January 6, 2026
jmunney
Cinema, Movie Reviews
Albert Brooks, Avatar, Avatar: Fire and AsH, Ayo Edebiri, Bailey Bass, Brendan Cowell, Britain Dalton, Bryan Fuller, CCH Pounder, Cliff Curtis, David Dastmalchian, David Thewlis, Dileep Rao, Duane Evans Jr., Dust Bunny, Edie Falco, Ella McCay, Emma Mackey, Filip Geljo, Giovanni Ribisi, Jack Champion, Jack Lowden, James Cameron, James L. Brooks, Jamie Flatters, Jamie Lee Curtis, Jemaine Clement, Joel David Moore, Julie Kavner, Kate Winslet, Kumail Nanjiani, Mads Mikkelsen, Matt Gerlad, Oona Chaplin, Rebecca Hall, Rebecca Henderson, Sam Worthington, Sheila Atim, Sigourney Weaver, Sophia Sloan, Spike Fearn, Stephen Lang, Trinity Jo-Li Bliss, Woody Harrelson, Zoe Saldana

Dear Pandora Santa Claus… (CREDIT: Screenshot)
Dust Bunny
Starring: Mads Mikkelsen, Sophia Sloan, Sigourney Weaver, Sheila Atim, David Dastmalchian, Rebecca Henderson
Director: Bryan Fuller
Running Time: 106 Minutes
Rating: R
Release Date: December 12, 2025 (Theaters)
Ella McCay
Starring: Emma Mackey, Jamie Lee Curtis, Jack Lowden, Woody Harrelson, Kumail Nanjiani, Spike Fearn, Julie Kavner, Albert Brooks, Ayo Edebiri, Rebecca Hall
Director: James L. Brooks
Running Time: 115 Minutes
Rating: PG-13
Release Date: December 12, 2025 (Theaters)
Avatar: Fire and Ash
Starring: Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Giovanni Ribisi, David Thewlis, Britain Dalton, Jack Champion, Trinity Jo-Li Bliss, Jamie Flatters, Bailey Bass, Filip Geljo, Duane Evans Jr., Matt Gerlad, Dileep Rao
Director: James Cameron
Running Time: 197 Minutes
Rating: PG-13
Release Date: December 19, 2025 (Theaters)
Hey hey, ho ho ho! And now for something completely the assessment of a few movies I saw in the run-up to the End-of-Year 2025 Holiday Season. I considered doing this before Christmas reared its festive rump, but I didn’t quite get around to it. So now here we are in January, hopefully with the benefit of a little more digestion. For this selection of flicks (whose current theatrical availability ranges from “nowhere” to “everywhere”), I shall now discuss how much seeing them and then writing about them has (or has not) kept the holiday spirit alive.
More
January 14, 2025
jmunney
Cinema, Movie Reviews
Aaron Pierre, Alan Tudyk, Anika Noni Rose, Antonio Banderas, Auliʻi Cravalho, Awhimai Fraser, Babygirl, Beyoncé Knowles-Carter, Billy Eicner, Blue Ivy Carter, Brian Cox, Dana Ledoux Miller, David Derrick Jr, David Fane, Donald Glover, Dwayne Johnson, Esther McGregor, Gaia Wise, Gerald Ramsey, Halina Reijn, Harris Dickinson, Hualālai Chung, Jason Hand, John Kani, Keith David, Kelvin Harrison Jr., Kenji Kamiyama, Khaleesi Lambert-Tsuda, Lennie James, Luke Pasqualino, Mads Mikkelsen, Mirando Otto, Moana 2, Mufasa, Mufasa: The Lion King, Nicole Kidman, Nicole Scherzinger, Preston Nyman, Rachel House, Rose Matafeo, Seth Rogen, Sophie Wilde, Temuera Morrison, Thandiwe Newton, The Lord of the Rings: The War of the Rohirrim, Tiffany Boone, Vaughan Reilly

