‘The Accountant 2’ Review: Keep It in the Family

April 24, 2025

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Accounting for the Accountant (and His Brother) (CREDIT: Amazon MGM Studios © Amazon Content Services LLC)

Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, Allison Robertson, J.K. Simmons, Robert Morgan, Grant Harvey, Andrew Howard

Director: Gavin O’Connor

Running Time: 132 Minutes

Rating: R for Big Guns and Joint Twisting

Release Date: April 25, 2025 (Theaters)

What’s It About?: Autistic accountant Christian Wolff (Ben Affleck) thought he could spend his time hacking the algorithm at a speed dating event, but it turns out that his unique talents are required by the Treasury Department once again. Agent Marybeth Medina (Cynthia Addai-Robinson) is a little wary about working with him, considering his extra-legal methods of enforcement. But it does seem like he’s the only one who can connect the dots between a mysterious woman (Daniella Pineda) and an immigrant couple whose son has been missing for years. Meanwhile, Christian calls up his brother Braxton (Jon Bernthal) for some added muscle and to inject some odd couple levity into the proceedings.

What Made an Impression?: My History with The Accountant: Longtime readers of my reviews are probably already familiar with my deeply held belief that you don’t need to catch the original before you see any of the sequels. So I’m not ashamed to admit that I have not seen the first Accountant. But I am a little surprised to report that I felt a little lost without that background info. While The Accountant 2 offers a pretty self-contained story, more character-defining context would have been welcomed had it been offered.
Does It Make Perfect Sense or Am I Perfectly Confused?: The investigation mostly revolves around Pineda’s character, who basically became a superhuman assassin after suffering a traumatic brain injury. Honestly, I’m not sure if that’s a spoiler or part of the premise. Anyway, she’s somehow linked to a wider conspiracy involving kidnapping and human trafficking. It’s a criminal labyrinth that I was able to follow along with until the very end, when I found myself wondering, “Wait a minute, what’s the story here?” Each individual scene justifies and explains itself well enough, but the strings between them feel pretty loose. (Unless you’re Christian Wolff, perhaps?)
Just Two Dudes: Anyway, I’m not sure I really want to understand the parts of The Accountant 2 that left me squinty-eyed. By the climax, it mostly devolves into a macho burst of relentless artillery that I really didn’t care for, but along the way, Affleck and Bernthal’s oil-and-water fraternal chemistry makes for a decent hang. I understand why these two get on each other’s nerves, and I’d much rather watch them get up to trouble in a honky-tonk bar rather than save the country or whatever.

Grade: 2.5 out of 5 Acquired Savants

‘Red One’ Keeps It Icy for Christmas

November 14, 2024

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Oh, by the way, which one’s Red? (CREDIT: Amazon MGM Studios)

Starring: Chris Evans, Dwayne Johnson, Lucy Liu, J.K. Simmons, Kiernan Shipka, Bonnie Hunt, Reinaldo Faberlle, Kristofer Hivju, Nick Kroll, Wesley Kimmel, Mary Elizabeth Ellis, Marc Evan Jackson

Director: Jake Kasdan

Running Time: 123 Minutes

Rating: PG-13 for Combat Between Humans, “Elves,” Talking Polar Bears, and Krampus

Release Date: November 15, 2024 (Theaters)

What’s It About?: Jack O’Malley (Chris Evans) has been a devoted cynic ever since he figured out before all the other kids that Santa Claus was a myth. So it was only natural that he would grow up to be a mercenary hacker and a deadbeat dad. So imagine his surprise when head of North Pole security Callum Drift (Dwayne Johnson) shows up at his home and informs Jack that his shenanigans are partly responsible for the kidnapping of Saint Nick (J.K. Simmons) himself. This being a Christmas movie and all, mythological holiday creatures are very real, and Callum and his colleagues are responsible for making sure that naughty listers like Jack don’t screw things up. Trouble is, Callum is contemplating retirement as the naughty list threatens to grow longer than the nice list, perhaps eternally. So you know, multiple characters in Red One are in a position to rediscover the Christmas spirit.

