How to Navigate ‘Splitsville’ and ‘The Threesome’

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Which of them will end up Split? All Three? (CREDIT: NEON; Vertical/Screenshot)

Splitsville

Starring: Kyle Marvin, Michael Angelo Covino, Dakota Johnson, Adria Arjona, Simon Webster

Director: Michael Angelo Covino

Running Time: 104 Minutes

Rating: R

Release Date: August 22, 2025 (Theaters)

The Threesome

Starring: Jonah Hauer-King, Zoey Deutch, Ruby Cruz, Jaboukie Young-White, Josh Segarra, Kristin Slaysman, Allan McLeod, Julia Sweeney, Arden Myrin, Robert Longstreet

Director: Chad Hartigan

Running Time: 112 Minutes

Rating: R

Release Date: September 5, 2025 (Theaters)

Whoa, why are relationships getting so tangled and messy at the cinema lately? In the span of just two days, I saw Splitsville and The Threesome, which both had me frequently going, “Now see, are you sure you want to do that?” So I’ll go ahead and turn that question back around to myself and ask if I would like to try on any of these dynamics, perhaps just for the heck of it.

First up, I’ll check in to Splitsville (which I’m writing about before seeing The Threesome, which may or may not matter), in which this lady named Ashley (Adria Arjona) tells her husband Carey (Kyle Marvin) that she wants a divorce. That leads Carey to seek comfort in the ostensibly warm embrace of his friends Paul (Michael Angelo Covino) and Julie (Dakota Johnson), who it turns out have an open relationship. So Carey and Julie hook up, but Paul isn’t exactly okay with that. Meanwhile, Carey and Ashley eventually decide to try remaining married while opening up their relationship as well. Soon enough, Carey is falling in love with Julie, Ashley is falling back in love with Carey, and Paul and Ashley are teaming up to make their exes-who-are-still-their-spouses jealous. So, uh… yeah, I’m glad I wasn’t fully ensconced within this entire misadventure. If I’m ever part of an open relationship, I’m going to push for us to all sign a contract beforehand. But you know, like a sexy contract.

As for The Threesome, the messiness is baked right into the premise: three people enter a sexual encounter, two pregnancies emerge. At least compared to Splitsville, there’s one less person to keep track of in this case. Although of course, that’s not fully true, because plenty of other orbiting folks end up getting involved. Anyway, the dude in this scenario, Connor (Jonah Hauer-King), has stronger romantic feelings for one of the ladies, specifically Zoey Deutch’s Olivia. But he also wants to do right by their new intimate friend, Ruby Cruz’s Jenny. There are plenty of missteps along the way, but somehow we end on a note of everything turning out more or less okay.

When it comes to comparing and contrasting, the conclusion is: Splitsville is a whole lot messier than promised, whereas The Threesome is just the opposite. Honestly, I wouldn’t hate living through the latter’s scenario, though I wouldn’t exactly seek it out either, except perhaps as a less entangled observer. Connor’s friend Greg (Jaboukie Young-White) and his mom Suzanne (Julia Sweeney) definitely have fun in that role without getting hit by too much crossfire. So yeah, I wouldn’t mind lending a sympathetic ear.

Grades:
Splitsville: I Can Only Split So Much Before I Break
The Threesome: 3.5 out of 5 Threes

‘Halloween Kills,’ and That Makes for a Bloody Mess

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Halloween Kills (CREDIT: Ryan Green/Universal Pictures)

Starring: Jamie Lee Curtis, Judy Greer, Andi Matichak, Anthony Michael Hall, James Jude Courtney, Nick Castle, Will Patton, Thomas Mann, Kyle Richards, Nancy Stephens, Robert Longstreet, Charles Cyphers, Dylan Arnold, Scott MacArthur, Michael McDonald

Director: David Gordon Green

Running Time: 105 Minutes

Rating: R for Blood, Guts, Viscera, Screaming

Release Date: October 15, 2021 (Theaters and Streaming on Peacock)

According to Halloween Kills, there are two main reasons why you should avoid mob justice:

1. You might go after the wrong person and end up killing an innocent man.
2. The guy you’re targeting seemingly can’t be killed.

That second lesson applies specifically to the Halloween film franchise (although it can certainly be extended to other horror classics). These seem like pretty obvious lessons, but I guess I should cut the characters in this film some slack, considering that they don’t have the same context that we viewers do. In case you need a refresher: the David Gordon Green-directed Halloween Kills is a direct sequel to the 2018 Halloween (also directed by Green), which was itself a direct sequel to the original 1978 Halloween that ignored all the other sequels. So while in the current continuity it might be a slight surprise to the residents of Haddonfield that Michael Myers is indestructible, it’s not at all surprising to the audience.

As the Halloween franchise is 43 years old and a dozen films deep, it’s forgivable if it doesn’t pull off too many genuine shocks anymore, so long as it has something to say. And Halloween Kills certainly wants to have something to say vis-a-vis that mob justice angle. But it seems to me like the townspeople seeking justice are actually fairly effective. Sure, the misidentification is pretty bad, but they eventually do manage to corner Michael. Their plan would have worked against someone a little more mortal!

But of course, the dictates of pre-planned sequel-dom make it clear that an ultimate victory is fully out of reach. A third entry directed by Green, entitled Halloween Ends, is already on the schedule for next October. So right now, we can feel pretty confident that Michael will return and that Jamie Lee Curtis as Laurie Strode will as well. Everyone else, even some returning favorites (including child star-turned-Beverly Hills housewife Kyle Richards herself), are a little more vulnerable.

So then, we’re left to hope that the set pieces are at least effective. Pretty much all of them are throwbacks to the style of the original. Some are pretty funny, others are melodramatic, all of them end in relentless violence. Probably the most amusing is the series of scenes with Michael McDonald (the steamroller-crushed security guard from Austin Powers) and Scott MacArthur (best-known for the short-lived Fox sitcom gem The Mick) as a couple just trying to have a relaxing Halloween night in. Unfortunately, they decided to live in Michael Myers’ former home, and that just doesn’t bode well for their future together. If Halloween decides to go in a sillier and campier direction, they’ve got the blueprint right here.

Halloween Kills is Recommended If You Like: Saw-style gore, Inevitable death, Anthony Michael Hall springing into action

Grade: 2.5 out of 5 Masks

This Is a Movie Review: Sorry to Bother You

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CREDIT: Annapurna Pictures

I give Sorry to Bother You 5 out of 5 Hybrids: https://uinterview.com/reviews/movies/sorry-to-bother-you-movie-review-boots-rileys-mind-blowingly-original-debut-is-one-of-2018s-best-films/