CREDIT: A24; Warner Bros. Pictures/Screenshot; Disney/Screenshot; Disney/Screenshot
The Lord of the Rings: The War of the Rohirrim
Starring: Gaia Wise, Brian Cox, Luke Pasqualino, Mirando Otto
Director: Kenji Kamiyama
Running Time: 134 Minutes
Rating: PG-13
Release Date: December 13, 2024 (Theaters)
Babygirl
Starring: Nicole Kidman, Harris Dickinson, Antonio Banderas, Sophie Wilde, Esther McGregor, Vaughan Reilly
Director: Halina Reijn
Running Time: 115 Minutes
Rating: R
Release Date: December 25, 2024 (Theaters)
Moana 2
Starring: Auliʻi Cravalho, Dwayne Johnson, Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, Alan Tudyk
Directors: David Derrick Jr, Jason Hand, and Dana Ledoux Miller
Running Time: 100 Minutes
Rating: PG
Release Date: November 27, 2024 (Theaters)
Mufasa: The Lion King
Starring: Aaron Pierre, Kelvin Harrison Jr, John Kani, Seth Rogen, Billy Eicner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Blue Ivy Carter, Beyoncé Knowles-Carter, Preston Nyman, Anika Noni Rose, Keith David
Director: Barry Jenkins
Running Time: 118 Minutes
Rating: PG
Release Date: December 20, 2024 (Theaters)
Oh hi, there! Well, you know how it goes. That annual time between Thanksgiving and New Year tends to be busy, both in terms of social obligations and new movie releases. So even someone who frequents the cinema as often as I do struggles to catch absolutely everything right when they arrive. But I do my best to catch up with them eventually! So here’s a roundup of my thoughts on recent holiday flicks with a focus on how much they put me in the holiday spirit.
More
July 3, 2023
jmunney
Cinema, Movie Reviews
Antonio Banderas, Boyd Holbrook, Ethann Isidore, Harrison Ford, Indiana Jones, Indiana Jones and the Dial of Destiny, James Mangold, Jonathan Rhys Davies, Mads Mikkelsen, Phoebe Waller-Bridge, Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones

Destiny. Why did it have to be destiny? (CREDIT: Lucasfilm/Screenshot)
Starring: Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, Boyd Holbrook, Shaunette Renée Wilson, Antonio Banderas, Toby Jones, Ethann Isidore, Jonathan Rhys Davies, Thomas Kretschmann
Director: James Mangold
Running Time: 154 Minutes
Rating: PG-13
Release Date: June 30, 2023 (Theaters)
I genuinely believe that it was my destiny to see Indiana Jones and the Dial of Destiny. But what exactly did that destiny look like? Not all that much like the late 60s in particular, except for when “Magical Mystery Tour” blared out of the speakers. I think there should have been more Space Race vibes, probably. Anyway, everybody seemed to be having fun running around. They certainly had some adventures I bet they’ll never forget! I also would have recommended drawing out the scorpion scene.
Grade: Adjust the Coordinates a Little Bit
April 13, 2022
jmunney
Cinema, Movie Reviews
Alison Sudol, Callum Turner, Dan Fogler, David Yates, Eddie Redmayne, Ezra Miller, Fantastic Beasts, Fantastic Beasts: The Secrets of Dumbledore, Jessica Williams, JK Rowling, Jude Law, Katherine Waterston, Mads Mikkelsen, Wizarding World