What Made an Impression?: Santa, Santa Claus, Where Are You?: Just because Santa Claus is kidnapped, that doesn’t matter that he has to be a minor character in his own movie. But alas, Red One makes the puzzling decision to keep J.K. Simmons stowed away for the vast majority of its running time. His captor is a shapeshifting ogre played by Kiernan Shipka – surely they could have thrown an hour’s worth of zingers back at each other! And honestly this is one of the more interesting cinematic Santas I’ve seen in quite a while: basically a jacked zaddy who pumps iron to refill all the calories he burns on Christmas Eve. The Christmas cheer in Red One is fairly generic, but there’s no need to convince anyone that this St. Nick is worth saving.
A Little Bit of This, Some of That Guy, Then We Go Home: Red One left me feeling a little blue, or maybe even gray, but it wasn’t for lack of effort or ideas. There’s a bit about how toy stores are portals for North Pole workers, Nick Kroll shows up as a shady middleman for the Christmas baddies, and there’s some grounded interplay between Jack and his ex (Mary Elizabeth Ellis). It’s all pleasant enough to serve as background entertainment as you make your way through your Advent calendar, though it lacks the pizzazz to inspire the same yuletide rediscovery that Jack and Callum are destined for. Although, if somebody posts a series of behind-the-scenes videos of J.K. Simmons Claus pumping even more iron, then perhaps it will have all been worth it.

Red One is Recommended If You Like: A movie that seems like it should be going straight to Netflix ending up on the big screen

Grade: 2.5 out of 5 Bench Presses

‘Juror #2’ Takes Us to Court and Asks: What Would You Do?

November 13, 2024

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TFW you’re Juror #2 (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Nicholas Hoult, Toni Collette, Zoey Deutch, Chris Messina, Gabriel Basso, J.K. Simmons, Amy Aquino, Leslie Bibb, Cedric Yarbrough, Francesca Eastwood, Adrienne C. Moore, Chikako Fukuyama, Zele Avradopoulos, Drew Scheid, Kiefer Sutherland

Director: Clint Eastwood

Running Time: 114 Minutes

Rating: PG-13

Release Date: November 1, 2024

I sure wouldn’t want to end up in the same predicament as Justin Kemp (Nicholas Hoult), the titular Juror #2 of Juror #2. Watching the movie about him is already stressful enough! But maybe it’s a good way for us to prepare ourselves in case we ever find ourselves in the scenario in which we realize that we might be guilty of the crime at the heart of the trial we’re on the jury of, or a similar situation. It would still be a dilemma, make no mistake about it, but at least one we’ve now been able to visualize.

Grade: 10 Not Guiltys out of 2 Guiltys

‘Saturday Night’ Seeks to Capture the Prelude to One of the Biggest Seventh Days of the Week of All Time

September 26, 2024

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I’m not Chevy Chase, and they’re not (CREDIT: Hopper Stone/Columbia Pictures)

Starring: Gabriel LaBelle, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun, Cooper Hoffman, Kaia Gerber, Andrew Barth Feldman, Tommy Dewey, Willem Dafoe, Matthew Rhys, J.K. Simmons, Jon Batiste, Naomi McPherson, Taylor Gray, Mcabe Gregg, Nicholas Podany, Billy Bryk, Ellen Boscov, Joe Chrest, Catherine Curtin, Leander Suleiman, Paul Rust, Robert Wuhl, Corinne Britti, Kirsty Woodward, Josh Brener, Brad Garrett

Director: Jason Reitman

Running Time: 109 Minutes

Rating: R for General Crudeness and Casual Backstage Drug Use, and One Unsolicited Private Release

Release Date: September 27, 2024 (Limited Theaters)/Expands October 4 and October 11

What’s It About?: As the prophet declared, “The show doesn’t go on because it’s ready, it goes on because it’s 11:30.” While that is a widely accepted maxim in 2024, a few decades ago it was met by the masses with an outpouring of skepticism. According to Saturday Night director Jason Reitman and his co-writer Gil Kenan’s telling, things were so touch-and-go that the first episode of Lorne Michaels’ brainchild barely made it to air in one piece. While the hour-and-a-half that began on the National Broadcasting Company at 11:30 PM Eastern on October 11, 1975 has since been immortalized, the hour-and-a-half that immediately preceded it was also apparently quite the transformative odyssey. And so, Saturday Night‘s log line is quite simple: the real-time chaos that led right up to the birth of one of the most famous TV shows of all time.

