In 2025, Superman Once Again Takes to the Skies and Grapple with His Human Dilemmas

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He doesn’t look like a bird or a plane from this angle (CREDIT: DC/Screenshot)

Starring: David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, Isabela Merced, Pruitt Taylor Vance, Neva Howell, Wendell Pierce, Skyler Gisondo, Beck Bennett, Mikaela Hoover, Christopher McDonald, Sara Sampaio, Alan Tudyk, Terence Rosemore, Frank Grillo, María Gabriela de Faría, Michael Ian Black, Pom Klementieff, Bradley Cooper, Angela Sarafyan

Director: James Gunn

Running Time: 129 Minutes

Rating: PG-13 for Some Bloody Blows and Foul-Mouthed Critics

Release Date: July 11, 2025 (Theaters)

What’s It About?: The Big Blue Boy Scout, aka Superman (David Corenswet), aka Supes, aka Clark Kent, aka the Man of Steel, believes deeply that he’s been sent to Earth to protect the human race. That idealism is a big part of why his Daily Planet colleague/girlfriend Lois Lane (Rachel Brosnahan) and so many of his fans have fallen for him. But not everyone is so sure that an alien from Krypton should be their guardian. Especially not Lex Luthor (Nicholas Hoult), who’s waging a disinformation campaign to erode the public’s trust and orchestrate a war-profiteering scheme. His evil plan also includes imprisoning Supes in a pocket universe, a risky move that threatens to tear the entire fabric of Earth apart. Fortunately there are already some other superpowered folks in this world who might just be willing to help Clark out.

What Made an Impression?: Can Clark Kent Afford Therapy?: With James Gunn behind the camera and the screenplay, it appears that the biggest threat to Superman in 2025 is … social media troll bots! And not even particularly clever trolls. The biggest difference between this Clark Kent and all other previous big screen versions is surely his fragile ego.  It’s more than a little jarring seeing him so petty and vulnerable when his predecessors have been so unfailingly upright. But it’s also kind of endearing.
Clark Wants to Be a Punk Rocker: Assuming that this Clark Kent is about the same age as the guy playing him (David Corenswet is 32), then he definitely feels like a millennial whose personality was shaped by the Gen Xers driving culture in the 90s and early 2000s. People like James Gunn, perhaps! (Or people like The State alum Michael Ian Black, who plays a just-asking-questions-style “journalist.”) Corenswet Clark is like the guy who tries to be cool by emulating the indie rock crowd from when he was a kid and doesn’t get it quite right. But Lois still loves him anyway!
Gizmos and Galaxies Galore: In addition to being the most short-circuited and vaguely punk rock version of the character, Gunn’s Superman is also easily the nerdiest big screen iteration we’ve ever seen. This movie is filled to the brim with the sorts of gadgets and phenomena that sound like they’re based on a kernel of real science but are stretched out to ridiculous comic book sensibilities. Nanites, hypno-glasses, antiproton rivers: imaginations have certainly been let loose.
A Promising Forecast: Superman 2025 features some spirited acting, a cast of colorful characters, kinetic action sequences, a clear and unapologetic sense of its own identity, and a super-duper canine. And it also features some fantastically pleasant weather. There are several moments throughout the movie of a news broadcast with a forecast on the ticker informing us that the temperatures in Metropolis range between 62 and 65 degrees (presumably Fahrenheit) for the entire week. No wonder everyone’s in a good enough mood to fulfill their heroic destinies!

Superman is Recommended If You Like: Comic Books; Or, Your Loved Ones Who Enthusiastically Tell You Everything That Happens in Their Favorite Comic Books

Grade: 3.5 out of 5 Justice Gangs

‘Skincare’ Draws Its Thrills From Relentless Criminal Harassment Rather Than Relentless Dry Skin

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A Photo of Elizabeth Banks Taking Care of Her Skin (CREDIT: IFC Films)

Starring: Elizabeth Banks, Lewis Pullman, Michael Jaé Rodriguez, Luis Gerardo Méndez, Nathan Fillion, John Billingsley, Medalion Rahimi, Wendie Malick

Director: Austin Peters

Running Time: 94 Minutes

Rating: R for Unwanted Dick Pics and Things Spinning Violently Out of Control

Release Date: August 16, 2024 (Theaters)

What’s It About?: The skincare business is brutal, especially if you’re Hope Goldman (Elizabeth Banks). She’s already one of the biggest names in the industry, but as she gets ready to elevate things to the next level, she becomes the victim of some rather extreme sabotage. Her email is hacked, scary people start showing up at her door, and she’s sent a series of unsolicited sexts that leave little to the imagination. It certainly doesn’t help that she’s behind on her rent and that she’s spending beyond her means. She suspects that her new rival (Luis Gerardo Méndez) who just opened a store in the same complex is the one behind it all. But the truth may just be a little more sinister and impenetrable than that.