Fantastic Beasts: The Secrets of Dumbledore (CREDIT:
Warner Bros. Pictures/Screenshot)
Starring: Eddie Redmayne, Jude Law, Mads Mikkelsen, Ezra Miller, Dan Fogler, Alison Sudol, Callum Turner, Jessica Williams, Katherine Waterston
Director: David Yates
Running Time: 142 Minutes
Rating: PG-13 for Wand Thrusts Knocking People Down
Release Date: April 15, 2022 (Theaters)
There’s one moment in Fantastic Beasts: The Secrets of Dumbledore that left me responding with a resounding blank stare. Well, actually, there was more than one moment like that. But there was one particular instance where I’m pretty sure that the hoped-for reaction was instead a pumped fist and a round of hoots and hollers. If you’ve seen the trailer, you know what I’m talking about. One of our heroes informs us that their ragtag crew consists of a magizoologist, his assistant, “a wizard descended from a very old family,” a teacher, and a muggle. I guess the idea is that this isn’t exactly the A-team, but they all sound pretty capable to me! I can understand doubting the non-magical fellow, except that the previous two entries in this franchise have already established his bona fides. This all leads me to suspect that Dumbledore’s secrets aren’t as mind-blowing as advertised.
And that impenetrability doesn’t exactly pair well with the complications of watching something written by J.K. Rowling in 2022. If you’ve been fortunate enough to avoid her public persona the past several years, then I regret to inform you that she’s now just as famous for her highly public transphobic views about gender as she is for conjuring magical fantasy worlds. But hey, the Harry Potter saga preached a message of tolerance that seemed to stand in stark contrast to those opinions, so maybe Secrets of Dumbledore might as well, or at the very least be inoffensive.
But even beyond any moral reckonings, there is a mighty struggle at the core of watching this film. It has the vibe of a central creative voice given free rein to the point of absurdity. Rowling is credited as a co-screenwriter and one of five producers, but this is her brainchild set loose, unchecked and unbound. I’m not saying that someone needed to say no to her, but a little interpretation for those of us who don’t live in her brain would have been nice. The climactic battle is one of those scenes that’s so typical of modern blockbusters where the fate of the world hangs in the balance, and I just found myself profoundly confused. What are the stakes here? Why is Grindelwald such a bad wizard anyway? Maybe I missed an obvious explanation, and I’ll gladly welcome anyone who can point that out to me. But I can’t help but feel that I was watching someone tell us a story that was supposed to have self-evident importance, and that just wasn’t coming across.
Fantastic Beasts: The Secrets of Dumbledore is Recommended If You Are: J.K. Rowling
Grade: 1.5 out of 5 Blood Pacts
March 3, 2021
jmunney
Cinema, Movie Reviews
Óscar Jaenada, Chaos Walking, Cynthia Erivo, Daisy Ridley, David Oyelowo, Demián Bichir, Doug Liman, Kurt Sutter, Mads Mikkelsen, Nick Jonas, Tom Holland

Chaos Walking (CREDIT: Lionsgate)
Starring: Tom Holland, Daisy Ridley, Mads Mikkelsen, David Oyelowo, Demián Bichir, Cynthia Erivo, Nick Jonas, Kurt Sutter, Óscar Jaenada
Director: Doug Liman
Running Time: 109 Minutes
Rating: PG-13 for Wham-Bam Action
Release Date: March 5, 2021
Chaos Walking is one of those movies where I’m not entirely sure what’s going on, but I kind of wish I did know more, because the things that I can make sense out of really do grab my attention. It’s an apt title then. Chaos really is walking everywhere, baby! That’s most obvious in the form of its signature visual motif: a swirl of inner thoughts dancing around people’s heads known as “the Noise.” All the men on this planet are afflicted by this condition, and it’s presented so matter-of-factly and therefore so effectively. I initially found it jarring, almost overwhelming, but within ten minutes it made all the sense in the world. I wish I could say the same thing about the plot, though. It’s driven by some sort of fight to figure out the secrets underpinning society, as is the case with so much dystopian sci-fi. I can tell that Tom Holland is earnest and well-intentioned and that Daisy Ridley is probably the key to everything and that Mads Mikkelsen doesn’t want them to succeed because he’s so grumpy, but beyond that, I feel like I needed to study the novel trilogy the film is based on to really understand the specifics.
If you can’t quite follow a movie’s storyline, you can at least vibe with it a bit if you can get on the wavelength of its action energy and its stylistic approaches. From a production design standpoint, Chaos Walking‘s decor is basically Hunger Games-esque arboreal but without the whiz-bang flamboyance. On a thematic level, it clearly has something to say about religion, though who’s to say what exactly that something is, though it’s at least fun to hear characters shout things like “I am the sinner! Purify my sin!” And on the action front, director Doug Liman is a reliable pro. He can even make you absolutely compelled by a chase scene that’s clearly a ripoff of Return of the Jedi‘s speeder bike sequence. (It even features Star Wars‘ very own Daisy Ridley, to boot!)
In many ways, Chaos Walking struck me as shouty, empty, and stitched-together. But I don’t want to dismiss it entirely, because it also struck me as intriguing, unique, and unburdened by expectations. This is a movie that’s comfortable being its own damn self, almost a little too much so. But that qualification is also why I admire it. At first glance, it looks like a generic slice of dystopian YA, but sticking with it allows it time to reveal that it’s a bit of an odd beast. Chaos is indeed walking, and it’s reigning supreme, and I can’t argue with that.
Chaos Walking is Recommended If You Like: Lots of trees, Visually loud neuroticism, Differences between boys and girls writ large
Grade: 3 out of 5 Spackle Noises
June 23, 2020
jmunney
Best of the 2010s, Best of the Decade, Television
Aden Young, Alison Brie, Andy Daly, Best of the 2010s, Best of the Decade, Bill Hader, Billy Porter, Bob Odenkirk, Danny Pudi, Eden Sher, Hugh Dancy, Joel McHale, Jon Hamm, Kyle MacLachlan, Lee Pace, Louie Anderson, Mackenzie Davis, Mads Mikkelsen, Michael McKean, Nathan Fielder, Rami Malek, Rhea Seehorn, Tatiana Maslany, Zach Galifianakis