What Made an Impression?: Would You Accept a Wolverine in Place of the Truth?: Saturday Night is filled with an unending series of too-perfect coincidences that I don’t really have any interest in fact-checking (at least not in terms of whether or not they make for a worthwhile movie). Like, did John Belushi really refuse to sign his contract until approximately 15 minutes before the cameras started rolling? Surely that must have been sorted out days, if not weeks, earlier? I suppose it’s dramatically true enough, as Belushi was certainly known for being erratic. Some of these stunningly on-the-nose moments are kind of funny, like when Lorne has a sarcastic back-and-forth with a building employee who supposedly thinks that he’s producing Saturday night the night, as opposed to Saturday Night the TV show. But then there are similar incidents that I found myself groaning at, like Milton Berle lecturning everyone he encounters about the way that showbiz really works (although J.K. Simmons does play Uncle Miltie with the just right flavor of stunningly pompous).
Inescapable Iconography: It’s hard to imagine that Saturday Night will be anyone’s introduction to SNL. Even if you don’t watch every new episode like clockwork, you’ve surely encountered some of it through cultural osmosis. But save for a couple of semi-unavoidable bits, the movie mostly avoids the pitfall of simply recreating memes and catchphrases. Nevertheless, it isn’t like this is a completely untold story. The behind-the-scenes foibles have been recounted in numerous outlets on numerous occasions, and the characters are based on quite famous real people, many of whom are still alive. So it’s no surprise that some of these performances are mostly glorified impressions. To be fair, some of them are quite good impressions. Dylan O’Brien in particular captures the singularly rat-a-tat patter of Dan Aykroyd. Others have room to go a little deeper, especially Gabriel LaBelle in the lead, as he effectively captures the harried arrogance and earnestness of attempting to spark a revolution through television. But as good as LaBelle is, I can’t help but look at him and go, “That’s not Lorne Michaels.” It’s close, but not quite. That’s not necessarily a bad thing. But it is uncanny.
It’s Saturday Night, and You’re Not: I kind of wish that Saturday Night had gone the Weird biopic route, by maintaining some semblance of reality while obviously comedically exaggerating everything else. It certainly would have been in the spirit of a sketch show that has aired plenty of memorable parodies in its own right. Of course, it would be unfair to review it for not being something that it’s not trying to be. But it’s still fun to wonder, “What if?” As it is, we’ve got something that feels like cosplay populated by body snatchers. It’s energetic and loving cosplay, but the thrills are mostly theoretical rather than visceral.

Saturday Night is Recommended If You Like: Studio 60 on the Sunset Strip, Really sticking it to the censors, Bricks

Grade: 3 out of 5 Affiliates

‘Spider-Man: No Way Home’ Actually Presents Many Ways Home, What with the Multiverse and All

December 14, 2021

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Spider-Man: No Way Home (CREDIT: Columbia Pictures/Sony Pictures)

Starring: Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon, Jon Favreau, Marisa Tomei, Alfred Molina, Benedict Wong, Jamie Foxx, Willem Dafoe, J.K. Simmons, Thomas Haden Church, Rhys Ifans, Tony Revolori, J.B. Smoove, Hannibal Burress, Martin Starr, Angourie Rice

Director: Jon Watts

Running Time: 148 Minutes

Rating: R for The Usual Punching and Stabbing, Perhaps a Little Darker Than Usual

Release Date: December 17, 2021 (Theaters)

Hey, it’s our friendly neighborhood Spider-Man back on the big screen! Or maybe, that should be our friendly neighborhood Spider … Men? (Hey, wasn’t there another recent movie that asked that same question? With so many years of comic book history to draw upon, you can be multi-universal in multiple ways.)

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‘National Champions’ Presents Its Melodramatic Case for Student-Athlete Compensation

December 9, 2021

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National Champions (CREDIT: Scott Garfield/Courtesy of STX Films)

Starring: Stephan James, J.K. Simmons, Alexander Ludwig, Lil Rel Howery, Tim Blake Nelson, Andrew Bachelor, Jeffrey Donovan, David Koechner, Kristin Chenoweth, Timothy Olyphant, Uzo Aduba

Director: Ric Roman Waugh

Running Time: 116 Minutes

Rating: R for Big Boy Executive Language

Release Date: December 10, 2021 (Theaters)

National Champions is certainly timely, as the subject of student-athlete compensation has made its way up to the Supreme Court, and players are now permitted to financially benefit from their name, image, and likeness. But I don’t imagine that this conflict will play out in real life anywhere near as operatically it does in this movie. That’s not a criticism! I’m in the theater to be entertained, not to confirm that they get all the facts straight. And for the most part, I was thrilled, amused, and riveted.

