ignore, analyze, trash, invert, and/or subvert them. Marshall McLuhan’s classic text is presented as a common sense formulation of how to consider any medium: “the personal and social consequences” are a result of the new “extension of ourselves” (129). So how then do we apply this commonsensical approach to a genre that is purposely nonsensical? McLuhan would surely be pleased by this trend of a genre that is strongly conscious of how the medium is the message, but an analysis of how these shows deconstruct their particular medium and genre is sure to melt your brain.

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