CREDIT: YouTube Screenshots
The extra-special-bonus Best of the 2010s lists keep arriving all this week! Yesterday, it was the Best Film Performances, now we’re moving to the small screen with the top TV Performances. And while the screens were smaller, the roles were arguably bigger, at least in terms of running time.
Regarding eligibility: all Lead and Supporting (but not Guest) performances from any show that aired at least one full season between 2010 and 2019 was eligible. Actors who played multiple characters in the same show were considered one performance. Actors who played the same character across multiple shows were also considered one performance.
More
January 28, 2019
jmunney
Cinema, Movie Reviews
Arctic, Joe Penna, Mads Mikkelsen, María Thelma Smáradóttir

CREDIT: Helen Sloan SMPSP/Bleecker Street
Starring: Mads Mikkelsen, María Thelma Smáradóttir
Director: Joe Penna
Running Time: 97 Minutes
Rating: PG-13 for Bloody Accident Images and the Effects of Extreme Cold
Release Date: February 1, 2019 (Limited)
Arctic is like a cinematic version of The Oregon Trail, that old computer game standby, insofar as it’s all about getting from point A to point B, with lots of deadly peril along the way. It also resembles many-generations-ago gaming in its decidedly no-frills nature. Mads Mikkelsen plays Overgård, a man who has been stranded alone in the title tundra for an unspecified period of time. There is hardly any dialogue because the only other credited character is a woman (María Thelma Smáradóttir) in a helicopter crash who is barely, if at all, conscious for most of the running time. The video game comparison does not track completely, as you never really got to know anyone in your Oregon Trail party, beyond all the diseases and snake bites they succumbed to. Arctic, on the other hand, does allow you to spend plenty of time getting up close and personal with Mikkelsen, but in fact you don’t get to know him that well, because he’s too busy just surviving.
Your appreciation of Arctic will depend a great deal on whether or not you believe minimalism is the best approach for this type of story. It certainly has its advantages, as the sheer imposing scope of the setting ensures that director and co-writer Joe Penna does not have to do anything fancy to convey the truth of Overgård’s situation. I enjoyed watching Arctic about as much as an afternoon spent playing The Oregon Trail. But I appreciated it much more deeply for its technical astuteness and efficiency. And it’s also now perfectly clear, if it wasn’t already, that Mads Mikkelsen is ideal company no matter what the occasion.
Arctic is Recommended If You Like: Survival Stories, Snow, Minimalism
Grade: 3 out of 5 SOS’s
November 13, 2018
jmunney
Cinema, Movie Reviews
At Eternity's Gate, Emmanuelle Seigner, Julian Schnabel, Mads Mikkelsen, Mathieu Amalric, Oscar Isaac, Paul Gauguin, Rupert Friend, Vincent van Gogh, Willem Dafoe