Stephan James is at the center of it all as star quarterback LeMarcus James. James (the actor) played Jesse Owens in his breakthrough role, so he’s building up a bit of a resume of athletes who take a historical stand. LeMarcus is a senior playing his last college game in the looming title bout who’s also the presumptive number one pick in the upcoming NFL draft. But he’s calling an audible, as he announces that he’s boycotting the game unless and until the NCAA agrees to recognize varsity athletes as employees and pay them accordingly. He’s got about three days to convince his teammates and his opponents to join him, while also ducking out of the way of his coach (J.K. Simmons), various college football administrators and executives, and the NCAA’s ruthless outside counsel representative (Uzo Aduba).

Director Ric Roman Waugh and screenwriter Adam Mervis (adapting his own play of the same name) have painted a massively cynical portrait of the state of college athletics. Some of their tsk-tsking is well-founded, but my god, is it breathtakingly overwrought. It kinda has to be, considering that pretty much every line of dialogue frames everyone’s decision in life-or-death stakes. This could be a formula for unbearable soul crushing, but thankfully the premise has to allow at least a hint of optimism to poke its way in throughout. That lightness helps us realize that the ridiculousness of all the melodrama is a plus, as laughing at the moral righteousness of this exploitative system is a healthy reaction.

One other noteworthy observation before I go: several real-life athletes and sportscasters appear as themselves, which would add some authenticity, but that’s undercut by the lack of real-life branding. The teams in the championship game are from fictional schools, and ESPN (or any other sports network for that matter) is never once mentioned. I’d argue that the fakeness is weirdly the right choice (though I imagine it actually wasn’t a choice at all); this isn’t the real world after all, but a slightly heightened version of it.

National Champions is Recommended If You Like: Over-the-top line deliveries, Sports movies without any sports, Kristen Chenoweth performances without any singing

Grade: 3.5 out of 5 Salaries

‘Being the Ricardos’ Has Some ‘Splainin’ to Do

December 7, 2021

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Being the Ricardos (CREDIT: Glen Wilson/Amazon Content Services LLC)

Starring: Nicole Kidman, Javier Bardem, J.K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, John Rubinstein, Linda Lavin, Clark Gregg, Nelson Franklin, Robert Pine, Christopher Denham

Director: Aaron Sorkin

Running Time: 125 Minutes

Rating: R for Language That the Censors Usually Don’t Allow You to Say

Release Date: December 10, 2021 (Theaters)/December 21, 2021 (Amazon Prime Video)

What is Being the Ricardos all about? I mean that both in terms of this movie’s plot and in the ontological sense. If Aaron Sorkin is to be believed, it’s a combination of kinda-sorta being exposed as a Communist, marital strife, and a fight to control the creative direction of I Love Lucy. Any one of those topics would be enough to center a movie around. But in the movie that we’ve got, they’re all kind of fighting for attention. I suppose these matters can all co-exist, but they don’t do so particularly gracefully in this case. The relationship and professional conflicts feel genuine but standard-issue, while the red scare pretty much fizzles out immediately. (Maybe that was the point?)

It must be said that Nicole Kidman and Javier Bardem really don’t look or sound anything like Lucy and Desi. This did not bother me at all! In fact, I think I prefer this anti-accuracy approach in a biopic. These aren’t the real people after all, but representations of those real people. So why not make them characters of their own that can stand outside the historical document? Alas, I suspect that Kidman and Bardem actually were trying to achieve something close to mimicry. It all kind of gets stuck in the unremarkable middle.

One thing about this movie that I did kind of like is the series of interviews from some unspecified future date that serve to frame the 1950s scenes. Tony Hale, Jake Lacy, and Alia Shawkat play a few of the Lucy writers, while their older versions are filled in by John Rubinstein, Ronny Cox, and Linda Lavin, respectively. The check-ins with the senior crew are a little surreal (probably accidentally [or perhaps not?]), thanks to how little is explained about their circumstances. Like, where are these people? What year is it supposed to be? (None of the real-life versions are still alive anymore.) Is this supposed to be for some sort of documentary? Are they being held hostage? I DON’T want to know the answers to any of these questions!

Being the Ricardos is Recommended If You Like: Studio 60 on the Sunset Strip

Grade: 2.5 out of 5 Wahhhhs

‘The Tomorrow War’ Review: Mike Mitchell Edition

July 1, 2021

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The Tomorrow War (CREDIT: Amazon Studios)

Starring: Chris Pratt, Yvonne Strahovski, J.K. Simmons, Betty Gilpin, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers, Mary Lynn Rajskub, Mike Mitchell

Director: Chris McKay

Running Time: 140 Minutes

Rating: PG-13 for Alien Scum

Release Date: July 2, 2021 (Amazon Prime Video)

The Tomorrow War stars Chris Pratt as the leader of a fight between Earth and invading aliens in which he must be sent 30 years in the future. He teams up with a ragtag crew, including a future version of his young daughter (Yvonne Strahovski). But I’m not here to talk about them. Instead, this review is all about Mike Mitchell, who’s about 12th on the call sheet, but he’s pretty much the only reason I wanted to watch this movie. Mitchell is primarily known as a podcaster and a member of the Birthday Boys sketch comedy group, the latter of which featured him as a friendly alien who sings a jingle at birthday parties. His podcasting duties include co-hosting Doughboys, in which he reviews chain restaurants. The Tomorrow War, meanwhile, does not feature him chowing down on any good grub, which feels like a missed opportunity.