What Made an Impression?: You Can Lose ‘Em All: Is Hope by any chance related to Job from the Book of Job? That’s as viable an explanation as any that I can surmise to explain all the misfortune befalling her. In addition to the harassment campaign, seemingly every straight man she meets makes an unwanted pass at her, while all of her most loyal clients abandon her one by one.  She does bear some responsibility for her dire straits, as she doesn’t exactly have the soundest business model for her current situation, while her efforts for vengeance are misguided, to say the least. But the unceasing tribulation she faces is nothing short of cosmically massive and inescapable.
Was It All a Bad Dream?: There’s something about modern Los Angeles (or at least the version of the city that often ends up on film) that feels perpetually stuck in the 1980s: the blindingly lit-up aesthetic, the artificial peacocking, the greedy Me Decade vibes. Skincare is clearly set in the present day (or at least the past 15 years or so), what with its use of smartphones and ubiquitous email communication. But by situating itself in an industry that still relies on hawking its wares via channels that had their heyday decades ago, there is a surreal out-of-time quality to Hope’s misadventures. Plus, the whole fact that lotions and creams feel like they should be too low-stakes for an unrelenting thriller only further ramps up the cognitive dissonance. Banks’ knack for becoming existentially harried is the perfect fit for grounding us in this nightmarish realm. As someone who suffers from perpetually dry skin, I’m certainly invested in justice being served, and the unreality of it all rings painfully true.

Skincare is Recommended If You Like: A woman suddenly stopping as she realizes that she’s being followed

Grade: 3 out of 5 Facials

‘Guardians of the Galaxy vol. 3,’ What Are Ya Doin’ to Me?

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Hey, Rocket Raccoon, what did you do? (CREDIT: Marvel Entertainment/Screenshot)

Starring: Chris Pratt, Bradley Cooper, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Chukwudi Iwuji, Will Poulter, Sean Gunn, Linda Cardellini, Nathan Fillion, Sylvester Stallone, Elizabeth Debicki, Maria Bakalova, Nico Santos, Miriam Shor

Director: James Gunn

Running Time: 150 Minutes

Rating: PG-13

Release Date: May 5, 2023

I nodded off a fair amount during Guardians of the Galaxy vol. 3 (post-half marathon recovery), which felt appropriate, because I think my subconscious recognized that I would have been too overwhelmed otherwise. There were A LOT of creatures being mistreated – my emotions can only handle so much!

With that in mind, I feel compelled to be more nakedly emotional than usual:
-Two and a half hours? Egads!
-Rocket, I feel so close to you now!
-Cosmo is such a good dog!

Grade: 275 Evolutions out of 400 Suburbs

‘The Suicide Squad’ is Silly, Violent, Imaginative, and Easy Enough to Follow

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The Suicide Squad (CREDIT: Warner Bros./Screenshot)

Starring: Idris Elba, Margot Robbie, Viola Davis, John Cena, Joel Kinnaman, Sylvester Stallone, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior, Michael Rooker, Alice Braga, Pete Davidson, Nathan Fillion, Sean Gunn, Flula Borg, Steve Agee, Storm Reid, Taika Waititi

Director: James Gunn

Running Time: 132 Minutes

Rating: R for Various Body Parts Getting Torn Apart, a Full Roster of Potty Mouths, and a Little Bit of Nudity

Release Date: August 5, 2021 (Theaters and HBO Max)

The Suicide Squad feels like it came from another dimension. It shares a few characters with 2016’s (no “the”) Suicide Squad and has essentially the same premise. It’s ostensibly a sequel to that earlier effort, but it’s effectively a do-over. There are plenty of reboots every year at the multiplex, but rarely do we have such an unabashed mulligan. The multiverse theory posits that there is an infinite number of realities with any number of minor or major variations, and it seems that we’ve somehow been visited by the one in which James Gunn directed a Suicide Squad movie instead of David Ayer. Adding to this surreal state of affairs was the fact that I was in a bit of a fugue state while watching The Suicide Squad. It was a 10:00 AM screening, my first morning trip to a movie theater post-pandemic. My body was confused by the lack of sunlight at the early hour and thus my brain was unsure if it should be waking or dreaming. Either way, heads were always fated to explode.

The Suicide Squad takes a cue from Suicide Squad by having multiple beginnings, but this time it’s a cheeky bit of purposeful misdirection instead of stinky studio manipulation. Suicide squads are famously expendable, and it turns out that there are degrees of expendability, as one squad is introduced with plenty of fanfare only to serve as a diversion. Everyone involved clearly wanted to feature as many characters as possible to essentially say, “Can you believe all of the colorful ridiculousness that has actually appeared in DC Comics?” The team that we spend most of our time with consists of the ever-popular Harley Quinn (Margot Robbie), a couple of sharpshooters (Idris Elba, John Cena), a queen of rodents (Daniela Melchior), and a guy who shoots polka dots out of his mouth (David Dastmalchian). They’re sent to the fictional South American island nation of Corto Maltese for some top secret political meddling, but a date with the fantastical awaits them.

I wasn’t prepared for the Big Bad in The Suicide Squad to be a giant starfish, but that is indeed what awaited me. And quite frankly, I’m glad that that’s what we got. I can take or leave the gleeful over-the-top violence; it’s good for a few laughs, but after a couple of hours, I’m exhausted by the fact that I’m not really meant to care about any of these characters (although a few do manage to find a small place in my heart). So I’m grateful that there’s a surplus of visual imagination to appreciate. Way too many extraterrestrial cinematic CGI creatures of the past 15 years or so are some variation on big bad bugs, so a massive starfish that squirts out hundreds of smaller starfish is a relief. I’d be happy to see Starro rolling around every future corner of the big-screen DC universe, whether or not the reject crew is around.

So in conclusion, if you like kooky superpowers at their absolute kookiest and rats getting their time in the spotlight, you’ll probably have a decent time with the Suicide Squad.

The Suicide Squad is Recommended If You Like: The trailers for 2016’s Suicide Squad, bodily mutilation played for laughs, Mouse Hunt

Grade: 3 out of 5 Rats