CREDIT: CBS Films
This review was originally published on News Cult in November 2018.
Starring: Willem Dafoe, Oscar Isaac, Rupert Friend, Mads Mikkelsen, Mathieu Amalric, Emmanuelle Seigner
Director: Julian Schnabel
Running Time: 110 Minutes
Rating: PG-13 for Intense Mental Turmoil and the Fallout of Self-Mutilation
Release Date: November 16, 2018 (Limited)
Wow, does Willem Dafoe sure look like Vincent van Gogh. I had never noticed the resemblance before, but now that the actor has played the Dutch painter in At Eternity’s Gate, I cannot unsee it, and I am left to wonder how I never noticed it before. Perhaps adding a bandage to cover up an ear (or where an ear should be) was essential for making the similarity come into focus. Casting a lookalike actor is not exactly the most impressive cinematic feat, but its effectiveness can transcend its lack of difficulty, as is the case here. The effect is complete only if the actor manages to forge an emotional connection as striking as the physical one. Dafoe is certainly up to the task, with the deep pools in his eyes conveying the sublime weight of the world that hung upon van Gogh’s face.
Van Gogh is one of the most famous examples of the troubled, mentally ill artist. Director Julian Schnabel does not romanticize that side of him, but nor does he attempt to remove it entirely from his creative process. Depression probably made it more difficult for van Gogh to get his work done, but it also forced him into certain perspectives that are strikingly illuminated in his paintings. However, At Eternity’s Gate is less about van Gogh’s creative process and more about how he relates to the world. He has trouble relating to most people, just as they have trouble understanding him. But he does have at least one cherished friendship, with his fellow post-Impressionist, Paul Gauguin (Oscar Isaac). My brother was telling me that he heard that Gauguin’s purpose in this film is essentially to regularly ask van Gogh, “You doing okay?” That is correct, and it is a crucial purpose. In the film, the ear-cutting incident is played as a moment of panic when van Gogh fears that Gauguin is going to abandon him. It is a highly relatable situation for anyone who has ever experienced anxiety related to their friends moving on in their lives, and it serves to make the struggles of someone who lived over 100 years ago less abstract. The world can be overwhelming, and it has been for some time. Somehow van Gogh made his mark on that journey. We should cherish that for what it is worth, whatever that inscrutable value is.
At Eternity’s Gate is Recommended If You Like: The Diving Bell and the Butterfly, Melancholia, Willem Dafoe in a starring role
Grade: 3.5 out of 5 Starry Nights
October 31, 2016
jmunney
Cinema, Movie Reviews
Benedict Cumberbatch, Chiwetel Ejiofor, Doctor Strange, Mads Mikkelsen, Marvel Cinematic Universe, MCU, Scott Derrickson, Tilda Swinton

This review was originally published on News Cult in October 2016.
Starring: Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Rachel McAdams
Directors: Scott Derrickson
Running Time: 115 Minutes
Rating: PG-13 for fantastical bumps and bruises and a gruesome accident
Release Date: November 4, 2016
Now at 14 films strong, the Marvel Cinematic Universe shows no signs of abandoning its (consistently profitable) template: initial humbling, transformative origin, world-threatening climax. Doctor Strange is not interested in (or prohibited from) straying from that template, but it does mess with the rules in ways that do right by its protagonist.
That transgressive attitude is there right from the start. Stephen Strange is a highly respected and highly arrogant neurosurgeon whose superheroic path is catalyzed by a car wreck that is as horrific and as indulgent as a PG-13 rating allows. The comic book model often begins with these intense powder kegs, but they are rarely this visceral, unless they are making a show of being “adult,” which is not what this entry is all about.
With his hands left stubbornly tremorous, Strange is enticed by the promise of an alternative treatment in the mountains of Nepal. While initially prone to skepticism about the sorcery he encounters, he hears out the pitch, perhaps because all characters played by Chiwetel Ejiofor or Tilda Swinton exude confidence. Convincing Strange could have been drawn out, but that likely would have been tiresome, so instead he is soundly convinced by a cosmic trip that achieves cinematic psychedelia unheard of for decades.
Of course, this all leads to a grand climactic battle – this time, a traitorous rebellion led by a former pupil (Mads Mikkelsen). As usual, the entire planet is at threat, but Dr. Strange is sly about how this comes to pass. With much of the action taking place in the “Mirror Dimension” or “astral planes,” the world at large generally has no idea what is going on.
Basically, while Doctor Strange must work within constraints, it has no intention of dialing back the pizzazz. And why should it, considering that so many of its characters can bend the very nature of reality? The film’s most striking visuals – rolling skyscrapers, warped cityscapes – are obviously reminiscent of Inception. That earlier dreamscape flick famously utilized primarily practical effects, while Strange quite obviously employs CGI. That is not a knock – this is perhaps the most artful use of impractical effects of all time. As Stephen Strange learns in his hero’s journey, it’s all about playing to your strengths.
Doctor Strange is Recommended If You Like: Inception But Wish It Had Been More Maniacal, 2001, a Healthy Helping of Looney Tunes
Grade: 4 out of 5 Astral Bodies