I’m guessing that Mitchell was cast to be the comic relief character, or one of the comic relief characters. And there needed to be multiple ones! Because, you see, the best part involving Mitch happens when Chris Pratt asks Mary Lynn Rajskub’s character what her name is, and she says “Norah,” which is indeed her character’s name. And then he immediately asks Mitch’s character what his name is, and he also says “Norah.” It’s really well-timed, I promise!

If you’re like me and watching The Tomorrow War only for the Mike Mitchell, you’ll have to be patient, because he’s only in a small percentage of it. But luckily today’s technology allows you to fast-forward and rewind as you please.And there’s also perhaps a consolation prize, as Sam Richardson (of Veep and Detroiters fame) has much more screen time, a good portion of which is meant to be funny. There’s one moment in particular when he continuously shouts a certain four-letter word over and over about a couple dozen times in a row. So I guess this review wasn’t entirely focused on Mike Mitchell. I hope you can forgive me.

The Tomorrow War is Recommended If You Like: Fast-forwarding through Amazon Prime Video’s viewing experience

Grade: 2 out of 5 Doughboys

This Is a ‘Palm Springs’ Review… This Is a ‘Palm Springs’ Review… This Is a ‘Palm Springs’ Review…

July 13, 2020

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Palm Springs (CREDIT: NEON/Hulu)

Starring: Andy Samberg, Cristin Milioti, Meredith Hagner, Camila Mendes, Tyler Hoechlin, J.K. Simmons, Peter Gallagher, Dale Dickey

Director: Max Barbakow

Running Time: 90 Minutes

Rating: R

Release Date: July 10, 2020 (Hulu and Drive-In Theaters)

Time loop movies are surprisingly robust. You might think Groundhog Day has perfected the formula, but then all these newbies arrive in its wake, and they’re all, at the very least, not half bad. Case in point: the pretty dang good Palm Springs, which finds Andy Samberg and Cristin Milioti stuck at a wedding. So I have decided to review Palm Springs by comparing it to all the other Groundhog Day-style time loop movies I’ve seen:

–Palm Springs isn’t as transcendent as Groundhog Day, but it has a deeper conversation with eternity.
–Palm Springs doesn’t have the sinister undertones of Source Code, although there is a random appearance from a certain extinct species that makes me think that maybe you could theorize about something like that lurking beneath the surface.
–Palm Springs is more rooted in theoretical science than sci-fi when compared to Edge of Tomorrow, though it doesn’t flaunt it.
–Palm Springs is a whole heck of a lot more fun than Before I Fall.
–Palm Springs doesn’t have as much time for death montages as Happy Death Day. But both of them have plenty of time for fun and are thus the most kindred of spirits within this subgenre. The former takes place at a wedding and the latter at a college, and college friends are often invited to weddings, after all.
–Palm Springs is not a sequel, unlike Happy Death Day 2 U. Perhaps one day Palm Springs will get a sequel, though I doubt it. But if it ever does, I’ll watch it.

I give Palm Springs 4 out of 4 out of 4 out of 4 out of 4 out of 4 Dinosaurs

Best Film Performances of the 2010s

June 22, 2020

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CREDIT: YouTube Screenshots

Back in April, I revealed my lists of the best podcasts, TV shows, TV episodes, albums, songs, and movies of the 2010s. I declared that that was it for my Best of the Decade curating for this particular ten-year cycle. But now I’m back with a few more, baby! I’ve been participating in a series of Best of the 2010s polls with some of my online friends, and I wanted to share my selections with you. We’re including film performances, TV performances, directors, and musical artists, so get ready for all that.

First up is Film Performances. Any individual performance from any movie released between January 1, 2010 and December 31, 2019 was eligible, whether it was live-action, voice-only, or whatever other forms on-screen acting take nowadays. For actors who played the same character in multiple movies, each movie was considered separately.

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